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FIFTEEN LADIES DESIGNER BRAND DRESSES, etc, comprising a Moschino CheapandChic black jacket and black cocktail dress with frilled back to the skirt, both GB size 16, an Antonio Berardi black stretch cocktail dress size XL, a Marchesa notte black lace strapless cocktail dress, size 12, a Barbara Schwarzer navy and white cotton mix cocktail dress, size 14, a Dolce & Gabbana black and white spot sheer silk dress, size 46, an Oscar de la Renta 100% silk black and white woven design jacket, size 12, a Dolce & Gabbana black virgin wool calf length dress, size 48, a Blank London pink, white and grey dress with georgette, sequins and beads, size M, a Zara Woman black viscose and silk dress size EUL, a Boden limited edition tapestry style dress, size 14, a Dolce & Gabbana black lace cocktail dress with silk lining, size 48, a Galliano 100% silk and lace negligee, size 32/46, a Lanvin Ete 2013 stretch off the shoulder cream and black cocktail dress size T.44 and a Lanvin Les 10 ans black velvet cocktail dress with white cotton frill, size T.46 (15)
A FRENCH EXOTIC CHINOISERIE LANDSCAPE TAPESTRY IN THE MANNER OF JEAN-BAPTISTE PILLEMENT, MID-18TH CENTURYDepicting Chinese pagoda style buildings on fantastical cliffs, and birds within a hilly landscape, the birds including cranes, a peacock, and a turkey approximately 244cm high, 415cm wide For a similar example see Sotheby's, London, Howard Hodgkin, Portrait of the Artist, 24th October 2017, Lot 441 (£5,150). Condition Report: Some wear and fading and discoloration overall commensurate with age and use. Some repairs and replaced sections in various areas throughout. Particular areas of wear and replacement include but are not confined to the turkey and the peacocks tail beneath. Some slender sections of the border may have been replaced and vary in colour. A later backing has been stitched to the reverse.There are some visible joins in the borders suggesting that the main scene may have been reduced in size and the border adapted to fit it. The width of the border itself is likely to have been reduced in width to a degree and rebound. This is particularly evident to the border at the top and bottom edges of the tapestry and to some extent to the side borders. Please refer to all additional images for visual reference to condition. Please note, the additional images are not exhaustive but try to give a representation of of the condition notesCondition Report Disclaimer
A FLEMISH TAPESTRY FRAGMENTLATE 17TH CENTURYPossibly formerly part of a larger classical subject scene - now with female noble figure, with attendant women and musicians, welcoming a male figure on horsebackapproximately 165cm x 231.5cm overall Condition Report: Lacking original main border- looks to be a fragment of a larger piece Re-backed Some colour variance to weaving and with vertical abrashed section to right of centre.Condition Report Disclaimer
A MORTLAKE TAPESTRY, DEPICTING BACCHANALIAN CHILDRENATTRIBUTED TO THE WORKSHOP OF JOHN VANDERBANK, EARLY 18TH CENTURYWoven in silks and wools, to the left a fountain before a baroque portico, towards the centre a child dressed as the infant Bacchus rising a goat and supported by two others, accompanied by a child playing cymbals and another carrying an ensign, two infant satyrs piping and dancing, a mansion and formal garden in the backgroundapproximately 210cm high, 596cm wideProvenance: Offered on behalf of a Charitable FoundationLiterature: H.C. Mailler, English Tapestries of the 18th Century, London, 1930, pp 24-26, describing a similar set of tapestries at Cotehele and also 'long panel corresponding to one of the Boughton designs and embodying the Cotehele panels, no's 1, 5 and 7' (Plate 10a). The present tapestry shows the same composition as the illustrated example but in reverse. Condition Report: Some wear and fading and discoloration overall commensurate with age and use. Presumably originally with large floral border- now removed and with later 2" brown strip margin and later backing. Possibly originally slightly taller in dimensions. Some old minor stitch repairs. Some pulled sections which will require further repairs, Please refer to all additional images for visual reference to condition. Please note, the additional images are not exhaustive but try to give a representation of of the condition notesCondition Report Disclaimer
A FLEMISH MYTHOLOGICAL TAPESTRY 'CEPHALUS AND PROCRIS'LATE 17TH/EARLY 18TH CENTURY, PROBABLY ANTWERPThe figures bearing the emblematic foreshadowing devices of the spear and the arrow, in a verdure settingapproximately 177cm x 126cm Provenance: Offered on behalf of a Charitable Foundation This tapestry depicts part of the story of 'Cephalus and Procris' from book seven of Ovid's Metamorphosis. The Walters Art Museum in Baltimore has in its collection a suite of four tapestries depicting the story of the ill-fated lovers. It describes the tale as 'a parable of the misfortunes caused by a lack of marital trust and fidelity'. In this panel Procris gives her husband a spear that Artemis (goddess of the hunt) had given to her. In composition, colour and style it also bears strong kinship with a painting depicting the same subject, and of a similar date, by Gerard Hoet (1648-1733), see Sotheby's, Olympia, Old Master Paintings, 6th July 2004, Lot 433. Condition Report: The tapestry with the expected fading over. Tapestry has been re-lined and a later border added. The border with fraying, wear and some losses. Some later stitching between the colour lines of the tapestry. Some small tears resulting in loose threads. Some small amounts of later stitching in places. Some of the joins between the colour lines are opening. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A MORTLAKE TAPESTRY DEPICTING AUTUMN, THE TRIUMPH OF BACCHUS AND ARIADNE,PROBABLY FROM THE WORKSHOPS OF VANDERBANK, AFTER PIERRE MIGNARDEARLY 18TH CENTURYOriginally from a set of four of the seasons, woven in silks and wools, depicting Bacchus and Ariadne seated in a golden chariot drawn by leopards accompanied by winged children and other celebrants, within a floral borderapproximately 298cm high, 535cm wideProvenance: Offered on behalf of a Charitable FoundationLiterature: FENAILLE, Maurice (1855-1937). État général des tapisseries de la Manufacture des Gobelins, 1600-1900, Paris, 1903, Vol II, XXX, Le Galerie de Saint Cloud, ..Pierre Mignard, p403.Recorded English versions of this series including a set of three (Spring, Summer and Autumn) from the Tyrwhitt-Drake collection, Shardeloes, Amersham, Buckinghamshire was sold at Christie's, 10th July 1952, lot 233, and a pair (Spring & Autumn) from the collection of the 2nd Duke of Westminster, was sold Sotheby's, 3rd July 1959, lot 95, then described as Gobelins. The second piece (Autumn) now divided into two was sold Christie's, 15th December 1994, lot 317 and 318, then called Mortlake or Soho, late 17th century. Condition Report: Some wear and fading and discoloration overall commensurate with age and use. The more light sensitive colours, pale blues and lilacs are however still visible.Blue final border (outside of main floral trailing border) with losses, old insect damage and signs of old stitched repairs. Very fragile in some areas- most notably to bottom margin. Insect damage also visible to small sections of border and into main fieldOverall slightly rumpled- and uneven- as main image shows. Will benefit from smoothing out and possibly rebacking. Rumpling/surface rucking perhaps most evident to lower left hand corner where downward radiating light will make faces appear "distorted" (please see images with and without flash).Slightly stale smell- old handprint (?) visible to right of Ariadne's head. With later stitched backing. Some old stitch repairs. Some pulled sections which will require further repairs.Please refer to all additional images for visual reference to condition. Please note, the additional images are not exhaustive but try to give a representation of of the condition notesCondition Report Disclaimer
A LOUIS XV CARVED WALNUT AND NEEDLEWORK UPHOLSTERED ARMCHAIRMID 18TH CENTURY109cm high, 78cm wide, 76cm deepFor a related example of tapestry upholstered armchair or fauteuil a la Reine, see Sotheby's, New York, Arcade Paintings, Furniture and Decorations, 13th July 2006, Lot 407 ($4,200). Condition Report: Marks, chips, scratches and abrasions consistent with age and use.Evidence of old worm.Upholstery gros and petit point woolwork repaired with later stitching and overpainting, and worn thin and with tears. The back with pale brown velvet.Please note we have not inspected the frame beneath the upholstery and therefore can't comment on the condition and originality.That said these comments on condition are only apparent on close up inspection. Please refer to additional images for visual reference to condition Condition Report Disclaimer
A pair of walnut framed high-back armchairs, 17th century,with tapestry upholstery and long arms, on scrolling legs, joined by a wavy 'H' stretcher 106 x 64 x 69cmFrom the collection of Claudine Auger (1941-2019), Belgravia, LondonCondition report: some historic worm, possible restoration and replacement of rails
'JANUARY', A MONTHS OF THE YEAR TAPESTRYProbably Flemish, late 17th Century / 18th CenturyEmblematic of January, depicting a couple warming their hands by a blazing fire, with a chained monkey in a niche above a cockerel and hen, surrounded by a floral border, 206.5cm wide x 256cm highProvenance: Gifted to the present owner's great grandfather as a wedding present circa 1850, reputedly from Thomas H. Woods, who became a partner in 1859 to form Christie, Manson and Woods.This tapestry ispart of a larger series depicting the Twelve Months of the Year, a popularsubject in England from the 17th century with earlier precedents designedand woven in Northern European workshops, including Flanders and Brussels. Anexample of ‘January’ is part of a group of three, originally eight, commissionedby Charles I in 1623 from the Mortlake Tapestry Factory, now in the Royal Collection(inventory RCIN64108). In comparison, this example is woven in reverse withvarious other intriguing differences, including the monkey within the niche,cockerel and hen, probably of regional religious significance. Condition report:- Probably woven in wool and silk- Later backed- Numerous tears, patches of repair and fading throughout

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39442 item(s)/page