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Lot 847
Rado DiaStar 561.0316.3 - Ladies watch. Case: steel - bracelet: steel - automatic - box, documents - last service: unknown - condition: good - case size: 31 x 27,5 mm - wrist size: 15 cm - sapphire crystal - ref: 561.0316.3 - date - Tapestry cut crystal - The dial is set with 11 x approx. 0,005 ct. single-cut diamonds with VS clarity and F-G colour - Estimated value: € 300 - € 500.
Lot 81
Louis Le Brocquy HRHA (1916 - 2012)The Garlanded GoatWool Tapestry, Tabard Frères et Soeurs, Aubuson 1950155 x 128.5cm (59 x 50½")The design for The Garlanded Goat derives from an earlier painting from 1949 by le Brocquy titled Goat in Snow now held in the Leeds City Art Gallery. The tapestry draws on the same composition positioning the animal standing and turning its head back to look at us. In this example the goat’s horns are also festooned with a garland of flowers. This practice of adorning the animal has links to the ancient pagan festival Puck Fair which continues to take place in Killorglin, Co. Kerry each August. In pre-Christian times it was associated with the Celtic festival of Lughnasa, signalling the beginning of the harvest season with the goat as a symbol for fertility.Le Brocquy produced this work in 1950 as a series of nine tapestries. He collaborated with the French workshop Tabard Frères et Soeurs in the Aubusson region, who had specialised in the production of tapestries since the 17th century. Le Brocquy would become enamoured with the medium and return to it many times throughout his career. He was influenced by the artist Jean Lurçat who had pioneered this approach in tapestry design some years earlier, developing a technique, which prioritised the material as the guiding principle rather than an attempt to make the tapestry conform to the characteristics of the painted image. Le Brocquy was drawn to Lurçat’s example, whereby he could create very detailed and colour coded templates that the weavers would follow with exact precision. He rejected the painted cartoon in favour of a full-scale linear design. This allowed him to directly indicate each transition of colour and tone in the woven fabric.There are clear influences from the cubist tradition in the work, with le Brocquy playing with the contours of the goat’s body, offering us a multiplicity of viewpoints at one time. Our sense of perspective is not fixed in one place but rather constantly shifting across the work. This present example also represents the beginning of his exploration into the interdependence of form, colour and narrative content which would characterise his tapestry works. As a symbol of fertility and abundance, le Brocquy has depicted the goat surrounded by a plentiful border of leaves and set against a warm yellow background, with the sun high in the sky. The body of the goat is made of up of a range of different and unusual tones, dark green, grey and pink while his face and horns are a mass of floral pattern.Niamh Corcoran, November 2022
Lot 167
Barnaby Furnas (American, born 1973)Untitled Dyed wool tapestry in colours, 2005, numbered 8/100, 3050 x 2310mm (118 1/4 x 91in)(overall)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 359
AUCTION CATALOGUES: CHRISTIE, MANSON, & WOODS, comprising: The Collection of Armour formed by F. R. Pickersgill, January 31, 1901; European Armour and Arms of 15th, 16th and 17th Century dates, the property of a Gentleman, and Arms and Armour, including the properties of Joseph Grego, and A. L. Radford; Objects of Art, Arms, and Porcelain, the Arms partly priced, May 8, 1911; Objects of Art of The 15th and 16th Centuries, Arms and Armour, Wood Carving, and Porcelain and Faience, July 21, 1913; Early English Oak Furniture. Woodwork, Armour and Arms, Stained Glass, Pottery, Coins and Medals, and Silversmiths~ Work, February 13, 1913; Arms and Armour, including the properties of T. K. North, Col. William Wetherly, and The Rt. Hon. Earl of Home, removed from Bothwell Castle, July 29, 1919, priced and named; Decorative Furniture, Porcelain, Arms and Armour, Eastern Rugs, July 26, 1921; The Collection of Arms and Armour of Sir Harry Waechter, February 27, 1922, partly priced; Arms and Armour, the property of Cornelia, Countess of Craven, removed from Combe Abbey, Coventry, April 26, 1922, partly priced; Arms and Armour, the property of Sir Archibald Lamb, May 15, 1922; Arms and Armour, including the property of Sharpley Bainbridge, June 13, 1922, priced and named; Arms and Armour, the property of The Earl of Eglinton & Winton, July 25, 1922, partly priced; Objects of Art, Sculpture, Arms and Armour, the property of L.H. McCormick, November 29, 1922; Arms and Armour, July 17, 1923; Arms and Armour, Egyptian Antiquities, May 20, 1924; Arms and Armour Collected by John Newton Mappin, and the property of T. T. Warren, July 21, 1925, priced and named; Old English and French Furniture and Arms, the property of Edward B. Fielden, M. P., June 30, 1926; Arms and Armour removed from the Armoury of a Russian Prince, and Eastern Armour and Arms, the property of T. W. Dewar, June 14, 1927; Arms and Armour, the property of Sir J. C. Robinson, The Rt. Hon. Lord Glenarthur, and The Right Hon. The Earl of Orford, June 20, 1928; Arms and Armour, the property of The Right Hon. The Earl of Orford, May 9, 1929; Arms and Armour including the property of Sir Gerald Chadwyck-Healey, and Sir Mortimer Singer, July 23, 1930; Arms and Armour, the property of George Audley, July 12, 1932, priced; The Important Collection of English and French Furniture, Porcelain, Objects of Art and Tapestry, the property of Leopold Hirsch, May 7, 1934; Porcelain, Decorative Objects and Furniture, Eastern Rugs and Carpets, Arms and Armour, June 5, 1934; Arms and Armour, including the properties of The Right Hon. Lady Bellew, Lieut.-Col. Henry Coupland, and Right Hon. Sir Frederick Pollock, April 20, 1937, priced and named; Porcelain and Decorative Objects, Arms and Armour, Decorative Furniture, Tapestry and Easter Carpets, the property of Sir Max Waechter, December 21, 1937, the Arms and Armour priced and partly named; Arms and Armour and Objects of Art, the properties of The Rt. Hon. Lady Bellew, Captain J. H. Ball, and Gerald C. Griffiths, July 28, 1939; Oriental Objects of Art, Decorative Furniture, Armour, April 11, 1940, the priced and named Armour being the property of a Lady (later notated to be Princess Louise); Decorative Furniture, Objects of Art, Arms and Armour, the property of William Pym Willson, October 7, 1943; Decorative Furniture, Objects of Art, and Faience formed by R. W. M. Walker, July 25, 1945, the Arms and Armour priced and named; Objects of Art and Vertu, Miniatures, Arms, and An Illuminated Book of Hours, the property of Major James Stirling Home Drummond Moray, June 24, 1946; Porcelain, Pottery and Glass, Arms and Armour, Objects of Art and Furniture, the Arms and Armour including the property of Robert Bard, December 22, 1947; and Porcelain, Glass, and Objects of Art, Arms and Armour, Decorative Furniture, Eastern Rugs and Carpets, June 8, 1950
Lot 360
AUCTION CATALOGUES: CHRISTIE, MANSON, & WOODS, comprising: The Important Collection of Objects of Art of S.E. Kennedy, March 18, 1918; Arms and Armour and Objects of Art of the Late Sir Guy Francis Laking, April 19, 1920, priced and named; The Beardmore Collection of Arms and Armour, July 5, 1921; Arms and Armour, Early English Oak, Tapestry, the property of Morgan S. Williams, April 26, 1921, priced; and Arms and Armour and Works of Art, the Property of the Late Clarence H. Mackay, Esq., July 27, 1939, priced and named
Lot 545
TWO BOXES OF ASSORTED SUNDRIES, to include a ceramic based table lamp, height 43cm to top of brass fitting, a brass Aladdin oil lamp (missing shade), a large copper coffee pot (stamped on base Birmingham 1931), a pair of blue ground cloisonné vases, height 18cm, a boxed Japanese table runner, a blue floral tapestry wall hanging, an Eluxa bracket clock with key and pendulum, with a brass face and hand painted floral design to case with a matching shelf, a pair of hand carved hardwood tribal art bookends, a relief decorated lidded urn, a boxed collector's plate to commemorate 150th anniversary of Burton Rail, an Asian brass bell, brass jug, brass candle stick, a brass dinner gong, vintage table linen, an SB wall barometer, a Ronson onyx table lighter, a Seiko carriage clock, a NZ Paua shell dish, etc (s.d) (2 boxes + loose)
Lot 694
TWO BOXES AND LOOSE CERAMICS, GLASS AND SUNDRY ITEMS, to include a late nineteenth century cast iron pot with lion head handles, a pale blue Wedgwood Jasperware jardiniere, height 16cm x diameter 17.5cm, and heart shaped trinket box, a Wedgwood Jasperware navy blue dipped teapot, a rectangular Sadler gold lustre teapot with matching covered sugar bowl and cream jug, Pendelfin 'Peeps' and Tinker Ware 'Tilly' rabbits, a wooden shield shaped hall brush set, a leather covered copper travelling inkwell, a framed tapestry with a portrait of a Victorian lady verso, a hexagonal wooden framed mirror, etc (2 boxes + loose) (sd)
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39442 item(s)/page