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A MEISSEN FIGURAL CANDLESTICK EMBLEMATIC OF SPRING FROM THE FOUR SEASONS, C1870, 28CM H, IMPRESSED 35, INCISED 1197, CROSSED SWORDS One or two minor chips the roses but in otherwise excellent condition. Forming a pair to the preceding lot but for the earlier period. Not sconce fixed into position with brass pin that may be original
Collection of Poole Carter Stabler Adams pottery, including bowls, vases, etcCondition report: Candle stick- two hairline cracks on foot rim and numerous firing marks. Medium sized bowl - has two cracks running down each side. Preserve pot with lid- two hairline cracks running down both sides of the body.Small vase- chip to underside rim and crazing. Other similar small vase has crazing, the octagonal candlestick also has crazing. All other items appear to be in good condition.
Pair of early 20th century Copeland candlesticks, classical form, cream glazed, marked to base and with retailers mark for Mortloeks, Oxford Street, 35cm highCondition report: One candlestick has restoration to the top part (as seen in the additional image) this same stick also has heavy crazing to the glaze. Other stick is in good condition. Both sticks have wear to the gilt decoration.
A George III Silver Chamber-Candlestick, by Hester Bateman, London, 1785, circular and with beaded border, with detachable conical extinguisher, engraved with a crest, 15.5cm diameter, 10oz 3dwt, 315gr . Fully marked underneath. The nozzle marked with maker's mark only. The marks are generally clear underneath but with some wear to the maker's mark on the nozzle. There is overall surface scratching and wear, consistent with age and use. There wear is noticeable as a softening to the high points and the engraving. There has been a repair to the border where the handle attaches to the body. There is also a possible repair to the nozzle. The surface is somewhat bright.
A selection of collectables, to include five Victorian daguerreotypes and ambrotypes, one example cased, bone glove stretchers, an early 20th century 'The Camden' whist marker by Goodall & Son of London, boxed ebony and bone dominoes, four wine labels, six child's magic lantern slides, a Bingham London Patent travel candlestick holder, three hole mouse trap, parquet style stamp holder, etc. - Condition Report
An early 19th century face screen, with hand painted floral decoration, papier label verso inscribed 'These fire screens were painted and made by Miss Clarke when she was eight years old in 1819', together with a Kashmiri papier-mâché candlestick, with painted foliate decoration, H30cm, a similar faceted papier-mâché bowl with openwork sides, L23cm, a Victorian papier-mâché letter rack with chinoiserie style decoration, a small Victorian shaped tray with gilded detail, L25.5cm, and a lacquered box of square form with gilded vines and butterfly to the removeable cover, H19cm. (6). - Condition Report
A Pair of Brass Candlesticks, 18th century, of knopped baluster form on octagonal bases, 17.5cm high; A Pair of Brass Dwarf Candlesticks, 13.5cm high; Another Brass Candlestick, 21cm high; A Steel Model of a Plough; A Pair of ''Fire Marks'', stamped and decorated with a shield and inscribed MANCHESTER, 25cm high; A Copper Measure; A Copper Bowl; and A Brass Jam Pan (qty)Plough - 42cm long.
A Glass Tazza, circa 1770, of circular form with moulded gallery on a panelled baluster stem and folded foot, 31cm diameter; An Ale Flute, circa 1760, the rounded funnel bowl on a double knopped air twist stem, 20cm high; and A Candlestick, circa 1780, with faceted socket, knopped stem and circular foot, 22cm high (3). Tazza in very good condition, no chips or cracks just some very light scratches. Ale glass with a chip to the foot. The candlestick badly broken and re glued on one side of the base.
A large late 19th/early 20th century Vion & Baury (August Vion & Charles Baury) bisque porcelain figure of a beautiful young woman in period costume, 'Cinderella', with rose garland on her head, green anchor mark to base, height 36cm (af), a late 19th/early 20th century Continental porcelain figure of a young farm boy carrying wheat sheaf leaning against a stylised tree column, on a floral encrusted spreading circular base, blue crossed swords to the base, height 29cm (af), a pair of Minton moon flask vases, black, gold and green sponge decoration, numbered to the base 'ET468', height 22.5cm (both af) and a pair of c1840 Royal Crown Derby figures, Romeo and Juliet, red marks and names of figures to bases, height 14.5cm (af) (6). CONDITION REPORT Young woman: the foot resting on a cushion has been broken off and reglued, but no parts appear to be missing. There is a chip to the toe as well. No other obvious signs of restoration, some very small chips to the floral garland on her head. Small crack to the top of the base. Farm boy: there is a piece missing from the top of the tree, which has been broken off and not restored. Age-related wear in the form of scuffs and some missing paint, no obvious signs of restoration. Some of the flora has small chips and cracks. Romeo: the top of the plume from the hat is broken off, one hand is missing, no obvious signs of restoration.Small pair of figure - man missing right hand and feather from cap Candlestick missing sconce and top re-glued, leaves have minor paint lossMoon vases - one cracked to rim and crazing and gilt rubbed, other has large repair to rim, crazing and gilt rubbed
A GROUP OF GLASSWARE INCLUDING COLOURED ITEMS, two ships in bottles, various modern paperweights, glass flowers, Murano Sommerso vase, clear over blue, yellow and red, approximate height 27cm (small chip), Czech candlestick, Sommerso cylindrical vase - big chip to the rim, with assorted vases and ornaments etc
A pair of late Victorian silver dwarf candlesticks, Henry Matthews, Birmingham, 1895, 14.2cm, weighted.CONDITION: The top of one candlestick is dented and the stem has a couple of small knocks and is leaning very slightly. A few minor dings around the base of both. Hallmarks with some rubbing.
A late 19th century brass,champleve enamel and pietra dura decorated chamber stick together with a champleve enamel picture frame (2)Condition ReportPicture frame has losses to the enamel and a repair to the right foot area with associated losses, the top finial looks to be a bit bent backwards, there is an indentation to the back resulting in the sliding cover somewhat difficult to slide but does open ok. The candlestick has some losses to the inlaid decoration to the bowl, otherwise good condition.
STUTTGART Silberleuchter, um 1800 runder, abgetreppter Stand, balusterförmiger Schaft, Marken: Stadtmarke (galoppierendes Pferd), Tremulierstrich, MZ (Johann Christian Sick, 1766-1824, Königlicher Württembergischer Hofsilberschmied), H. ca. 21 cm, Gw. ca. 206 g. Unebener Stand, Alters- und Gebrauchsspuren. STUTTGART silver candlestick, around 1800, marks: city mark (running horse), tremulant stroke, maker mark (Johann Christian Sick, 1766-1824, royal court silversmith), h. approx. 21 cm, weight approx. 206 g, uneven stand, signs of age and use. Gewicht 206g Legierung 812/000
A pair of 18th century Royal German silver candlesticksBalthasar Friedrich Behrens, Hanover 1744 / 1750, the bases engraved 'No. 20' and 'No. 46' With faceted stems and shell-capped knops, engraved with the arms and cypher of George II of Great Britain and King of Hanover, height 23cm, weight 61.5oz. (2)Footnotes:ProvenanceGeorge II of Great Britain and Ireland (1683-1760).By descent in the Royal family of Great Britain and Hanover until the death of King William IV in 1837, when the two kingdoms separated under two monarchs. Ernest Augustus, 1st Duke of Cumberland and King of Hanover (r.1837-1851).George V, King of Hanover (1819–1878).Ernest Augustus II, Crown Prince of Hanover (1845–1923).With Glückselig in 1924.With Crichton Brothers of London in 1924.Acquired by the present owner in the 1960s.These two candlesticks belong to a set of seventy-two supplied by Behrens for the Royal palaces of Hanover. The first twenty-four (marked with Hanover date letter 'E') were delivered in 1744 and recorded in the Hanover Court Inventory of 1747. The remaining forty-eight (marked with date letter 'G' for circa 1750) are mentioned in the Inventory of 1760 now forming the full set of seventy-two.When George Frederick, King of Hanover was deposed during the Seven Weeks War in 1866 the family left for Austria. In 1923, following the death of Ernest Augustus, Crown Prince of Hanover, part of the Hanover silver was sold to the Viennese dealer Glückselig who in turn sold much of it to Crichton Brothers in London. The silver generated such interest that Crichton Brothers staged an exhibition of the silver in 1924. The catalogue produced for the occasion includes sixty-four of the candlesticks which were displayed in Cases No. 8, 9 and 10 and described as 'Candlesticks (of Set of 72), square, shaped, moulded base, octagonal baluster stems with shell shoulders, 9 inches high, Maker, Behrns, Hanover, circa 1740. Engraved Royal Arms in Garter and Cypher and Coronet of George II..' Candlesticks from the set to have appeared subsequently at auction include:A single candlestick, numbered 43, Christie's London 2nd/3rd June 2015, lot 669.A pair, numbered 57 and 66, Sotheby's Paris, 25th November 2010, lot 344.A set of four, numbered 16, 62, 63 and 71, Christie's London, 5th June 2008, lot 15.A set of four, numbered 26, 30, 33 and 60, Sotheby's Geneva, 18th May 1992, lot 125.A set of four, numbered 2, 9, 27 and 45 (nozzles 10, 14, 23 and 72), Sotheby's Geneva, 13th May, 1996, lot 166. Further sets of four (without inventory numbers being recorded) have appeared at Sotheby's Monaco, 30th November 1977 and Sotheby's New York, 28th/29th October 1977, lots 467 and 468. )A set of eight was sold by Sotheby's New York, 21st June 1984, lot 31.For further information on this lot please visit Bonhams.com

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38974 item(s)/page