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A collection of late 19th Century flow blue pottery gentleman's companion set to include twin-handled jar and cover as a pedestal, a spittoon, a candlestick, and an inkwell, together with a small cobalt blue and gilt decorated cup, and an etched glass lamp shade CONDITION REPORTS All items with wear and crazing, all items with restoration and/or some damage, restoration appears to be of professional quality. There is quite a lot of overpainting, covering large areas to all all pieces which blends in well, so extent of damage and losses beneath is not known.

A Moorcroft pottery baluster shaped table lamp base decorated with Aquilegia design, together with a large collection of various lampshades, and a red candlestick style table lamp base, together with a cast iron press

Metalware to include flat irons, fire companion set, candlestick etc.

19th century Scottish pottery Spaniel with treacle glaze, brass candlestick and a Georgian brass chamberstick

An 18th Century ebonised fruitwood rise and fall candlestick with threaded column, black Japanned candle holder, turned circular base, 25cm high

Two Minton porcelain candlestick figures one modelled as a lady in 18th Century dress with bows in her hair, her hands on her hips wearing turquoise top and floral detailed skirts, the other as a woman with ribbons in her hair, her arms folded wearing purple top and pink and floral trim skirts, 10cm high and smaller, late 19th Century

A 17th Century brass candlestick with broad drip pan, knopped base on shallow trumpet shaped base, 19cm high

A 17th Century brass candlestick with broad drip pan and knopped stem, trumpet shaped base, 20cm high

English porcelain desk set possibly Coalport circa 1830 painted with flora and a blue and yellow border, to include a candle stick, inkwell and one other lidded pot, (7) the stand measures 38.5cm wide Condition report: The candlestick has been broken and re-joined, the inkwell finial has been restuck, there are cracks to the interior and a small internal chip. There are small amounts of gilt wear. Condition report: see terms and conditions

A Continental group figures around a chess board, a continental cherub figural candlestick and a Parian ware model of a young boy playing with his pup. (3)

A hallmarked silver candlestick style reading light, H 68cm

A silver candlestick Birmingham 1925; a pair of miniature silver candlesticks, Birmingham 1985 etc (4)

Metalware - an early 20th century silver plated baluster octagonal sugar caster; others, similar; a Victorian Aesthetic Movement crumb scoop, horn haft, c. 1880; chromium wing mirror, c. 1950; an early 19th century butchering knife; a 20th century circular brass tray, chased with a chinoiserie scene; a set of early 20th century gilt metal and bakelite hafted fruit knives and forks, for twelve, cased; pricket candlestick; bon bon dish; trophies, various; sugar tongs; brass; qty

A Bourne Denby Danesby Ware Pastel Blue compressed ovoid Grasmere single handled vase, typically decorated with embossed stylised foliage, drip glazed in shades of pale blue and green, 16cm, printed marks in black, c.1933; a Danesby Ware Paster Blue cylindrical Keswick vase, 19cm; an Ulverston candlestick, 16.5cm diam; a Honistor vase, 14.5cm; another similar (5)

A Denby Danesby Ware Electric Blue drip glazed Knocker Ash Tray, 11.5cm diam, printed marks in black; a matched pair of tapering cylindrical Park shape vases, drip glazed in Electric Blue, 12.5cm; a similar Goblet candlestick, 11.5cm; others, c.1925 (6)

A Mappin & Webb oil lamp with cut glass reservoir, chimney and shade, on silver plated Corinthian column candlestick base (lamp detached from base)

A silver mounted scent bottle, a filled silver candlestick and a cut glass and silver mounted scent bottle

A French porcelain floral decorated scent bottle and stopper, 6" high, a French porcelain floral decorated bell, 4" high, a Sèvres porcelain cabinet cup with portrait of Madame de Pompadour and a rose pompadour and gilt metal mounted candlestick, 9" high

A JAPANESE MINIATURE BRONZE, SHIBUICHI AND SHAKUDO KORO AND COVER AND A BRONZE PRICKET CANDLESTICK, MEIJI koro and cover 7cm h ++ Pricket slightly shortened and top of candlestick dented. Koro in good conditioin

A vintage candlestick telephone with bakelite fittings, marked no 2 150

A George V silver candlestick, of plain design with beaded borders, Birmingham 1925, 18cm long, another dwarf silver candlestick (AF), a miniature silver prize cup and a silver toilet jar lid, (4).

A modern silver candlestick of Georgian design, with knopped stem, London 1960, 10.5cm high, and a silver bon bon dish with raised pierced border, Sheffield 1954, 3oz.

A small group of silver items, including drum mustard, two pepper pots and a plated candlestick.

A Chinese bronze vase with designs of trees and figures, height 6" and a brass bird figure candlestick, (2).

LARGE ASSORTMENT OF ROYAL DOULTON SERIESWARE A/F INCLUDING PEMBROKE CASTLE TRAY, D3749 TREE PATTERN, D5197 A IMPRESSED CANDLESTICK AND MANY MORE (TWENTY PIECES)

Pair of Black Forest Book-Ends+Horn Candlestick

Antique Majolica Candlestick with some damage

Tudric Candlestick 5 1/2" tall

Three Lustre Cups & Saucers, an 1840 Harvest Mug & a Pewter Inkwell & Candlestick.

19th Century English School/Boy with a Candlestick/oil on board, 19.5cm x 15cm

A Derby figural candlestick, modelled with harlequin in a dancing pose, mask in hand, circa 1760, 26.5cm high Condition Report: Lot 418: Sconce associated. Crack through base running part way up figure. Restoration to right foot/heel, cracking to restoration. Chipping to encrusted flower petals.

A Chelsea fable candlestick group, 'The Cat and The Fox' modelled with a dog attacking the fox, the cat in the bocage, gold anchor mark, circa 1765-1770, approximately 30cm high Condition Report: Dog's tail has been restored at both joints with body. Some light chipping to flowers. Nozzle probably associated.

A mixed lot of assorted silver-plate and ceramics to include candlestick, tea service, etc.

A Birmingham hallmarked silver mustard pot, a hallmarked silver spoon a further miniature hallmarked silver candlestick and a Birmingham hallmarked silver wine coaster with engraved central roundel (4).

A London hallmarked silver Corinthian candlestick together with a Birmingham hallmarked silver decanter label, 'Gin' a Birmingham hallmarked silver clothes brush and further silver items (4).

An Art Deco hand painted Myott & Son sandwich tray together with a matching powder bowl and candlestick, decorated in tones of brown, orange and yellow.

A black and gold painted wooden pricket candlestick.

A George IV cruet set, John & Thomas Settle, Sheffield, 1828, comprising: a mustard pot and a sugar caster, each fluted glass body with silver top, gadroon rim and urn finial; a silver-plated Fiddle pattern mustard spoon; a Danish silver-plated pap boat, chased with a scene of people; and a silver-plated candlestick, with cast rams head decoration (5)

Two good quality graduated 19th century lined copper saucepans with heavy applied iron handles and matching lids, a single brass candlestick, eastern brass dishes, bowls, two framed hunting prints, one after Lionel Edwards

A pair of brass electric table lamps of 18th Century Continental pricket candlestick form on triangular bases, 20ins high, and shades for same, and an early 20th Century French carriage timepiece in brass and bevelled glass corniche pattern case, 3.75ins wide x 3.25ins deep x 5.25ins high

A small ormolu candlestick, classical style with painted porcelain stem, 5.5in.

A Victorian John Bevington candlestick figure, two pairs of porcelain figures, Royal Doulton Toby Jug and other items

A William and Mary-period walnut and endive marquetry bureau, fall-front enclosing stepped interior with eight short drawers, single drawer beneath, on inlaid tapering and chamfered legs with shaped cross-stretchers, each side with candlestick slide, 1ft. 10in. wide - some faults and probable modifications SEE ILLUSTRATION

A brass candlestick telephone.

A group of modern design items comprising a pair of green and gold metal candlesticks with raised circular bases with spindle supports, a stylish Milano Series green, red and patinated metal candlestick of innovative form having shaped triangular base, narrow spindle rod support and conical scone with circular top, and an unusual yellow metal bowl of striking modern design, having a pierced handle of elongated trolly form with curved supports at each end

An adjustable triple sconce brass candlestick having narrow rod supports and shaped flared sconces and a pair of silver colour metal candlesticks with hammered appearance in the Arts and Crafts style

A silver Corinthian column candlestick, London 1899.

An impressive Chinese silver and jade candlestick, with turquoise and coral insets, 19th C. One of the jade belt hooks is broken. Furthermore of very nice quality. H: 40,5 cm.

A Dutch Delft doré kakiemon style candlestick, 18th C. H: 13 cm (For a set of similarly executed pieces, see Sotheby's London, 29/04/2014, Lot 460, The Gustav Leonhardt Collection, Property from the Bartolotti House, Amsterdam)

A Dutch Delft blue and white model of a calvary, last quarter 17th C. H: 51 cm. Attributed to Samuel van Eenhoorn, De Grieksche A, 1678-1686. The demi-lune shaped base, resting on feet, is decorated with scenes from the life of Christ on the lower part. The flat area in front of the calvary is decorated with finely executed Ruyi patterns, a clear wink to the Chinese influence on Dutch Delftware, also to be found on Islamic ceramics. The blue ground calvary is flanked by Mary, depicted standing, resting on a base showing portraits of John, and John, also standing, resting on a base showing portraits of Mary. Both figures are looking upwards at Christ hanging on the cross. The crucifix itself is of a slightly later date. It was removed from another important piece of Dutch Delftware, a regular crucifix, probably from the "De Witte Starre" workshop. An original example from which this crucifix was removed and inserted into our present piece can be found in the Philadelphia Museum collection, Accession Number 1921-3-171, a (see http://www.philamuseum.org/collections/permanent/40302.html?mulR=958926532|1). This crucifix was made at the "De Twee Scheepjes" factory, under Johannes Gaal or his widow (1707-25). The present piece shows triking similarities with a fine signed Samuel van Eenhoorn piece, depicted in Aronson, 2013, The Ivan B. Hart Collection, p.30, Cat. Nr. 18: A pair of blue and white triangular candlestick bases, Delft, ca. 1680-1685 (see http://issuu.com/artsolution/docs/cat13_masterart-optimized/12). Just like these, the demi-lune shaped base is decorated with scenes from the life of Christ. From left to right: The visit of the 3 Magi or The Circumcision, The Flight into Egypt, The Last Supper, Agony in the Garden, The Flagellation, Ecce Homo, Crucifixion. These scenes are clearly from the same painter. Two other models of calvaries are known, both in Dutch museum collections. One is in the collection of Museum Het Prinsenhof in Delft and marked WB for Dirck Witsenburg from "De Witte Starre" workshop, active 1691-1705. It was previously part of the Kolisch collection and found its way to the museum around the year 2000. This example, however, has a later crucifix inserted, probably not made in Delft. It also features a less elaborate decoration on the front of the demi-lune shaped base, depicting flowers instead of the scenes from the life of Christ. Another example is in the collection of the museum Lambert van Meerten (inv. nr. LM128), on loan from the Gemeente Musea Delft collectie. This incomplete example lacks the figures of Mary and John, and has no crucifix inserted. This example also shows the scenes from the life of Christ, and has the central demi-lune shaped panel showing Christ falling while carrying the cross. It does not show any Chinese influence, so typical for Samuel van Eenhoorn's and his Greek A workshop's production. We believe the present example on offer to be the earliest of the three examples known. The fact that all three examples don't have an original crucifix inserted, leads us to believe that these calvaries were intended to be used with a crucifix of choice.

A mediaeval style silvered candlestick

A Moorcroft Queen's Choice pattern candlestick, circa 2000, the circular candlestick decorated with fruits and foliage against a cobalt ground, impressed and painted marks, 'WE', initialled 'WM', 20cm high, boxed

Aller Vale terracotta candlestick together with a green glazed art pottery candle holder (2) tallest 15cm

A mixed lot of art glass to include Mdina horse sculptures, Whitefriars style vase, two mottled glass fish, scent bottle and stopper, Dartington candlestick, opaque glass vases and a small iridescent vase (15)

Five items of coloured glass including clown and candlestick

A silver candlestick, Birmingham 1899, height 24cm

A silver candlestick and vase, height of vase 14cm

A pair of 19th century electroplated three light Candelabra by William Hutton & Sons Ltd. in the late 18th century style, each raised on a circular fluted candlestick base with conical stems below a half fluted vase shaped socket supporting a plain wire branch having three vase shaped sockets, crested - 16" x 16" Condition report: Worn condition with damage

A Victorian silver fiddle and thread pattern sifter spoon, London, 1849 by George Adams (Chawner & Co) together with an engine turned napkin ring, sundry coffee spoons (some a/f), a Collis & Co weighted EPNS dwarf candlestick etc, approx 136g.

A brass three sconce candlestick on wooden base