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A Meerschaum carved smoking pipe, carved just behind the bowl in the form of a Fairy, with white metal collar, complete with fitted casegenerally good condition, there is some damage either side of the collar, in the underside of the mouthpiece and by the bowl, pleae see additional images, there are ligth surface scratches all over, the case opens and closes well, please see additional images for condition
A Royal Doulton Lambeth Bibelot dish decorated with a Dragonfly, designed for the proprietors of Wright's Coaltar Soap, approx. 15.5cm wide, a Doulton Lambeth novelty glazed stoneware pipe ashtray, approx. 11cm wide, and a Prue Cooper studio pottery slipware dish, covered in a dark brown glaze, the centre decorated with two men bending over looking down in yellow glaze, impressed PC to back, approx. 24.8cm wide. (3) Further details: pipe ashtray broken and glued, cracks around the damaged area, crazing, slight scratching, the dragonfly dish has surface scratching, slight crazing and wear to all.
Unusual Silver plated Pendant, Obv, Two Owls linking wings on a Branch of a tree, one smoking a pipe wearing a trilby/sailor hat the other holding a book wearing what looks to be a Policeman’s helmet with the letters U.S.M underneath. Number ‘58’ to reverse, possibly late 19th Century.
A RARE TURKISH OTTOMAN EMPIRE WORLD WAR I MODEL 1909 CAVALRY SABRE, with 33in. pipe-backed, slightly curved blade with quill point, forte with state armoury markings, crescent moon and 'T' markings to edges, guard pierced with Islamic crescent moon and star, chequered wooden grips, together with its nickelled steel scabbard with two suspension loops, blade with a few patches of staining, some surface rust to the guard and wear to the grips, scabbard dent-free with some staining, a little rusting and wear to the nickelling, 41 in. overall. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
A SMALL COLLECTION OF NINE PORTRAITS AND FIGURE STUDIES, comprising a partially nude study of a standing male figure, indistinctly signed bottom right, oil on board, approximate size 22cm x 11cm, a nude study of a black male figure holding a bunch of flowers, watercolour on paper, a late 19th / early 20th century watercolour study of a female water bearer signed Josephine Chapins to lower margin, an early 20th century study of a female Burmese flower seller signed Ba Yon 1922, a red chalk study of a female figure indistinctly signed and dated 1912, an unsigned early 20th century pencil portrait of a young girl, a charcoal portrait of a male figure signed and dated Higgins '34, a caricature of a male figure smoking a pipe indistinctly signed and dated '38 and un unsigned mixed media nude figure study, Condition Report: foxing to some pictures
FIVE CAPODIMONTE FIGURINES AND THREE OF THE SAME STYLE, comprising of a large Capodimonte nude study by Tiziano Galli of a lady sitting on a rock with a fruit basket by her side height 49cm (a leaf has broken the piece is there), large Capodimonte boy playing catch with a dog height 62cm, large Capodimonte dancing girl in pink top and blue skirt height 70cm, Capodimonte bearded man with shot gun and dog height 38cm, Capodimonte man and women sharing a umbrella height 27cm, three Capodimonte style figures, man with a pipe height 31cm, lady with a bird in her hand height 32cm, and man and women with a dog height 19cm, (8), (Condition Report: man and lady with umbrella has a chip on the umbrella and a small chip on the back, girl with the bird has her little finger missing on one hand, overall condition is good and damage minimal)
A MEERSCHAUM PIPE AND A FIGURE OF A HORSE, the meerschaum pipe carved with a running dog, with brass cover and mother of pearl stem detail, together with a sculpture of a heavy horse on a wooden base, total height 19.5cm x width 23.5cm x depth 7cm (2) (Condition Report: pipe appears ok, half of the mother of pearl pieces are missing, cover a little dented, some scratches and wear, horse has extensive damage including large cracks along its chest, tail, back, neck and head, cracks and losses to legs with visible armature, one ear is missing, another has been replaced, etc)
Transportation, Shipping Photographs, River Craft, 270 postcard sized images to include Buoy and Light Ships, Pilot, RNLI, Barges, Pipe & Cable Vessels, Hoppers, Sewage, Waste, Cranes, Shear Legs, Fire, Police, Salvage, Dredgers, Customs, Rig Supply etc. All annotated to the reverse. Copyright may apply to some (vg)
This fantastic grouping of porcelain includes a reticulated fruit basket (#11579, 10.25"L x 7.25"W x 3.5"H), a pipe marked Copenhagen with porcelain holder (#5077) and tobacco jar (#5024), a utensil rest (#135), two silver-plated timbals, a porcelain thimble pendant (#4802) on a 14K gold chain, two pickle plates (one leaf-shaped, #144, and one octagonal, #229), a small pitcher (#1038), and two small toothpick or match holders (#183 and #207). Royal Copenhagen backstamps. Issued: 20th centuryDimensions: See DescriptionManufacturer: Royal CopenhagenCountry of Origin: DenmarkCondition: Age related wear.
Registration - VSY 428Chassis No. - ARR252597M.O.T. - ExemptOdometer - 14,072Characterful and captivating in deep green over black bodywork, this example of Austin’s Seven is offered at No Reserve. Fitted with a Reliant 747cc over-head valve four-cylinder engine, this is matched to a four-speed manual gearbox, with plenty of work carried out on the powertrain over the past few years. The cabin matches the exterior colour scheme, with green leather seats, green door cards and trim, and black carpets and dashboard, with the two-door saloon’s patinated dashboard clearly original.Owned by the seller for the past four years, ‘VSY 428’ has only had nine registered keepers over the last 89 years. The vendor is only selling due to space, and describes the Seven as starting and driving fine, ‘just requiring some TLC with the body’. As such, they describe the bodywork, paint, and interior as in ‘average’ condition, while the engine, transmission, and electrics are considered ‘good’. This would reflect the recent work undertaken, which includes a new carburettor, starter motor, distributor cap, spark plugs, oil filter, choke cable, accelerator cable, battery cables and terminals, fuel pipe, bonnet catch, and brake lights. Showing an indicated 14,000 miles, it essentially hasn’t moved in the past 15 years according to previous MOT reports.Offered at No ReserveDesirable and drivable Austin SevenIdeal project car without requiring an overhaulHaving started out life building larger models, company founder Sir Herbert Austin started work on designing a smaller car in 1920. The ideas was to build a smaller, more affordable family car, inspired by the Horsepower Tax of 1921, and two years later, having styled the car largely himself, and had it engineered by an 18-year old draughtsman called Stanley Edge – who persuaded Austin to use a compact four-cylinder petrol engine – the Seven was ready. Producing 7.2 hp, it was built on an A-frame chassis influenced by American trucks, and the styling took inspiration from Peugeot. Almost 2,500 units were produced in the first year of production, not as many as initially hoped for, but demand picked up quickly, and by the end of production in 1939, almost 300,000 cars and vans had rolled out of the factory.
‡ DAME LAURA KNIGHT DBE RA RWS (English 1877-1970) watercolour - entitled verso 'W. H. Davies' No. 37, seated portrait of gentleman smoking his pipe, initialled lower right 'L. K', 29.5 x 24cmsProvenance: label verso reads 'Exhibition of Works by Dame Laura Knight, ARA held at the Leicester Galleries, Leicester Square, London June 1934, Purchaser Hugh Walpole Esq.' with further Ernest Brown & Phillips, Ltd The Leicester Galleries label, annotated in pen 'Bought from R. B. Abbott on 18/4/47 E. J. Thurston'. Further chalk and stencil numbers present versoAuctioneer's Notes: W. H. (William Henry) Davies (1871-1940) was a Welsh poet and writer famed for his nomadic hobo lifestyle and his 1908 'The Autobiography of a Super-Tramp'. Sir Hugh Seymour Walpole, CBE (1884-1941) was an English novelist and one of the previous owners of this painting.Comments: minor foxing in places, mount foxed, framed and glazed
DEUTSCH, 3tlg. Konvolut aus Glasgefäßen mit Silberbeschlag, Silber/Glas, 20. Jh., bestehend aus 1 x gr. runde Schale mit Silberbeschlag am Rand und Sternschliff im Glas, D: ca.16 cm, Marken: Halbmond, Krone, 925 Silber, MZ ('FOEHR'), 1 x kl. Glasschale mit dünnem Silberbeschlag am Rand und dekorativer Gravur im Glas, D: ca. 13 cm, Marken: 835 Silber, MZ ('HB' Hermann Bauer), 1 x ovale, flache Glasschale mit partiellen Sternschliff auf formpassendem Silbertablett mit Pfeifendekor, LxB: 20x12 cm, Marken: Halbmond, Krone, 800 Silber, MZ ('F. Menner, Stuttgart'). Je Alters- und Gebrauchsspuren. Tlw. Kratzspuren.| DEUTSCH, set of 3 glass vessels with silver fittings, silver/glass, 20th century, consisting of 1 x large round bowl with silver rim and star cut in the glass, d: approx. 16 cm, hallmarked with 925 silver, makers mark ('FOEHR'), 1 x small glass bowl with thin silver rim and decorative engraving in the glass, d: approx. 13 cm, hallmarked with, 835 silver, makers mark ('HB' Hermann Bauer), 1 x oval, shallow glass bowl with partial star cut on moulded silver tray with pipe decoration, lxw: 20x12 cm, hallmarked with 800 silver, makers mark ('F. Menner, Stuttgart'). Signs of age and use. Scratch marks in places.
DEUTSCH, Jubiläumskelch, 12 Lot (750 Silber), um 1837, runder, gestufter Standfuß mit einem reliefierten Band aus Akanthusblättern, Schaft mit vegetabil gestaltetem Nodus, Kuppaansatz mit Pfeifendekor, Wandung mit einer reliefierten Bildszenen einer Segnung, sowie von christlichen Gegenständen und begleitenden, eingravierten Segenswünschen und einer Widmung für den Jubilar, sowie Datierung ('In die Jubilaei d 27. Septemb. 1837.'), nach außen gewölbter Lippenrand, H: ca. 19,5 cm, Marken: 12 Lot, 'C' (nicht aufgelöst), Gw. ca. 270g. Alters- und Gebrauchsspuren. Tlw. Kratzspuren. Minimal unebener Stand.| GERMAN, jubilee chalice, 12 lot (750 silver), circa 1837, round, stepped base with a relief band of acanthus leaves, the shaft with vegetal nodus, the bowl with pipe decoration, the wall with a relief scene of a blessing and Christian objects and accompanying engraved blessing and dedication to the jubilarian, dated ('In die Jubilaei d 27. Septemb. 1837.'), lip rim curving outwards, h: approx. 19.5 cm, marked with 12 lot, 'C' (not resolved), weight approx. 270g. Signs of age and use. Scratch marks in places. Minimally uneven stand.
Sundry collectors' items including a boxed Swift No 30A hair clipper, a "The Laurel" Ladies Boudoir Safety Razor, two miniature Jerusalem souvenir books having olive wood boards, a Victorian mother-of-pearl handled perfume corkscrew, a German porcelain pipe bowl, a Lignatone Radio harmonica, a miniature magnetic compass etc
* Moore (Henry, 1898-1986). Henry Moore and Irina Radetsky, circa 1930s, gelatin silver print, an image of Moore and his wife in his studio, with sculptures in the background, Moore is smoking a pipe and Radetsky is partially dressed, inscribed 'Henry Moore & Irina Radetsky (wife)' in pencil to verso, in good condition, 12.5 x 17.8 cm (5 x 7 ins)QTY: (1)NOTE:While teaching part-time at the Royal College in London, Moore met Irina Radetsky (1907-1989), a painting student. They married in 1929 and the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small group of avant-garde artists. Focusing primarily on female figures, Moore drew inspiration from his wife, who served as his muse for six decades.
* Burleigh (Averil, 1883-1949). Portrait of the artist's husband, Charles Burleigh, oil on canvas, half-length portrait, half-profile to left, of a white-haired gentleman seated, wearing a grey jacket over a blue shirt and yellow waistcoat, a blue silk cravat at his neck, and filling a pipe in his left hand with tobacco from a pouch, signed lower right, 76 x 63.5 cm (30 x 25 ins), framed (91.3 x 78.3 cm)QTY: (1)NOTE:Averil and Charles Burleigh, and their daughter Veronica, were an interesting trio of artists who spent most of their lives working in and around Sussex. Averil and Charles met whilst studying at the Brighton School of Art, and they were married in 1905. Averil was encouraged by her husband to continue painting, and by 1915 both were exhibiting regularly at the Royal Academy and the Royal Institute. Veronica, who was born in 1909, won a scholarship to the Slade School of Fine Art, returning home to her parents in Brighton afterwards, where she became an accomplished portrait painter. The three artists worked closely together, but despite clear cross-influences among them, each developed a distinctive style. Averil, who became a leading figure in the revival of the use of egg tempera recalling artists of the Italian Renaissance, was arguably the most talented of the trio.
* West Indies. Island Landscape in the Caribbean, circa 1870-80, watercolour with bodycolour, depicting a gentleman sitting on a rock by the shore wearing a straw hat and smoking a pipe, behind him a mountainous landscape (perhaps Grenada), mount staining and some toning, sheet size 36.8 x 50 cm (14 1/2 x 19 5/8 ins), mounted (47 x 63.5 cm) QTY: (1)

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43904 item(s)/page