DECORATIVE PAINTINGS AND PRINTS, comprising a modern impressionist style pastoral landscape with young shepherdess and her flock, unsigned oil on board, gilt frame, approximate size 19cm x 24cm, two late 19th century waterfall landscapes, indistinct monogram bottom right, oil on board, two late 19th century watercolours depicting a view to a cathedral and a female figure on city walls, monogram JHB?, an oil of two figures in a drawing room, signed Jacquier, oil on canvas, six gilt framed print reproductions of paintings by John Constable and Joseph Farquharson, Rembrandt print 'girl with a broom', two modern miniature still life oils on board, three prints depicting grapes and berries and a Victorian tapestry in a birdseye maple frame depicting a milkmaid and a female figure, approximate size 125cm x 100cm
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DERW MILLS TRADITIONAL WELSH WOOLLEN TAPESTRY BLANKET geometric design in blue, cream and brown, fringed, bears label, 230 x 190cmsThe blanket looks good, I could not find any damage. The blanket is fringed on two edges.It does feel a little ‘washed’ a little softer than normal. No staining.
WELSH WOOLEN TAPESTRY BLANKET, black, white, red, yellow, with border pattern variation, 168 x 222cmThere are no holes, rips or tears. I could not find any staining. A few snags in the wool.One edge looks like it has been hand-sewn, maybe been cut and restitched. Looks a little rough compared to the other three sides.
AURELI TOLOSA Y ALSINA (Barcelona, 1861 - 1938)."Composition with Flowers and Mirror".Oil on canvas.Signed in the lower right corner.Size: 69 x 100 cm (frame).Tolosa y Alsina was a disciple first of the French master and painter Justin Simon and, later, of the master Modest Urgell. From his youth he was noted for his technical skill and his inspiration, especially in the field of landscape painting, which is confirmed by his enormous collection. He found numerous clients and powerful admirers among the Catalan and Spanish bourgeoisie and aristocracy, and worked on the decoration of bourgeois houses, such as the Palace of the Count of Figols and the Casa del Senyor Vitellin in the Plaça de Catalunya, as well as decorating the new headquarters of the Banco Americano. His popularity among the bourgeoisie made him much in demand as a private painting master; he thus came to have a large number of disciples and attained a high social standing. He took part in various art competitions and exhibitions in Barcelona, where he was awarded several prizes. His work includes paintings of landscapes and vases of flowers, but it was his fan paintings that earned him the status of a neat painter and excellent decorator. Also worthy of note are his imitations of antique paintings, as well as the tapestry, enamel and gilding of various works that he painted in his studio in the Plaza de Letamendi, in the city of Barcelona. He became very popular on the peninsula, and specialised newspapers such as La Esfera: la ilustración mundial or La Ilustración Artística, among others, often mentioned him as a great master. His presence in exhibitions and competitions at the national level was frequent and he was often awarded prizes. For example, he took part in the General Exhibition of Fine Arts in Barcelona in 1894, the National Exhibition of Fine Arts in Madrid in 1930 and even in an exhibition of Spanish products held in Melilla in 1916. Although he painted individually, he was a member of the Artistic and Literary Society of Catalonia, based in the Sala Parés, which organised annual exhibitions in which its members - Catalan painters such as Modest Urgell, Joaquim Mir and José Masriera - exhibited their work. He also often collaborated with the Sala Busquets in Passeig de Gràcia, also in Barcelona. As has been said, he was a highly valued figure at local and national level, and was awarded numerous prizes, including the following: General Exhibition of Fine Arts of 1894. Painting Section Prize at the Exhibition of Plants and Flowers in 1895. 1st Class Medal. International Furniture Exhibition of 1924. Medal of Honour.
Mohamed Mousa (Egyptian, b. 1945) for Ramses Wissa Wassef Art Centre - Tapestry wall hanging depicting wading birds and lizards at an oasis, initialled W. W. and dated 1991 lower right, printed French language label verso of Ramses Wissa Wassef Art Centre, indicating a unique production 'sous la direction de Sophie Halib Gorgi', signed 'Mohmed Mosa' [Mohamed Mousa]. 'eleve de l'ecole Ramses Wissa Wassef', 50cm x 107cm, in pine frame
An early 20th century elm and fruitwood bookmaker's press by O. Friedheim, width 66cm, together with a tapestry frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
BOSSE, KATHARINA1968 Turku/FinnlandTitel: Room with flower tapestry. Aus: Reich der Zeichen, Reich der Sinne. Datierung: 1999. Technik: C-Print. Darstellungsmaß: 76 x 101cm. Bezeichnung: Verso datiert und nummeriert. Exemplar: 1/6. Rahmen: Rahmen (85 x 110,5cm). Provenienz: - Galerie Heidi Reckermann, Köln Ausstellungen: - Museum für moderne Kunst - Weserburg, Bremen 2001- Museum Morsbroich, Leverkusen 2005 - me Collectors Room, Berlin 2014 - Museum Arnhem, Arnhem 2016Literatur:- Heil, Axel/Schoppmann, Wolfgang/Museum Morbroich (Hrsg.): YES,YES,YES,YES - Differenz und Wiederholung in Bildern der Sammlung Olbricht, Heidelberg 2006, Abb. S. 34 Voraussichtliche Versandkosten für dieses Lot:Versand nur nach Absprache nach der Auktion. Katharina Bosse USA Fotografie 1990er Interieur Fotografie C-PrintErläuterungen zum Katalog
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39443 item(s)/page