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Los 532

Don Breckon (Contemporary);"Brief Stop" ltd. ed. colour print 412/650, signed 48.5cm x 61cm and Peter Watson "150th Anniversary 1999", Scarborough cricket festival, signed ltd. ed. 63/600, 29cm x (2)

Los 542

Canvas print head and shoulder study of an Eastern boy, 60cm x 49cm in gilt frame

Los 544

C20th textured print on canvas; Study of a Tiger, 64cm x 93cm

Los 546

After Gilbert Wright (1880-1958); 'Preparing for a heavy Stage, colour print, 50cm x 75cm

Los 547

After John King (British C20th); 'The Pytchley 1969' colour print pub. The Sporting Gallery 1970, signed in pencil with remarque, 41cm x 53cm

Los 548

After John Groves (British b.1937); Inspecting The Catch, colour print, 50cm x 75cm

Los 569

Collection of ceramics to include Chinese Famile Rose plate, Kutani vase, other oriental ceramics and blue and white transfer print wares etc (3 boxes)

Los 390

Alan Ingham signed limited edition print “A last look around” 6/600

Los 1024

A pair of Peter Guild Upholstery armchairs, outward scrolling arms, in a floral print, each 85cmW

Los 523

Two framed railway interest prints, together with a black and white photograph and other limited edition print

Los 527

After Henry Charles Heath (1829-1898), political cartoon of Duke of Wellington, 29x20cm, together with 19th century print, administering temperance pledge and one other

Los 529

A watercolour study of a Golden Retriever and cats, 44x40cm, together with a colour print of runner duck and hen, Alan Maling, watercolour study of a Highland cottage, 18x25cm

Los 548

After Orchardson, 'Trouble', print, 75x60cm, together with one other 19th century engraving and a watercolour (3)

Los 560

EB Watts, colour screen print of zebra and colobus monkeys, number 37/200, signed and titled by the artist in pencil, 60x75cm

Los 561

EB Watts, colour screen print of zebra and colobus monkeys, number 35/200, signed and titled by the artist in pencil, 60x75cm

Los 568

A 19th century print after Joshua Reynolds, 'Oliver Goldsmith', Robert Newton sculp. published 1817, 24.5x18cm, in a burr walnut frame

Los 578

Dame Elizabeth Frink (British 1930-1993): Running Man 1980, a print for Amnesty International, 50.5x76cmH

Los 588

David Bomberg, 'Cadeo Corner', limited edition print 70/150, printed in 1983, 84x57cm; together with Eric Gill, Sculpture, supported by the Henry Moore foundation, 84x60cm

Los 596

I Clifford, two 19th century watercolours of river scenes, signed, each 17x53cm, together with a colour print

Los 599

Hayward Gallery poster, together with a print of a bird of paradise, after Barraband, 62x42cm

Los 601

After Lucy A Leavers, 'Dogs Baiting Cat', textured print on canvas, 39x49cm

Los 673

Rebecca Lardner, 'All Tied Up', Limited edition print, signed and numbered 1/35, 28x20cm

Los 701

After Hector Giacomelli (French, 1822-1904), a perch of birds, facsimile print, 36.5x11.5cm

Los 705

'War', 20th century black and white photographic print of an American soldier, the plate 30x25cm

Los 706

A 19th century Japanese woodblock print of geishas in the snow (af), 37x42cm

Los 244

ANTONIO BEATO (1835-1906), Three Photographs of Egypt, albumen prints, c.1870s, unmounted, the temple at Karnak, a step pyramid, (both signed in the negative) with a print of tourists and guides scaling a pyramid (attributed to Beato) all approx. 27cm x 20cm

Los 249

Two Large Vintage Aircraft Photographs, a large vintage gelatin silver print of a Soviet Tupolev Tu-144, apparently taken from another aircraft, probably early 1970s, Soviet wetstamp below '62' in blue crayon verso, print 31.5cm 40cm; with a large,vintage, green-toned carbon print of a seaplane c.1935, print 33cm x 47cm Note: The Tu-144 was the world's first commercial supersonic transport aircraft with its prototype's maiden flight from Zhukovsky Airport on 31 December 1968, two months before the British-French Concorde.The Tu-144 first went supersonic on 5 June 1969, four months before Concorde, and on 26 May 1970 became the world's first commercial transport to exceed Mach 2.

Los 258

28 Vintage Photographs of Muhammad Ali Tour, Nigeria 1971 an album by the Peter Obe Photo Agency Lagos of the 1971 tour, most photographs removed but 14 remaining,13 include Ali, all 15cm x 20.5cm, with 13 loose gelatin silver prints, 10 prints unsigned, probably amateur, approximately 15cm x 20cm, three larger 20.5cm x 25cm, two by Joe Matthew's Press Agency, one by Keystone press agency, and a c-print, Ali with William Davis the tour organiser, with a copy of 'The Wand' Sandoz house magazine 1971, with article about the tour and William Davis organising it. Provenance: From the Estate of William Davis and by descent.

Los 196

Framed Print, The Kings Royal Rifle Corps in marching order, 23 cm x 30 cm

Los 199

Framed Print, 'Like Father Like Son' depicting Field Marshal Lord Roberts of Kandahar and his son Lieutenant FHS Roberts V.C., Lt Roberts was awarded his V.C. posthumously after being killed in action in an attempt to save the guns at the Battle of Colenso, this action is also depicted in the print, 56cm x 71 cm

Los 208

Framed Print of Field Marshal Lord Roberts of Kandahar,'Bobs', 39 cm x 55 cm

Los 219

Framed print, 'Docks at Sebastopol with Ruins of Fort St. Paul', dated June 1856, 47 cm x 33 cm

Los 226

Framed Print, 'The Thin Red Line', depicting the 93rd repelling the Russian cavalry at Balaclava, 70 cm x 34 cm

Los 1079

Utagawa Kuniyoshi (1797-1861) The Ghosts of the Taira Attack Yoshitsune in Daimotsu Bay, woodblock print, signed Ichiyusai Kuniyoshi ga, artist's seal yoshikiri, published by Enshuya Kikobei, Oban triptych (each sheet 37.4 x 25.5cm.), c.1849 - 51NotesThis work depicts the ghosts of the Taira family exacting revenge upon Minamoto Yoshitsune (1159-89) following their brutal defeat during a historic battle at Daimotsu bay. The haunting ghosts of the Taira clan are silhouetted dramatically against a dark sky as they attack Yoshitsune?s ship and the troops can be seen frantically lowering the boat?s sails as the gigantic waves rise up ominously around them. The noh play Funa Benkei [Benkei in the Boat] recounts this episode, which eventually ends well for Yoshitsune and his men due to Yoshitsune?s faithful retainer, the monk Benkei, who offers prayers to the gods of the sea, causing the angry ghosts to disappear, the storm to calm, allowing the ship to continue on its travels. For further reading and additional impressions see Robert Schaap, Heroes and Ghosts, (Amsterdam, 1998), p.101, and Yuriko Iwakiri and Amy Reigle Newland, Kuniyoshi: Japanese Master of Imagined Worlds, (Leiden, 2013), p.61

Los 655

A large 19th century French Sevres style oval serving plate, painted with courting couple by ornate fountain, bleu celeste border with four four oval flower reserves, 55cm wide, impressed and print mark

Los 878

Hiroshige Wood Block print, Travelllers Surprised by Sudden Rain, signed; another Hokusai Katsushika, Prayers for Rain (2)

Los 887

A Chinese woodblock print album, China, Beijing, Rong Bao Zhai, published 1955, Rongbao Zhai Catalogue of Poems, woodblock prints, ink and colour on paper, 31cm. x 21.5 cm, cloth-bound slipcaseNotes: The Shizhuzhai Jianpu, Ten Bamboo Studio Catalogue of Letter Paper, was first printed in late Ming dynasty and is divided into eight categories. A Chinese publisher, Rongbao Zhai was tasked to reprint the book in the first decades of the 1900s, completing the first edition in 1941. In 1952, there was a second republication of around 300 copies. Another example from the 1952 edition is part of the British Museum collection The Beijing Rongbao Zhai Xin Ji Shi Jian Pu was first published in 1951 and reprinted in 1953, 1955, and 1957.

Los 960

Japanese School, a coloured wood block print, Inside the house of Matsuba House, with beauty, 37cm x 24cm

Los 284

CONCERT POSTER, "Jimi Hendrix Experience" concert poster at Green's Playhouse, Glasgow, possible later re-print

Los 730

SNAFFLES, a pencil signed colour hunting print, "Tally - Ho Back" with BIT blind stamp bottom left, 23cm x 38cm

Los 743

SNAFFLES, pencil signed military WWI print "That Far, Far Away Echo", with BIT blind stamp bottom left, 26cm x 34cm

Los 300

AUTOMOBILIA - TERENCE CUNEO, C.V.O., O.B.E., R.G.I., F.G.R.A. (BRITISH, 1907-1996) 'The Grand Brie', colour print, limited edition 454/750, signed lower right, 57cm x 78.5cm, framed and glazed. Condition Report : Good condition; no tears, repairs, foxing or staining; fresh colours. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Los 302

RAILWAYANA - TERENCE CUNEO, C.V.O., O.B.E., R.G.I., F.G.R.A. (BRITISH, 1907-1996) 'South Wales Pullman', colour print, limited edition 258/500, signed lower right, with certificate of authenticity, 49cm x 62cm, framed and glazed. Condition Report : Good condition; no tears, repairs, foxing or staining; fresh colours. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Los 140

A group lot of cookery recipe books and pictures, to include owl print

Los 209

A framed print of Montmartre in Paris together with 2 other prints of a map and the Eiffel Tower

Los 213

A framed and mounted print of "In Doleful Dumps" by the Leighton Brothers

Los 247

A box of mixed artwork, a birdseye view print of Venice, and an oval gilt framed mirror

Los 317

A box of framed prints and artwork plus a loose Elvis Pressley poster or print

Los 5009

Marlene Dumas (geb. 1953) 'Fog of war'. De complete map, met 4 maal digital print en 1 blad met tekst in de originele omslag [1] vier maal digital print, genummerd 77/80, 45 x 30 cm. The complete portfolio, comprising four digital prints in colours, 2006, each signed in pencil, titled, dated, numbered 76/80, with text by the artist, loose (as issued), contained in the original brown card portfolio with printed artist's name and title

Los 5083

Lara Gasparotto (geb. 1989) 'Bain Bleu' [1] foto inkjet print on Hannemuhle Photorag paper, signed on reverse frame, 2013, 3/6, prov. Galerie Stieglitz, Antwerpen, 70 x 50 cm.

Los 5053

Katherina Sieverding (geb. 1944) MATON/F-XI/69/07 c-print, gesign., 2007, 7/30, 29 x 20 cm. [1]

Los 5218

Katherina Sieverding (geb. 1944) 'Weltlinie' [1] pigment print in 6 colors, gesign. r.o., 2001, 50 x 100 cm.

Los 5056

Annelies Strba (geb. 1947) 'Nyima 131' [1] inkjet print on canvas, verso gesigneerd, 2002, herkomst: Galerie Reckermann, Koln, 125 x 185 cm.

Los 5102

Bas Princen (geb. 1975) 'Ringroad Findeq-Ceuta' [1] C-print, verso gesign. op etiket, 2007, 2/12, 51 x 65 cm.

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