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Click here to subscribeMary Wondrausch slip decorated pottery; two bowls decorated with flowers, one monogrammed MW to base, 24.5cm diameter and the other 32cm diameter, another bowl, a candlestick in the form of a mermaid, h29cm, a moneybox in the form of a crib with date 1978, monogrammed MW, 7cm, a green pottery candlestick, possibly Mary Wondrausch (6 in lot)
A quantity of decorative items to include a pair of gilt metal twin-branch table lamps, a pair of cast brass candlesticks with putti, one other brass candlestick, a 19th century gilt wood picture frame, two modern frames, two mirrors, an Arts & Crafts hammered copper dish, two other copper dishes and an enamelled copper bowl stamped 'WHH Ld'.
A Doulton Lambeth mask head jug, green drip glaze ground with cobalt blue decoration, impressed marks to the base and numbered 1871, height 20cm, three pieces of Wedgwood green jasperware, a lidded sucrier, oval trinket bowl with cover, candlestick, an Oriental blue ground vase with prunus decoration, height 12cm and a pair of late 19th/early 20th century French spelter figures, 'Pecheur' and 'Pecheuse' (both af) (7).
A pair of 18th Century brass petal base candlesticks with knop stems, 18 cm high, together with two further pairs of brass candlesticks, a single brass candlestick, Rococo style table bell and a Chinese brass bowl of plain form, raised on a circular foot, 14.5 cm diameter x 7 cm high CONDITION REPORTS Chinese bowl only - inside is in worn, rusted and limescaled condition. Some water stains / marks to the exterior. Areas of verdigris. Some small knocks, dents, etc. Appears to be slighly mis-shapen. Wear and tear conducive with age and use. See images for more details.
An unusual Pilkington's Lancastrian fish candlestick, dated 1906, shaped, circular form, modelled with three scaly fish, covered in a ruby glaze, and a Pilkington's Lancastrian scent bottle decorated with newts to the shoulder, impressed mark and date, one fish restored to mouth, scent bottle restored 16cm. diam. (2) Provenance The Bill Coles collection.
A Doulton Lambeth stoneware oil lamp base by Mark V Marshall, dated 1882, incised with columns of grotesque lizard creatures climbing foliate stems, flanking columns of birds amongst foliage, in green, ochre and blue, and a matcher top dated 1885 by Mark V Marshall, a patinated metal base to fit, a Doulton Lambeth stoneware oil lamp base, a pair of Doulton candlesticks, another candlestick converted into a lamp and four other items of Doulton, impressed factory marks, incised monograms, 16.5cm. high (11) Provenance The collection of Pam and Mark Taylor.
A large collection of Royal Doulton Poppies B, Series Ware designed by Charles Noke, introduced in 1909, pattern D.3225, D.3226 and D.3227, printed in colours with Art Nouveau poppy flower stems, comprising Pink Poppy wash basin and ewer, two chamber pots, a large pail and cover, soap dish and drainer, covered bathroom pot, tea set for two, extra large teapot and cover, rectangular sandwich tray, cheese dish, large footed bowl, two jardinieres, three bowls, two jugs and eight plates, Blue Poppy wash basin and ewer, two jugs, a candlestick, two shaped bowls, a large plate/wall plaque and six various plates, a Yellow Poppy jug, two bowls, and twelve various plates, printed factory marks, 43cm. diam. wash basin, (a lot) Provenance The collection of Pam and Mark Taylor.
A De Vecchi T8 silver candlestick designed by Piero De Vecchi, originally designed and made for the Eighth Milan Triennale, 1947, scrolling tube body with two flaring conical sconces, stamped marks below sconce, 29cm. wide, 25cm. high Literature Tersilla Giacobone, La Lingua degli Specchi, Electa, front cover and page 18 this design illustrated.
An early Martin Brothers stoneware candlestick by Robert Wallace Martin, dated 1875, stepped circular base supporting cylindrical stem with pierced arches, knopped pierced neck and flaring top rim, incised and impressed decoration glazed blue and buff, incised 3 R W Martin, London 9-75, 18.5cm. high Provenance Anne Hull Grundy, thence by descent.
After Thomas Abbott, a pair of bronze figural candlestick holders, taking the form of cranes supporting bowls, with crowns around their necks, standing upon rocky outcrops, the bases with impressed mark 'Abbott', height 39cmOverall general marks for use and age. One crane with a slight lean to one side. The other shows signs of minor manufacturing flaws seen on one foot, and casting mark to the base of the neck. Both crowns have signs of being angled inward/outward.
A small group of Continental porcelain figures of cherubs, the majority a/f, to include an Ernst Bohne Sohne wall pocket with a flying figure holding a garland, the reverse with blue anchor mark and impressed EBS and numerals, height 24cm,two miniature Cupids each with their arrow caskets as holders for pins or matches, one with blue crossed swords to base, a table mirror and candelabra, height of bottom of candlestick holder alone 27cm and a contemporary Paris porcelain table lamp, height 36cm (6)
Ca. 1-400 AD. Roman and Late Roman. A lot of five blown glass vessels, comprising (L-R): A squat jar with a flaring neck and mouth; a spherical bottle with a cylindrical neck; a robust candlestick unguentarium with a flaring foot and mouth; and a carinated jar with a flaring neck. The colours represented, a range of yellowish-greens and turquoise shades, are typical of Roman glass, though these are now augmented by a beautiful range of patinated colours. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. These vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. Excellent condition; beautiful patinas. Size: L:Set of 5; 65mm / W:35mm ; 165g; Provenance: Private London collection, formed since the 1980s on the UK and European art market.
Ca. 1-300 AD Roman. A Roman candlestick unguentarium in a green glass, featuring a short globular body with a concave base, a long cylindrical neck and a wide, flaring, rolled rim. Unguentaria usually contained perfume and oil, both precious materials during the Roman Empire which were used both in private life and public ceremonies and even funerals. Candlestick unguentaria are among the most wide-spread glass shapes and have been recovered across the Roman Empire. Excellent condition. Size: L:165mm / W:80mm ; 100g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
1-400 AD. Roman and Late Roman. A lot of five blown glass vessels, comprising (L-R): A squat cylindrical bottle with a cylindrical neck; a cylindrical flask with a sloping shoulder and a short cylindrical neck; a candlestick unguentarium with a bulbous body, long cylindrical neck and flaring, folded rim; a bulbous jar with a long, slightly flaring neck. and a bulbous bottle with a short flaring neck. The colours represented, a range of yellowish-greens and turquoise shades, are typical of Roman glass, though these are now augmented by a beautiful range of patinated colours. Glass was a major manufacturing industry in the Roman Empire, especially after the invention of glassblowing in the middle of the first century BC, when glass became used for a variety of purposes including vessels, jewellery and construction materials such as glass or tiles. Roman glassmaking reached the farthest corners of the Empire and flourished until about 400 AD, when the Roman Empire started to disintegrate, finally falling in the late 5th century AD. These vessels would probably have been used for perfumes, oils (used as soap) and/or medicines in antiquity. Excellent condition; beautiful patina. Size: L:Set of 5; 55mm / W:35mm ; 250g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
1-300 AD Roman. A Roman candlestick unguentarium in a pale green glass, featuring a short globular body with a slightly concave base, a long cylindrical neck and a wide, flaring, rolled rim. Unguentaria usually contained perfume and oil, both precious materials during the Roman Empire which were used both in private life and public ceremonies and even funerals. Candlestick unguentaria are among the most wide-spread glass shapes and have been recovered across the Roman Empire. Excellent condition.Size: L:165mm / W:65mm ; 30g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
A group of six pieces of Norwegian pewter, comprising a candlestick, unmarked, a lidded ewer, stamped Pewter Haugrud Norway, No 335, another similar numbered 435 without a lid and a vase, number 434 and two squat single handled vases or mugs, marked Norsk Tin Pewter, one named Snorre, the other Kyrre, with label for Rold W Andersen, tallest lidded ewer 22cm high, smallest 10cm high. (6)
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