We found 39442 price guide item(s) matching your search

An early 20th century walnut framed Queen Anne style tapestry upholstered open armchair, on cabriole forelegs

A firescreen, with decorative tapestry panel, modern

A tapestry topped duet stool and two footstools (3)

An elegant painted framed fauteuille/open armed elbow Chair having attractive floral tapestry upholstered seat, back and arm pads, the backrest with a petit point depicting of a couple in a garden.

A darkwood framed Dressing Stool having a tapestry upholstered seat depicting a stylised spray of flowers, 20'' x 13 1/2'' x 19'' high.

A tapestry topped Footstool with ball and claw feet, some wear, 10'' x 11'' x 8 1/4''.

A large tapestry wall Hanging of a classical scene 98'' x 38''.

A gilt framed tapestry of a Far Eastern couple, 24 1/2'' x 23'', faded and some damage to frame

A tapestry covered foot stool

An Edwardian mahogany commode armchair with tapestry paneled seat & back

A Chinese Silk Work Embroidery of circular form together with two similar framed panels and a tapestry style wall hanging

A French Gilded Armchair with a tapestry upholstered back and seat raised upon cabriole legs with scroll feet

*VICTORIAN FRAMED BIRD NEEDLEPOINT CROSSSTITCH TAPESTRY SAMPLER 19THC GOLD WIRE / FRAME DAMAGED [LQD215]

Hampshire Hog - Sea Sweetie by Katy Stevens 165 cm long, 75 cm high, 40 cm wide, approx 20kg  Fibreglass with brushed-on layer of gel coat, finished with fire retardant/anti vandal varnish Proceeds to benefit HCUK (Heartburn Cancer UK) as part of the Hampshire Hogs Trail Charity Auction Sea Sweetie is inspired by the enchanting children's book 'The Water Babies' by Charles Kingsley who lived in Eversley, Hampshire. Chimney sweep Tom escapes from a life of grime to a magical underwater world discovering a colony of little water babies and a world of love, joy and abundance but he becomes obsessed with sea sweeties and devours every last one. The following day, Tom discovered that he is covered with thorns. He loses all enjoyment from the sweeties and his prickles keep everyone away. A story with a message still relevant today. Sponsored by Destination Basingstoke Katy Stevens has worked as a graphic designer for many years. She now runs 'Doodles' a community based art gallery for the last decade, and is now focussing on her artwork and continue teaching art to enthusiastic adults in weekly art classes. She paints mainly with acrylics creating compositions that use vivid colours and a rich tapestry of textures and finishes to create a distinctive and magical style. Her compositions always have a strong sense of design and style and her love of nature and colour are a distinctive element in her work

JEAN COCTEAU (1889-1963)Vitrail tapisserie 232 x 119cm (91 5/16 x 46 7/8in).Conçu en 1955, d'après un dessin-maquette dessiné par Jean Cocteau et édité par Marie Cuttoli et la Galerie Lucie Weill.Six exemplaires étaient prévus mais seulement deux ont été fabriqués jusqu'à la mort de Lucie Weill en 1985.tapestry conceived after a Cocteau maquette and published by Marie Cuttoli and la Galerie Lucie Weill. Only two tapestries were manufacturedFootnotes:Cette oeuvre est accompagniée d'un simple avis formel édité par Annie Guédras.For further information on this lot please visit Bonhams.com

AFTER JEAN COCTEAU (1889-1963)Le caducée numéroté 54/500 et signé par l'Editeur au dostapisserie115 x 89cm (45 1/4 x 35 1/16in).Conçu vers 1982 et réalisée par Pierre de Tartas d'après un dessin de Cocteaubrnumbered 54/500 and signed by the publisher on a label stitched on the reverse tapestryFor further information on this lot please visit Bonhams.com

A section of tapestry/fabric fragment, probably 19th century or earlier, framed and glazed, panel approximately 192 by 38cm; and a modern framed needlework panel worked "Ashley Isham", 25 by 40cm (2) Condition Report: The first is a fragment- so incomplete and with sunlight fading and losses Second modern decorative Condition Report Disclaimer

20th Century signed watercolour of a country scene along with a 20th Century tapestry of a Chateau 

THREE TAPESTRY CUSHION COVERS

A set of six Victorian rosewood framed balloon back dining chairs with red machine tapestry upholstery, set on cabriole front legs

A 1.65m 20th Century vintage style brown hide and upholstered two seater settee with feather filled tapestry cushion, set on bun feet and casters - Matching Lot 135

A 2.6m 20th Century vintage style brown hide and upholstered three seater settee with two feather filled tapestry cushions, set on bun feet and casters - Matching Lot 129

A 1.23m 20th Century vintage style double foot stool with tapestry upholstered top and studded hide upholstered sides

Ivy W. Davis: a framed silk painting floral study - signed - sold with two framed tapestry panels

Two 19th Century large rosewood framed tapestry panels, one a still life with flowers, the other Medieval style figures

A 19th Century oak firescreen panel with heraldic tapestry panel under glass - sold with a framed needle work picture, depicting lilies

A late Victorian wing back armchair with piped machine tapestry upholstery, set on turned front legs with brown porcelain casters

A 19th Century pole screen with ornate cast brass suspender and tapestry panel, set on a slender tripod base

A 1.2m stained wood long foot stool with upholstered top, set on chamfered square supports - sold with a late Victorian kneeling stool with tapestry upholstered top, set on standard ends

An old small stool with beaded tapestry top - sold with a pair of antique wooden bellows

An old tea tray with glazed tapestry panel - sold with two carved wood furniture panels

A crate containing a quantity of assorted textiles and related items including candlewick bedspread, large tapestry wall hanging, embroidered nightdress and pajama cases, etc.

A gilt framed and glazed needlework tapestry depicting an exotic bird perched upon rose bush branches (40cm x 38cm) Provenance: originally purchased as Lot 113 from Christies Country House Sale of the contents of Cold Overton Hall, November 1990, ex.Kenneth Binns Collection (written script in ink verso)

An antique hand-embroidered tapestry depicting a pear tree and roses emanating from a central neoclassical-style vase and flanked by four cone-shaped cornucopia, gilt-framed and glazed (later) (48cm x 56.5cm)

A late 19th century French carved walnut and floral tapestry upholstered tub chair; the show wood arms carved with acanthus terminals above a serpentine front rail and moulded cabriole legs terminating in French-style scrolls (78cm widest x 92cm highest point)

A fine carved walnut and floral tapestry upholstered armchair in the French style; the crisp carving in high Rococo style, serpentine front rail and on moulded cabriole front legs terminating in French-style scrolls (71cm widest x 113cm highest, probably late 19th century)

A large and fine carved oak and upholstered three-seater sofa in Louis XV style; the ornately carved show wood detailing acanthus leaves and scrolls above a floral tapestry upholstered back and cushions, raised on four cabriole front legs carved with further acanthus and terminating in French-style scrolls (225cm wide x 77cm deep x 96cm high)

MARIANO SALVADOR MAELLA (Valencia, 1739 - Madrid, 1819). "Holy Family with Saint Teresa of Jesus". Oil on canvas. Relined. Attached certificate of authenticity issued by the Amatller Institute of Hispanic Art. Measurements: 215 x 157 cm; 239 x 183 cm (frame). Faithful to his style, Mariano Salvador Maella offers us a canvas that combines the last traces of eighteenth-century baroque with the novelties of neoclassicism, always marked by academicism and rigour in the drawing. This is a tremendously narrative work, with the Holy Family in the centre of the composition and Saint Teresa of Jesus in the lower right corner. In an exceptional interplay of gazes, gestures and symbolism, Maella immortalises Saint Teresa as if she were a donor, in the manner of a portrait, idealised both in the treatment of her face and her clothing. Thus, the Carmelite habit, far from being represented as a mere garment, is worked with great subtlety and determination, as if it were a delicate transparent veil. The saint looks at the Child Jesus, personified by the Valencian artist as Cupid. With the help of his parents, the little boy points his arrow at Teresa of Jesus, an allusion to the ecstasy experienced by the saint herself, in which she felt God's love piercing her heart. Maella completes the composition with the representation of the Holy Spirit, from whose beak emanate the rays that inspire the saint in her writing. In relation to this last point, it is worth mentioning how Saint Teresa is considered one of Spain's most celebrated writers. On the heavenly plane, in the manner of a typically Baroque break in glory, God the Father Almighty is depicted, relegated to the background, albeit with a firm and decisive line, a faithful reflection of her religious condition. This exceptional composition, which embodies the powerful artistic work of Salvador Maella, denotes the Valencian artist's taste for classical antiquity, a characteristic of neoclassicism reflected in the personification of the Christ Child as Cupid, in the foot of the classical column that rises in the background of the work and in the tonsure of flowers that crowns the Saint (in the manner of a laurel wreath). A painter, engraver and illustrator, Maella began his training in Madrid, in the drawing studio of the sculptor Felipe de Castro. He later continued his studies at the recently created San Fernando Academy, where his teacher was Antonio González Velázquez, from whom he learned the elements of the late 18th-century Baroque. After completing his studies and having won several Academy competitions, he moved to Rome in 1757. There he began his professional career, following the Baroque style of his master. However, on returning to France he entered the sphere of Anton Raphael Mengs, leaving the Baroque influence behind him for good. From then on he carried out important work as a fresco painter in the decoration of the Royal Palace in Madrid and other royal sites. In 1774 he was appointed chamber painter, and from then on he combined his service to the king with his post at the Santa Bárbara Tapestry Factory, where he was responsible for supervising the work of the young painters. He was also a member of merit of the Royal Academy of San Fernando from 1765, replacing Mengs as professor there from 1769, before finally being appointed director in 1772. At the height of his career, Charles IV awarded him the title of first painter to the king, shared with Goya, in 1799. Maella is currently represented in the Prado Museum, the National Heritage collection, the Metropolitan Museum in New York and the Valencia Fine Arts Museum, among others.

Shorter and Son fish plates and milk jug, Carltonware dishes, James Kent tapestry pattern trinket dishes, an iridescent green glass vase, another vase with ribbed decoration, a jack in the pulpit vase, an EPNS tray, a guilloche enamel mirror etc Condition Report: Not available for this lot

Two boxes of fabric to include Osborne and Little Volterra, El Paso fabric, tapestry cushion covers, curtains, table linen, buttons, Quantity of decorative upholstery trims, cotton throw with tasselled edges and a pair of vintage striped curtains, other accessories (quantity)

A pair of 21st century oak elbow chairs, the arched back and seats upholstered in Medieval style tapestry, c.2010

A Pair of Edwardian mahogany Bedroom chairs, pierced splat, turned legs and stretchers, padded tapestry seats, 84cm tall, (2).

A group of prints to include a pear print, Autocar advertising prints, a John Martin coloured engraving drawn from the Life of Easlo, three watercolours by amateur hand of Highland scenes and a cliff/rock formation, an early 20th century circular footstool in a walnut frame with tapestry top, a small gilt wall mirror and a vintage washboard and a vintage treen boxLocation: FrontRow

wool wall-hanging/tapestry155cm x 78.7cm

AN EARLY 20TH CENTURY SOUTH AFRICAN STINKWOOD DRESSING STOOL, drop in tapestry seat above a serpentine frieze raised on cabriole ball and claw legs, 20 1/2 ins x 15 ins and a DITTO oval matching FOOTSTOOL. (2)

A 20th century mahogany sofa table, 73cm high,84cm wide and 51cm deep, and a tapestry fire screen.(2) Condition Report: Available upon request

A lot of four gilt picture frames and a framed tapestry (5) Condition Report: Available upon request

A Victorian oak framed and tapestry upholstered stool, single drawer dressing mirror and a glass ceiling shade (3) Condition Report: Available upon request

Rolex Oyster Perpetual Datejust stainless steel and gold gentleman's wristwatch, ref. 16013, serial. no. 972xxxx, circa 1987, champagned 'tapestry' dial with baton markers, minute track with Roman numerals, date aperture and sweep centre seconds, gold fluted bezel, screw down crown with quick set date, Jubilee gold and stainless steel bracelet, 36mm** with the original Rolex box with outer cover, guarantee stamped George Truscott, College Court, Gloucester and dated 9.1.88, Rolex card wallet, 1988/89 calendar card, translation booklet, two tags, Rolex booklet wallet, Your Rolex Oyster booklet, Rolex Datejust booklet, original purchase receipts-360 VIEW-Movement - currently functioning.Dial - good.Glass - surface scratches.Hands - good.Case - light surface marks.Crown - adjusting correctly.Bracelet - original bracelet, swelling to the links, light surface marks, wrist size 7.50'' approx.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained 

A modern hand embroidered tapestry of large proportions, after 'Smell' from the medieval 'Lady And The Unicorn' series depicting the senses, on wooden stretcher, 83cm x 113.5cm

An Edwardian mahogany Chippendale revival duet piano stool, the hinged tapestry and upholstered top above a frieze centred with carved foliate detail, raised upon leaf carved cabriole legs terminating in ball and claw feet, and united by a 'sinuous' cross stretcher, 57cm H x 103cm W x 35cm D

A brass fender with integral fire dogs, an oak tapestry fire screen and another similar

A Victorian highback stained walnut "Prie Dieu" with barley twist side columns, floral tapestry upholstery & turned fluted legs terminating in castors.

A traditional armchair in floral tapestry, and a similar rectangular stool.

A GEORGE III MAHOGANY FRAMED UPHOLSTERED GAINSBOROUGH ARMCHAIR, in the Chippendale taste, the arched panel back, armrests and seat covered in tapestry style cloth and raised on square legs and ‘H’ stretcher. 73.5cm wide x 97cm high

A PAIR OF IRISH MAHOGANY FRAMED UPHOLSTERED WING BACK ARMCHAIRS, with arched panel backs, covered in tapestry style cloth, raised on chamfered square supports and ‘H’ stretchers. 81cm wide x 116cm high

Attributed to Ernst Josefson (Swedish, 1851-1906)Oil on canvasInterior scene with tapestry and sumptuous furnishings, with lady in 16th century dress with dog, 54cm x 44cm Condition ReportSome accretions and what appear to be white paint spots to the left of the canvas. Small hole to the canvas on the left side.  Areas of overpainting/restoration under UV. Two small areas on the back where the canvas has been patched.  Minor crazing in places.

A modern dark stained dining table and six chairs with tapestry style upholstery, height 94cm

A selection of vintage posters, including copies of the Bayeux tapestry

A pair of French beech framed salon chairs in studded tapestry fabric