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Candida Hofer, 1944 ZOOLOGISCHER GARTEN HAMBURG III signed, titled, dated 1992 and numbered 1/6 on the reverse c-print image: 28 by 43cm.; 11 by 17in. sheet: 42.2 by 61cm.; 16.5 by 24in. Literature Exhibition catalogue, Kunsthalle, Hamburg, Candida Hofer: Zoologische Garten, 1993, pp. 38-39, no. 14, illustration of another example in colour
Candida Hofer, 1944 ZOOLOGISCHER GARTEN KoLN II signed, titled, dated 1992 and numbered 1/6 on the reverse c-print image: 30 by 48cm.; 12 by 19in. sheet: 40 by 61cm.; 15.75 by 24in. Literature Exhibition catalogue, Kunsthalle, Hamburg, Candida Hofer: Zoologische Garten, 1993, pp. 64-65, no. 27, illustration of another example in colour
Wolfgang Tillmans, b. 1968 LUTZ WANKING signed, titled, dated ph Aug91, print Apr94 and numbered 6/10+1 on the reverse gelatin silver print image: 31 by 23cm.; 12 by 9in. sheet: 41 by 30cm.; 16 by 12in. Provenance Galerie Neugerriemschneider, Berlin Literature Burkhard Reimschneider (ed.), Wolfgang Tillmans, Cologne, 1994 (illustration of another example)
Helmut Newton, 1920-2004 CYBERWOMAN #6 stamped by the artist and numbered 109/500 on the reverse gelatin silver print, unframed image: 33 by 25cm.; 13 by 10in. sheet: 40.5 by 30.5cm.; 16 by 12in. Executed in Hollywood in 2000, this work is number 109 from an edition of 500. Provenance Eyestorm, London ½
Andy Goldsworthy, b. 1956 STACKED SNOW, GRISE FIORD, ELLESMERE ISLAND signed, titled and dated 28 March 1989 on the mount cibachrome print mounted onto card 73 by 99.5cm.; 28.75 by 39.125in. Provenance Acquired directly from the artist by the present owner Literature Exhibition Catalogue, London, Fabian Carlsson Gallery, Touching North. Andy Goldsworthy, 1989, illustration of another example in colour, unpaged
A Modern PGA Match Play Tournament of 1910 Montage, black and white print, limited edition 401/500, signed by Peter Allis; Graeme Baxter-The Ryder Cup 1993, artist's proof colour print; a facsimile print of "The Triumvirate"; Harris after Hubbard and Prades-"Cure-All" and "Leamington", racehorses, a pair of colour reprints (5)
Snaffles-"The Gent in Ratcatcher-I have my man cleanin my 'osses not my breeches", colour print, signed in the margin; after Lionel Edwards-"The Flint and Denbigh, Dale of Clwyd", colour print, published by Eyre and Spottiswood; C Whymper after Douglas Adams-Shooting Scene, sepia print, signed in the margins (3)
*Nicholas II (Emperor of Russia, 1868-1918). A charming group portrait, probably Balmoral, 1896, late albumen print, showing the group of thirteen British and Russian royalty posing for the camera at the foot of the castle steps, including in the back row the future King Edward VII and Princess Maud, in the front row Arthur, Duke of Connaught, Alexendra (wife of Edward VII), and their three daughters, standing to the right Tsar Nicholas II of Russia and seated in the centre his wife Alexandra, the others possibly the Duke of Connaught's daughters Margaret and Patricia and his wife Louise of Prussia, some minor surface marks and scratches, 11 x 20 cm, mounted on card. The occasion of the photograph was probably during the visit of the Tsar and his wife with their first child Olga (not in photo) to Queen Victoria at Balmoral in 1896. (1)
[Gamble, Robert]. Letters from the Mediterranean in 1798 and 1799, Bungay, Charles Brightly, 1799, v + 67 pp., later qtr. cloth boards, some spotting, slim 8vo in 4's. ‘The following letters were written by an Officer on board the Swiftsure, one of the squadron under the command of Admiral Lord Nelson in the Mediterranean, to his father in Suffolk. As they contain an account of the principal transactions of that Squadron during a very interesting period (from May 1798 to July 1799), including the celebrated action in Aboukir Bay, copies have been requested by so many of his friends, that it was thought the best mode of complying with their wishes, to print a few copies for private distribution' [from the prefatory Advertisement]. (1)
Warner (Rev. Richard, of Sway, Hants.). Antiquitates Culinariae; or Curious Tracts Relating to the Culinary Affairs of the Old English, 1st ed., 1791, tinted aquatint frontis., eng. title and double-page tinted aquatint of a Peacock Feast, library stamp to verso of plts., title verso and few pages of text, library bookplates and stamps to endpapers, qtr. sheep, spine rubbed, 4to. Bitting, p.485; Cagle 1049; Maclean, p.149; Oxford, p.120; Vicaire 873. Bitting: ‘John Carter (the draughtsman and architect), prosecuted Warner for pirating in this work, his print of the ‘Peacock Feast,' and got the verdict of £20. The print was therefore torn from all the copies then unsold'. (1)
Sabin (Joseph). A Dictionary of Books Relating to America, from its Discovery to the Present Time, 2 vols., pub. New York, Mini-Print Corp., n.d., c. 1970, orig. cloth, a little rubbed and spines sunned, thick oblong 4to, together with Howes (Wright), U. S. Iana (1650-1950), A Selected Bibliography, New York, 1963, orig. brown cloth, very sl. rubbed, large 8vo, plus Wright (Lyle H.), American Fiction, 1774-1850, 1851-1875 & 1876-1900, together 3 vols., pub. 1965-69, orig. cloth, first two vols. in d.j.s, 8vo, and other American Bibliographical interest (16)
Tooley (R.V.). The Mapping of Australia & The Mapping of America (Holland Press Cartographica, vols. 1 & 2), 2 vols., 1979-80, together with Wheat (James Clements and Brun, Christian F.), Maps and Charts Published in America Before 1800, a Bibliography Revised Edition (Holland Press Cartographica vol. 3), 1978, plus Shirley (Rodney W.), Early Printed Maps of the British Isles, A Bibliography, 1477-1650 (Holland Press Cartographica vol. 5), 1980, b&w plts. and illusts. to each, all orig. cloth in d.j.s, large 8vo, VG, and Evans (Ifor M. & Lawrence, Heather), Christopher Saxton, Elizabethan Map-Maker, 1st ed., pub. Wakefield Historial Publications/Holland Press, 1979, b&w plates, orig. cloth in d.j., 4to, VG, plus others similar, (Chubb, Printed Maps in the Atlases of Great Britain and Ireland 1579-1870, pub. Dawson, 1977, Collectors Guide to the Maps of the African Continent and Southern Africa by R. V. Tooley, 1969, John Cary, Engraver, Map, Chart and Print-Seller and Globe-Maker 1764 to 1835 by Sir Herbert George Fordham, reprinted, Dawsons 1976, & Koeman's Atlantes Neerlandici, vol. IV only, 1970) (9)
*Album. A 19th c. album containing twenty various watercolours and drawings, mainly 19th c., including four pen, ink and watercolour drawings of Persian costume, dated 1865, three Japanese pen, ink and watercolour landscapes with figures, dated 1868, a Japanese woodblock print on crepe paper, a pen, ink and watercolour profile portrait of the Contessa Baldelli by Gilabert, dated Florence, 1860, a late 17th c. pen & brown ink botanical drawing of a posy of flowers, a watercolour view of Sir George Walker's mansion at Madras, 1859, by E. Bredin, 1889, a pencil sketch of two Crimean soldiers by J. D. Luard, a small-format pen, ink and watercolour study of a young beauty by G. Stewart, 1841, a pencil and white chalk study of two putti singing from a book of music, probably early 18th c., etc., all mounted onto thick card leaves in contemp. album, sheet size approx. 255 x 117 mm (10 x 6.75 ins), orig. dark green morocco with decorated pressed metal design inset to each cover, small 4to.. See illustration insode front cover of catalogue. (1)
*Baxter (George). Dogs of St. Bernard (no. 335), 1860, large original colour Baxter print, 420 x 540 mm, together with others including Lake Lucerne, Switzerland (no. 334), The Mountain Stream, Indians Reposing (no. 346), The Bridesmaid, and three more similar, all with water staining, most framed and glazed (7)

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