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A RARE GENTLEMAN`S STAINLESS STEEL ROLEX OYSTER PERPETUAL DATEJUST BRACELET WATCH DATED 1992, REF. 16220 WITH BOX & PAPERS D: Silver ``tapestry`` dial with silver batons, date aperture. M: 31 jewel automatic quick-set chronometer movement, signed Montres Rolex, calibre 3135. C: Oyster case with milled bezel, sapphire crystal, signed Montres Rolex S.A., X serial no., Rolex crown, case diameter measures approx. 36mm. B: Original Rolex Jubilee bracelet, numbered MA6/62510H/555/8. CONDITION REPORT D: Original dial in excellent condition. M: Working at present. C: In excellent condition with some light scratches due to general use. B: In very good condition, with some wear due to general use. D: Dial / M: Movement / C: Case / S: Strap / B: Bracelet.
Hunt Slonem (American, b. 1951), "Golden Pheasant", 1989, oil on canvas, signed, titled, and dated en verso, and "Allene Lapides Gallery, Santa Fe, NM" label en verso, 48 in. x 48 in., unframed. Note: Hunt Slonem (b. 1951) is an American painter, sculptor, and printmaker best known for his Neo-Expressionist paintings of tropical birds. Since 1973, Slonem has lived and worked in New York City in his legendary loft with his pet birds. His personal aviary has between 30 to over 100 live birds of various species at any one time. His fascination with exotica was imprinted during his childhood in Hawaii and experience as a foreign exchange student in Managua, Nicaragua. Born in Maine, Slonem received his Bachelor of Arts degree from Tulane University in New Orleans and studied painting at the renowned Skowhegan School of Painting and Sculpture in Maine. Slonem`s works are included in many important museum collections such as The Metropolitan Museum of Art in New York, the New Orleans Museum of Art, and the Ogden Museum of Southern in Art in New Orleans, among others. Since 1977, Slonem has had over one hundred-fifty solo exhibitions at prestigious galleries. He regularly exhibits at both public and private venues and has received numerous honors and awards. The vibrant canvas presented here is a colorful study of a pheasant, which utilizes Slonem`s characteristic hatch marks, adding texture and dimension to the composition. A large composition created by energetic blocks of various colors, the hatch marks give the sense of a cage before the bird. For Slonem, cross-hatching has "a feeling of a tapestry, it`s like weaving. I`m making colors bleed into each other, I`m revealing the under-painting." Reference: Andersen, Kurt, "Hunt Slonem`s Artist Aviary", February 24, 2012, Studio360.org.

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