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A vintage Bakelite pipe modelled as a running horse, 14cm plus a set of six early 20th century Bakelite ashtrays/trinket trays

A collection of old pipes including pipe rack

A large antique meerschaum pipe carved bearded man in fitted case, 13cm long x 9cm tall

Two antique meerschaum and amber pipe/cheroot holders, one carved as a lady with a ruff collar and the other as a foraging boy, 8cm

An antique meerschaum and amber pipe carved hand holding a vase, with leather case, 15cm

Three antique meerschaum and amber pipe/cheroot holders carved as standing horses and a dogs head (cased)

A metal opium pipe, the body engraved with cranes amongst bamboo and foliage, with accessories, height 23cm, two Chinese carved soapstone figures of Immortals, heights approx. 12.5cm, a pair of carved wooden wall masks wearing elaborate headdresses, heights approx. 17cm, two embroidered pictures on silk, one depicting a bird on branch, with willow and fish to the foreground, on a coral ground, approx. 63 x 30cm, the other a Chinese example depicting peacocks within branches and four character marks upper left, on a white ground, approx. 47 x 32cm, framed and glazed, a wall hanging depicting dragons and Japanese characters, modern prints of deities, including Ganesh, a ceramic egg depicting ladies in a garden, height 15.3cm, a Tibetan wall hanging with print of a deity, etc.Condition Report: No Condition report available for this lot.

A collection of mixed items comprising; two novelty 5 Francs coins amended into pocket knives with coin face and back and mechanisms and blades folding between, one dating to 1847, other 1875 with metal chain attachment, coins each approx. 3.9cm diameter; a novelty miniature proppeling pencil modelled as a pipe, possibly bakelite, with pencil end (no lead), approx. 5.2cm long; a novelty mid to late 20th century dagger and scabbard formed cigar cutter with dagger folding apart when removed from scabbard, with mother of pearl handle, approx. 5.4cm long in scabbard; a small novelty miniature pocket implement, with circular brass piece with ches board design and four different steel implements folding out of main piece, two stamped 'M. Shvir Sme Bte', approx. 2.6cm diameter, and two small stained bone items, one a charm or pendant, approx. 1.5cm long, other a bead, also approx.1.5cm long. (1 bag) Further details; leather scabbard to novelty cigar cutter with loss, both coins tarnished and worn in areas; pipe with wear commensurate with age; general wear to all.

A 20th century cast spelter figure / water feature of a young nude boy holding a fish, upon a square base, with pipe from back of base and coming from the fish's' mouth, unsigned, approx. 57.2cm high. Further details: has been exposed outside; surface wear, marks and patination.

An early 20th century Dutch silver presentation spoon, with embossed figural bowl, with crest and twisted stem, import marks by Samuel Boyce Landeck, Chester, 1905, approx. 26cm long, together with an Argentinian 800 standard opium pipe, with profusely engraved / cast floral design and with yellow metal overlaid floral decoration, approx.  (2)  Weight of spoon approx. 74.5 grams (2.3ozt) Further details: spoon bowl slightly misshapen; solder repair to handle above crested part, tarnished with scratches and wear, opium pipe tarnished, scratches and wear to areas.

Paul Burmeister (German 1847 - 1923)Discussing the newssigned 'P.Burmeister' (lower right)oil on panel34 x 23 cm, framed 48 x 37.5 cmProvenance James Lee-Milne (1908-1977), writer and expert on country houses.Small loss to the face of the right figure and fabric behind right boot of right figure. Inspection under UV reveals possible specs of re-touching to the pipe of the right figure and arm of the left, green masking varnish throughout.

Max Liebermann, 1847 Berlin – 1935 ebendaSTEHENDER BAUER NACH RECHTS – STUDIE ZUM „SCHWEINEMARKT IN HAARLEM“, 1884Öl auf Papier.35,5 x 25,4 cm.Rechts oben Signatur. Verso mit Etikett Heinrich Hahn, Frankfurt.In breitem teilvergoldetem ebonisiertem Rahmen.In mächtigen klobigen Holzschuhen steht ein Bauer nach rechts, die Hände stecken tief in den weiten Taschen seiner Jacke, im Mund eine kurzstielige Pfeife. Sowohl in der ersten, als auch in der zweiten Fassung des Schweinemarkts in Haarlem (1981 und 1894), ist der hier dargestellte Mann wiederzufinden und laut Eberle in unmittelbarem Zusammenhang zu sehen mit der Entstehung der Studie zum Schweinemarkt von 1884 und daher auch in dieses Jahr einzuordnen. Vermutlich blieb das Gemälde bis zu Liebermanns Tod in seinem Besitz und kam erst nach dem zweiten Weltkrieg in die USA; in dieser Zeit sei auch die beschädigte Signatur übergangen worden.Provenienz: Max Liebermann (1914/1926).Privatbesitz, Tel Aviv, 1943.Privatbesitz, USA, nach 1945.Butterfield & Butterfield, Los Angeles, 1993. Literatur: Das hier angebotene Gemälde ist aufgeführt in: Matthias Eberle, Liebermann, Werkverzeichnis der Gemälde und Ölstudien 1865 - 1899, Bd. I 1865 - 1899, S. 267/268, Nr. 1884/22.Das Atelier, 1896, Beilage zu Heft 13, Abb.Hancke 1914, Abb. S. 323, nicht in den Werkkatalog aufgenommen.Hancke, 1923, Abb. 323.Boskamp 1994, Kat. 193.Ausstellungen:Max Liebermann, Kunstverein Hamburg, 1926, Nr. 10 (Leihgeber Max Liebermann).Max Liebermann, Museum Tel Aviv, 1943, Nr. 4 (Dutch peasant with a pipe 1884).Butterfield & Butterfield, Los Angeles, 9. 11. 1993, Nr. 3653, Abb. S. 54 (zurückgezogen). (1421654) (13)Max Liebermann, 1847 Berlin – 1935 ibid.STEHENDER BAUER NACH RECHTS –STUDIE ZUM “SCHWEINEMARKT IN HAARLEM”, 1884 Oil on paper.35.6 x 25.4 cm.Signed top right. Label by Heinrich Hahn, Frankfurt on the reverse.Provenance: Max Liebermann (1914/1926).Private collection, Tel Aviv, 1943.Private collection, USA, after 1945.Butterfield & Butterfield, Los Angeles, 1993. Literature: The painting on offer for sale here is listed in: Matthias Eberle, Liebermann, Werkverzeichnis der Gemälde und Ölstudien 1865 - 1899, vol. I, 1865 - 1899, p. 267/268, no. 1884/22.Das Atelier, 1896, Supplement to magazine 13, ill.Hancke 1914, ill. p. 323, not listed in his work catalogue.Hancke, 1923, ill. 323.Boskamp 1994, cat. 193.Exhibitions:Max Liebermann, Kunstverein Hamburg, 1926, no. 10 (lender Max Liebermann).Max Liebermann, Museum Tel Aviv, 1943, no. 4 (Dutch Peasant with a Pipe 1884).Butterfield & Butterfield, Los Angeles, 9 November 1993, no. 3653, ill. p. 54 (withdrawn).

Lampe "Pipe Terra". Flexibler transparenter Schaft. Entwurf Herzog & de Meuron für Artemide. H 220 cm

Smoking related items to include a miniature Meerschaum pipe in case, cheroot holder in silver engine decorated case, Art Deco cheroot holder with 9ct gold mounts in a fitted case with makers label W.H Newman Ltd and a boxed gold plated Dunhill lighter.

A GEORGE III EARTHENWARE SLIP GLAZED PUZZEL JUG, ENGLISH DATED 1776. Having a boards head spout and topped with two bords to the rim near the handle, the handle having an interesting lower terminal with pierced decoration, the front of the jug is inscribed with "IR" and dated "1776", the birds and the boars head made from a pipe clay which has been separately applied, 18.5cm high 17cm deep 11cm wide. *CR unrestored showing signs of historical wear in accord with age and use, some minor chsip to boars ears, chips to beaks of birds, two chips to footrim.

A pir of Japanese Okimono carved monkeys together with a Koi fish and pipe end in the form of a monkeyLocation: RWMIf there is no condition report shown, please request

A mid 20th century Smith and Pepper 9ct snake necklace, the engraved head with red stone set eyes leading to pipe shaped necklace, hidden box and tongue fastener stamped 'S&P' Birmingham 1960, approx. 36.5cm long, 29.4gms

A clay pipe in the form of a birds talon, a small knife with tortoiseshell scales, a papier mache snuff box and a small box containing a seal.  This bladed lot is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.

A Meerschaum pipe, with a mother of pearl shank, on stand

A miner's lamp, 'Hockley Lamp and Limelight Company', 25cm H and a pipe rack with pipes

A novelty Victorian silver salt cellar and spoon. Edward & Joseph Mappin, London, 1864. Designed as a cauldron raised on three feet, the spoon modelled as a pouring ladle, gilded interiors, 4cm high; together with various oddments comprising: a silver mounted glass oil/vinegar bottle with fox mask cover, Birmingham, 1988, J. B. Chatterley & Sons, the stopper designed to pour through the fox's snout, the bottle probably associated, approx. 12.5cm high; an Edwardian silver pipe tamper kit, Birmingham, 1909, W.J. Myatt & Co., 5.5cm long; an Italian silver novelty spoon/scoop designed as a jockey cap and whip, stamped 800, 5.8cm long; a small Chinese silver salt cellar with glass liner and foliate decoration to sides, 3cm high; a pair of Edwardian silver mechanical claw sugar nips, Birmingham, 1907, Hammond, Turner & Sons, registered design no. 494371, 9.1cm long; and a pair of blue glass lined silver pepper shakers, Birmingham, 1938, Joseph Gloster, 8.8cm high, total weighable silver approx. 4.5ozt (9) 

Entrance Advertising "ST JULIEN" a fold out card advertising sign 32H cm together with a "Weights" card sign and a tin "Fill up your pipe here" tin sign

A Prattware pipe, circa 1800, the bowl moulded with the head of a fish, and mounted with the bust of man22cm longChips, minor abrasion and discolouration to the mouthpiece.Area of restoration shows under UV suggesting that the bowl may have been broken from the rest and sympathetically repaired.Minor area of loss to the glaze of the mouth of the fish.

A Prattware coiled snake tobacco pipe, circa 1820, the bowl moulded with oak leaves and acorns issuing from the creature`s mouth and sponged in blue and yellow ochre23cm wideSympathetic restoration to the mouthpiece and bowl which shows under UV.

Registration No: 870 UYN Frame No: PS197 MOT: ExemptNicely presented Mk2, four-pipe Ariel Square FourLater alloy head 1000cc version of Edward Turner's classic designRestored in 2015 to a good standard with numerous receiptsRecently recommissioned, the vendor reports it 'starts well and is ready to ride'It comes complete with a current V5CLike a lot of British motorcycle companies, Ariel began producing bicycles in the late 1800s, eventually progressing onto motorcycles in 1902. After a typically rocky few years for manufacturers in the early part of the century, in the early 1930s Jack Sangster bought Ariel from the receivers at a bargain price. The company was renamed Ariel Motors (J.S.) Ltd, and promptly resumed production in a new factory in Selly Oak Birmingham and one of their first bikes produced was the Ariel Square Four designed by Edward Turner. In the days of predominately single-cylinder engines a square four layout was very advanced and the bike stayed in production until the late 1950s. This 1954 Square Four is the later Mk2 1000cc version, easily identified by its four separate exhaust pipes and alloy head to help to cool the rear cylinders. Restored to a good standard in 2015, it has recently been recommissioned and the vendor reports 'it starts easily, runs well, and is ready to ride'. Included in the sale is a file with numerous receipts accumulated during the restoration process. Supplied with a current V5C. For more information, please contact: Mike Davis mike.davis@handh.co.uk 07718 584217

Registration No: GGF 409 Frame No: 1155 MOT: ExemptRare Sunbeam 'high cam' restored to a good standardJust a handful known to have survived on the Sunbeam RegisterMatchless-style forks and brake with check springs, Burman gearbox, and high-level exhaust pipeRunning well and used sparingly by the current ownerV5C on file with a host of paperwork and a 1939 spares bookAll correct numbersAMC bought the Sunbeam business in 1937 as a well-established motorcycle manufacturer. Production moved from Wolverhampton to Plumstead. There was so much stock available that it was enough to sustain production in London for more than a year. At the end of 1938 a new line of OHV machines was launched, ranging from a 250cc to a 600cc. The new engine design was of the high camshaft type with the cylinder barrel sunk deep into the large crankcase. It has a large timing cover with a wonderful “Sunbeam” script which contains the chain that drives the magdyno and is tensioned by a Weller tensioner. The brakes were improved, notably to an 8" drum with improved stopping. The models were offered in standard guise and in Sports (S) and Competition (T) form. The B25S had Sports mudguards, upswept exhaust pipe, and a specially tuned engine with a high-compression piston and polished cylinder head and ports. The C24S was the last pre-war Sunbeam design. This wartime 1940 Sunbeam C24S was purchased by the vendor's father-in-law way back in the early 1970s. Due to commitments, the Sunbeam was left untouched until it was left to the son-in-law, as he was seen as a worthy candidate for the restoration of the C24S and saving it from the scrap man in 1999. The current vendor finally set about the restoration of this very rare model at the start of 2000, with only a handful known to the Sunbeam Register. Completely stripped down to the frame, components were thoroughly checked, cleaned and replaced where necessary. The restoration took several years and attention to the correctness was paramount for this machine, which included a trip to Scotland from the vendor's house of some 500 plus miles. Since the restoration of the Sunbeam, until recently, the vendor had taken it to many shows and events. The restoration has held up, it presents very well and is a good example of the model. It comes complete with a V5C, old photos of when it was found and restored, handbook and parts books, copies from Bruce Main Smith and many old tax discs dating back to 1947. For more information, please contact: Mike Davis mike.davis@handh.co.uk 07718 584217

A novelty Turkish meerschaum pipe fashioned as a snake by Koncak, the underside carved wit ‘E.R’, in original case.

A porcelain and white metal mounted novelty snuff mull, 19th century, modelled in the form of an elongated leg, wearing stockings and fancy shoe. 6.4cm. long, together with a mixed hardstone & metal pipe tamper, fashioned as a leg. (2)

Two Edwardian novelty travelling inkwells / dip pens, to include a smoking pipe, the bowl unscrewing for access to glass inkwell, the handle pulling apart for pen, 15.3cm. Long, together with a hat and umbrella combination. (2)

Barling - Briar tobacco pipes / A Special Barling's high quality unused seven day set in case, all stamped with 'BARLING'S MAKE' and numbered with shape 71A; 1128; 1161; 1656; 1140; 162; 198, and various size initials 2 x EL, 2 x L, 3 x S-M. * Laxey pipe factory collection.

Barling - Briar tobacco pipes / Barling's high quality unused six day set in case, all stamped with 'BARLING'S MAKE' and numbered with shape 1657; 1657; 1123; 1123; 1130 & one un-numbered, and each stamped With size S-M. * Laxey pipe factory collection.

Barling - Briar tobacco pipes / A Specials Barling's high quality unused six day set in case, all stamped with 'BARLING'S MAKE' and numbered with shape 1123; 267; 418; 1126; 1218; 1125, and stamped sizes 3 x S-M & 3 x L. * Laxey pipe factory collection.

A cased pair of unused George V Barling briar pipes, with silver collars, Edwin & William Barling, London,1924, both stamped 'BARLING'S MAKE YE OLDE WOOD', one with black stem/mouthpiece, the other marbled amber catalin,12.1cm. long, in the original fitted velvet lined crocodile case, unused. * Laxey pipe factory collection.

A cased pair of unused George V Barling briar pipes, with silver collars, Edwin & William Barling, London,1924, both stamped 'BARLING'S MAKE YE OLDE WOOD', one with black stem/mouthpiece, the other marbled amber catalin,11.4cm. long, in the original fitted velvet lined crocodile case, unused. * Laxey pipe factory collection.

A cased pair of unused George V Barling briar pipes, with silver collars, Edwin & William Barling, London, 1921 & 1922, both stamped 'BARLING'S MAKE YE OLDE WOOD', black stems/mouthpiece, one missing,12.1cm. long, in the original fitted velvet lined crocodile case, unused. * Laxey pipe factory collection.

A cased unused George V Barling meerschaum pipe fashioned as a fish, with silver collar, Edwin & William Barling, London, 1929, marbled amber type mouthpiece, 18.6cm. long. * Laxey pipe factory collection.

A cased unused Edwardian Barling meerschaum pipe fashioned as a ladies head, wearing a straw bonnet, with silver collar, Edwin & William Barling, London, 1902, clear lucite stem/mouthpiece, 17cm. long. * Laxey pipe factory collection.

A large Victorian silver mounted Barling Meerschaum pipe the hinged lid set with a cat chasing mice, Benjamin Barling, London,1851, pierced waisted collar with mouse clasp, stamped below 'JAN 12 4 1851', the pipe bowl two-tone coloured with further silver mount,17cm. * Laxey pipe factory collection.

A large Victorian silver mounted Barling Meerschaum pipe the hinged lid set with a Pointer dog, Benjamin Barling, London,1852, pierced waisted collar with bird clasp, stamped with date below (obscured), the pipe bowl two-tone coloured with further silver mount, 16cm. * Laxey pipe factory collection.

A collection of eight unused silver mounted Barling briar pipes, of varying dates and shapes, to include Billiard, Bulldog, Calabash, etc, housed in Barling of England case. (8) * Laxey pipe factory collection.

A collection of nine unused silver mounted Barling briar pipes, of varying dates and shapes, to include Billiard, Bulldog, Calabash, etc, housed in Barling of England case. (9) * Laxey pipe factory collection.

Tribal Art - Zulu Nguni Pipe Group South Africa, late 19th, early 20th century, graduated set of three, measuring 46, 26.5 & 22.2cm. long (3) * Laxey pipe factory collection.

Tribal Art - Zulu Nguni / South Africa or similar smoking pipes, probably late 19th / early 20th century, one having an unusual 'L' shaped bridge from shank to upper bowl, 14.7cm. long, the other with ornate inlaid wirework to bowl. (2) * Laxey pipe factory collection.

A small collection of cased used pipes, to include a 19th century Meerschaum pipe, in the form of a bearded gentleman wearing a night cap, in fitted case (missing mouthpiece); small calabash/bent type meerschaum with white metal cover and amber mouthpiece, 12cm. long; billiard meerschaum with amber mouthpiece; bulldog with amber mouthpiece; small meerschaum, claw holding urn. all a/f. (5) * Laxey pipe factory collection.

Three Barling meerschaum calabash/bent type pipes, the middle size by Benjamin Barling, London, 1851, having sliding pierced silver foliate cover, birch stem, 23cm. long, together with a meerschaum pipe with hinged silver cover by Edwin & William Barling, London, 1896, the largest unmarked. (3) * Laxey pipe factory collection.

A pair of unused Willmer Bel Air Smooth Billiard walnut Tobacco Pipes, stamped 'Willmer BELL-AIR' & MADE IN ENGLAND WALNUT', 18cm. long. (2) * Laxey pipe factory collection.

A cased large gold mounted amber cigar holder, of tapering elongated octagonal form, the gold mount stamped '56', and various other marks, possibly Russian, 15cm. long. * Laxey pipe factory collection.

A cased Barling's 9ct gold mounted amber cigar holder / mouthpiece, Edwin & William Barling, Birmingham, 1926, 7.2cm. long, in red velvet lined maroon leather case, together with another silver mounted version (amber a/f). (2) * Laxey pipe factory collection.

A collection of ten amber or amber style pipe mouthpieces, six appear to be in good order. * Laxey pipe factory collection.

A collection of vintage / antique pipes, bowls, shanks, etc, to include a miniature single piece churchwarden type pipe, 12.7cm. long; meerschaum pipe depicting a carved stag; figural pipe bowl, together with pipes of varying types, mouthpieces, shanks, etc etc. (qty) * Laxey pipe factory collection.

A collection of ten silver mounted Barling briar and meerschaum pipes, of varying forms and dates, eight appear to be unused, three missing mouthpieces. (10) * Laxey pipe factory collection.

A collection of Barling and other briar or similar pipes, of varying types, shapes and dates, to include a bent square pipe with horn handle and amber mouthpiece, unused; single cased (pair missing) Barling 'Ye Olde Wood' pipe; Barling cigar piece, all appear to be very lightly used or unused. (12) * Laxey pipe factory collection.

A collection of ten unused silver mounted Barling briar pipes without mouthpieces, of varying dates and shapes, to include a matched cased pair. (10) * Laxey pipe factory collection.

Barling - Briar tobacco pipes / Barling's high quality unused six day set in case, all stamped with 'BARLING'S MAKE YE OLDE WOOD' and numbered with shape 7; 68; 133; 76; 92; 68, and each stamped with size S-M. * Laxey pipe factory collection.

Barling - Briar tobacco pipes / Barling's high quality unused six day set in case, all stamped with 'BARLING'S MAKE' and numbered with shape 1368; 1368; 1797; 1665; 1364; 1364, and stamped with size L, Lovat shape. * Laxey pipe factory collection.

A cased pair of unused George V Barling briar pipes, with silver collars, Edwin & William Barling, London,1924, both stamped 'BARLING'S MAKE YE OLDE WOOD', one with black stem/mouthpiece, the other marbled amber catalin,11.4cm. long, in the original fitted velvet lined crocodile case, unused. * Laxey pipe factory collection.

A cased pair of unused George V Barling briar pipes, with silver collars, Edwin & William Barling, London,1922, both stamped 'BARLING'S MAKE YE OLDE WOOD', stamped 68, with black stems/mouthpieces,12.1cm. long, in the original fitted velvet lined red Morocco case, unused. * Laxey pipe factory collection.

A cased pair of unused Billiard briar pipes, stamped LONDON MADE, 12.5cm. long. * Laxey pipe factory collection.

An unusual unused meerschaum calabash /bent pipe, the bowl fashioned as an acorn, birch stem with white metal belt mount with chain, in black leather bowl case, stamped 'SPECIAL BARLING'S LONDON MAKE', 23.5cm., together with two silver mounted Barling meerschaum pipes, fashioned as a hand clasping the bowl and a ladies head. (3) * Laxey pipe factory collection.

A cased Victorian Barling briar bent pipe, Edwin & William Barling, London, 1894, stamped 'BARLING'S MAKE', amber coloured stem/mouthpiece, 17cm. long. * Laxey pipe factory collection.