We found 39443 price guide item(s) matching your search

An Edwardian inlaid mahogany corner chair with tapestry seat

A Flemish-style French tapestry titled “Le Canal De Bruges”, depicting soldiers on horse-back riding into battle, 103” wide x 68½” high.

An exquisite vintage Burmese Kalaga tapestry Wall Hanging featuring padded figures, elephants and dragons covered in antique gold sequins and couched bullion threads. There are cut glass 'jewels' at four points on the boarder and moonstone like 'jewels' around the central motif. The traditional piece has been mounted on a tapestry effect jacquard fabric and backed with cotton.   109 cm x 72 cmcondition is generally good. There is some minor sequin loss and a couple of missing stitches around the elephants trunk.

30s/40s and later hats and bags to include a soft woven straw bag with embroidery, a straw hat which has had velour, silk and felt flowers added, a large tapestry effect weekend bag and others (qty)

Three needlework cushions and one with an embroidered front, a piece of antique German tapestry style upholstery fabric, a needlework wall hanging or alter front with padded beading and small hooks to the reverse. (6)

Victorian tapestry , made by Sarah Netherson aged 9 years 184544cm x 45.5cmsome staining

A tapestry picture 70cm x 80cm and three signed prints by Lawrence Norman Hirst (4)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

VICTORIAN TAPESTRY PICTURE, INTERIOR SCENE WITH OLD WOMAN AND CHILD, F/G, 85CM HIGH

Kidney shaped, low backed antique occasional chair along with a swivel stool with tapestry seat

A PAIR OF TAPESTRY PANELS EMBLEMATIC OF HOPE AND JUSTICE PROBABLY FLEMISH, LATE 17TH/EARLY 18TH CENTURY Of opposing form with emblematic reclining female figures above a cartouche inscribed 'Spes' and 'Justitia', possibly fragments from a larger pieceone 118 x 67cm, the other 113 x 67cm Provenance: Private Collection, SurreyPurchased by the current vendor from Peta Smyth Antique Textiles, London 13th November 2002 (£3,900). A photocopy of the original receipt is available with this lot.

A GEORGE II CARVED WALNUT OPEN ARMCHAIR ATTRIBUTED TO DANIEL BELL AND THOMAS MOORE, CIRCA 1735102cm high, 72cm wide, 59cm deep overallProvenance:Private Collection, LondonRetailer's label for Norman AdamsSee Adam Bowett, Early Georgian Furniture 1715-1740, page 180, plate 4:73, for a related chair with strikingly similar legs, supplied by Daniel Bell and Thomas Moore, with a November 1734 bill to the 'Honourable Counsellor Rider' of Sandon Hall, Stafford, 'To ten hansome Wallnuttree Chairs broad banister backs cutt in shape with scrole tops finneard with very good wood, loose compass seats, stuft in white Hessings with rich carved fore feet with Lyons faces on Ye Knees and Lyons Paws...with scrolls...to ye fore-rails...£27.10.00'.Whilst this armchair displays similar features to the Sandon Hall chair, such as the legs and compass seat, the exceptional piercing and carving to the back of this armchair and the carving to the arms and the seat rail seem more balanced with the quality and scale of the base.Geoffrey Beard and Christopher Gilbert, Dictionary of English Furniture Makers 1660-1840, records: Daniel Bell 'St Martin's Lane, London, cabinet maker 1724-1734,...recorded in partnership with Thomas Moore as early as 1724 when the firm supplied goods to Benjamin Mildmay, Earl Fitzwalter for Moulsham Hall between 1724-34; Thomas Moore is recorded as 'London, cabinetmaker 1734-d1738...at St Martin's Lane. The younger James Moore, son of the Royal cabinetmaker, died in 1734, and it seems probably that Thomas was a member of the family who at that date or earlier had entered into partnership with Daniel Bell.'See also Christie's Books, Masterpieces of English Furniture, The Gerstenfeld Collection, pages 80 and 207, plate 58, cat no. 52, for a pair of George II walnut side chairs, the legs with related acanthus drapery, bold lion masks and paw feet. Closely related chairs are seen in the 1741 painting by William Verelst of the Gough Family, and these Gerstenfeld chairs are also referenced as prototypes for an identical Chinese model in rosewood. The Victoria and Albert Museum, London, has in it's collection giltwood seat furniture with some related features made circa 1730 by chair maker Thomas Roberts junior made for Robert Walpole, Houghton Hall, Norfolk. These Houghton sofas and chairs are carved naturalistically with lion's masks and lion's legs and feet.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The inner supporting rails to hold the seat in place are later replacements, the other rails and blocks with signs of age including old woodworm holes and fillerTo the rear of the back there are some old repairs and replacements including splicing, there is some filler also. This would appear to have had some professional restoration carried out previouslyThe surface has been cleaned and polished overallThe tapestry to the seat has age, there is a hole to the central decoration, there are also signs of repair to the sides, there are signs of other tack marks to the rails of the drop in seatOverall the frame is entirely solid and stablePlease refer to additional images for visual reference to conditionCondition Report Disclaimer

A LARGE CARVED OAK MODEL OF ST. GEORGE AND THE DRAGON PROBABLY EARLY/MID 19TH CENTURY, NORTH EUROPEAN The armoured saint depicted on rearing horse, lancing dragon below94cm high, 79.5cm wide, 26cm deepProvenance:The collection of Standish Robert Vereker, 7th Viscount Gort (1888- 1975) at Hamsterley Hall, Co. DurhamInherited by The Hon. Catherine Mary Wass, OBE (1942-2021) upon the death of her great-uncle, the 7th Viscount Gort, in 1975Illustrated: C. Hussey, 'Hamsterley Hall, Durham: The Seat of the Hon. S.R. Vereker, M.C.', Country Life, 21 October 1939, p. 421, fig. 8; R.E.The Role of Antiques Today: Furniture and Tapestry at Hamsterley Hall', Country Life, 2 March 1940, p. 231, fig. 6. Exhibited:Bessie Surtees House in 1934 This carved oak model of St. George and the Dragon is from the collection of the 7th Viscount Gort, Standish Robert Vereker (1888 - 1975), at Hamsterley Hall, Co. Durham. It was photographed by Country Life in the drawing room at Hamsterley in 1939 and 1940. The design is possibly inspired by a drawing attributed to the workshop of Raphael (Urbino 1483 - Rome 1520) in the National museum, Stockholm (inv. no. NM 297/1863); a 19th century albumen print of this drawing is in the Royal Collection, acquired by Prince Albert (1819-61) for the Raphael Collection (RCIN 851606). The painter and sculptor, Matthew Cotes Wyatt (1777-1862), produced a related sketch, possibly for the bas-relief in St. George's Hall, Windsor (RCIN 917613). This imagery can also be found on the Badge of The Order of the Garter, on the reverse of British coins from the early 19th century, and reflects the interest in the chivalric order and Arthurian legends during the Victorian era.Condition Report: With marks, knocks, scratches, abrasions consistent with age, handling, cleaning and everyday useShrinkage faults throughout- resulting in associated detail loss. There are old repairs including but not confined to; reverse 16cm section of base, horse tail, horse left front leg, lance tip, possibly section of dragon mouth, saints' right arm, right hand section of rein etcOne spur incomplete and with details lost including to horse left ear and head, front section of plinth etc. Shaft of lance with old break where it enters dragon's mouth. Please see numerous additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A CONTINENTAL CARVED GILTWOOD AND AUBUSSON NEEDLEWORK INSET BED HEADLATE 18TH/19TH CENTURYthe tapestry element and cresting approximately 153cm high, 215cm wideProvenance: Mostly likely the collection of Standish Robert Vereker, 7th Viscount Gort (1888- 1975) at Hamsterley Hall, Co. DurhamInherited by The Hon. Catherine Mary 'Kate' Wass, OBE (1942-2021) upon the death of her great-uncle, the 7th Viscount Gort, in 1975  

A FLEMISH MYTHOLOGICAL TAPESTRY 'DON QUIXOTE' POSSIBLY LILLE, 18TH CENTURYWoven in wools and silks, depicting Don Quixote in armour standing between Sancho Panza and a further figure in armour, flanked by trees and with a hilly landscape in the distance324.5cm high, 254cm wideProvenance: Purchased Christie's, London, Fine Continental Furniture, Tapestries And Carpets, 1st October 1998, Lot 206 (£8,625). Condition Report: The tapestry is backed with natural linen stitched around the edge, with a band of velcro across the top.Overall there are losses and restorations including later stitching on sectional borders, re-stitching, patching and re-weaving of various dates. There are some holes, some gaping holes with underlying traces of glue notably around the upper figure of Quixote and to the finer work of the clothes and armour of the two other figures, some areas that are fragmenting.The colours are muted, with greens faded to blues and other fading and condition loss due to exposure to sunlight including to the central area. The base of the backing is loose at intervals allowing small areas of colour comparison with the reverse.Overall some resizing, the blue outer border is later around the acanthus-wrapped column border.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

A CONTINENTAL VERDURE TAPESTRY PANEL LATE 17TH CENTURY Fragment from a larger wall panel, central bird in tree design146 x 50cmProvenance:From the London property of a former Australian Prime MinisterCondition Report: Fragmentary =- later backing edge banding, colours slightly muted and with some couched repairs Please see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A FRENCH VERDURE TAPESTRY PANEL LATE 17TH/EARLY 18TH CENTURY A fragment of a larger wall length panel, depicting two large water birds in the shade of a verdant tree, landscape with capriccio of houses beyond224cm high, 193cm wide overallProvenance: Property of Elizabeth Gage, MBECondition Report: Part of a larger example, reduced in size, old repairs and reweaving- colours muted but reds and shades of green still evident and presents well on the wall. later border and with hanging loops, later backing so unable to examine reverse. Slightly musty smell. Please see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A FRENCH CARVED GILTWOOD AND TAPESTRY UPHOLSTERED SETTEE IN LOUIS XVI STYLE, THIRD QUARTER 19TH CENTURY The underside with label for 'From Luton Hoo, J. Gerard Leigh', the underside also with small inventory plaques for 'J.G.L. 38' and '98'79.5cm high, 140cm wide, 62cm deep overall  Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses to the surface, also rubbing and wear and dirt and discolouration The frame appears to be solid and stable overallThe upholstery with dirt and discolouration, where the seat pad is removed the original colour can be seen, there is wear and pulling to threads as well as some holes, it is assumed to be the original coveringAs catalogued there are labels and label fragments to the rails, these are rendered and gilt and again the surfaces appear to be originalPlease refer to additional images for visual reference to conditionCondition Report Disclaimer

A SET OF FOUR TAPESTRY COVERED CUSHIONS FRENCH, EARLY 18TH CENTURY AND LATER ADAPTED Each incorporating front panels taken from tapestry border with fruit and flowers, modern edging and backs, artificial fillingeach approximately 51 x 32cmCondition Report: Fragmentary losses with some old repairs and edge strengthening, cushions sealed, colours still fairly strongPlease see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A FLEMISH ARMORIAL SURMOUNTED VERDURE TAPESTRY PANEL LATE 17TH CENTURY Landscape view with river to the foreground- the whole surmounted with armorial crest, possibly Italian or Maltese, with shield with serpent, encircled with scallop shell and fleur-de-lys necklace, Maltese cross drop pendant belowapproximately 267cm high, 163cm wideProvenance: Property of Elizabeth Gage, MBECondition Report: Restorations, repairs, reweaving and reduced from larger example- textile quite dry and worn particularly to the centre- border with some cuts and reweaving. Colours mutedPlease see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

After F.M. Bennett, framed print (35cm x 45cm) & vintage tapestry 'Wine maker' scene (60cm x 60cm)

Tapestry of a woodand scene in a Mahogany frame 55 x 88cm

A jewellery box together with a religious tapestry

3 ORNATE VICTORIAN MAHOGANY CHAIRS WITH TAPESTRY SEATS & 1 OTHER MAHOGANY CHAIR

REPRODUCTION MAHOGANY PADDED BEDROOM CHAIR & TAPESTRY TOP STOOL

A dartboard and selection of cushions including tapestry style

A large Victorian figural tapestry in plain oak frame, approximately 52" overall width. Separate viewing arrangements by appointment.

Pair of upholstered Louis style carved Elbow chairs with tapestry backs and scroll feet

Circa 1970s Welsh Tapestry Wool Garments, comprising a 'Real Welsh Tapestry All Wool' purple, green and blue jacket with collar and patch pockets; blue, white, green and black cape with shaped button fastening, matching short skirt and belt tie; green, orange and dark pink three quarter length coat with round neck, button fastening, scooped patch pockets, plaited matching wool drawstring belt, brown wool trims and button detail to the hem; Other Items comprising a yellow, grey and white checked full length A-line skirt and matching fitted jacket; Elgee of London brown wool trouser suit with flared trousers, double breasted jacket with wide lapels; RBA French wool black and white checked jacket with round neck, gathered yoke to the back and large patch pockets (6)

Armlehnsessel und 2 Ofenschirme, Barockstil, schwarz lasiert und goldfarben gehöht, handbestickten Gobelinbezüge- bzw. Bespannungen, Polsterung altersbedingten Gebrauchsschäden, Holzrahmen teilweise floral beschnitzt, Sessel: ca, 96,5 x 68 x 50cm, Ofenschirme: ca, 109 x 72,3cm Füsse: 47cm, EZ 3Armchairs and 2 oven screens, Baroque style, black glazed and gold-colored heightened, hand-embroidered tapestry covers or coverings,upholstery with age-related wear and tear, wooden frame partly florally carved, armchair:approx. 96.5 x 68 x 50cm, oven screens: approx. 109 x 72.3cm Feet: 47cm, condition 3

A silk embroidered crest 'Clare Coll. Cambridge' in a Victorian circular ebonised frame, a framed wool tapestry picture of a family in a summers garden, a petit point and beaded banner with central oval cartouche of a posy of flowers, framed (3)

A Bhutan wall tapestry

Flachgewebe. ÄGYPTEN, um 1990, ca. 254x196 cm. Bildteppich mit formatfüllender Darstellung eines Lebensbaumes mit dichtem, grünem Blattwerk in dem sich verschiedene Vögel befinden. Um den Baumstamm herum sind Schafe und Hasen angeordnet. unten links signiert, wohl aus der Werksatt 'Visa Wasif'.| Kilim. EGYPT, c. 1990, c. 254x196 cm. Tapestry with format-filling depiction of a tree of life with dense green foliage in which there are various birds. Around the tree trunk are arranged sheep and rabbits. signed lower left, probably from the workshop 'Visa Wasif'.

TAPISSERIE-AMEUBLEMENT IM LOUIS XV-STIL Frankreich, Anfang 20.Jh., estehend aus zweiplätzigen Canapé und zwei Fauteuils, Buche beschnitzt mit Blumen, Blättern und Zierfries sowie vergoldet, geschweifter, trapezförmiger Sitz auf wellig ausgeschnittener Zarge mit elegant geschweiften Beinen, flache Rückenlehne mit gepolsterten, leicht ausladenden Armlehnen auf leicht zurückgesetzten, geschweiften Stützen, Tapisseriebezüge, Canapé, HxB: 110/150 cm., Fauteuils, HxB: 104/75 cm., Altersspuren.Provenienz: Aus einer Heilbronner Sammlung. | TAPESTRY-AMEUBLEMENT IN THE LOUIS XV STYLEFrance, early 20th century, consisting of a two-seater canapé and two fauteuils, beech carved with flowers, leaves and ornamental frieze as well as gilded, curved, trapezoidal seat on an undulating frame with elegantly curved legs, flat backrest with upholstered, slightly projecting armrests on slightly recessed, curved supports, tapestry covers, canapé, HxW: 110/150 cm, armchairs, HxW: 104/75 cm., traces of age.Provenance: From a Heilbronn collection.

Christina Dearman Hills, (b 1863) "Relics of the Past", a still life of 18th Century porcelain and velum bound books with tapestry backdrop, watercolour, monogrammed, a label verso inscribed "Miss Christina Dearman Hills, The Knoll, Ambleside, Westmorland, "Relics of the Past"", in gilt mount and frame under glass, 33 cm x 40 cm overall

AN AUBUSSON TYPE TAPESTRY CARPET. 306 x 238cms

DOULTON TAPESTRY PATTERN DINNER WARES TOGETHER WITH A DUDSON FLORAL BREAKFAST SET

Antique mahogany pole screen with a tapestry of a golden pheasant 153cm high. In good condition

A wool tapestry of Persian influence with figural form and flower design, from The Denis Taplin' Gallery, Woodbridge, 40 x 81cm

A Framed Woolwork Tapestry of Indian Soldier, Davies oil on canvas of country scene, signed bottom right (5).

A 1930's oak arm chair with tapestry seat. COLLECT ONLY.

A tapestry bell pull and other textiles.

A quantity of vintage tapestry threads & quantity of curtain rings etc.

A vintage oak wool work tapestry fire screen 55cm x 75cm COLLECT ONLY

Wool tapestry, depicting a couple of birds in paradise, a reinterpretation of the "Brussels Verdure" tapestry, France, 19th century, wool, 168 × 125 cm

Wool tapestry, illustrating the hunt, Netherlands, 18th century, wool, 129 × 270 cm

An excellent quality reproduction of ‘The Vendangeurs’ Medieval Tapestry measuring 235 x 135 cms.

Antique X frame footstool, the rectangular top covered with tapestry panel, 55cm long. 

Berlin woolwork tapestry, religious scene, in ornate gilt frame, image size 58 cm x 46 cm

Edwardian beaded tapestry kneeling stools and pot covers

A 19th century mahogany armchair with tapestry seat along with a later oak example.

A pair of early 20th century mahogany bergere tub armchairs with fitted tapestry upholstered seats on X frame supports.

AN HISTORICAL TAPESTRY, FRANCO-FLEMISH, CIRCA 1600Woven in wools, depicting The Battle from The Story of Titus and Vespasian, with the protagonist on horseback attacking another general, the background with foot soldiers and a city under siege, within a border of fruit-garlands, cherubs and ghoulish cats, reduced in size,  220cm x 230cm  Provenance: With the Weill Goudchaux family, circa 1860.

A Medieval style 'Unicorn' tapestry, centred by two ladies, one playing a harp, flanked by a unicorn and a lion, the foreground with a woodland scene and further animals, red foliate surround, 200cm wide, 146cm high Provenance: Edward V. Phillips Collection

A quantity of knitting and craft related items to include mixed wool, a tapestry, knitting needles, beads, sequins and a tapestry Location: A1B

Mixed pictures to include an oil on canvas landscape woodland scene, watercolour street scene, tapestry and others

Wedgwood Floral Tapestry pattern tea service, glassware and kitchen wares.

A FRAMED ANTIQUE TAPESTRY DATED 1859 - FRAME A/F

French giltwood and tapestry canape, mid 19th Century, original upholstery, the back featuring a vignette of children with cockerels, the seat featuring hunting dogs, with floral garlands throughout, open arms carved with overlapping flowerheads, acanthus carved forearms raised on fluted and reeded supports, width 147cm, height 94cm, depth 68cm

Late Victorian Sheraton Revival painted satinwood tapestry fire screen, circa 1885, finely worked in metal thread with a monogram 'M D', flanked by the motto 'Honor Gratvs', the frame painted with floral garlands, raised on cabriole legs, width 61cm, height 95cm

A 1970'S METALWARE TWO TIER TROLLEY AND STAG STYLE STOOL WITH TAPESTRY TOP