Jennifer West, American b.1966 - Jaws 2 Filmstrip Beach Boy Family Relaxing, 2012; Archival inkjet print, signed and dated in ink on the reverse Jennifer West 2012' sheet: 266.5 x 34 cm (framed) (VAT charged on Hammer price) Provenance: Vilma Gold, London, acquired by the present owner in 2012 Exhibited: Out of Focus: Photography, The Saatchi Gallery, London, 24 Sept - 4 Nov 2012 Literature: Ewing, W.A (2012) Out of Focus: Photography. London: Booth – Clibborn / Saatchi Gallery (Illustrated in colour)
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Mariah Robertson, American b.1975 - Gladiola Window RGB #3, 2007;C-print,from an edition of 1/5 +2 APs,sheet: 47.5 x 59 cm(mounted) (framed)(VAT charged on hammer price)Provenance: Guild & Greyshkul, New York; acquired from the above by the previous owner, 2007; Sotheby's, London, Contemporary Art Day Auction, 8th March 2018, lot 287 (unsold)Exhibited: Nudes, Still Lives and Landscapes, Guild & Greyshkul, New York, November 3 - December8, 2007; Out of Focus: Photography, The Saatchi Gallery, London, 24 Sept - 4 Nov 2012Literature: Ewing, W.A (2012) Out of Focus: Photography. London: Booth – Clibborn / Saatchi Gallery. Pp: MR. 1-22 (Illustrated in colour) ISBN: 978-1-86154-331-8
Nina Katchadourian, American b.1968- Lavatory Self-Portrait in the Flemish Style #11, 2011; C-print, image: 33 x 26 cm (framed) (VAT charged on hammer price) Provenance: Catherine Clark Gallery, San Francisco, acquired by the present owner in 2012.Exhibited: Nina Katchadourian: Seat Assignment, Catharine Clark Gallery, San Francisco, April 14 -June, 2012, Paper, The Saatchi Gallery, London. 18 Jun - 3 Nov 2013.Literature: Paper. (2013). London: Saatchi Gallery. Pp. 85 – 89 (Illustrated in colour) ISBN: 9781909413016
Nina Katchadourian,American b.1968 - Lavatory Self-Portrait in the Flemish Style #44, 2011;C-print,image: 33 x 26 cm,(framed)(VAT charged on hammer price)Provenance: Catherine Clark Gallery, San Francisco, acquired by the present owner in 2012.Exhibited: Nina Katchadourian: Seat Assignment, Catharine Clark Gallery, San Francisco, April 14 -June, 2012, Paper, The Saatchi Gallery, London. 18 Jun - 3 Nov 2013.Literature: Paper. (2013). London: Saatchi Gallery. Pp. 85 – 89 (Illustrated in colour) ISBN: 9781909413016
Marcel Duchamp, French 1887-1968, Marcel Duchamp, même at Kestnergesellschaft, Hannover (from Re-Object, Mythos), 1965;photograph by Umbo, printed in 2007 from the original negative as a baryta print with selenium toning, numbered 9/45 in pencil,printed at Moersch Photochemie, Hürth,sheet: 40 x 30 cm, (unframed)(ARR)
Damien Hirst, British b.1965- H11, The Currency Unique Print, 2022; archival giclée print on heavy weight enhanced matte professional stock, signed and inscribed 'U.P.', and numbered from the edition of 1000 unique prints, produced by HENI, sheet: 100 x 150 cm, (unframed) (ARR)Note: together with original HENI cardboard tube.
Damien Hirst, British b.1965- Colour Chart, 2017; giclée print on aluminium with UV spot varnish, numbered 183/250 out of an edition of 250 plus 8 AP and signed in marker pen, published by HENI and in their productions catalogue number as H2, size: 180 x 166.7 cm, (ARR) (unframed)Note: this work comes in its own bespoke plywood box.
Damien Hirst,British b.1965-H8-1 Fruitful (Large), 2020;in collaboration with Fondazione Prada,laminated giclée print on aluminium composite panel,signed in pen and numbered 595/1928 on a label to the reverse,produced by HENI,dimensions: 78 x 78 cm,contained in its own tailored card box,(ARR)
Damien Hirst,British b.1965-H8-3 Forever (Large), 2020;in collaboration with Fondazione Prada,laminated giclée print on aluminium composite panel,signed in pen and numbered 1166/1449 on a label to the reverse,produced by HENI,dimensions: 78 x 78 cm,contained in its own tailored card box,(ARR)
Sarah Lucas, British b.1962- Tits in Space, 2009; flexographic print in 4 special spot colours on 160gsm D5 NIP Cresta paper, wallpaper from the edition of 185, together with certificate from Whitechapel Gallery, London, numbered 156/185 in pen with printed signature, size: 1000 x 52 cm, (unframed) (ARR)Note: together with wallpaper hanging instructions.
Banksy,British b.1974-Walled Off Box Set, 2017; giclée print with concrete piece of wall,from the open edition, in the artist's designated Ikea frame,dimensions: 25.2 x 25.2 cm,(framed)(ARR)Note: this work is accompanied by the original receipt from the Walled Off Hotel. Banksy's Walled Off Hotel in the Palestinian territories is a continuation of the artists interest in the region, first ignited when he graffitied the West Bank barrier in 2004. Banksy opened a gift shop to sell customised souvenirs relating to the locale amid the tense political situation.
Invader,French b.1969-Rubik Shot Red Marilyn, 2023;diasec-mounted giclée print on aluminium composite panel,from the series Rubikcubism, HENI editions catalogue number NVDR1-4,signed in pen to label on reverse, and numbered from the edition of 774,published by HENI,overall: 100 x 100 cm,(ARR)
Thomas Mailaender,French b.1979 - Illustrated People #22, 2014;Lambda print on paper mounted on aluminium and oak frame,112 x 74 cm,(framed)(ARR) (VAT charged on hammer price)Provenance: Hotel, London. Acquired from Hotel, London by the present owner in 2014.Exhibited: Iconoclasts: Art out of the Mainstream. Saatchi Gallery, London, 27 Sept 2017 - 6 March, 2018Literature: Iconoclasts: Art Out of The Mainstream. (2017). London: Saatchi Gallery. Pp. 19-30 (Illustrated in colour) ISBN: 9781909413115
England match issue sun hat and a Classic Sporting Pictures print, the hat being of white cotton with the ECB and three lions logo embroidered in blue on the front and the print depicting test venues and Ian Botham, David Gower and Graham Gooch, (2) The hat is in worn condition and signed by the players in black pen, to which there has been some fading, but the signatures, which include Graham Hick are still clear and legible and the print, which is no.551 of 599 is signed by Botham, Gower and Gooch.
Six pairs of Motorsport prints of scenes from the original Tour of Britain events in the early 1970s by Nicolas Watts, each pair comprises of a large print and a smaller version, which is signed by the relevant driver, James Hunt, Gerry Marshall, Barry Williamson, Bernard Unett, and others, larger print framed and glazed 34.5 x 45cm., smaller version in clip frame, 21 x 29.5cm., these were commission by one of the organisers of the 1989 resurrection event the Autoglass Tour, (12 in total)
Seven various blue and white glazed stoneware meat plates,19th century, including Castle Street, St. George's Liverpool and the Beemaster,each approximately 49.5cm wide37cm high (7)The Estate of the Late Malcolm Frazer.Condition ReportOverall the plates are in fair cosmetic condition with moderate traces of age and use, notable condition issues for individual plates are noted below. They'd warrant being cleaned before placing. All with metal and spring hanging racks on reverse. See additional photos.1 (figures in a garden cutting fruit) - A fer marks, scratches and nicks to the glaze and print. Small area of impact/glaze damage to the rim.2 (beemaster) - Some minor crazing. A few very small losses and marks to print and glaze. Otherwise in good cosmetic condition.4 (Chinese figures with a zebra) - A couple of small glaze chips to rim.7 (ships in a harbour) - Broken and crudely repaired in several parts. Chips to rim. Discolouration, wear and signs of use throughout.

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