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Lot 5542
Gobelin mit Landschaftsszene, flämisch, 17. Jhdt. Aus farbiger Wolle fein geknüpfter Wandteppich mit Darstellung einer weiten Feld- und Waldlandschaft. Im Vordergrund Staffage aus zwei Hühnern, dahinter erkennt man in der Ferne eine Burg. Umlaufend florale Bordüre. Stellenweise verschlissen, ein paar Risse. Am oberen Rand verso durchgehend vernähte Kordel zur Aufhängung. Maße 227 x 370 cm. A Flemish tapestry with landscape scene, 17th century A Flemish tapestry with landscape scene, 17th centuryAus farbiger Wolle fein geknüpfter Wandteppich mit Darstellung einer weiten Feld- und Waldlandschaft. Im Vordergrund Staffage aus zwei Hühnern, dahinter erkennt man in der Ferne eine Burg. Umlaufend florale Bordüre. Stellenweise verschlissen, ein paar Risse. Am oberen Rand verso durchgehend vernähte Kordel zur Aufhängung. Maße 227 x 370 cm. Condition: II -
Lot 3309
Orientteppich aus Seide. GHOM/IRAN, 20. Jh., 177x108 cm. Der dunkelblaue Bildteppich zeigt sechs Reiter, die verschiedene Tiere jagen, dazwischen eingestellt sind einige blühende Büsche. Die olivgrüne Bordüre ist mit Zierkartuschen durchgemustert. Alters- und Gebrauchsspuren. KP 4300.-€ im Jahr 1974.| Oriental silk carpet. GHOM/IRAN, 20th century, 177x108 cm. The dark blue tapestry shows six horsemen hunting different animals, in between are set some flowering bushes. The olive green border is patterned with decorative cartouches. Signs of age and use. KP 4300.-€ in 1974.
Lot 6001
A large Spanish wool rug, from the Royal Tapestry Factory (Real Fábrica de Tapices), 20th century, Provenance: Property of a Dutch noble family. Centred by a shaped beige medallion with floral ornaments, scallops and scrolls, within a dark brown field with multicoloured foliate scrolls and a frame with spiralling acanthus, signed with woven manufactory initials ‘RFT’ and […] to two corners , with original manufactory label to the underside.
Lot 2050
Kunstvoller orientalischer Bildteppich. 2. H. 20. Jh.Wolle, feine Handknüpfung. Polychromdekor, leichter Abrasch. Ca. 205 x 136 cm. Im Mittelfeld eine Palmenlandschaft mit unzähligen Tieren, einem Zeltlager und einer Figurengruppe im linken unteren Bildbereich. Bordüre mit Schrift- und Bildkartuschen, Fransenabschlüsse. Minimale Alters- und Gebrauchsspuren, leicht ausgeblichenes Kolorit.Artful oriental tapestry. 2nd h. 20th c.Wool, fine hand knotting. Polychrome decoration, light abrasion. Approx 205 x 136 cm.In the center field a palm landscape with countless animals, a tent camp and a group of figures in the lower left area of the picture. Border with font and image cartouches, fringe finishes. Minimal signs of age and wear, slightly faded coloring.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2055
Sabsewar-BildteppichAnfang 20. Jahrhundert. Wolle auf Wolle. 174 x 135 cm. In Handarbeit, mit feiner Knüpfung gefertigt Bis auf einen kleinen Defekt in der Bordüre in gutem Zustand vollständig und vollflorig erhalten. * Partnerauktion Bergmann. Sabsewar tapestryEarly 20th century. Wool on wool. 174 x 135 cm. Crafted by hand, with fine knotting made Except for a small defect in the border in good condition complete and full pile preserved. * Partner auction Bergmann. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 277
Brown, George Mackay A collection signed or annotated works An Orkney Tapestry. London: Victor Gollancz Ltd., 1969. 8vo, proof copy with jacket signed by George Mackay Brown, with pencil corrections and notes in his hand;Poems, new and selected. New York: Harcourt Brace Jovanovich, Inc., 1971. 8vo, inscribed: "To Derrick & Susie, from George, Christmas 1973", original brown cloth, dust-jacket;Greenvoe. London: The Hogarth Press, 1972. 8vo, signed and dated by George Mackay Brown to title-page, original purple cloth, spine lacking; and the 1989 'Scotnotes' on Greenvoe, inscribed by George Mackay Brown;Andrina, and other stories. London: Chatto & Windus, the Hogarth Press, 1983. 8vo, inscribed: "To John, from George, 17th February 1983", original green cloth gilt, dust-jacket;The Golden Bird. Two Orkney Stories. London: John Murray, 1987. 8vo, signed by George Mackay Brown on the title-page, original white cloth gilt, dust-jacket;Beloit Fiction Journal, Volume 5, Number 1, Scottish writers, feat. Betty Corrigall by George Mackay Brown, inscribed: to Brian Murray, great five-setter & errand boy and poster of letters, from GMB, Stromness, Orkney, 17th July 1990, and signed by George Mackay Brown on the story itself, 8vo, original wrappers;Babel IX, feat., Homily by George Mackay Brown, 1990. 8vo, inscribed "to Brian from George, 27th November 1995", with an additional signature to contents leaf, original wrappers;Rockpools and Daffodils, an Orcadian Diary 1979-1991. Edinburgh: Gordon Wright Publishing, 1992. 8vo, signed and dated by George Mackay Brown to title-page;Winter Tales. London: John Murray, 1995. 8vo, inscribed: "To Brian, good proof-vender, good cataloguer of books & manuscripts, from George, 27th July 1994, Stromness", original blue cloth, dust-jacket;A Calendar of Love. London: Flamingo, 1996. 8vo, paperback, signed and inscribed by George Mackay Brown;For the Islands I Sing. London: John Murray, 1998. 8vo, proof copy of the paperback edition with manuscript notes and corrections by George Mackay Brown
Lot 383
A William and Mary carved walnut open armchairThe crested top rail over carved and pierced splats and turned side rails, the downswept arms carved with acanthus leaf scroll terminals on turned supports, the padded seat with later tapestry covers raised on turned front supports united by an 'X' stretcher.69cm wide x 58cm deep x 134cm high, seat height 45cm.Provenance:Halls Fine Art, The Edward V. Phillps collection, 6-7 November 2012, lot 498Footnote:Illustrated in R.W.Symonds Furniture Making in the 17th and 18th Centuries as one of a pair.Condition:Generally good with expected signs of age and use. Small section of cresting rail restuck. Small loss to carving on left arm terminal. No evidence of worm.
Lot 158
A stained wood fire screen, 20th Century, inset with a tapestry panel of a floral spray on pink textured ground, 85.5cm high x 67cm wide. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
Lot 172
A French giltwood sofa, 20th Century, in the Louis XV style, with machine woven tapestry floral upholstery, 88cm high x 132cm wide x 64cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
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39443 item(s)/page