We found 38975 price guide item(s) matching your search

A large Dutch brass 'heemskirk' candlestick, early to mid 17th century, with central drip pan and extraction hole to socket, hand lathe turnings to base, drip pan drilled probably for conversion to electricity, 9 1/2'' tall.

A small quantity of glass including Royal Scot vase, boxed, teal coloured bowl and small jug, candlestick, glass basket etc.

A matched pair of silver Arts & Crafts hammered tapering candlesticks, in the manner of Liberty, the floral shaped sconce with chased stylised lily pad decoration to border above tapering fluted stems on shaped trefoil bases, filled, hallmarked by J Aitkin & Son, Birmingham, 1906 & 1909, 18cm high, with two detachable urn shaped sockets, hallmarked (2)CONDITION: one candlestick with stem off centre and solder repair marks to top of stem under the drip pan both detachable sockets with multiple dents both tarnished 

METALWARE INCLUDING A SILVER TODDY LADLE (QTY)A pair of Victorian plated candlesticks, 24cm high, another candlestick, 32cm high, a 19th century pewter tankard, a copper fire bucket and sundry (qty)

A tall gilt metal candlestick and a gilt chalice with dancing figures (2)

A silver plate three sconce candlestick with reeded column, 38cm tall

A box containing mostly silver plated items including a Smith Seymour part canteen of cutlery, flatware and a three sconce candlestick

J.H Harmstone, Mountain and Coastal Landscapes, two pairs of watercolours, 35 x 24.5cm and 14.5 x 24.5cm, designs for kettle stand and candlestick with Sheffield Polytechnic certificates.

Early 20th century brass and Bakelite candlestick telephone marked no. 22 with wooden bell receiver marked no. 1A

Two brass candlestick telephones with rotary dials, H32cm (2)

Geo.V hallmarked Sterling silver candlestick with square tapering column and base by Henry Williamson Ltd, Birmingham, 1923 H20cm and another Geo.V hallmarked Sterling silver candlestick with circular tapering column and base by Joseph & Richard Griffin Chester, 1912, H15cm (2)

Pair of Geo.V hallmarked Sterling silver candlesticks with knopped columns on circular bases, by W J Myatt & Co, Birmingham, 1911, H12.5cm, and an Edw.VII hallmarked Sterling silver candlestick by Ellis & Co, Birmingham, 1907, H8cm, all filled (3)

A smaller pair of candlestick with reeded rims - 3" high - Birmingham 1917

A Pair of Dwarf Twin Branch Candelabra, each on spreading oval base (filled/ one lacking base covering) stamped "925 Sterling", 15.5cm wide; together with a hallmarked silver dwarf candlestick (damages). (3)

Victorian brass candlestick, the central square column with adjustable turquoise and white glass shade above an adjustable candle sconce, on a loaded base, 51cm high

18th Century candlestick, the spiral iron holder above a turned fruitwood stand

18th Century brass ejector candlestick, English, with a collared nozzle above the push up ejector on a petal base, 19.5cm high

A collection of thirteen Royal Crown Derby "Old Imari" (1128) 21 cm side plates together four 21.6 cm plates of the same pattern with a candlestick of the same pattern now fitted as a table lamp. 41 cm high the actual lamp. Condition report: All plates OK Lamp OKPlease note variations in plate sizes

A pair of early 20th century brass candlesticks along with a portable brass candlestick lantern with pierced design. H.28 Diam.8cm

A large abstract wrought iron floor standing tripod candlestick along with a vintage fibre optic globe floor standing light with glass base. H.110 W.16 D.18cm (largest)

Gothic Torchero, 14th century.Bronze, polychromed in black.Measurements: 165 x 49 x 54 cm.Torch rack in iron forging, from the Gothic period. On an open foot on a tripod, there is a shaft partially decorated with incised elements forming synthetic ornaments. The torch area has a cylindrical base to hold the spilled wax, and an upper part with a serrated profile, the two bodies joined together with iron fittings that form decorative loops. This type of candlestick (generally for churches), with a tripod base and a tall spike, from which a point for the candle is inserted, and a cylinder, was the most common in the 14th and 15th centuries.

A Royal Albert Old County Rose pattern tea set, for six, inc tea pot, milk jug, sugar bowl, pair of bud vases, candlestick etc, part seconds qty

A LARGE QUANTITY OF BRASSWARE TO INCLUDE CANNON, ROCKING HORSE, CANDLESTICK WITH SNUFFER, COUNTER BELL, ETC

FOURTEEN PIECES OF WEDGWOOD JASPERWARE TO INCLUDE TRINKET BOXES, VASES, CANDLESTICK, ETC

A PAIR OF TWO TONE BRASS AND BRONZE CABARET TABLE LAMPS WITH GLASS TEALIGHT HOLDER WHICH CAN BE REMOVED TO MAKE A CANDLESTICK HOLDER AND EMBROIDERED SHADES

A SILVER MILK JUG AND NINE FURTHER ITEMS (10)The milk jug, Sheffield 1932, weight 151gms, also a foreign candlestick, raised on a stepped square base, a napkin ring and plated wares, comprising, a pair of bottle coasters having turned wooden bases and five items of flatware

A GEORGE III SILVER CHAMBER CANDLESTICKOf oval form, having a detachable sconce and a snuffing cone, fitted to a chain, the sconce and the oval base decorated with gadrooned rims, London 1806, maker Robert Hennell I & Samuel Hennell, weight 132 gmsThere are a few surface marks to the oval base, but overall in good condition, the bracket to the side of the nozzle that the hook of the snuffing cone slots into, is starting to break down. Length of base 9.7cm, width of base 7.5cm, overall height 6cm.The candlestick sits flat on its base, hallmarks are mostly clear and match. Maker's mark on snuffing cone is only partly legible.

Mid 20th century reproduction candlestick telephone. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Five pieces of Fostoria cube glass including vase, footed dish, sugar bowl, cone base candlestick and a large jug.

A quantity of white metal including German silver and other items including a single candlestick, small dish embossed with a bird, small beaker, plated dishes, etc.Additional InformationAll pieces are damaged and tired.

A pair of Victorian open salts with gilded interiors, with repoussé floral decoration raised on three pad feet, London 1891, together with a hallmarked silver squat candlestick (af) (3).

A Victorian mahogany tea caddy, the hinged cover enclosing two compartment and replacement mixing bowl, together with a 19th century treen barley twist candlestick, a two tier cake stand, etc.

A George V hallmarked loaded silver posy vase, Birmingham 1915, height 16cm, a loaded hallmarked silver candlestick and a silver and bakelite circular stand (3).

Georgian Silver Chamberstick and Snuffer 368 g. London 1835, Barnard Brothers. Gadrooned border. Crest to snuffer and candlestick. Retailer's mark to base 'C.Vaughan, No. 39 Strand, London'.Height 9.5 cmsCondition report: No issues. (Hallmarks somewhat rubbed on snuffer)

A collection of Chinese porcelain,20th century, comprising: a candlestick, with a bell-shaped base rising to a knobbed section supporting a dished tray with an everted rim, surmounted by a tapering columnar neck and a smaller tray on top, enamelled with chilong amongst scrolling lotus against a blue ground, six-character Qianlong mark to base, 27cm high, a vase, of ovoid form on a circular foot, moulded with scrolling lotus, six-character Qianlong mark to base, 25.1cm high, and a double gourd vase, under a blue glaze, 21.7cm high (3)Condition report: Candlestick - Gilt losses.Moulded vase - Losses to moulding, gilt losses.Double gourd vase - chip to foot rim, crack to base, surface scratches.

A LATE VICTORIAN SILVER SALVER, shell and foliate scroll cast rim, surrounding a pie crust border, monogram engraved to the centre, on three foliate scrolled feet, makers Atkin Brothers, Sheffield 1898, diameter 32cm, 25.29ozt, 786.6 grams, together with a white metal goblet with filigree decoration and turquoise coloured cabochons, gilt interior, height 14cm and an early 20th Century silver plated Arts & Crafts style candlestick, converted to a table lamp, height 26cm (3) (Condition report: the salver in reasonable condition, sits level on a flat surface, some surface scratches, goblet has a diagonal dent approx. 1.2cm in length, candlestick drip pan is slightly bent)

A SMALL PARCEL OF 20TH CENTURY SILVER, comprising a set of six Edwardian Fiddle pattern teaspoons, makers Joseph Rodgers & Sons, Sheffield 1903, 2.78ozt, 86.7 grams, an Elizabeth II rectangular cigarette box, engine turned hinged cover with vacant rectangular cartouche, cedar wood lined interior, sponsor's mark ESC, Birmingham 1975, gross weight 17.11ozt, 532.2 grams, width 14cm x depth 10.2cm x height 3.1cm and a modern silver plated candlestick, height 18.5cm (8) (Condition report: teaspoons are in useable condition, they haven't been engraved with crests or initials, one neck is slightly mis-shaped, the cigarette box is in fair condition, light surface scratches and one or two very tiny dints, base is brown paper)

A PAIR OF LATE VICTORIAN SILVER CORINTHIAN COLUMN CANDLESTICKS, both with a shaped square removable sconce above a fluted and stop reeded column and a stepped square and beaded foot, loaded base, maker Harrison Brothers & Howson (George Howson), Sheffield 1899, height 21cm (2) (Condition report: one candlestick is heavier than the other, the lighter one has six holes to the stepped corners of the foot, both have minor dints along the base edges)

A Collection of Various Brass to Comprise Desktop Inkwell Stand with Scrolled Design (AF), Single Spiralled Brass Candlestick, Ornaments etc

STUART DEVLIN: a silver candlestick with silver-gilt filigree shadeLondon 1972With detachable slightly tapering cylindrical silver-gilt filigree shade, with plain polished trumpet form base, height 37cm, weight 15.2oz.Footnotes:STUART DEVLIN AO CMG (1931 - 2018)Australian silversmith, jeweller and designer. Stuart Devlin ranks as one of the great contemporary gold and silversmiths and has been acclaimed by the Worshipful Company of Goldsmiths as the designer with 'the Midas touch'.Stuart Devlin, was born in Geelong, Australia in 1931. He trained at the Royal Melbourne Institute of Technology and, in 1958, won a number of scholarships including one to study silversmithing under Professor Robert Goodden at the Royal College of Art, London. After spending a two year fellowship at Columbia University in America in 1962, he returned to Australia to teach and rose to become an inspector of art schools. In 1964, Stuart Devlin won a competition to design Australia's first decimal coinage. Devlin went on to be an accomplished coin designer, designing coins for over 36 countries worldwide and many more medallions, including the medals for the founding awards of the Australian honours system in 1975.On his return to London, in January 1965, Devlin set up a small workshop in Clerkenwell and the following year he employed his first craftsman. Devlin created new techniques and produced a wide variety of textures, filigree forms and gilding to create his distinctive style. Devlin aimed to design pieces that added 'delight, surprise, intrigue, and even amusement', this especially can be seen in his commercially successful limited edition novelty eggs and boxes.In 1972 Devlin transferred his retail gallery to the ground floor of his St. John Street workshop in Clerkenwell. After a sell-out collection at Asprey, Collingwoods of Conduit Street (in London's West End) set aside an entire floor exclusively for his work, in order to hold regular exhibitions. Between 1979 and 1985, in partnership with the Duke of Westminster, he set up a prestigious showroom in Conduit Street almost opposite Collingwoods. Devlin closed his London showroom in 1987.Devlin was made a freeman of the Goldsmiths' Company by special grant in 1966 and elected a liveryman in 1972. In 1980 he was made a Companion of the Order of St Michael and St George 'for services to the art of design' and in 1982 was granted the Royal Warrant of Appointment as Goldsmith and Jeweller to Queen Elizabeth II. He was Prime Warden of the Goldsmiths Company 1996 – 1997.The Goldsmiths' Centre situated in Clerkenwell, was developed from a discussion in 2006 between Stuart Devlin, Hector Miller and Grant Macdonald. They proposed the visionary idea of establishing a creative institute for the goldsmith's craft. Devlin's initiative also had the additional aspect of managed workshops and facilities for exhibitions, corporate hospitality and catering.Stuart Devlin was Postgraduate Programme Director at the Goldsmiths' Centre, and while there passed on his inspiration, skills and ethic to enrich the way people live and work. The torch for the 2012 London Olympics was designed as a tribute to Stuart Devlin's retro style and British craftsmanship by Edward Barber and Jay Osgerby, and won the Design Museum's Design of the Year Award.In 2011 his wife Carole and sister-in-law Victoria Kate Simkin started to assemble his archive. It became the basis for a book which was published in 2018 shortly before Stuart Devlin died.Stuart Devlin: Designer Goldsmith Silversmith, published by ACC Art Books Ltd, 2018.For further information on this lot please visit Bonhams.com

Pair Art Nouveau copper and brass vases, together with an Arts & Crafts metal candlestick (3)

Ruskin pottery art nouveau style green-glazed candlestick, model number 1925, 16.5cm high

Pair of contemporary silver candlesticks on stepped bases (Birmingham, 1954), 26cm high Condition report: One candlestick is missing its sconce. Weight approximately 20oz

Moorcroft pottery candlestick with floral decoration on blue ground, impressed marks to base, 20.5cm high, together with Moorcroft vase decorated in the pomegranate pattern on blue ground, on pewter base (restored) 16.5cm high (2)

An original, unused ticket for the Beatles performance at Candlestick Park, San Francisco in August 1966. Measures 14.5 x 6.5cm and in excellent condition.

CANDLESTICK LAMPS, a set of four, faux lapis lazuli painted wood bases with shades, 53cm H. (4)

A German porcelain floral encrusted candlestick with figure decoration

A George IV silver candlestick, naturalistically modelled as stemmed flower, London, 1828, by Riley and Sumner, 11cm, 145 grams.

George II cast silver candlestick, the hexafoil petal base leading to a knopped stem, conforming petal shoulder and spool capital, hallmarked William Grundy, London 1756, H20.5cm, approximate weight 15.20 ozt (473 grams)Condition Report:General wear commensurate with age and use, including surface scratches, some deeper scratches, nicks and small knocks and indentations.Lacking removable nozzle.Candlestick stem has been broken towards the base, there are visible slips and solder repairs. The candlestick has wax residue and would benefit from a clean.Hallmarks beneath are clear and legible.

A vintage candlestick telephone with bell box

Large carved candlestick

Clarice cliff Fantasque melon Pattern candlestick- some damage

A Bernard Rooke Lily Pad dish decorated frogs and a Bernard Rooke dwarf candlestick with butterfly decoration

A pair of Blackamore table lights, a pair of Franklin Porcelain Romeo and Juliet candlesticks, Romeo a/f, a brass candlestick, Blackamore candlestick and a pair of brass and enamel candlesticks **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

A pair of florally encrusted vases, lidded pot, basket and candlestick, a/f and a pair of vases **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

A set of four Ercol Blonde elm and beech 376 model candlestick chairs

Drei Teile Porzellan, Dresden, 2.H.20.Jh., sternförmige Schale mit durchbrochenem Korbrand u. deutschen Blumen, D.ca. 27 cm und passender Kerzenleuchter im gleichen Dekor, H.ca. 8.5 cm; dazu eine Deckeldose mit durchbrochenem Korbmuster und applizierten Blumen u. Blättern, Goldstaffage, ca. 12.5x13 .5 cmThree pieces of porcelain, Dresden, 2nd half of the 20th century, star-shaped bowl with openwork basket edge and German flowers, D.ca.27 cm and matching candlestick in the same decor, H.ca. 8.5cm; in addition a lidded box with a pierced basket pattern and applied flowers and leaves, gold decoration, approx. 12.5x13.5 cm

Fünf Teile Meissen, Zwiebelmuster, 20. Jh., Vase, H. 25 cm, Kerzenleuchter H. 17 cm, kl. Vase H. 14 cm, Teller ( Uhr ) D. 25.5 cm und ein Königskuchenplatte L. 38.5 cmFive Meissen parts, onion pattern, 20th century, vase, H. 25 cm, candlestick H. 17 cm,small. Vase H. 14 cm, plate D. 25.5 cm and king cake plate L. 38.5 cm

Leuchter, deutsch, nach frühbarockem Vorbild, um 1880/90, Bronze, Reste von alter Vergoldung, Doppelkopf-Adlerbekrönung, l. Gebr.-spuren, H. ca. 32 cmCandlestick, German, based on an early Baroquemodel, around 1880/90, bronze, remains of old gilding, double-headed eagle crowning, slight traces of usage, height approx. 32 cm

Drei Vasen und drei Kerzenständer, Wallendorfer Porzellan, 2.H.20.Jh., kobaltblauer Fond, jeweils mit polychromer Blumenmalerei: 2 Deckelvasen mit beidseitigen Blumenbuketten, H.ca. 24/32 cm; Vase mit Blumenbukett auf der Schauseite, H.ca. 15 cm; 2 Leuchter: grosser Leuchter beidseitig mit Buketten, kleiner Leuchter Streublümchen an der Tülle, H.ca. 11/22 cm; ein kleiner Leuchter mit 2 Brennstellen, ca. 10x16.5 cm, GoldstaffageThree vases and three candlesticks, Wallendorf porcelain, 2nd half of the 20th century, cobalt blue background, each with polychrome flower painting: 2 lidded vases with bouquets of flowers on both sides, H.ca. 24/32cm; Vase with a bouquet of flowers on the front, H.ca. 15cm; 2 candlesticks: large candlestick with bouquets on both sides, small candlestick withscattered flowers on the spout, H. approx. 11/22cm; a small candlestick with 2 burners, approx. 10x16.5 cm, gold accessories