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A heavy silver plated Gothic style triptych Icon, depicting Madonna & Child Christ seated amongst saints and angels, above an oval font, 8" (20cms) extended, an oval marble relief Madonna & Child, a Continental porcelain miniature Portrait of St. Joseph and the Child Jesus and a carved wooden Figure of the Madonna and a pewter Candlestick, and a printed Icon Madonna & Child. (6)
A 1960s Ercol blond elm 'Windsor' model 384 fall flap kitchen table and four model 376 beech and elm dining chairs, the table having opposing fall leaves, raised on slightly tapering beech supports, the 'Candlestick' lattice back spindle chairs with x-frame stretchersIf there is no condition report shown, please request
A Royal Albert Old Country Roses pattern dinner and tea set, including six dinner, side and tea plates, vegetable dishes, sauce boat on stand, soup dishes on stands, meat platter, cake stand, teapot, teacups and saucers, coffee cups and saucers, cake knives, butter dish, photograph frame, trinket dishes, candlestick, qty
A Herend porcelain model, of a Cossack with rearing horse, in white, 25cm high,a/f; a Zsolnay model, of a boy with melon, painted in muted tones, 17cm high; a Limoges Remy Martin decanter, as a Centaur; a Ukranian porcelain figure group, as Ukranian dancers; a similar decanter; a Danish Mads Stage Danimerco candlestick, as a Wide Man (6)
Comprising a patinated metal figure of a monkey holding two palm-form candlesticks, a patinated metal seated money holding a palm-form candlestick, a palm tree-form single candlestick, a palm tree-form double candlestick, and a pair of Peggy Fairfax Herrick 1998 painted wood monkey-form candlesticks.Heights 7 3/4 to 15 inches (19.6 cm).Qty: (5)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
4th-6th century A.D. Octagonal in plan with chamfered edges to the marble surface; engraved central square with birds in the upper corners and spandrels below, enclosing a bilinear ring with menorah on a stand between etrog and lulav; mounted on a custom-made stand. Exhibited at the Harwich Museum, Harwich, Essex, UK, 21st January-10th March 2025; accompanied by a copy of a photograph of the artefacts on display. 577 grams total, 14.2 cm including stand (5 5/8 in.). From an important UK collection, London, 1970-1990s. Ex London, UK, collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12527-231879.An extremely rare and fine example of the type. The menorah is first mentioned in the Book of Exodus (25:31–40), according to which the design of the lamp was revealed to Moses by God on Mount Sinai. The candlestick was to be forged out of a single piece of gold and was to have six branches, ‘three on one side, and three on the other’, There are no extant images of the menorah from the First Temple period, but many examples dating from the Second Temple period have been recorded. The menorah was often depicted flanked by symbolic ritual objects. Here, with what appear to be the etrog (citron) and lulav (date-palm branch) of the festival of Sukkot (Feast of Tabernacles). A new Menorah was installed in the Second Temple, built after the return from exile in Babylon. This was looted by Antiochos Epiphanes in 169 BCE when he desecrated the Temple. With tragic wit, the Jews named him Epimanes, or ‘the madman’, when it became apparent that his policies were violently anti-Jewish. However, after the Maccabean Revolt (167-160 BCE) Judas Maccabeus ordered the construction of a new seven-branched candelabra to be placed in the Temple. The rededication is still celebrated with the festival of Hanukkah (‘to dedicate’). According to rabbinic tradition, the victorious Maccabees could only find a small jug of pure olive oil uncontaminated by virtue of a seal, and although it only contained enough oil to sustain the Menorah for one day, it miraculously lasted for eight days, by which time further oil had been found. The Menorah was subject to Roman plunder after the destruction of the Second Temple in 70 CE; according to Josephus, it was displayed during the Roman triumphal march, the scene of which is famously depicted in a frieze on the Arch of Titus along with other spoils of the destroyed temple. For centuries, the Menorah and the other temple treasures were displayed as war booty in the Templum Pacis in Rome or in the Imperial Palace and was still there when the city was sacked by the Vandals in 455 CE. Although the Menorah disappeared and the Talmud forbade its reconstruction, it became a popular symbol signifying Judaism. Representations of the Menorah often decorated tombs, walls, floors of synagogues and amulets.
A ROMAN TALL GLASS 'CANDLESTICK' UNGUENTARIUM 2ND-3RD A.D. 14.5cm high Provenance: Private Collection, California, USA, acquired 1950s-1960s. Rupert Wace Ancient Art, London, April 2015. Literature: For similar examples see C S Lightfoot, Ancient Glass in National Museums Scotland, Edinburgh 2007, p.170 No. 437 and p.174 No.451
A silver charm bracelet, and some loose charms, a silver charm bracelet, 6.9mm gauge curb links, fitted with a padlock fastener and sixteen silver and white metal charms, to include spider, boot, candlestick telephone, coconut trees, articulated robot, galleon, gypsy caravan and others; and five loose silver and white metal charms, to include spinning wheel, hedgehogs, shoes and others.
A PAIR OF GEORGE III TWIN BRANCH THREE LIGHT CANDELABRA AND TWO FURTHER CANDLESTICKS SMITH, TATE & CO., SHEFFIELD 1811 The candelabra, each set with a central light supporting twin scroll arms with socket sconces, the drip pans with gadrooned borders, the central light set with a flame finial to socket, the columns to candlesticks each of tapering form, with gadrooned detail at intervals, raised on a stepped domed foot (loaded) (4) 32cm high (candlestick), 54.5cm high (candleabra)
A GRADUATED SET OF LATE VICTORIAN CANDLESTICK/ LAMPS ELKINGTON & CO., SHEFFIELD 1901 & HAWKSWORTH, EYRE & CO., LTD., SHEFFIELD 1898 Each with a fluted cylindrical column with an acanthus clasped neck, to a stepped square foot with a double gadrooned border, the lamp formed of cut-glass hemispherical bowl (loaded) (2) 53cm, 49cm high
Wedgwood - Jasperware - A collection of vintage 20th century sky blue and dark blue bisque porcelain items. To include lidded trinket boxes, vases, candlestick holders, trinket trays, picture frame, and more. Makers mark stamped to the underside of each piece. Largest measuring approx. 14.5cm.
Collection of 20th century blue and white ceramics / China to include Wedgwood jasperware, Arcadian Chariots candlestick holder, blue and white tea cups and saucer, Cololough china tea cups and saucers, blue and white ginger jar, a Torquay Witcombe 1514 blue glazed pot, Davenport tea cup, Ye Olde English tea cup, George Jones tea cup and others unmarked.
A collection of 19th and early 20th century brass and copper decorative curios. The collection to include a Joseph Sankey and Sons stamped Art Nouveau copper lidded jug, a brass chamber style candlestick holdr with repousse petal decoration, two pairs of Art Nouveau brass door finger plates, amongst other examples.
A COLLECTION OF MOSTLY SCANDINAVIAN COLOURED AND CLEAR GLASSWARE to include a group of Orrefors items comprising a small smoky 'fuga' square dish, diameter 10.5cm, a smoky glass, height 7cm, a clear candlestick with etched 'Orrefors' to the base, a Kosta glass vase height 15cm, three Holmegaard items comprising a smoky ashtray etched 'Holmegaard 1959' to the base (light scratches), a Holmegaard smoky candlestick with etched 'Holmegaard 1960' to the base (shallow chips to the base), a clear floral Holmegaard floral candlestick, two Val Saint Lambert triangular glasses with etched signatures to the base, a limited edition seal themed D. McCaughey for Caithness paperweight No. 189/500, height 8cm, an iridescent David Wallace scent bottle with signature to the base, and a blue vase height 18cm (qty) (Condition Report: fleabites present, wear to manufacturer stickers, scuffs to some bases)
A GROUP OF THREE CAST IRON NINTEENTH CENTURY CANDELABRA comprising a cast iron double candlestick with a circular central panel decorated with pierced acanthus scrolls, supported by abstracted dolphins and an eagle with a snake in its beak, height 30cm x width 16cm (some rust in places, adhesive remains to the top), and a pair of black three branched candelabra of scrolling form with a square base, height 24cm x width 23cm (dusty, adhesive to the inside of the candle holders) (3) (Condition Report: itemised condition above)
A Royal Doulton dinner and tea service together in the 'Carnation' pattern comprising, a pair of vegetable tureens (d. 28cm), fourteen dinner plates (d. 27cm) fourteen soup bowls (d. 20cm), fourteen side plates (d. 20cm), ten salad plates (d.23cm), a serving platter (l.33cm), a plate warmer cover, fourteen larger dessert bowls (d. 18cm), a sauce jug with saucer, a salt and pepper shaker, a cheese knife, a cake plate (d. 28cm), eleven carnation floral name card holders, a cake knife, fourteen teacups, fourteen saucers, a milk jug, a teapot, a lidded sugar bowl, a candlestick with intricate carnation detail, a slim long stemmed vase (h. 21cm), and a larger tulip shaped vase (h. 19cm) (122)
A Sheffield plate candlestick converted into a lamp with felt to base and scroll decoration to body (h. 36cm), together with a Museum Collections Jan Van Kessel 'Flowers and Insects' fine bone china and gilt quartz clock (d. 5.5cm), and a Epiag lidded dish with an ovoid body raised on four volute feet, decorated with polychrome floral decoration and gold accents (h. 8cm) (3)
A Royal Albert dinner, tea and coffee service, in the pattern, Old Country Roses, totalling eighty-three pieces, comprising of, six dinner plates, six bread plates, six soup bowls, six napkin rings, six bowls with saucers, six sandwich plates, six teacups with saucers, six coffee cups with saucers, a gravy boat with saucers, a candlestick, two lidded casserole dishes, a condiment tray, a butter dish, a butter knife, a cake stand, a cake knife, a large service platter, a wall clock, a sugar dish, a milk jug, a coffee pot, a lidded sugar pot, and a teapot. (83) Overall in very good condition – showing no crazing, discolouration and no gilt loss.One issue – the lid to one of the tureens is badly cracked
Silver plated rounded rectangular ink stand, the central pounce pot surmounted by a candlestick, flanked by 2 cut glass inkwells, and 2 pen recesses, within a gadrooned rim and on 4 out-swept scroll feet, W.23.5cm; entree dish with cover engraved with crest, W.28.5cm, another entree dish, set of 6 mother-of-pearl handled dessert forks and 6 knives, lobster crackers and picks, cased, 6 napkin rings in a Mappin & Webb case, other plated items, Victorian James Yates pewter mug, and another pewter mug. (a lot)

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38974 item(s)/page