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A late 19th c. Oak, 18th style Baronial Elbow Chair having carved and pierced top rail, elegant long swept arms with flower and leaf carved scroll ends, on turned supports, turned legs, carved splayed feet and having arched, carved and pierced front stretcher, nailed tapestry fabric with floral detail stitching
Morris (William, designer, author, and visionary socialist, 1834-96) Aujtograph Letter signed to "Dear Madam", 2pp., 8vo, Kelmscott Holuse, Hammersmith, 4th August [?1891], on the Stanmore Tapestry, "You are quite welcome to see my works at Merton Abbey [Merton Abbey Mills], where you will see some tapestry being made. As to the Stanmore tapestry, it is mostly in the looms at Merton: but if at any time you wish to see it at Stanmore (when it is up there) you had better ask my partners at 449 Oxford St, & they may get you permission," folds, small brown stain, slightly browned. ⁂ The Stanmore Abbey tapestry, a series of six narrative tapestries depicting the Arthurian legend of the search for the Holy Grail, made to hang in the dining room of Stanmore Hall, Middlesex. The tapestry was a commission from William Knox D'Arcy, a wealthy Australian mining engineer.
Four Hepplewhite style open elbow chairs, the shield shaped backs with pierced vase shaped splats over drop in floral tapestry seats raised on square tapered and moulded forelegs united by H shaped stretchers, together with a Chippendale style carved chair and similar single example with pierced gothic tracery splats
A Late 17th/Early 18th Century Aubusson Tapestry Central France The field depicting a wooded landscape with exotic birds and animals enclosed by cream borders of scrolling leafy vines, 266cm by 176cm See illustration The field with some small areas of old characteristic re-weaves. The upper border patched and possibly with 18th century replacements. Probably reduced in size. 250117

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