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* Lee (Arthur H. & Sons). A large crewelwork panel, Birkenhead, 1950s, hand-embroidered in polychrome wools on a rich blue twilled ground, with all over 17th century-style floral design of trailing foliage and large flowers, using long & short, stem, chain, satin, and cross-stitch, latticework, and french knots, selvedges to sides, upper and lower edges hemmed with machine-stitching, small nick and evidence of tacking threads in right-hand edge, some faint vertical fading, and 1 or 2 very small marks, adhesive fabric manuscript label to verso lettered 'Blue Ground Jacobean', 331.5 x 133 cm (130.5 x 52.5 ins)QTY: (1)NOTE:Provenance: Purchased from Arthur H. Lee when the company closed in 1970 by the owner's father, proprietor of flooring and soft furnishings company F. Sanson Contracts.A rare and beautiful piece of hand-embroidery by important textile designer and manufacturer Arthur H. Lee (1853-1932); in very good condition, probably an unused sample piece. Pieces such as these seldom appear on the market; the rich blue ground of this example is particularly unusual.The prestigious family firm of Arthur Lee & Sons was founded in 1888 in Bolton, subsequently moving to a purpose-built factory in Birkenhead in 1908. The company continued throughout the 20th century under the direction of Arthur's three sons and five grandsons before closing in 1970. The American branch of the firm, Lee Jofa, is still in existence in New York. As well as developing innovative methods of weaving tapestry cloths, and producing high-quality hand-blocked fabrics, Arthur Lee revived the practise of hand-crafted needlepoint and crewelwork.
* Tapestry Cushions. A pair of cushions of early tapestry, Continental, probably 17th century, the front of each utilising a fragment of 17th century woven wool tapestry depicting a wide-eyed face, edged with metallised gold braid and fringing, each backed with orange velvet (small mark to one), some wear, each 36 x 46 cm (14 x 18 ins), together with 3 other items, including a woven wool tapestry panel, probably French, late 17th century, lined and edges bound, worn in places, some marks and stains to lining, 114 x 75 cm (45 x 29.5 ins)QTY: (5)
* Needlework. A tapestry fragment, probably French, circa 1700, worked in tent stitch on canvas in gros and petit point, using wools in shades of blue, green, red, brown, and yellow, depicting a lady in a landscape wearing a fitted gown, billowing scarf, and a fontange headdress, and holding a tamborine aloft, the figure flanked by fruit trees, and with flowers at her feet, the piece irregularly shaped, one portion of skirt sometime neatly repaired and strengthened on verso, largest points 36.5 x 29.5 cm (14.25 x 11.5 ins) QTY: (1)NOTE:Provenance: Alexandra Mary Freesia Pelham née Vivian, Lady Worsley (1890-1963), and thence by descent.
* Tapestry. Angel tapestry fragment, probably Continental, 16th century, woven in shades of brown, green, and cream, with the figure of an angel with arms raised in the centre, flanked by volute and leaf motifs, scattered small holes and some repairs, approximately 30 x 50 cm (11.75 x 19.75 ins), together with a Coptic cloth fragment depicting ducks, approximately 14 x 15 cm (5.5 x 6 ins)QTY: (2)
* Embroidered picture. Needlework picture of Aphrodite, probably Continental, 17th century, worked in polychrome silk threads, metalwork, and beadwork, on padded cream silk, oval half-length portrait of a female figure in a landscape holding a mirror, with a building to her left, set onto pale gold silk (later?) within oval frame of spangles and metalwork, with a flower embroidered at each outer corner, worked using various stitches, including long and short, bullion, french knots, stem, satin, and latticework, the whole tacked onto a wooden panel with plinth to top edge, 20 x 17.5 cm (8 x 7 ins), together with an early 20th century tapestry picture depicting medieval figures, worked in coloured wools on hessian, portion of design where unfinished to lower edge, stitched area 88.5 x 16.5 cm (34.75 x 6.5 ins), framed and glazed (105 x 32.5 ins), and 2 sample embroideries, one of a pomegranate, the other of two forms of latticework, mounted together, with manuscript caption on mount 'Samplers by apprentices in Arthur H. Lee workshops - Birkenhead - about 1860', 13.5 x 10.5 cm (5.25 x 4 ins) and 8.5 x 4.5 cm (3.5 x 1.75 ins) respectively, framed and glazed (24 x 28 cm)QTY: (3)NOTE:Provenance: Purchased from Arthur H. Lee when the company closed in 1970 by the owner's father, proprietor of flooring and soft furnishings company F. Sanson Contracts.
A Louis XVI giltwood miniature settee, the arched back and seat upholstered in floral needlework with cartouches of pastoral scenes 68 x 84 x 62cmPlease see further images for condition. Tapestry in fair condition, but the frame is good, some chipping to the gilding (as shown). Rosettes to the top of the arms show rubbing through to the timber consistent with age.
A rectangular tapestry covered wall mirror, 18th century and later, the frame decorated with stylised garnet-coloured flowers and glass beadwork 50 x 46cmProvenance:Sale; Cheffins, 10 December, 2015, lot 533Please see further images, There are some areas of damage, repair and loose stitches - see images. Reverse has been covered with baize.
A collection of verdure tapestry cushions, including two pairs and all incorporating 17th/18th century tapestry fragmentsthe largest 48 x 45cmGeneral wear throughoutDiscolouration as you would expect, some threads coming through and loosening in various places as you would expect with ageAreas of new thread from recent construction evident Minor historic moth hole to one of the smaller floral cushionsSee photos
A pair of Carolean-style carved giltwood wingback armchairs, 19th/20th century, raised on scrolled feet united by a carved apron and turned stretcher, upholstered in 17th century verdure tapestry133 x 72 x 55cmOn closer inspection, we feel these chairs are likely 20th century. Both chairs are structurally sound with no major play in the joints. The gilding is in superb condition in both chairs with only light, expected wear. Period upholstery in very nice condition but showing some minor, localised repairs. In nice overall condition.
A Charles II stumpwork casket, of canted rectangular form and raised on squat bun feet, the hinged lid above two doors opening to reveal a fitted interior upholstered in pink velvet and with an arrangement of two long and three short drawers, the exterior worked in polychrome thread over an ivory silk ground, extensively embroidered with figures and foliage to each face, the top face depicting Rebecca at the well31 x 29.5 x 20.5cmProvenance:Sale; Toovey's, 14 June, 2016, lot 3264Overall condition of the Silkwork is fair, panels are original but have suffered sunlight degradation. The base silk material is fragile and some stitching absent in places. Areas of tapestry stitch or "carpet stitch" are more even in colour and secure. Please see further comprehensive images. Restoration to the casket was likely completed in the mid to late 19th century, showing the base stand has been altered with different frieze and bun feet and additional rebuilding to the interior. Choice of veneers to restore the frames to the needlework panels would suggest restoration in the mid to late 19th century, as these have been secured with rosewood veneers, velvet and paper lined drawers also likely confirms this. Lid shows some warping and no longer sits flush. Right hand door is severely warped and the fabric has separated from its frame.
A Flemish tapestry fragment, early 17th century, worked in polychrome thread and showing knights before battle 138 x 138cmProvenance:Sale; Bonhams, 31 March, 2009, lot 155please see additional images showing details of some patches of restoration, and reinforcing stitches (shown)Provenance as per catalogue - sold Bonhams 31 March 2009 Lot 155
Don Freedman (American, b. 1937) for Interlude, United States. Mixed media wall tapestry titled "Jere's Joy," depicting blooming flowers on a circular canvas. Handmade in India in 1984 and composed of jute, silk, and cotton on an iron frame. With a small applied clay disk with the artist's initials affixed along the lower edge. With the original tags affixed to the verso.Diameter: 33 in x depth: 1 in.Condition: There are no major stains, losses, tears, or restorations through the main body of the work. A few small losses throughout, primarily along the edges. Some loose threads, mainly along the verso. A few light areas of threadbareness where the fabric attaches to the stretcher. Light wear along the exposed edges. The original hanging cord is broken. Light wear to the original tags. The work is not framed.
Limited edition, from the Gentle Arts Series. Features a woman in a pink flowered dress accompanied by a metal tapestry stand. Includes the original box, dimensions: 10.25''L x 10.25''W x 13.25''H. Figurine dimensions: 5.5''L x 6''W x 6.75''H. Artist: Pauline ParsonsIssued: 20th centuryDimensions: See DescriptionEdition Number: 394 of 750Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
A French beech framed sofa with tapestry back and seat decorated with floral vines and pomegranates, 230cm wide x 112cm highProvenance: Dunkirk ManorAll over good condition with some wear and scuffs to legs and exposed wood, light chips and losses to crest, upholstery in fair condition with more wear to seat, a little dustworn to back of seat. Joints in needs of strengthening, a little racking front to back. Seatrail with signs of old worm (not active), A few small old restorations to seatrail and water spatter marks.

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39443 item(s)/page