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Click here to subscribeSelection of table lamps to include pair of Ralph Lauren Chinoiserie red and white floral rectangular bases and shades, glass mirrored pyramid style bases, pair of black column candlestick style bases, blue and white Chinese style base on wooden stand and two turned pine candle stick style bases etc
GEORG JENSEN Kerzenleuchter '1139', 925 Silber, 20. Jh. Design von Henning Koppel 1965, unterseitig punziert, NP: 1.550 €, H. ca. 14 cm, Gewicht ca. 193 g. Leichte Alters- und Gebrauchsspuren.| GEORG JENSEN candlestick ‘1139’, 925 silver, 20th century. Design by Henning Koppel 1965, hallmarked on the underside, NP: €1,550, h. approx. 14 cm, weight approx. 193 g. Slight signs of age and use.
A porcelain glazed pillar candlestick holder with detail of a woman in pink dress playing a musical instrument (h. 20 cm), together with a copper box/small chest with gold detailing on the handles and sides (h. 7cm x w. 10cm x d. 7cm), and an abstract small statue of mother and child signed 'Mike' (h. 14cm) (3)
An Art Deco Carltonware green lustre ceramic candlestick, dia.12cm, together with a Wedgwood lustre box, w.10cm, and a Crown Devon Fieldings lustre vase, h.23.5cm (3)Box and cover – lid broken and re-glued, light wear to decoration throughout.Candlestick – crazed, with wear to gilt.Vase – crazed, wear to gilt and decoration.
A COLLECTION OF EARLY 20TH CENTURY RUSKIN POTTERY AND PORCELAIN to include four apple green egg cups, a shallow dish, 11.5cm diameter, and a miniature bowl 6cm diameter, a blue and a yellow bowl, each 7cm diameter, four bowls including a crystalline example, all 6cm diameter, three others, a lemon yellow candlestick and chalice type dish, together with a small pale orange lustre ginger jar (18) Condition Report:Available upon request
Miniature collection of white milk glass with a diamond cut pattern that includes a cauldron shaped candlestick holder with a handle and three pegged footing, a creamer jug with a stopper, a dip bowl, and a salt shaker. Largest item measures 3.5"L x 3"W x 2.5"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
Splendid collection of paneled white glass tableware that includes a candlestick holder, a handled grape basket, an oval serving tray, a salt and pepper shaker, a large pitcher, a creamer jug, an open sugar mug, and a jam bowl with its saucer. Westmoreland backstamp on all items expect the salt and pepper shakers. Largest item measures 6.5"L x 4.25"W x 8.25"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: WestmorelandCountry of Origin: United StatesCondition: Age related wear.
A Chelsea Derby porcelain figure of a Dresden Shepherd, circa 1765, modelled as a standing gentleman with a basket of grapes under one arm, a dog at his feet, before a flowering stem on a rectangular base with scroll moulded detail picked out in enamels and gilding, unmarked, height 26cm, together with a pottery candlestick figure modelled as a chained slave, height 22cm (faults and restoration to both).
A Royal Copenhagen Blue Flower Curved pattern part service, 1960s, comprising six dinner plates 26cm diameter, twelve dessert plates 20cm diameter, five tea plates 17.8cm diameter, four small dishes 13.5cm diameter, a pair of two-handled sucriers and covers, a pair of pierced oval baskets length 26cm, a pierced oval dish length 26.5cm, four small butter dishes, two salts, a pepper, candlestick and a pair of match holders, various green printed, underglaze blue and painted marks to bases (minor faults).
A large group of Portmeirion Botanic Garden pattern tablewares, including six mugs, footed cake stand, two large oval plates 33cm long, five dessert bowls, four cereal bowls, seven tea plates 18.5cm diameter, four napkin rings, timepiece, candlestick, butter dish and cover, teapot, cover and stand, smaller teapot and cover, three vases, serving bowl 19.5cm diameter, cups and saucers, four jugs of various size and a pair of eggcups, together with three matching Portmeirion Variations dinner plates (minor faults).
A Louis XV style ormolu-mounted and tôle peinte clock garniture, second half 19th century, the clock with white enamel dial with Arabic numerals, signed to dial Balthazar a Paris, the twin train movement with outside countwheel striking on a bell, the backplate stamped 603, with sunburst pendulum, the German porcelain figures and groups, second half 19th century, depicting a seated couple flanked by a young man and lady, with cherubs to the surrounding foliage, the flowers 19th century and possibly earlier, on pierced rococo style scrolling foliate base, flanked by candlestick garniture with figures amongst flowering branches, clock - 76.5cm high, 59cm wide; garniture - 33cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A German brass candlestick. Nuremberg, late 17th century, with a baluster turned stem above a broad drip pan and bell form base, height 19cm, diameter of base 26cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
A Flemish brass pricket candlestick. 16th or early 17th century, with a flared drip tray, heavy baluster stem, and domed circular base with three unusual applied waisted feet, height 27cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
An English wrought iron double pricket candlestick. 17th century, with a suspension hook, for wall hanging, and raised on a tripod base with flattened feet, height 30.5cm. Mollie & Graham met in Wimbledon in 1978. He, a Cornishman, born in Gulval in 1930, acquired an early appreciation of art visiting Newlyn Gallery with his family. In his early career Graham worked in London writing for the Daily Express and he was responsible for one of the first Arts columns in a tabloid paper, but in 1960 he opened an antique shop in Chelsea. Inspired by trips to Italy, he displayed early furniture and antiquities in an uncluttered modern setting, a technique he later utilised in his own home. The Darks moved back to Cornwall in 1980 and at their home in Flushing, and later Truro, curated an impressive body of art and antiquities with a particular focus on Cornish artists such as Paul Feiler and Terry Frost, who both became close friends. The paintings were displayed alongside mid-century modern designer furniture by Eames, Bertoia and Magistretti, and arrangements of antiquities, thought of as ‘ensembles’ by Graham. Warm, charming, and generous hosts, they entertained their artistic circle of friends in their exquisitely arranged home, and it is a privilege for us to handle their beautiful possessions today. We hope to present them to you with as much care and consideration as the Darks used, and that those two remarkable connoisseurs would have approved.Graham Dark 1930-2015Mollie Dark 1928-2024
A pair of Meissen candlestick figure groups. Circa 1900, each modelled with a figure dancing beneath an arbour encrusted with flowers, raised on scroll bases picked out in pink, turquoise and gilt, the sconces painted with flowers, blue crossed swords marks, incised 166, height 22cm (2).The leaves and petals are broken off in various areas, the nozzles have possibly been reattached as there is evidence of old glue.
Two interesting Mintons Indian Infantry coffee cups and saucers. Circa 1900, with neatly painted crown and CXII crests, retailed by Apsley Pellatt & Co, together with a pair of Victorian floral porcelain dessert plates, probably Ridgway, a Wedgwood 1911 St. Gennys Cornish coronation mug, a royal cup, a porcelain figural candlestick, emblematic of Winter, and four side plates.
ASSORTMENT OF COLLECTIBLESconsisting of Mercedes Benz bonnet badge, a 19th century chicken egg topper, Parker 51 fountain pen and nibs, interesting white metal candlestick holder/ centre piece with pheasants sitting below an oak tree, 22cm high; soap stone animal ornaments, alabaster desk top urn and vase, copper turtle a boxed set of four silver plated reproduction Georgian sherry goblets, metal golfer wine bottle holder, an Indian carved wooden tray, and an Ikea candelabra
SELECTION OF COLLECTIBLES AND ART DECO MANTLE CLOCKincluding a Arts and Crafts brass candle box, Boomerang, Norwegian Pewter Tinn Viking ship, some threads purportedly from the tartan of George VIs kilt 1939, two antique corkscrews, two whistles, brass bells, Mele Musical trinket box, brass candlestick holders with green man emblem to base, teak round mid century drinks tray, etc.
Emma Bridgewater glassware to include a large Hurricane lamp, a candlestick and a small cakestand (3), tallest 21.5cm tall. Mostly new old stock or as new condition and generally in good condition with no obvious damage or restoration. Odd pieces may have small damages though due to the nature of where it has come from, it is mostly in clean condition.
A primitive iron and beech rushlight, probably late 18th century, with a single candle holder, 20 cm high, an 18th-century "Pigs Tail" oak and iron candle holder, 19 cm high, An 18th-century Scottish cruise lamp an early 18th-century brass squat candlestick, two further 18th-century brass candlesticks and a pair of French 19th-century altar candlesticks, and a bell metal candlestick with dished base and a pair of 19th-century heavy cast bronze chalice form censers, and a "Lucerne" type rise and fall whale oil lamp with three fonts and a reflector and a Victorian brass and cut glass oil lamp with vaseline glass shade over a Hinks Duplex burner and a decorative brass base.A private Kentish estate
A 19th century mahogany and bone ' scrimshaw' inlaid pocket watch case, fashioned as a longcase. ' To Capt. A Potter, from The crew of the Alma', 28cm together with a 17th century style ejector candlestick, three Victorian wine glasses, each with commemorative etched tinted bowl and a cased pair of nautilus shells, 33cm wide
Mixed lot of small silver items to include, pair of open salts with swag decoration, pair of pepper shakers, four piece cruet set, mustard pot, teapot, three cream jugs, gravy boat, sugar bowl, dwarf candlestick and two salt spoons, various dates and makers, gross weight excluding candlestick, 39ozt 1217gm
ART DECO CANDLESTICK | Central Europe (around 1930) | around 1930 | alpaca and wood | 30 x 6 x 17 cm (width x depth x height) | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
CANDLESTICK WITH PUTTI | Julius Dressler (Czech / Bohemian 1882 - 1945) | 1920-1930 | colored glazed ceramics. Putto in the style of Michael Powolne or Carl Klimt, Bodenbach area (Podmokly) | 30 cm | marked: on the underside with the printed mark JDB (Julius Dressler Bodenbach), stamped Czechoslovakia. | date of birth of the author: 1882 - 1945 | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
CANDLESTICK | Wilhelm Schiller & Sons, Bodenbach (Podmogly) (Czech / Bohemian first quarter of the 20th century) | first quarter of the 20th century | colored glazed majolica | 24 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
TWO-ARMED CANDLESTICK | Julius Dressler (Czech / Bohemian 1882 - 1945) | beginning of the 20th century | colored glazed pottery, model number 4418, Bodenbach area (Podmokly) | 34 cm | marked: drag brand Austria | date of birth of the author: 1882 - 1945 | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
CANDLESTICK | Royal Dux (Czech / Bohemian first quarter of the 20th century) | first quarter of the 20th century | colored glazed pottery, model number 1766 | 29 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
THREE-ARMED CANDLESTICKS | Tiffany & Co. (America / American) | heavily silver plated metal. Richly plastically decorated, composed of two pieces | 50 cm | marked: bottom tiffany & co makers silver soldered | Lot description | This rare pair of original silver-plated candlesticks from the renowned brand Tiffany & Co. is not only a symbol of luxury, but also a masterpiece of goldsmiths and silversmiths. Each candle holder is equipped with three arms, whose detailed reliefs reflect precise craftsmanship and sophistication. The candlestick stands are placed on lion paws, which give the candlesticks a royal and monumental look. This element not only increases their stability, but also adds to their majesty and elegance. The candlesticks bear distinct Tiffany & Co. marks., including a mark that confirms their authenticity. They are an ideal choice for collectors who appreciate both their historical value and richly decorated and timeless design. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
TWO-ARMED CANDLESTICK | Czechoslovakia (around 1925) | around 1925 | red glazed pottery, model number 11656. Probably made by Duchcov | 25 cm | marked: Czechoslovakia from below | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
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