Maria Helena Vieira da Silva (1908-1992) Abstract pochoir print, framed and mounted under glass, 31 x 21 cm Vieira da Silva was a Portuguese abstractionist painter considered to be a leading member of the European Abstract Expressionism Movement known as Art Informel. Her works feature complex interiors and city views using lines that explore space and perspective. In addition to being a renowned painter, she also explored other mediums such as tapestry and stained glass.
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A printed panel in the style of a 17th century tapestry, 20th century, depicting various birds in a wooded setting, the borders decorated with floral foliage, approximately 174cm high, 177cm wide Provenance: Purchased from Hines of Oxford, 11th August 1983.A copy of the original purchase receipt is available with this lot. Please note: This is not a printed panel as stated in the catalogue, but in fact a tapestry woven in wool.
A set of four cushions incorporating 18th century tapestry fragments, the tapestry depicting leafy foliage, various sizes; together with a set of three cushions, each incorporating a late 19th/ early 20th century needlework panel, possibly Turkish, various sizes Please note: This lot also includes an additional matching set of nine cushions.
Pictorial tapestry fragment depicting King Solomon, European, 17th century, 3ft. 9in. X 3ft. 11in. 1.14m. X 1.20m. Overall wear and repairs consistent with age; lined with various fabrics. King Solomon sitting in judgement with figures in the foreground and figures to the left side; the top band a patchwork of tapestry. Soft palette.
A modern Asian silkworm hanging tapestry, of rectangular form with three mandala woven designs in silver coloured thread, 226cm long x 98cm wide. Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.
Original vintage propaganda poster - The Palestinian. Published by the friends of Jerusalem. Aref El Rayess (or Aref Rayess) (1928 in Aley, Lebanon – 2005) was a Lebanese painter. Born in Aley (1928), Mount Lebanon, Aref El Rayess started his career as a self-taught artist exhibiting for the first time in 1948. He lived in Africa for many years during which he traveled between Senegal and Paris. In Paris, he joined the studios of Fernand Léger, André Lhote, Marcelle Marso and Ossip Zadkine while studying at the Académie de la Grande Chaumière. In 1957, he returned to Lebanon, but left again for Florence in 1959 with a scholarship from the Italian government. From 1960 to 1963, he lived in Rome where he went on studying and exhibiting. In 1963, he returned to Lebanon. Aref El Rayess was a prolific artist, mainly known as a painter, he also practiced etching, sculpture and tapestry. One of his tapestries, The Signs of Cadmus, is part of the collection of the Unesco Palace in Paris. Good condition, light creasing, staining. County: Lebanon, year of printing:1968, designer: Aref Rayess, size (cm): 58x43
An early 19th century ladies bone fan, each carved guard and stick florally pierced and decorated with gilt and silvered highlights, hand coloured aquatint leaf mount depicting a classical scene of a princess and her many attendees to one side and further decoration to the reverse, mother of pearl rivet mount, 26.5cm long, within a fan box set with 18th century Flemish style tapestry, 29.5cm wide (2)

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