We found 43903 price guide item(s) matching your search

A quantity of white water pipe, various sizes 25 & 35ml.

Salvatore Maresca, (Italian, circa 1900) - Oil on board - Pair of studies of pipe smokers, both signed lower right, 37.5cm x 24.5cm, in oak frames, Frost & Reed labels dated 1961 verso, (2)

A Gambier clay pipe, carved with a woman wearing a bonnet, together with another Gambier Jacob pipe, three others marked marked Fiole France, one carved with a woman wearing a bonnet, and other pipes

A cased meerschaum pipe, carved as a reclining male figure

A cased Meerschaum pipe, carved with a semi naked female and another female blowing a pipe

A cased Meerschaum pipe, carved with a woman's head, wearing a hat

A cased meerschaum pipe, carved as a dragons claw holding an egg

A cased pair of Meerschaum pipe bowls, carved as a man and a woman

Boxed brushed brass finish Zippo windproof pipe lighter, nineteen Zippo windproof lighters in brushed stainless steel, stainless steel, brass and other finishes, two Zippo lighter leather pouches and boxed Zippo buckle (23)

Late Victorian mahogany and ebony finish pen stand, twin inkwells recessed pen tray and single drawer, two ebony elephants, puzzle box, clay church warden pipes, oak pipe rack, 'The Latest Style' smartwear bowler hat and a copper and brass post horn

Hilmor EL2 "Shortie" conduit/pipe bender

A collection of Herend animals to include a a hare, bull and two birds; Herend figures of dancers and musicians; a Royal Crown Derby paperweight of a carpThree figures seriously damaged, two snapped at the legs and one missing the head and a hand. Musician’s pipe is missing its end other items have ware commensurate with age, some rubbing to the colour and minor surface dirt

A Collection of Smoking Pipes to include a cased carved pipe with recumbent lion and floral bowl in fitted case. Together with a clay pipe and four others

A BRASS MOUNTED EDWARDIAN SMOKERS CABINET the doors opening to pipe rack compartment and three drawers, 30cm wide 22cm deep 32cm high

Tribal Art - Papua New Guinea pipe, comb, crocodiles, tourist ware

An Edwardian oak smokers cabinet, single glazed door, mixing bowl; oak five division pipe rack; pipes inc Old Bond, Pipemaster, Brentford, Briar Derby etc

AN ASSORTMENT OF GARDEN ITEMS TO INCLUDE FUEL CANS, A HOSE PIPE AND ROPE ETC

A ULTER SPORT TWIN EXHAUST PIPE

A LARGE ASSORTMENT OF COPPER PIPE AND SCRAP COPPER

A QUANTITY OF COLLECTABLE ITEMS TO INCLUDE A COMPASS, PEN, TELESCOPE, PIPE, CUFFLINKS, PLAYING CARDS, TOBY JUG, ETC

A QUANTITY OF COLLECTABLE ITEMS TO INCLUDE A PIPE BOX, SET OF BOXED WEIGHTS, VINTAGE IRONS, BRASSWARE, PIPE, ETC

A Derby porcelain figure,late 19th century, depicting a man in a blue overcoat with a pipe at his feet, painted marks,12cm hightogether with a Parian ware figure,modelled as a seated girl,21.5cm highand a bisque porcelain figure,modelled as a girl in a red cloak, with a dog beside her, 15cm high (3)Derby figure restored. Parian figure with a chip to her hand. Bisque figure cracked and repaired.

A matched pair of Derby porcelain 'Idyllic Musician' figureslate 18th century, the lady with a pipe and tabor, playing the triangle, the man playing the drum, each on a pierced rococo base, with painted marks and incised No. 811,20cm and 22cm high (2)She with minor repair to triangle striker and perhaps the trailing ribbon to her hair.

A collection of various Continental figure groups in the Meissen or Dresden manner including courting couple with birdcage and courting couple with mandolin and scythe, Capo di Monte figure in 18th Century dress with pipe, Dresden figure of lady with basket of flowers and gentleman with bird in hand, courting couple with dog, couple seated on a chaise playing violin and singing and pair of Capo di Monte figures, he with basket of flowers, she with hat together with a Continental charger decorated with Falstaff and Mrs. Ford after H M Paget

A mixed lot comprising a silver brooch modelled as a young Indian boy's head wearing a turban set with green paste, hallmarked: sponsor's mark 'FEK', London 1947, a brooch modelled as a winged cherub with pipe and blowing a bubble set with an amethyst cabochon, marked 'silver', a purple paste brooch and a brooch modelled as a swallow and set with marcasite.

AN ORIENTAL OPIUM PIPE, A POLISHED STONE PENDANT A SILVER TOPPED ATOMISER, TOGETHER WITH A CAKE SLICE AND A PAIR OF TONGS

TWO BOXES OF COLLECTABLES TO INCLUDE A VINTAGE PIPE, DOMINOES SET ETC.

A selection of silver jewellery. The jewellery to include an antique Scottish silver and agate bag pipe brooch, two silver lockets, a rope twist chain with heart pendant, a silver and cz ring, and a box link necklace with silver St Christopher pendant. All marked silver apart from Scottish bag pipe brooch. Necklaces measure 16 - 24 inches. Total weight 39.6g. 

Group of assorted novelty table lamps to include two hunting horn lamps, double plumbing pipe lamp, brass base lamp and a brass lantern lamp.(B.P. 21% + VAT)

An opaline glass water and earth spoon pipe, moulded with a lizard, 12.5cm wide, together with an opalescent glass water pipe bung, moulded with a centipede, 22.5cm high. (2)

A late 19thC Continental carved wooden pipe of novelty figural form, 61cm wide.

Watches and penknives, comprising Citroen wristwatch, Services pocket watch, magnifying glass, pipe, mother of pearl handled penknives, etc. (a quantity)

A group of silver dressing table jewellery, comprising a wooden handled and scroll silver inset hand mirror, a white metal handled hairbrush, white metal topped cut glass smelling salt jar, a silver collar Astoria gentleman's pipe in fitted case, and a white metal handled button hook. (5)

A 19thC Gambier clay pipe, modelled as Jacob, 8cm wide, together with a Scandinavian plated salt, white metal salt spoon, stamped 830S, a square micro mosaic brooch with floral and leaf decoration, and a yew miniature model of a Spanish guitar, with white metal fret board, etc. (5)

A Red Velvet Tea Cosy with Armorial Design, Large Chinese Opium Pipe Etc

LADY'S & GENT'S COLLECTABLES GROUP - a Mauchline ware thimble box showing Peel Castle Isle of Man, Victorian pipe bowl with carved detail South Africa 1899-1900 with various names carved including Lady Smith, Buller, Pretoria, Hunter, Mafeking and others, two further carved pipes, 22ct gold plated pen and cufflink set with a further pair of gold plated cufflinks, ETC

A collection of Chinese works of art, comprising two carved hardwood figures, both 34cm high, a wooden opium pipe and an enamelled example, two ceramic lidded teapots, a cloisonne bowl, a wood and mother of pearl inlaid napkin ring and a First Class Certificate for railway staff from the Tientsin-Pukow line, AF (9)

Small brass four-draw telescope with leather case, a Meerschaum silver and amber pipe in the form of Edwardian lady's head, cased, a novelty folding cheroot holder with leather white metal bottle case and two other pipes

A selection of vintage tobacco pipes, including: a Turkish Meerschaum pipe carved as a man's head; a Meershaum head carved as a horse's head; a carved wood pipe carved as a cow's head; and others, contained across a stained oak table standing pipe stand and a wall mounting brass pipe stand.

Small oriental dark patinated bronze of a seated figure with teapot and pipe, signed to base, 4.75ins high

18th / 19th Century oil on oak panel, portrait of a seated lady lighting a clay pipe, 7ins x 5ins

A Pair of 19th Century Volkstedt Porcelain Figurines of a Male Pipe Player and Female Flower Seller, underglaze blue crown over N marks to base, 38.5 cm

A Cased Tobacco Pipe, chess set, small spirit level, HMV needle case, corkscrew etc.

A Faux Ivory Celluloid and Inlaid Aide Memoir, silver pipe, Mont St. Michel sword penkife and a pair of miniature cups made from old 1d coins

A 19th century rosewood travelling box converted to a velvet lined jewellery box with inlaid mother of pearl geometric shapes to the lid, together with an early 20th century mahogany smoker's cabinet with fitted pipe rack and shelves to the interior, with brass pear drop handle, height 45cm (2).

A collectors' lot to include an 'Avon' gas mask, a vintage safari hat, shaving ephemera, a pipe rack, a razor, etc.

Various items of small wooden furniture to include a children's ladder back rush-seated chair, a small oak smokers' cabinet with two doors, interior pipe rack and lower two-tier magazine rack or compartment, a small children's wooden two-fold clothes horse, a small bookcase, with three shelves, two magazine racks, a First Aid tin 'Minimax', a reproduction sign for Marsden Glazers and a Bagatelle pinball game (9).

Large cased Meerschaum pipe, length approx 7 inches

Vintage bamboo dart pipe with darts

British Modernist School, portrait of a gentleman smoking a pipe, oil on canvas, framed

Picasso, Pablo -- Mousquetaire envoyant une Bouffée de Fumée de Pipe au Visage d'une jeune FemmeAquatinta und Kaltnadel auf Velin. 1968.8,9 x 11,8 cm (25 x 32,5 cm).Signiert "Picasso". Auflage 50 num. Ex.Baer 1770 II B b 1 (von C), Bloch 1753.Druck des zweiten, endgültigen Zustandes von der verstählten Platte, herausgegeben von der Galerie Louise Leiris 1969 als Blatt 273 der Folge "347 Gravures". Druck Crommelynck, Paris. Ganz prachtvoller, toniger Druck mit wunderbar körniger Struktur der Zuckeraquatinta in der Rauchwolke, mit breitem Rand, rechts mit dem Schöpfrand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Nicholas Condy (1793-1857)Interior of an Irish Inn at BallyboylebooOil on canvas 47 x 63.5cm (18½ x 25”)SignedExhibited: London, Royal Academy, 1843, No. 415Exhibited at the Royal Academy in 1843, Condy’s recently rediscovered depiction of an Antrim interior populated by twenty very different individuals and with a rich variety of objects on display is an invaluable portrayal of Ulster country life in the middle of the nineteenth century. Although he described the picture as Interior of an Irish Cottage at Ballyboyleboo, what is shown is an inn, tavern or shebeen, making it a rare early depiction of an Irish public house. In contrast, however, to the small body of work showing Irish pubs by artists such as Charles Henry Cook, Erskine Nicol and Nathaniel Grogan, which invariably feature the Catholic Irish peasantry in stereotyped attitudes often verging on the caricature – here the clientele seems distinctly more mixed in terms of class and confession with a noticeably military flavour. The primary interaction in the painting is between the doubly amputated figure standing on the right in smart but sober attire and the seated black man at left who has suffered the loss of just one foot and who leans back in his chair as he raises a toast. This is an extraordinarily rare image of racial equality in an Irish genre scene of this date. Where black figures appear at all in Irish painting of the period it is invariably as marginal, often servile, subsidiary figures as, for example, in Erskine Nicol’s The 16th, 17th (St Patrick’s Day), and 18th March (National Gallery of Ireland).  It seems likely that equality – or at least the superficial appearance of equality – has been gained through shared endeavour on the battlefield, and that the seated black man is a veteran toasting his former commanding officer. Certainly the deportment and dress of the man standing, very comfortably it must be said, on his double prosthetic limbs, suggests his elevated social position. The gathering includes both army and naval elements. An advertising bill on the right seeks able seamen, while the format of Condy’s signature, ‘Lt. Condy bf 43rd regt’ reminds us that he had begun his career as an army officer, serving in the Peninsular War, and retiring on half-pay at Christmas 1818. Continuing the military theme, a bust of the Duke of Wellington looks down from a shelf at upper left in the somewhat indecorous company of candlestick and brass kettle (and with a canoodling couple directly beneath his gaze). Prints of naval victories adorn the walls while to the side of the chimney hangs a toleware candle box and pair of bellows. A drunken sailor has passed out under the table his clay pipe and glass lying smashed in front of him while a serving woman brings more refreshments to those at table – a punch bowl, small glasses for toasting and pipes. Music is provided by a fiddler in the background.Claudia Kinmonth notes that Condy’s Ulster subjects ‘convey a real sense of how poor people’s homes in Antrim may well have been in the 1840s’ (Claudia Kinmonth, Irish Rural Interiors in Art (2006) p. 94). However, he also mixes Irish and English elements within his work, sometimes reusing still-life motifs or even whole figurative groups with which he was pleased. On the shelf to the left, the silver-plated vessel with a pouring spout and a handle on the side was used for serving hot chocolate, a delicacy unlikely to be widely available in Irish pubs of the 1840s, and indeed it, and other elements of the composition, appear again in Estate Workers in a Kitchen Interior (Mount Edgcumbe House). Similarly, a small work in the Royal Albert Memorial Museum and Art Gallery, Exeter, repeats almost verbatim the seated man shown here smoking a pipe. This is clearly a reduction from the present work, rather than the other way round, as the man’s motivation for turning round and looking upwards is lost when the figure is shown in isolation and removed from its context.Condy’s composition is artfully created and rather than the mere ‘slice-of-life’ recording of an interior and the objects within it, he offers knowing and witty allusions to the art of the past and also perhaps to that of his contemporaries. He relishes the chance to paint textures as different as scaly fish, metal, glass and ceramics and to record the differing way that light falls on each. The beautifully painted still-life in the lower right corner consisting of earthenware jug, crutch and broom resting on a barrel offers a deliberate reference to the art of David Teniers who time and again places a similar grouping of objects with a prominent diagonal formed by a brush or similar object to lead the eye into the composition. Similarly the still-life of fish may reference Teniers’s ‘well-kept kitchen compositions’ (‘de welvoorziene keuken’). The quotation of Teniers would have been recognised widely, as the seventeenth-century Flemish artist was synonymous with ‘low-life’ genre scenes such as this and his work was avidly collected and frequently engraved.Even more fundamental as a source of inspiration, however, was the phenomenally successful career of David Wilkie who applied the compositional dynamics of Teniers to modern-life subjects. Like Wilkie, Condy here deliberately echoes Teniers earthy ‘old master tonalities’ and shows a similar ‘delight in details and in rough irregular surfaces’ (David Solkin, Painting out of the Ordinary, Yale University Press, 2008, p. 12). Wilkie had also introduced a black soldier into his famous Chelsea Pensioners (Apsley House). Unlike Cushendall, the subject of another Ulster work by the artist, there is no townland in Antrim called Ballyboyleboo. It seems to be an Anglicization – exaggerating the Irishness of the name – of Ballyboley. In the rich account of life in Ulster of a couple of decades earlier written by John Gamble (published as Society and Manners in Early Nineteenth-Century Ireland, edited by Brendán Mac Suibhne, Dublin, 2011, p. 280, n. 4), Gamble records how he stopped ‘at a lone public house between Larne and Ballymena’ and enjoyed a session in which tall stories were narrated. Mac Suibhne suggests that this may be ‘the premises now call the Ballyboley Inn’. An earlier building on this site may also be the setting for Condy’s work, though an older inn only a few miles distant at The Battery is also a possible candidate.

˜A GEORGE III SILVER COFFEE POT, WILLIAM COLLINGS, LONDON, 1773 the baluster body chased with two contemporary 'Turquerie' scenes, each of a pair of turbaned figures seated on the ground, one smoking a long curved pipe, with surrounding Rococo foliage and scrolls and later inscriptions to the neck, with beaded rims and cast scroll spout, the scroll and foliate silver handle of circa 1845 with additions marks for Wrangham & Moulson, London 32cm high, 950gr (30oz) including ivory insulators The inscriptions read: From Hamilton Hamilton, E.E. & M.P. of Her Britannic Majesty at the Court of the Brazils, to John Pascoe Grenfell, Rear Admiral in the Imperial Service. / In remembrance of much kindness experienced during a voyage to England on board the 'Constitution' Imperial Frigate bearing his Flag in August and September 1846. Provenance: John Pascoe Grenfell, Liverpool; thence by family descent to the vendor. Hamilton Charles James Hamilton (1779-1856) served as ambassador ('E.E. & M.P.' Envoy Extraordinar...

A SILVER PLATED SMOKER'S COMPANION, PERHAPS DUTCH, SECOND HALF 19TH CENTURY oblong, covered in bright-cut engraved geometic borders and foliate motifs, one side with a roundel of a gentleman enjoying a pipe in his parlour, the other side with lid to a compartment, one end opening to a match compartment with striker in the lid, the other end with cylindrical void presumably for a taper cord 12.5cm long

A mid 20th century glass shell ceiling light shade together with Japanese satsuma pottery vases, book ends, teddy bears, horn box, pipe, cut throat razors etc

A large copper boiler, approximately 56cm diameter, hight to lid approximately 60cm and to top of pipe 80cm

A pearlware Toby jug, circa 1820, modelled seated with a warty face, holding a jug of ale and a pipe, wearing a blue frock coat and pink breeches, height 24cm (restored).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

David Hawkins Collection Herald Black Watch marching with three Officers and sixteen piece Pipe and Drum Band very neatly repainted in gloss finish (Condition Very Good, but some paint flaking on rifles and a few in some other places, one rifle missing) (103)

Modern tube lined tiles, a pewter clock, a lacquer pipe rack etc Condition Report:Not available for this lot.

A tribal wooden pipe, carved as a rifle and a nude female. 68 cm long.