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Lot 314
An oak coffer with triple linenfold panel front, on stile supports, 41 1/2" wide x 11 1/2" deep x 20" high, a Victorian ebonised showframe low seat chair, upholstered in a Jacquard tapestry, on turned supports, an Edwardian rosewood and inlaid low seat nursing chair, and a cane back occasional chair
Lot 763
A French Louis XVI style giltwood and gesso pedestal occasional table, late 18th/early 19th century, the oval glazed top inset with a needlework tapestry over a frieze applied with flowerhead roundels, upon an acanthus moulded baluster column, extending to four conforming cabriole supports and scrolled toes, 72cm H x 63cm W
Lot 800
A Victorian walnut framed long prayer stool, with a floral tapestry upholstered seat upon leaf carved cabriole supports, extending to scrolled toes, 17cm H x 107cm W x 26cm D, along with a rush seated oak stool, upon bobbin and block turned supports, 72cm wide and a Victorian walnut foot stool with a spindle gallery, 32cm wide (3)
Lot 818
A 19th century oak low seat side chair, with a carved scroll crest over a lunette and flowerhead rail back, upholstered seat and conforming carved front cross stretcher, 95cm high, along with an oak framed tapestry fire screen, the glazed panel depicting female classical figures within a reeded frame, upon down swept supports, 88cm H x 67cm W (2)
Lot 50
Frank Meadows Sutcliffe, Fishermen, Whitby Fishermen c1885, 8x6 inch albumen print. Condition: Slight discolouration and fading. Light creasing. Francis Meadow Sutcliffe, affectionately known as Frank, was an important figure in photography, leaving an indelible mark on the visual documentation of Whitby, England, and its environs during the late Victorian era and early 20th century. Sutcliffe's prolific career as a photographic artist captured the essence of life in this seaside town, earning him the moniker "pictorial Boswell of Whitby." Initially embarking on his career as a portrait photographer in Tunbridge Wells, Kent, Sutcliffe moved to Whitby, where he resided for the remainder of his life. Living initially in Broomfield Terrace in Whitby before relocating to Sleights, Yorkshire, Sutcliffe's artistic journey was influenced by his father's connections with notable art figures such as John Ruskin. Despite initial reluctance to engage in what he perceived as a commercialization of his art through photographing holiday-makers, Sutcliffe's studio in Skinner Street, a converted jet grinding and polishing works, became a pivotal space anchoring him to Whitby and the Eskdale valley. Sutcliffe's lens, however, did not focus solely on the picturesque landscapes or the fashionable elite. Rather, he delved into the lives of ordinary people, creating a comprehensive and revealing portrait of late Victorian Whitby and its denizens. Through intimate portrayals of individuals well-known to him, Sutcliffe uncovered the nuanced tapestry of a town and its inhabitants. Sutcliffe's contributions to photography extended beyond his visual artistry. He was a prolific writer on photographic topics, regularly contributing to periodicals and maintaining a column in the Yorkshire Weekly Post. His legacy endures in the collections of institutions such as the Whitby Literary and Philosophical Society and various national collections. As a founding member of the Linked Ring Brotherhood, a society dedicated to advancing photography as an art form, Sutcliffe played a crucial role in elevating the status of photography in the art world. In recognition of his significant contributions, he was honored as an Honorary Fellow of the Royal Photographic Society in 1941. Remarkably, at the age of 70, Sutcliffe assumed the role of curator at the Whitby Gallery and Museum, a position he held until his passing at the age of 87 in 1941. Through his lens, words, and curatorial efforts, Francis Meadow Sutcliffe cemented his place as a visionary photographic artist and a dedicated chronicler of Whitby's bygone eras.
Lot 12
A CARVED WALNUT AND UPHOLSTERED WINGBACK ARMCHAIR IN 18TH CENTURY STYLE EARLY 20TH CENTURY 112cm high, 87cm wide, 77cm deep Together with two tapestry cushions, one with a parrot, probably 18th century verdure fragment, 59 x 50cm, the other probably 19th century with a lady and a harlequin, 45 x 38cm Condition Report: The armchair is sturdy and in good condition. A few minor chips to the carving. The upholstery is worn and there are tears to the top cover on the arms, revealing the horsehair stuffing. There are old marks on the seat and arms. Condition Report Disclaimer
Lot 396
An antique crewel work wall hanging of fine quality depicting floral and foliate work as well as scrolls and wheel patterns in reds, greens, golds and other colours. Measures approximately 182cm x 94cm. Comes along with another example on a hessian backing with larger wheel designs interlaced with flowers and petals, also stylised flowers around edged and various geometric designs. Measures approximately 184cm x 120cm.. Additionally there are 5 smaller samplers / tapestry / needlepoint pieces to include geometric & floral designs.
Lot 412
A collection of vintage 20th century LP long play vinyl record albums. To include, The Who - Tommy, Fleetwood Mac - The Pious Bird of Good Omen, Elvis - Please Don't Stop Loving Me, Bananarama - The Greatest Hits Collection, Carole King - Tapestry, Santana - Abraxa, amongst other examples and compilation records.
Lot 536
Of Optics Interest - Early Colour Theory - The Laws of The Contrast of Colour and Their Application to the Arts of Painting Decoration of Buildings, Mosaic Work, Tapestry and Carpet Weaving, Calico Printing, Dress, Paper Staining. Printing Military Clothing. By M. E. Chevreul. Translation by John Spanton. Published London Routledge, Warne and Routledge, 1861. Having colour illustrations. Tooled leather cover.
![Antique needle work tapestry depicting cranes and urn centre piece, within an oak frame. [Frame 52x51cm]](https://cdn.globalauctionplatform.com/c4751238-5d2c-4ca4-b8c3-b0e000b2965f/37c2bfca-9308-4c3f-8036-b0e000cd4516/468x382.jpg)
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39443 item(s)/page