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Large wooden gilt and gesso candlestick in the form of an angel kneeling on a marble base.Provenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went. This sale features selections from that lifetime of eclectic and inspired collecting, including furniture by Carlo Bugatti, Gabriel Viardot, and Josef Hoffman; artworks by artists ranging from Old Masters to Salvador Dali to Arman; an impressive collection of Indian sculptures; and much more. Be sure to explore our timed-only online auction of other fascinating objects from this collection that will be posted in mid-August.Height: 42 in x width: 23 in x depth: 13 in.
18th century Continental polychromed wooden candlestick in the form of a winged cherub draped in a cloth.Provenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went. This sale features selections from that lifetime of eclectic and inspired collecting, including furniture by Carlo Bugatti, Gabriel Viardot, and Josef Hoffman; artworks by artists ranging from Old Masters to Salvador Dali to Arman; an impressive collection of Indian sculptures; and much more. Be sure to explore our timed-only online auction of other fascinating objects from this collection that will be posted in mid-August.Height: 19 1/4 in x width: 8 1/4 in x depth: 6 in.
Large Middle Eastern enameled metal candlestick. With alternating cartouches featuring an Arabic inscription and floral motifs.Provenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went. This sale features selections from that lifetime of eclectic and inspired collecting, including furniture by Carlo Bugatti, Gabriel Viardot, and Josef Hoffman; artworks by artists ranging from Old Masters to Salvador Dali to Arman; an impressive collection of Indian sculptures; and much more. Be sure to explore our timed-only online auction of other fascinating objects from this collection that will be posted in mid-August.Height: 57 in x diameter: 20 in.
An Edwardian silver Corinthian column table candlestick, with removeable sconce, by Goldsmiths & Silversmiths Co Ltd, hallmarks London 1901, height 19cm, loaded base, 17.1oz grossGeneral wear to high points and 2 tiny holes on base edge along with very minor dents on top under sconce, and 1 hole on scroll of capitol, hallmarks rubbed and matching
A pair of Edwardian silver candlesticks, of tapering form, the nozzles on capstan supports, on stepped circular bases (weighted), by Edward Barnard & Sons Ltd, London 1909, 24cm (2) Condition Report:one candlestick has dents to base, other has damage to a circular ring at the bottom of the stem
1940's-50's army uniform for REME (Royal Electrical and Mechanical Engineers) including 50's battledress jacket and trousers, metal tag for 'S/SGT N De Fraine' pair of webbing ammunition pouches marked 1942 with belts, also hobnail boots, braces, cap, canvas bag etc together with a silver plated candlestick with R.E.M.E inscription and stamped WMF
A GROUP OF HARTLEY GREENS AND CO LEEDS POTTERY, AND SIMILAR WARES, comprising a soup tureen and moulded stand in the form of a pumpkin, soup ladle, a moulded cornucopia style wall pocket, a pierced egg cup, covered sugar bowl with twisted handles, a saucer, two pot pourri/trinket pots, a jug with twisting handle, an Authentic Leedsware strainer and plate, a Royal Creamware pierced candlestick and centrepiece with four compartments (13) (Condition report: pieces appear in good condition, some petal loss to finial of one pot pourri bowl)
A GROUP OF WEDGWOOD JASPERWARE, to include a limited edition Papal Collection loving cup, with certificate numbered 279/5000, a Tenth Anniversary 1969-1978 Christmas plate in navy blue with applied white and pale blue decoration, a pedestal bowl height 13cm x diameter 20cm, Silver Jubilee framed portraits of HM The Queen 1143/2000 and The Duke of Edinburgh 611/1000, assorted Christmas and 'Mother' plates including Mother 1979: a white plate with a pale blue deer and faun, a small vase, a bell, four trinket boxes, a candlestick, etc (23) (Condition report: all appear in good condition, dusty, would benefit from a clean)
Paar einflammige Kerzenleuchter, Silber, 20. Jh. Leuchter mit konischem, facettiertem Schaft auf oktogonalem, profiliertem Stand, Perldekor, H. ca. 33 cm, Gewicht ca. 1253 g. Alters- und Gebrauchsspuren.| Pair of single flame candlesticks, silver, 20th c. Candlestick with conical, faceted stock on an octagonal, profiled stand, pearl decoration, h. ca. 33 cm, weight ca. 1253 g. Signs of age and use.
MEISSEN 4-tlg Konvolut Gefäße 'Reicher Drache Rot', 20. Jh., 1. Wahl bestehend aus Aschenbecher, D 11 cm, kleine Vase, H 6,5 cm, Kerzenleuchter, H 6 cm und 1 kugeliger Teelicht-Leuchter, Schwertermarke der Pfeiffer Zeit (1924-34), D 9 cm, jeweils mit Silbermontur, Altersspuren.| MEISSEN 4 different bowls 'Rich Red Dragon', 20th century, 1st choice, consists of an ashtray, D 11 cm, a small vase, H 6.5 cm, a candlestick, H 6 cm and 1 spherical tealight candlestick, sword mark from the Pfeiffer period (1924-34), D 9 cm, each with silver fittings, signs of age.
MEISSEN 5-tlg Konvolut Gefäße 'Weinlaubdekor', 1. Wahl, 19./ 20. Jh. bestehend aus kleiner Vase, Pfeiffer-Zeit (1924-34), H 10 cm; Kerzenleuchter, H 17 cm; Mokkatasse mit UT sowie eine Deckeldose, D 9 cm, Schwertermarken je 1860-1924, tlw. leichte Altersspuren.| MEISSEN 5 pieces convolute 'vine leaves' decor, 1st choice, 19th/20th century, consisting of small vase, Pfeiffer period (1924-34), h 10 cm; candlestick, h 17 cm; moccha cup with saucer as well as a lidded box, d 9 cm, sword marks each 1860-1924, partly slight signs of age.
Paar einflammige Kerzenleuchter, Silber, 20. Jh. Leuchter mit konischem, facettiertem Schaft auf oktogonalem, profiliertem Stand, Perldekor, H. ca. 29-29,5 cm, Gewicht ca. 913 g. Alters- und Gebrauchsspuren.| Pair of single flame candlesticks, silver, 20th c. Candlestick with conical, faceted stock on an octagonal, profiled stand, pearl decoration, h. ca. 29-29.5 cm, weight approx. 913 g. Signs of age and use.
A Portmeirion part dinner, tea and coffee service decorated in the 'Botanic Garden' pattern, comprising: cafetiere, 5 x cups, 1 x saucer, small jug, set of 3 graduating jugs, a lidded storage jar, 2 x 15cm plates, 8 x 8.5cm plates, 2x sugars 11.5cm d, 4 x egg cups, oblong dish 21.5, 6 x bowls 14cm d, a candlestick holder and a melamine tray together with 6 x 'Pomona' Portmeirion saucers and 1 x 'Variations' plate.Condition ReportGood used condition. Various base marks. Tallest jug 13cm with chip to base. Eight seconds, see image.
A mixed lot to include a Noritake Egypt scene dressing table set, tray 29cms l, hand ring dish, trinket dish, candlestick holder and 2 x lidded dishes together with Royal Doulton 'Gilbert' mug, Royal Staffordshire dish and a Wedgwood table lighter.Condition ReportNoritake trinket repair crack, one lidded dish with repaired crack base, gilt rub. Others in good conditon.
A collection of miscellaneous items to include a 19th century treen nutcracker, a 19th century apothecary's treen pestle & mortar, an 18th century treen spoon, Raybone box wood folding rule, cribbage board, carved fruitwood beaker, carved oak candle stickCandlestick: Split to a knop. Tip quite burnt and misshapen.Pestle & mortar: Mortar split.Nutcracker: Nibbles to the thread. Minor chips, knocks and scratches.See extra images.
A collection of Victorian and later silver, including a Victorian sugar bowl, engraved with a monogram, possibly 'MB', Charles Stuart Harris, London 1899, 8.5 by 6.5cm high, two George V small goblets, both engraved with 'GGC', S Blanckensee & Son Ltd. Birmingham 1931, 5.2 by 11cm high, a a George V cigarette case, inscribed to its interior "Beryl Norbury 20.6. 36" Harrods, London 1935, a cased set of six silver and bakelite topped cocktail sticks, Adie Brothers Ltd. Birmingham, 1927, two Victorian neo-classical style candlesticks, John Round & Son Ltd. Sheffield 1891/2, a German silver cruet of bucket form, Simon Rosenau Bad Kissingen, with import marks John George Smith, London, 1899, a/f, 15.11toz of weighable silver. (1 bag)One candlestick shaft has broken off from the base, one goblet heavily dented around its base, the lock to the cigarette case closes but does not open without being forced, all pieces heavily worn.
Novelty 'Bentley 1929' Thermometers, boxed; vintage bead candlestick decorations, vintage beaded jug cover, 'The Dainty Series' score cards for progressive whist, in original box (box damaged), vintage Dunlop 'The Latest 65' gold ball box (empty), playing card suit pins, 'The Laurel' ladies boudoir razor etc :- One Tray
A MODERN 'HONEYCOMB' CANDLESTICK GRAHAM STEWART, EDINBURGH 2014 of hexagonal form, modelled as a honeycomb, three sides with a silver-gilt honeycomb design and applied bees, feature hallmarks to one sideDimensions:5cm high, 9.4ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.
A MODERN SILVER AND GLASS CANDLESTICK GRAHAM STEWART, EDINBURGH 2000 (WITH ADDITIONAL MILLENNIUM HALLMARK) the cubed glass base with a naturalistic textured surface, set to the top with a hemispherical large sconce with a dished centreDimensions:14.5cm high, sconce 12cm diameter, 10ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.
AN EARLY 18TH CENTURY GLASS CANDLESTICK simple bucket sconce above a tapered square section stem, on a domed foot with reeded rim, with accompanying letter of provenanceDimensions:19.5cm high, base 11cm diameterProvenance:Provenance: MacDonald family collectionStuart of Appin family collection to Miss J E Oliphantgifted to Miss Threipland of FingaskThreipland family collectionBy direct descentFingask Castle, 26th – 28th April 1993, Christies, Lot 1321Jacobite, Stuart, and Scottish Applied Arts, Lyon & Turnbull, 13th May 2015, Lot 6 Note: Note:Rather than lose the item's history or remove it from its native land this lot was gifted from one important Jacobite family to another, and a 'protector' of the cause. It is sold with an accompanying label stating 'Candle stick used by Prince Charles when in the MacDonald house, see Miss Oliphant letter indicating (?) the tale' and with a handwritten letter detailing provenance and gift which reads"Perth 72 George Str15 Apr 1814My Dear Miss ThreiplandI am quiting my own beloved land. I take the liberty of sending you a candlestick which in itself has no value. But it was the one that was used by our beloved but ill used Prince while he took refuge under the roof of one of the noble family of the McDonalds who fought manfuly for him it has never been used since it was last used by Prince Charlie in his Bedroom.Do not think my thoughts for my Dear Prince is lessened by parting with this, since that descended through my forefather the Stuart of Appin I felt certain that while a branch of the noble family of Fingask is left this, we think was an admirer at some of Prince Charles' campaign he can fully find pardon me and say a feeling of pride rises in my chest that I have the privilege of this giving. My sincere thanks to your care and I assure you of feel happily, yes happy for hoping that can ****, should I see this country fall into the hands of those that loved not, nor would not fight for my ill used Prince.I close this with Miss Elphinstone and great fine feelings and remain, dear Miss ThreiplandSincerelyJune E. Oliphant. "

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38974 item(s)/page