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Lot 755
AN EARLY GEORGIAN WALNUT AND BEECH SIDE CHAIR, c.1730's, the waisted back with scrolled and banded uprights, arched crest and shaped solid splat, bowed drop in seat in a floral tapestry, shaped front rail, on shell and scroll carved cabriole legs with pad feet, 21" x 17 1/2" x 43 1/4" (Est. plus 21% premium inc. VAT)
Lot 985
Pair of William Morris (1834 - 1896) bird pattern (Strawberry Thief) tapestry weave curtains, both lined in blue material (pattern was first registered in 1878, used by Morris for the walls of his home at Kelmscot House, Hammersmith, where he died in 1896, the curtains were found ten years ago in the cupboard in the vestry of Swannington Church, Norfolk), each curtain approx 120cms wide x 203cms drop
Lot 843
CLASSIC ROCK AND POP LPs. Excellent job lot of 85 LPs to include: Rod Stewart - Another Country (2015), Larry Coryell - Brubeck Bros Better Than Live (Direct Disc Labs 109), Bob Dylan and the New Folk Movement (sealed 2013), Carole King - Tapestry (Japanese LP),and titles from the likes of Jon Anderson, Manfred Mann, ABC, The Move, Sandie Shaw and many more. Generally VG to Ex+ condition.
Lot 923
FEMMES LPs. A collection of approx. 175 LPs, with artists/titles to include: Stephanie De-Sykes - Self Titled, Jennifer Warnes - Shot Through The Heart, Lynsey De Paul - Love Bomb, Libby Titus - Self Titled, Carole King (x4) - Her Greatest Hits , Tapestry, Speeding Time, One To One, Tanya Tucker - Greatest Hits, Julie Covington - Self Titled, Ruby Winters - Songbird, Nicolette Larson - All Dressed Up And No Place To Go, Jackie DeShannon - Your Baby Is A Lady, Jennifer Rush - Movin', Leoni Page - A Page In The Life, Audrey Squires, Stevie Nicks, (x2), Friday Brown, Helen McBennett, Sally Oldfield, Rita Coolidge. Condition of the records are primarily top Ex+ with the sleeves largely VG to Ex with archive stickers on the reverse; these, with care, could be removed.
Lot 1084
MIXED GENRE/ROCK/POP.. A collection of approx 115 LPs with artists/titles to include Ian Dury And The Blockheads - Do It Yourself, Meat Loaf (x2) - Bat Out Of Hell, Hits Out Of Hell, Paul McCartney (x2)- Self Titled, RAM, Bob Marley & The Wailers - The Legend Of, Focus (x2) - Mother, Self Titled, Rory Gallagher - Live, Billy Joel - An Innocent Man, Elton John - Too Low For Zero, Kevin Rowland & Dexy's Midnight Runners - Too-Rye-Ay, Orchestral Manoeuvres In The Dark, Robert Palmer - Riptide, ZZ Top - Eliminator, Carole King - Tapestry, Jean Michel Jarre - Equinox, Oxygene, Bonzo Dog Band - Keynsham,The Waterboys - Fisherman's Blues, The Cars - Greatest Hits, Mike Oldfield - Tubular Bells, Simply Red - Picture Book,John Stewart - Cannons In The Rain, Waylon Jennings - The Hits Of, Elton John's - Greatest Hits Volume II, Dr. Feelgood & The Interns - What's Up Doc?, Alex Harvey Band - Live, Wings - Greatest, Elton John - The Very Best Of, Doug Kershaw - The Louisiana Man, ZZ Top - Fandango, ZZ Top - The Very Best Of, Carole King - The Best Of. Condition EX - EX+
Lot 1022
Assorted 19th century and early 20th century costume and accessories, including black silk sleeveless top, black velvet shoulder cape with bead decoration and another; Manchester Regiment lobe shaped silk cloth; pale pink silk souvenir panel of Ypres, with embroidered, appliquéd decoration and lace edging; white lace trimmed drawstring bag; cream lace stole and collar; red velvet souvenir wall hanging commemorating 'GR VI Long May They Reign', worked in yellow wool and gold fringing; wool work tapestry seat panel, chenille cloth; white cotton chemise, table runner, black silk apron embroidered with flowers etc (one box)
Lot 724
A late 19th Century walnut framed hall chair in the circa 1700 Flemish manner, the top rail carved with scrolling acanthus and spread eagles over a gros and petit point tapestry back panel and seat decorated with birds, squirrels, hounds and snail amongst fruit laden trees, the open arms with well carved lion mask decoration, raised on foliate carved legs united by carved stretchers to paw feet height 137 cm
Lot 520
8th-11th century AD. A Viking or Norman four-plate iron helmet, constructed of triangular sections, skillfully made to accommodate the curvature of the human head and with a slight point at the apex; contoured so that the front and back plates overlap the side-plates by 1-2cm, with iron rivets passing through this overlap to secure them in position; the rivets worked flat into the surface of the helmet, almost invisible from the outside but detectable on the inner surface; the inverted lower rim furnished with an additional series of rivets, probably to accommodate a lining; pegs at the base of the side-plates, where the cheek-plates were originally attached; the plate-junction at the apex with loop, allowing a plume or horsehair streamer to be inserted, or a conical covering plate to be attached. See Curtis, H. M., 2,500 Years of European Helmets, North Hollywood, 1978; Denny, N. & Filmer-Sankey, J., The Bayeux Tapestry, London, 1966; Kirpicnikow, A. N., Russische Helme aus dem Frahen Mittelalter Waffen- und Kostamkunde, 3rd Series, Vol. 15, pt. 2, 1973; Menghin, W. The Merovingian Period - Europe Without Borders, Berlin, 2007, p.326-7, item I.34.4. 789 grams, 21cm wide, 19cm high (8 1/4"). Formerly in an old private collection. Authenticated by I. Eaves, Arms and Armour Consultant; and accompanied by a report of metallurgic analytical results, written by Metallurgist Dr. Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford. Helmets of this general profile and with some form of conical crest are a long-lived military fashion in the Black Sea region, and appear in designs on the bone facing of a Khazar saddle of 7th-8th century date from the Shilovskiy gravefield (Samara region); a similar helmet (of presumed 5th century AD date) is housed in the St. Petersburg Museum (inventory reference PA72), previously in the MVF Berlin until 1945 under inventory ref.IIId 1789i. The rivetted-plate construction was employed across Europe from the Migration Period through to the 12th century: it is this form which appears on the heads of English and Norman warriors in the Bayeux tapestry. Fair 'as found' condition. Rare.
Lot 12
A Franco-Flemish tapestry depicting a marriage scene, late 17th century, with central figures of an opulently attired man and woman, he in 'Roman' tunic and greaves, she with feather adorned hair and voluminous drapery, its train held by attendants behind, exiting down steps from a Classical portico, with caryatid jambs, one with a parrot perched beside it, the foreground with dogs, the background as a formal garden with verdure foliage, within a broad border of flowers and foliage, 261 x 215cm Provenance: Private Collection, Wiltshire.
Lot 3
A Louis XIV tapestry fragment, mid 17th century, possibly part of a portière, of rectangular form, depicting a putto holding a telescope, astride a spreadeagle, within an oval reserve with scrollwork border, within a scrolling foliate border, 70 cm high, 142 cm wide Provenance: By family descent, the property of a Lady, Normandy, France.
Lot 8
A Flemish woven tapestry depicting a hunting scene with falconry, first half 17th century, of rectangular form, with figures in courtly dress on horses, falcons perched on their outstretched arms, before a wooded landscape with architectural features in Netherlandish Golden Age style, a stream, and further groups of figures, the foreground with hounds chasing wading birds, 233 cm high, 277 cm wide including associated wood suspending bar PROVENANCE: Ludstone Hall, Shropshire CATALOGUE NOTES: Tapestries were often commissioned to add decoration and warmth to the draughty stone rooms of countryside stately homes and castles. As hunting was a favoured pastime in these settings, it became a popular subject. The topic of falconry specifically is also featured in the renowned 15th century Netherlandish ‘Devonshire Hunts’ group of tapestries held at the Victoria & Albert Museum in London. The subject’s presence in this later example demonstrates its longevity in tapestry manufacture
Lot 419
Wall pockets and mounts comprising a twin division wall pocket in trade cloth decorated in coloured beadwork in the American Indian style with birds and a squirrel, 23cm, a pair of wall mounting red tapestry watch hangers decorated with beadwork flowers and leaves below gilt metal hangers, 24cm and a set of four wall hangings in black card decorated with scraps and fancy cut borders comprising a pair of wall pockets and a pair of cards for tapers, largest, 32 x 27cm (7) Second Illustrated Riley (N) The Accomplished Lady Page 195
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39443 item(s)/page