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A 19th century English Coalbrookdale-type inkstand, including inkwells and a candlestick, with floral encrusted decoration, scrollwork rims with gilt highlights on a green ground, the stand measuring 36cm wideThere is restoration and minor losses, mostly to flowers and extremities - the base also appears to have been broken near the middle and restored, although it could be a restored firing crack. One inkwell probably missing a liner. 22.5cm deep and 15cm high including candlestick.
George III silver Corinthian column candlestick, with twined floral decoration, on a square base with classical decoration, gadrooned borders and engraved armorial crest, separate sconce (Sheffield 1774) John Winter & Co. 31cm overall height.General overall condition good, some general wear, surface scratching and minor denting, column has a slight lean and some decoration has been filled, base has been repaired where column joins base under gadrooned border, high spots on base have been solder filled in places. Marks rubbed. Sconce has also been repaired.
Lorna Bailey for Old Ellgreave Pottery - Circus pattern & other - A pair of vintage 20th century Art Deco style in the manner of Clarice Cliff studio art pottery hand painted candlestick holders in the Circus pattern, together with a toast rack / letter rack. Marked & signed to the underside. It measures 12cm tall.
BEATLES, THE - "Here Come The Beatles" Candlestick Park Concert PosterA poster for the Beatles' final commercial concert at Candlestick Park in San Francisco, 29 August1966. This gig concluded the Fab Four's third and final US tour, before they retired from live performances at the end of that year.Titled "Here Come The Beatles", this print was created by American artist Wes Wilson, a leading figure in psychedelic poster design. The Candlestick Park poster was produced in a small quantity, with a print run of only 300. It is highly sought after, as it represents an important moment in music history. There are signs of creasing, marks on the reverse, and a pinhole is present in each corner. Dimensions: 61 cm x 43 cm (24" x 17") Estimate: £5,000 - 7,000 MThis lot will be auctioned on Friday, November 4th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Saturday, November 5th; or Sunday, November 6th.
AN AMBER-GLAZED CANDLESTICKTang DynastyThe vessel fitted with a cylindrical candle holder centring a circular drip pan raised on a ribbed stem rising from a larger drip pan, all raised on a spreading foot and covered overall with a rich amber glaze. 34cm (13 3/8in) high.Footnotes:唐 褐釉燭台The result of Oxford thermolumniscence test no.C199j17, dated 6 April 1999, is consistent with the dating of this lot.Oxford Authentication Ltd公司熱釋光檢測結果(1999年4月6日,編號C199j17)顯示年代與本拍品年代一致。Compare with a related straw-glazed candlestick, Tang dynasty, illustrated by H.Tseng and R.P.Dart, The Charles B. Hoyt Collection, Boston, 1964, pl.62. See also a similarly-shaped sancai-glazed candlestick, Tang dynasty, illustrated by W.Watson, Tang and Liao Ceramics, London, 1984, p.72, fig.42.A related sancai-glazed candlestick, Tang dynasty, was sold at Christie's New York, 20 September 2005, lot 194.This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
A VERY RARE PAIR OF CLOISONNÉ ENAMEL AND GILT-BRONZE KNEELING 'FOREIGNER' CANDLESTICKSKangxiEach figure finely cast with one sturdy arm raised to support the shaped drip pan surmounted by a columnar pricket, the other hand resting on the hip, dressed in a tunic with dragons over crashing waves, the lower half with lotus scrolls, the head encircled with a fillet over bushy eyebrows and large bulging eyes, the mouths in gentle smiles between ears suspending loose earrings, each mirroring the other in a half kneel pose. Each 30cm (12in) high. (2).Footnotes:清康熙 鎏金銅胎掐絲琺瑯胡人燭臺一對Provenance: Sir Michael Oppenheimer (3rd Baronet, 1924-2020) and Lady Helen Oppenheimer DD (1926-2022), and thence by descent來源:Michael Oppenheimer 爵士(三代從男爵,1924-2020年)與Helen Oppenheimer爵士夫人(1926-2022年)舊藏,並由後人保存迄今The collection belonged to Sir Michael and Lady Oppenheimer DD (3rd Baronet, 1924-2020). Sir Michael's maternal grandparents were Sir Robert Grenville Harvey, 2nd Baronet (1856-1931) and Lady Emily Blanche Harvey (1872-1935) of Langley Park, Buckinghamshire. The Chinese art collection can be, at least in part, traced back to Langley Park, Buckinghamshire, home to the Harvey Baronets from 1788 until 1945, as demonstrated in a pre-1945 photograph showing Lot122, the cloisonné enamel tripod 'elephant' incense burner, Qianlong.Sir Michael Oppenheimer's paternal family was the well-known South African mining family. The baronetcy was created in 1921 for Bernard Oppenheimer, Chairman of the South African Diamond Corporation for setting up diamond sorting factories to employ wounded ex-servicemen after the First World War. The family has been involved with De Beers over many decades. Lady Oppenheimer DD (1926-2022) was a distinguished moral and philosophical theologian, with a particular interest in the ethics pertaining to personal relationships.Superbly cast and meticulously decorated with multiple coloured enamels, the present candlesticks are remarkable examples displaying the high standards achieved in the Imperial workshops during the Kangxi reign.Figures of foreigners depicted with large rounded eyes and bushy eyebrows have been a popular subject in Chinese art dating from at least the Tang period, when the increased presence of foreigners in China prompted a new fascination and a gradual stylisation of the image of the foreigner in Chinese art. Painters of Buddhist luohan and tribute missions to the Imperial Court continued the fascination with the exotic in subsequent periods. The strong facial features, curly beards and hair held in place by a curving metal fillet displayed by the present foreigners closely compare with four small foreigners with bare chests kneeling to support a gilt bronze and cloisonné enamel incense of burner, early Qing dynasty: see The Complete Collection of Treasures of the Palace Museum, Metal-Bodied Enamel Ware, Beijing, 2011, p.106, no.79. See also a related cloisonné candlestick supported by a kneeling foreigner, early Qing dynasty, illustrated in Ibid., vol.2, p.139, no.104The combination of cracked designs interspersed with auspicious symbols, such as it can be noted on the drip pans of the present candlesticks, is unusual. The cracked ice design was especially popular on objects produced during the Kangxi reign. See for example, a cloisonné altar set, Kangxi, comprising an incense burner, a pair of candlesticks and a pair of vases, decorated with prunus blossoms on a cracked-ice ground, in the National Palace Museum, Taipei, illustrated in Enamel Ware of the Ch'ing Dynasties, Taipei, 1999, pp.97-100, pls.26-28. Compare a pair of gilt-bronze cloisonné enamel 'foreigner' candlesticks, Kangxi, which was sold at Sotheby's Paris, 13 June 2016, lot 55. See also a related pair of cloisonné candlesticks supported by foreigners, portrayed in a similar stance and attired in similar garments as the present examples, Kangxi, which was sold at Christie's Hong Kong, 30 May 2012, lot 3906. A similar costume is also worn by a single cloisonné enamel and gilt-bronze kneeling figure of a foreigner holding a shallow bowl, Kangxi, which was sold at Sotheby's, New York, 23 March 2004, lot 528. The sleeveless jacket inlaid with a dragon rising from a band of waves recalls the traditional Qing Court robes worn by the single cloisonné figure of a kneeling foreigner holding up a sphere, Kangxi, which was sold at Christie's, Hong Kong, 26 April 1999, lot 561.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
TOUNA Cast-Bronze Candlestick Holder in the Form of a Dragon Meiji era (1868-1912), late 19th/early 20th centuryThe three-clawed dragon lying on its back with its serpentine body and tail rising upwards, one claw holding a circular base for the candlestick; signed with a stamped signature Toun iru with a kao within a rectangular reserve.68cm (26¾in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A BLACK-LACQUER MATCHING CANDLESTICK AND TRAY WITH AN OIL DISHMeiji era (1868-1912), late 19th/early 20th centuryThe candlestick with a cylindrical stem supported on a hemispherical base in the form of a stylised chrysanthemum, lacquered in gold hiramaki-e and nashiji with an exotic long-tailed bird and two butterflies in flight and crowned by a chrysanthemum-shaped finial mounted with a gilt receptacle for holding the oil dish, 48.2cm (19in) high; the lobed rimmed tray similarly lacquered with the same design, 6cm x 33cm (2 3/8in x 13in); each unsigned, accompanied by a conventional red-lacquered oil dish, with an inscribed wood storage box. (6).Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A FRENCH GILT BRONZE FIGURAL CANDLESTICK AFTER CORNEILLE VAN CLEVE (1645-1732) LATE 18TH OR EARLY 19TH CENTURY The candlestick formed as a Satyr seated on a dog and holding a cornucopia terminating in the candle sconce, raised on a heavy pierced rococo base 37cm high overall The design of this candlestick is a variant on a design by the French baroque sculptor Corneille Van Clève. has been noted that a pair of three-light candelabra recorded as lot 154 in the 1761 sale of the late Trésorier général de la Marine, Marcellin-Francois-Zacharie de Selle: "Deux très beaux Chandeliers à trois branches, enriches d'ornemens. Les tiges sont compoées l'une d'une Bacchante, qui ayant un pied posé sur un Dauphin, tient de la main droite un autre Dauphin par la tête, dont la queue soutient la bobèche, A l'autre tige, est un Satyre assis sur un Tigre, il teint une corne d'abondance d'où sort la bobèche; leurs pieds sont en rocailles et moulures." This example substitutes a dog for the tiger- a less martial display more suitable for a household setting.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useDirt and discolouration to the gilt metal, areas of rubbing and wear, unevenness to the surfaceSome pittingDoes not appear to have been drilled to convert to electricity, there is some wax deposits to the interior of the sconce. The sconce appears fixed in place, this is probably later adhered.Please refer to additional images for visual reference to conditionThe measurement was missing, this is 37cm high Condition Report Disclaimer
A 17th century German brass candlestick of turned form, height 13.5cm, another similar and three further 18th century brass candlesticks.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A group of four early 20th century telephones, including a mahogany wall-mounted G.P.O., No. 121, and a candlestick telephone.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A rare 17th century English brass trumpet candlestick, circa 1660, the ribbed upper stem above a drip pan and flared circular base, height 13.5cm, diameter 10cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A near pair of silver-plated three-light candelabra, in the Georgian style with scrolled arms, the top section removable to have a single candlestick, on a tapered stem with embossed scrolls and foliage, on a spreading freeform base, marked 'EPON COPPER' (electroplated on copper), tallest 47 cm high
A SELECTION OF BOW PORCELAINCIRCA 1760-65Comprising: a pair of models of recumbent goats, 12cm in length; a nesting goldfinch bocage candlestick group, 19cm high; and a model of a boar after a Meissen original, 7.5cm in lengthCondition Report: Repairs to branches of nesting birds and missing the sconce; goats have repaired horns, one with old restoration to tail and neck, boar is missing tail.Condition Report Disclaimer

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38975 item(s)/page