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315251 Los(e)/Seite
Los 1205
A 19th century carved and burr walnut cased polyphon music box, the hinged cover with marquetry inlaid decoration, the interior with monochrome print, together with a stained mahogany case containing 56 discs. Additional InformationWhen wound it does run although we offer no guarantee of working order, discs are approx 40cm diameter. Light scratches, scuffs and knocks to case.
Los 3045
J L CHAPMAN; colour print, street scene, signed in pencil lower right, and with Fine Art Trade Guild blind stamp lower left, 39.5 x 56cm, with a Donna Cranshaw signed limited edition print of animals in a barn, a small watercolour of Florence, an oil on board of a pipe smoker, indistinctly signed lower left, and two further prints (6). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 3066
EDWIN A. BIRKS; watercolour, coastal scene, signed and dated 1955 lower right, 39 x 48cm, framed and glazed, with a Roland Hilder print (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 3130
DAME ELIZABETH FRINK CH DBE RA (1930-1993); pencil signed limited edition print, ‘Jason and the Golden Fleece’, signed lower right, sheet size approx 72 x 55cm, bears Beaux Arts Gallery label verso, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 3131
AFTER LAURENCE STEPHEN LOWRY RBA RA (1887-1976); two colour prints, 'Man Holding Child' and 'The Meeting Point', 49 x 74cm, both framed and one glazed.Additional InformationThe Meeting Point print is not glazed, both prints with very light toning around the edge of the mount but otherwise ok, both frames heavily scuffed and scratched, The Man Holding a Child frame has additional hinges to the side to allow it to swing out from the wall.
Los 3132
ARTHUR DELANEY; pencil signed limited edition print, 'Wellington Hotel', numbered 438/500, 36 x 49.5cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 3134
ARTHUR DELANEY (1927-1987); pencil signed print, 'Ardwick Empire', 39 x 48cm, with another, also a Bob Richardson signed print (3). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 3135
ARTHUR DELANEY (1927-1987); pencil signed prints depicting Manchester street scenes, a Bob Richardson signed print, Tom Dodson example, etc, also a reproduction album 'Views of The Ancient Buildings in Manchester', prints are mounted but unframed (part af). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 3136
ROBERT (BOB) RICHARDSON (born 1938); pencil signed limited edition print, 'Prestbury Village', with three pencil signed prints by John Seerey-Lester, also a pair of prints depicting stylised squirrels playing snooker (5). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 46
LIU BOLIN (Shandong, 1973)."#1". Hide in the city" series, 2008.C-print on aluminium, copy 6/8. Copy of 2009.With label on the back of the Tagomago gallery, Barcelona.Slight damage in the margins.Sizes: 160 x 100 cm.This photograph belongs to the most emblematic series of the Chinese artist Liu Bolin. "Hidden in the city" consisted of a series of photographed actions in which he mimicked urban environments, as a form of rebellion against the system. The project was conceived after the demolition by the Chinese authorities in 2005 of his and other artists' studios in Suo Jia Cun. This centre was considered the largest congregation of artists in Asia. As an act of silent rebellion, he began this project of physical invisibilisation in the urban context, aimed at drawing attention to the Chinese government's lack of protection for its own artists. Using his own body to paint himself on the landscape of various locations in Beijing, Liu provided a space for the Chinese artist, preserving his social status and highlighting his problematic relationship with the physical environment. In June 2011 Liu created the series "Hidden in New York", in which he incorporated cultural icons of New York.Liu Bolin is a Chinese artist, sculptor and photographer. He received a Bachelor of Fine Arts degree from Shandong University School of Arts, and a Master of Fine Arts degree from the Central Academy of Fine Arts in Beijing in 2001. He has also held numerous exhibitions in various countries. Liu belongs to the generation that came of age in the early 1990s, when China was recovering from the Cultural Revolution and beginning to enjoy rapid economic growth and a relatively stable political scene. Since his first solo shows in 1998, Liu's work has received international recognition. His photographs and sculptures have been exhibited at the Les Rencontres d'Arles photography festival, Dashanzi Art Zone in Beijing (2007), Bertin-Toublanc Galleries in Paris (2007), Klein Sun Gallery in New York (2008), Galerie Paris-Beijing in Paris and Brussels (2013), Boxart in Verona (2008), and the Forma Foundation for Photography in Milan (2010), among others. In 2009, he created the sculpture "Burning Man Obama" in honour of Barack Obama, to celebrate the US President's visit to China. In 2013, Liu designed the visual art for Bon Jovi's What About Now album.
Los 685
A GROUP OF TREEN ITEMS INCLUDING A LIGNUM VITAE POWER HORN (19)19th CenturyComprising; the powder horn in the form of a tooth, 7cm long; two burr maple octagonal cylinder cases one with integral hinges, the other with slide out liner, each 8.5cm wide; a coquilla nut pierced pomander, 6cm long and another rosewood example; a coquilla nut thimble case in the form of an acorn; a lignum vitae mounted corkscrew; three treen spill vases; a games counter shaker, two barrel shaped containers; a lead weighted walnut base, possibly a winder; a lignum vitae turned baluster ornament and a nutmeg grater in the form of an umbrella; a Tunbridge stamp box and another with transfer print of Osborne House; and a pierced carved wood Chinese box with sliding lid
Los 686
A GROUP OF EIGHTEEN TREEN SNUFF BOXES INCLUDING A SCOTTISH MAUCHLINE SYCAMORE BOX (18)19th CenturyComprising; a maple oblong box with foliate gold-plated mount and cartouche, 10cm wide; another maple box with transfer printed lid, 9cm diameter; another French example with transfer print lid; a Scottish Mauchline ware sycamore box, 8cm wide; a rosewood inlaid snuff box in the form of a book, 9cm wide; an inlaid lozenge shaped box; a bent wood example, possibly Dutch, 7.5cm wide; four burr wood boxes with integral hinges, the widest, 10cm; a sycamore box and a beech example; a rosewood example with inlaid four leaf clover and another with sliding lid; and a lacquered snuff box
Los 696
GUCCI- A HORSEBIT 1955 SHOULDER BAG AND A TRAVEL DUFFEL CASE IN BAG (2)With Gucci box and tissue paperHorsebit 1955 bag with original box and tissue paper, Gucci care label within, 25cm x 18cm x 8cm; the travel bag in beige GG print folds down into its own matching carry case, bag measures 64cm x 40cm x 21cm
Los 1249
AN UNUSUAL CARDBOARD RECTANGULAR SPECIMEN BOX AND COVERMid 19th centuryThe cover printed with a titled view, `The Royal Porcelain Works Worcester', the sides with floral prints, the interior with six compartments containing examples of materials used in the manufacture of porcelain and stone china at the Worcester factory, the inside of the lid with a printed explanation and naming `Kerr Binns & Co. Proprietors', 11.5cm wideSome losses around the edges. Base has been glued. The cover with some staining to the print and some wear to the gilding around the border
Los 304
LAWRENCE DAWS (AUSTRALIAN, B. 1927) (3)Burning Train; The Cage; Pacific Eye, a set of threeeach signed ‘LAWRENCE DAWS’, one numbered '23/75', one artist’s proof, one numbered '27/75' (in lower margin)screenprintsthe largest 61 x 61cm(unframed)(3)Condition reportVarious marks and foxing to margins, some creases, mostly to corners or edges, one print has a small tear to the upped edge, approximately 2cm long, remaining in the margin. Most images seem generally ok with most of the above confined to the margins.
Los 307
A COLLECTION OF SIXTEEN 20TH CENTURY PRINTS (16)To include three screenprints, artist's proofs of abstract compositions, the largest 61.5 x 46cm; a screenprint of Metropolitan Wharf skyline, 46.5 x 35cm; a print of an abstract composition, indistinctly signed and inscribed (in margin), 15 x 10cm; a screenprint of abstract design in green and blue, 30.5 x 23cm; and ten prints of various designs, 16.5 x 14cm(16)
Los 203
A rare Liverpool-printed creamware Bidston Hill jug, circa 1789Of ovoid shape with a plain strap handle, printed in black with 'An East View of Liverpool Light House & Signals, on Bidston Hill, 1789', the tower surrounded by 47 numbered flags, above a list with the names of the corresponding ship owners, the reverse with a three-masted ship in full sail, 19cm highFootnotes:The lighthouse at Bidston Hill, one of the highest points on the Wirral, guided ships into the Mersey and the signals alerted those at the docks to which particular merchant's ship was approaching. Slight variations of this print dated 1788 and 1789 were exhibited by the Northern Ceramics Society, Made in Liverpool (1993), pp.120-1, nos.181 and 183. The 1788 example lists 44 flag combinations and the 1789 example 51 combinations. The present example which lists 47, presumably dates from the months in between. A mug in the Harris Museum and Art Gallery is also dated 1789 and signed in the print 'Printed by Joseph Johnson Liverpool'.For further information on this lot please visit Bonhams.com
Los 242
A Battersea enamel plaque, circa 1751Of upright rectangular form, printed in puce with 'Britannia Encouraging the Irish Linen Industry' engraved by Ravenet after a design by James Gwin, the industry represented by Hibernia seated at a loom, in gilt metal frame, 7.8cm x 11.2cm including frameFootnotes:ProvenanceWith Simon Spero, October 1981E and J Handley Collection, illustrated 18th Century English Transfer-Printed Porcelain and Enamels (1991), p.259With Simon Spero, 2000 exhibition, no.43Bunny and Paul Davies CollectionExamples of Battersea enamels bearing this print may have been commissioned by the Duke of Dorset during his second term of office as Viceroy to Ireland in 1750-53. The industry suffered from the imposition of a tax on importations of Irish sail cloth into England in March 1750.For further information on this lot please visit Bonhams.com
Los 250
A Battersea enamel box, circa 1753-56Of rectangular form with gilt metal mounts, the interior of the cover printed in black with a profile portrait of William Augustus, Duke of Cumberland, engraved by Ravenet, the exterior with 'La Promenade', engraved by Robert Hancock, the sides and base with rococo panels, 5.6cm wideFootnotes:ProvenanceBunny and Paul Davies CollectionA very similar box is illustrated by Cyril Cook, The Life and Work of Robert Hancock (1948), item 87. Another example of the rare Duke of Cumberland print is illustrated by Therle and Bernard Hughes, English Painted Enamels (1951), p.18, fig.2 and another in the Schreiber Collection by Egan Mew, Battersea Enamels (1926), fig.3. The companion print depicts Frederick, Prince of Wales.For further information on this lot please visit Bonhams.com
Los 253
A Battersea enamel box, circa 1751-53Of rectangular form with gilt metal mounts, the hinged cover printed in red on the exterior with 'Britannia surrounded by the Arts and Sciences', the interior with a portrait of George II, the base with a lion and cherubs, panels of children representing the arts to the sides, engraved by Ravenet, 6.8cm wideFootnotes:ProvenanceBunny and Paul Davies CollectionA box with the same print on the exterior is illustrated by Egan Mew, Battersea Enamels (1926), fig.25 (left) and two of the prints on the sides are shown at fig.35.For further information on this lot please visit Bonhams.com
Los 256
A rare Liverpool enamel plaque, circa 1780Of upright oval form, printed in dark brown with a portrait of Captain Farmer, probably by Guy Green, titled on a banner below, with original metal frame and hanging loop, 7.2cm high including frameFootnotes:ProvenanceBunny and Paul Davies CollectionCaptain George Farmer was a much admired naval hero killed in battle against the French on 6 October 1779. He went down with his ship HMS Quebec and was so highly praised that a baronetcy was conferred on his eldest son at the request of the Admiralty. The source of the image is a print by John Murphy published by Boydell in 1780 after a painting by Charles Grignion.For further information on this lot please visit Bonhams.com
Los 268
A rare Battersea enamel bottle ticket, circa 1753-56Engraved by Ravenet after a design by James Gwin, printed in puce and lightly overpainted in colours with Venus sleeping, Cupid to one side pulling back the background drapery, titled 'BURGUNDY', 7.3cm wideFootnotes:ProvenanceMort and Moira Lesser Collection, Bonhams, 19 October 2011, lot 13Peter Lole Collection, Bonhams, 5 June 2019, lot 128Bunny and Paul Davies CollectionA similar ticket was sold by Bonhams on 8 June 2005, lot 74 and another is illustrated by Egan Mew, Battersea Enamels (1926), fig 21. A ticket with the same print but titled 'MADEIRA' was in the Mullens Collection. The same design was also used for 'BURGOYNE', 'MULSEAU' and 'W WINE'.For further information on this lot please visit Bonhams.com
Los 274
A South Staffordshire enamel snuff box, an egg-shaped bonbonniere and three patch boxes, later 18th centuryThe rectangular snuff box with a coloured print of figures by ruins, 7cm wide, the egg with flower panels on a turquoise-green ground, 5.3cm, one patch box with a putto representing Music, 5.2cm, and two others with mottos on blue grounds, 4cm, together with a Samson yellow-ground patch box, 4.6cm (6)For further information on this lot please visit Bonhams.com
Los 427
A Chelsea 'Hans Sloane' dish, circa 1755-58Of lobed circular form, painted in characteristic style with a tied bunch of ombrierte asparagus, two further crossed asparagus spears, and a spray of green leaves, with four scattered insects including a moth, caterpillar and two beetles, with a brown line rim, 20.2cm diam, red anchor markFootnotes:ProvenanceBonhams, 20 November 2019, lot 224Robyn Robb CollectionAlthough no source print is known for the asparagus painted on Chelsea wares, tureens in the shape of ties asparagus were also made at the factory and probably copied the same source. A similar dish was sold by Christie's on 31 May 2012, lot 537. Another comparable dish is illustrated by Sally Kevill-Davies, Sir Hans Sloane's Plants on Chelsea Porcelain (2015), pp.134-5, no.36.For further information on this lot please visit Bonhams.com
Los 447
A rare Bow teapot and cover, circa 1756-60The small, globular vessel printed in dark purple with the 'Piper and Woman on Horseback', the same scene repeated on the reverse, the cover printed with two birds in flight, the rims edged in chocolate brown, 9.3cm high (2)Footnotes:ProvenanceAubrey J Toppin CollectionBrenda Dunning CollectionThis very rare print is taken from an engraving by J Aliamet after Nicholas Berghem. This teapot, together with its source print is illustrated by Bernard Watney, Notes on Bow Transfer Printing, ECC Trans, Vol.8, Pt.2 (1972), pl.168, and by Gordon and Sue Guy-Jones, Bow Porcelain, On-glaze Prints and their Sources (2013), p.66.For further information on this lot please visit Bonhams.com
Los 461
A Worcester teabowl and saucer, circa 1755Decorated with the 'Two Geese' pattern, transfer printed in outline and filled in with famille rose enamels, the birds standing beside flowering peonies, saucer 11.8cm diam (2)Footnotes:ProvenanceBrenda Dunning CollectionThe pattern appears to have been copied from a Chinese export design from the Yongzheng period. Worcester used a 'Smokey primitive' print as an outline, in the same manner as the more-popular 'Red Bull' pattern.For further information on this lot please visit Bonhams.com
Los 537
A Flight, Barr and Barr, Worcester cabinet cup and saucer by Thomas Baxter, circa 1815With twin handles and a band of white 'jewels' applied below the everted rim, painted with 'The Bard from Gray', the reverse with a floral panel, the oval panels edged with multi-coloured 'jewels', the blue ground gilt with classical scrollwork, stand 13.8cm diam, printed and script marks referring to Coventry Street address (2)Footnotes:The Bard from Gray is also recorded on a Swansea plate painted by Thomas Baxter and on other pieces of Flight, Barr and Barr. The source appears to be a print 'Relicks of the Welsh Bards' by Edward Jones, published in 1784 and reissued in 1802 and 1808, after a painting by de Loutherbourg.For further information on this lot please visit Bonhams.com
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315251 Los(e)/Seite