315251 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
315251 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
315251 Los(e)/Seite
Los 379
Two section Vienna Kunstgewerbeschule, coloured poster print 'Tanzende Kinder' (Dancing Children) by Helli Fritz, aged 15 years, School of Emmy Zweybruck Prochaska, Vienna, circa 1920, panoramic colour lithograph, printed by the Secession Ges. M. b. H., Wien for the Austrian Junior Red Cross, unframed, a vintage Belgian poster for the Loterie Coloniale and various prints and other pictures Condition:
Los 496
*La Dell (Edwin). The Cricket Match, colour lithograph, published by School Prints, framed and glazed (1)NB: Condition Note - The print is somewhat trimmed to the image, although the inscriptions on the lower edge including the school print inscription, the date 1951, as well as the correct name for the print which is MCC at Lords, by Edwin La Dell. There is a small area of loss to the centre of the right hand margin.
Los 13
*Ravilious (Eric, 1903-1942). A part Wedgwood Persephone dinner service, comprising lidded tureen, dinner plate, 2 sandwich plates plus 2 tea cups and a saucer, in blue and black transfer print, plus 2 sandwich plates and 2 dinner plates in the same pattern but with yellow and black transfer print, together with a pair of Travel Pattern side plates, 17.5 cm diameter (12)
Los 160
*Fabric. A printed cotton chintz bedcover, 1830s, large bedcover pieced in four places, with alternating stripes of rose sprays and acorns, the pattern pink and blue on a brown ground with broken branch pattern, several holes, selvedge to selvedge 64cm (25.25ins), overall size 240 x 259cm (95 x 102ins), together with A piece of block and copper printed cotton, 1840s, white cotton, with block print flower sprig pattern and floral border in maroon, yellow, red, and blue, copper plate circular cartouches in each corner depicting a shepherdess and child with putti, some minor toning, 14 x 150cm (55 x 59ins) (2)
Los 269
*Watercolour Album. An album of original watercolours and drawings, prints and photographs, circa 1838-41, and later, an early Victorian album containing 19 watercolours, and 20+ pencil drawings, including 4 studies of the military costume of officers in the British Army in India (including one cavalry officer), various views in Europe, including France, Switzerland, Italy, Greece, Gibraltar, Sorrento, Staubbach Falls, several botanical studies, a drawing of a doorway at Caius College, Cambridge, a watercolour view of St. Mary Abbots Church, Kensington, dated 1838, a small watercolour view of a British residence in India, circa 1840, inscribed to verso 'Done by G.J.Clarke Sir H. William's & dear Father's house', 3 early salt print photographs (2 portraits and one small view of a house by a river in India), various sizes, a few loose, all edges gilt, contemporary gilt-decorated dark green morocco, heavily worn, with upper cover missing and some loss to spine, rear cover detached, 4to (285 x 230 mm, 11.25 x 9 ins) (1)
Los 29
*HMS Royal George. A treen souvenir carved as a miniature book for the History of the Royal George, with transfer printed decoration 'In Memory of the Royal George Sunk at Spithead August 29, 1782', 10 x 5.5cm, together with a sanguine print by Pollard after Kettle, 1782 of Admiral Kempenfelt and the wreck of the Royal George, 20.5 x 13cm (8 x 5ins), in a modern gilt frame and glazed HMS Royal George sunk at Spithead on 29 August 1782 with the loss of 900 lives including Admiral Kempenfelt. Various attempts were made in 1939 and 1840 to recover items from the wreck including cannons. Gunpowder cylinders caused a great column of water to rise in the air and a circular wave 180 yards in diameter. Woodwork floated to the surface and was collected and made into snuff boxes, books and other souvenirs. (2)
Los 345
*Heaphy (Charles, 1820-1881, after). Thorndon Flat and Part of the City of Wellington, New Zealand, circa 1840s, oil on canvas, unsigned, 62 x 74 cm (24 x 29 ins), contemporary probably totara or rimu burr veneer frame Provenance: Acquired by Dr Charles Arundel Overbury Fox (1886-1971) from Francis Edwards, London, circa 1935. Fox was an English collector of early New Zealand and Pacific works of art; acquired by the current owner's family from the estate of Dr Fox following his death in Birmingham, England, in 1971. Some brief manuscript notes of provenance in Dr Fox's hand and a letter from Rex Nan Kivell of the Redfern Gallery, London, dated 20 May 1959,are offered with the lot. The letter from Rex Nan Kivell suggests a connection with a lithograph Charles Heaphy and says that he has a painting of the same size that is obviously a copy from the lithograph. An early large-scale painting of the harbour and settlement of Wellington in New Zealand. As a composition, this painting is most similar to that engraved byThomas Allom after the drawing by Charles Heaphy entitled 'Part of Lambton Harbour, Port Nicholson, New Zealand; Comprehending about One Third of the Waterfrontage of the Town of Wellington, April, 1841', published for the New Zealand Company in 1842. Unlike the original watercolour of the same scene which has no figures by the flagpole on 'Flagstaff Hill' from where the scene is observed, two groups of three figures have been added into the engraving, one European and five Maori. The flag in the watercolour is that of the New Zealand Company while the lithograph shows a Union Jack. The painting here offered shows many similar characteristics to the watercolour and print and strongly suggests the artist had knowledge of the print. Charles Heaphy was employed by the New Zealand Company as a draughtsman and drew his watercolour in April 1841. He presented the new settlement in a positive light in order to attract new immigrants and investors, showing cows wandering on the beach, the Maori in the foreground welcoming a European, and the gentle hills suggesting suitability for farming. Heaphy is not known to have painted in oils. The painting here has five figures set in two groups by the flagpole, but also shows European and Maori figures, a man in a straw hat facing the viewer possibly being that of the artist. The flag is that of the New Zealand Company and unlike Heaphy's watercolour and the print after it, is shown furled and not blowing in the breeze. There are fewer boats in the harbour in this painting than in Heaphy's version and while there are no cows on the beach there are various figures in front of the Maori settlement. The tide is out and shows a tongue-shaped spit of sand near identical to Heaphy's depiction; the settlements along the far shore and rising chimney smoke below the hills are very similar too. With thanks for the assistance of Dr Oliver Stead of the Alexander Turnbull Library, Wellington, New Zealand. (1)NB. The frame details given in this lot description have been amended from walnut burr.
Los 357
*Brambilla (Ambrogio, active 1582-1599). Cucina per il pasto de Zan Trippu, 1583, engraving on laid paper, trimmed to plate margins, some marks, outer margins strengthened to verso, sheet size 163 x 265 mm (6.4 x 10.4 ins) Rare. An early culinary print depicting the preparation of the wedding feast of Zan Trippu, a character from the commedia dell'arte, and showing the comic characters Burati seated with a pestle and mortar, Zaccagni fondling Ma. balzarina, Zan Zaccagni, Ma. nespola, and M. Gratian. (1)
Los 383
*Leyden (Lucas van, 1489/94-1533). The Flagellation, 1521, copper engraving on laid paper, trimmed to margins, and with very small loss to extreme lower left corner and to top margin, small pinhole to centre of image, inscribed in brown ink to verso P. Mariette, 1652, 117 x 76 mm (4.65 x 3 ins), together with The Baptism of Christ in the Jordan, 1510, copper engraving on laid paper, upper right corner replaced in early good-quality manuscript copy in black ink, some marks and slight damage, trimmed to border line, 141 x 282 mm (5.55 x 7.2 ins), early 19th century ink initials W.S. to verso, mounted on card, plus Portrait of a Young Man with a Skull, 1519, copper engraving on laid paper, laid down on old paper, trimmed partly inside the image, and with some marks and loss to margins, 185 x 142 mm (7.25 x 5.6 ins), and other engravings by Lucas van Leyden, including 2 engravings from The History of Joseph, 1512 (Potiphar's Wife accusing Joseph, & Joseph interpreting Pharao's Dreams), and The Virgin with 2 Angels, all 3 copies in reverse, and The Gentlemen with the Hawk and the Lady, 1508 Bartsch 48 & 40. New Hollstein 48 i/iii. Once in the collection or stock of Pierre Mariette (1596-1657), the first of the dynasty of French engravers, print publishers and dealers. (7)
Los 38
Golfing Legends autographed framed print. 40cm x 22cm print of Wallasey Golf Club, framed and mounted to an overall size of 55cm x 35cm. The print is autographed by golfing legends Tony Jacklin, Justin Leonard, Darren Clarke, Seve Ballesteros, Colin Montgomerie, Bernhard Langer and Ian Poulter. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Los 48
JMW Turner Limited Edition Print. Fine framed example of a print taken from the famous JMW Turner painting Blois c. 1826 - 30. Depicts the Chateau in Blois, originally painted by Turner in watercolours and on display at the Ashmolean Museum in Oxford. The print has a certificate of authenticity signed by Nicholas Penny, Keeper of the Department of Western Art at the Ashmolean in Oxford. The certificate is numbered 2192 of 5000 and declares that the print is a facsimile of the original painting. Print size is approx. 8x6 inches and its been luxuriously mounted and framed to an overall size of 16x14 inches. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Los 94
Vulcan of 50 Sqn print signed by Carl Launchbury the artist. The in-flight fuelling problem and the diversion to Rio de Janeiro and the time in custody before release are documented in the second scan and in additional notes accompanying this print. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Los 633
Isaac Johnson of Woodbridge (British, 1754-1835) Study of Blue Crocus with Butterflies and an Insect by Isaac Johnson of Woodbridge, signed lower right "I Johnson Del. Woodbridge"; an 18th Century Continental watercolour of a bunch of white grapes, watercolour on paper, 30 cm x 19 cm, with another watercolour of a Caterpillar on rice paper; A watercolour of apples and plums and a print of plums; Lt. Reeve (British, 20th Century), Studies of Gibraltar fish, watercolour, inscribed lower right "Reeve Lt. RGA / Gibraltar 1918", 11 x 16cm watercolour, various sizes (7) 14 x 11cm (5 x 4in) Provenance: From the collection of the late Eila Grahame of Claverhouse Grape background quite foxed Johnstone Crocus - rubbed All a little dirty and wtih some discolouraton and foxing.
Los 134
Festival attire - a Star silk chiffon dress by Julien Macdonald, vibrant star and swirl print, jewelled detail; another similar; a silk chiffon jump suit by Traffic People, colourful floral print on yellow ground; a runched silk chiffon multi-coloured dress by Lipsy, part boned bodice; an embroidered silk zipped jacket by Aftershock; etc
Los 231
Mostly used collection from 1947 to 1980 in Schaubek printed album, most spaces filled from 1947 Independence incl 1948 Gandhi set (10r small faults but with RPS cert), 1949 UPU set in presentation folder plus publicity 'black print', 1951 unissued 'Healthy India' set of 3 c.t.o. used, officials incl 1948 Gandhi 1½a brown (SG O150a) used on piece, 1950-51 to 10r and selection of 1971 Refugee Relief opts, also 1954 Forces in Korea to 1r and 1954-65 Forces in Indo-China, condition mostly fine (Few Hundred)
Los 689
1912 1/6t proof in Prussian blue on very thin native paper, a very fine quality print, close to very large margins with pencil annotation in left sheet margin "Proof (1 Penny)", this being the Sterling equivalent face value in 1912, similar to Waterfall 14/17 but unrecorded by him and possibly unique
Los 113
A rare and well preserved Arctic exploration sledge flag for Admiral George Richards KCB, Commander of HMS Assistance in Sir Edward Belcher's expedition of 1852/3/4 in search of HMS Erebus and HMS Terror of Sir John Franklin's Lost Expedition of 1845:, the flag with Admiral Richard's personal heraldry comprising a lamb and flag crest with motto 'Laus Deo' (Praise God) in white silk on a blue reserve, 46cm x77cm, mounted on a glazed frame with inscription,* Notes 'This Banner was carried to the Arctic Regions by Admiral Richards CB. when Commander of HMS Assistance, in Sir E Belcher's Expedition 1852.3.4 in search of the Erebus and Terror, under Sir J Franklin. After wintering at the Head of Wellington Channel in 76°55' N. Lat., it was taken, in the Spring of 1853 to Melville Island and floated on every conspicuous height discovered, and having accomplished near 1000 miles, it was returned to HMS Assistance. Passing a second Winter it was again carried on a Sledge journey down the Channel westward and through Barrow Straits and again returned after a sojourn of 73 days on the Sledge. On reaching England in 1854 it was presented to Mr Barrow. When the late Expedition of 1875 was fitted out under Capt now Sir George Nares KCB it was carried up Smith's Sound and hoisted on Cape Joseph Henry in Lat 83° N. On its return to England it was restored to Mr Barrow who bequeaths it to the family of Adml Richards.together with group of related items comprising an 18ct gold Royal navy Exhibition 1891' fob pendant containing a section of timber from HMS Victory engraved 'Timber from the 'Victory' 1805' and also named 'Admiral Sir George H Richards KCB' to rim, a gilt and enamel badge of Admiral Richard's family crest together with a 19th century wool work of HMS Assistance in the Arctic ice with men rigging sledges to the foreground, 44cm x67cm, a pastel portrait of Admiral Richards seated at a table with a copy of Arctic Regions, 36cm x30cm, two 19th century oval miniature portraits of Naval officers, one possibly of Francis Leopold McClintock (1819-1907), the other of Admiral Richards, a monochrome print of Admiral Richards and a copy of 'Aclands-And-The Sea' .Admiral George Henry Richards was captain of HMS Assistance under the command of Sir Edward Belcher on the Admiralty's last and largest Expedition to search for survivors of Sir John Franklin's Expedition of the Northwest Passage in 1845. In the early winter of 1850 the Assistance and the steam tender Pioneer became frozen in the ice off Northumberland Sound in the Wellington Channel forcing much of the searching to be undertaken by sledge. As sledges were hauled at this time by the men themselves, they were treated in some degree as boats and each sledge named. The idea originated with Captain Horatio Austin who whilst leading a similar search in 1850 intended that sledge flags would "...retain esprit de corps, and a naval atmosphere,..' .The flags were usually the personal badge of the commanding officer who led the team on foot, carrying a gun ahead of the crew for protection. A similar sledge flag for Lieutenant Bedford Pim by Lady Franklin is held in the National Maritime Museum. A sledge flag used by Scott on his first Expedition of 1900-1904 made by his mother hangs in Exeter Cathedral.
Loading...-
315251 Los(e)/Seite