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315251 Los(e)/Seite
J TENNYSON; oil on board, river scene with a gentleman and his dog in the foreground, signed lower right, framed and glazed, also a framed and glazed watercolour of a cottage in a country scene, a print "Crossing The Mersey", a print "When Did You Last See Your Father", three prints of Bruges in one frame and an oil on canvas of a horse (6).
Four maritime prints; one entitled "Liverpool 1859, part of Birkenhead the Wirral and Cheshire Coast, 71 x 94cm, one entitled "Mersey Dock Estate Liverpool Alexandra and Langton Docks opened by their R.H.H. The Prince and Princess of Wales 8th September 1881, 59 x 93cm, another example entitled "Eastham (The Richmond of the Mersey), 26 x 42cm, a further print of a maritime scene after E.D. Walker, 33 x 55cm and a pen and ink entitled "The Wallasey Ferry Fleet, past and present", 48 x 59cm, four framed and glazed (5).
A schematic map of the Liverpool Overhead Railway, a facsimile copy of the notice of closure of the railway and a share certificate of the same company all framed and glazed as one, a framed and glazed montage of a half block miniature ships model together with four rope knots, a print of the Titanic completing her sea trials of Belfast and a further print of the Thermopylae leaving port, the largest 55 x 82cm (4).
Eight prints and paintings to include an limited edition print "Duel", signed by the pilot H. Bird Wilson and crew, Sticks Gregory, Mickey Mount etc no.444/525 and some maritime framed prints, and oil on board of the river Derwent signed AT Valmires 1978 (verso) and two admiralty charts one for the Irish Sea Eastern and one for North Wales Holyhead to the Great Orm (8).
PAULINE LIU; mixed media work depicting two opposing shop keepers, "Equitable Labour, and Weight Society", 21 x 25cm, Lankultis; two floral embroideries, 11 x 11cm, a modern portrait miniature of a young lady in dress holding a bunch of flowers, 6 x 8cm, an etching and a Paul Klee print all framed and glazed.
William Ridgway, early 20th century British school, a monochromatic etching, a theatrical performance, signed in pencil to margin, together with an Ackermann engraving, 'The First Carriage, The Ariel', together with two other Mulock polychrome prints and one other comical figural print of golfing interest.
COMMEMORATIVE MEDALS, British Historical Medals, Captain George Farmer, RN (1732-1779), Oval Liverpool Porcelain Portrait Plaque with enamel sepia tinted transfer print, c.1780, his half-length bust three-quarters right holding a sword, named below on ribband, CAPT FARMER, in copper border with suspension loop, 82.5mm x 55mm including loop. The portrait in excellent undamaged condition, the reverse showing faint hairlines, excessively rare. Farmer was a hero of the frigate HMS Quebec and killed in battle against the French off Ushant on 6 October 1779. His conduct was so highly praised that, at the request of the Admiralty, a baronetcy was conferred on his eldest son, aged just 17. Farmer’s career had seen service in the Falkland Islands in 1769, where his ship, HMS Swift was sunk and he was forced to surrender to the Spanish. Acquited of blame he was appointed to HMS Tamar and sailed for the West Indies in 1761 with Horatio Nelson as a midshipman. The plaque is after a portrait by Charles Grignion the Younger, now in the National Portrait Gallery. A much damaged example of the plaque is to be found in the Wolverhampton Arts and Museums Collections (EM308).
A quantity of prints to include France Hilon (b. 1942): A pair of Limited Edition colour etchings depicting coastal views, together with a similar river landscape example by Peter Eastham (b. 1956); Jon Hart Gardey (20th century): River Bridge, Kii Sanchi, Japan, limited edition archival goutelette print, hand signed in pencil, numbered 1/25, blind stamped; After Edvard Munch (1863-1944): The Scream, monochrome screenprint (5)
British George V 1897 Pattern Officers Sword Attributed to P C Graham Newcastle Battalion Northumberland Fusiliers, complete with its brown leather field service scabbard. Fish skin covered grip complete with wire. Hilt has George V monogram. Blade retains much of the original polish. Sanderson Bros & Newbould Ld Sheffield makers mark to the base. Etched panel with cipher and foliage. Complete with its leather hanging frog. Hilt has engraved section with owners details and date Oct 31st 1914. ** A Captain Percy Gordon Graham of the 16th (Newcastle) Battalion Northumberland Fusiliers was killed in action on the 1st day of the Battle of the Somme. At the time of going to print we have not been able to confirm if this is the original owner of this sword.
Tom Phillips CBE RA, British b.1937- "Elgar", "Schumann", "Debussy", "Schoenberg" and "Mozart", from the Composers Suite, 1979/80; screenprints in colours, five, ea. signed and inscribed 'printers proof' or 'PP' and two numbered proofs, in pencil, ea. 68.5x72.5cm (sheet), (5) (unframed) (may be subject to Droit de Suite) Provenance: from the private collection Chris Prater OBE the founder of Kelpra Studio, London CONDITION REPORT: ea sheet with some slight handling grubbiness around the edges of the sheets, most predominant on the top edge of the Schumann print, does not affect the plate, slight discolouration around the edges Mozart- sheet has a small tear approx 2cm on the bottom edge of the sheet Debussy inscribed and numbered printers proof I/III Schoenberg inscribed and numbered PP III/III otherwise overall in good original condition
After Andy Warhol, American 1928-1987- "Soup Cans", published by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting ten Campbell soup cans in different flavours, ea. stamped in blue to the reverse, ea. 89x58.5cm, (10) (unframed) Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of ten prints and individual certificates of authenticity for each print CONDITION REPORT: in good original condition with no visible signs of damage or defect
After Andy Warhol, American 1928-1987- "Mao", published by Sunday B Morning; screenprints on museum board paper, suite of five images depicting Mao in various colour combinations, ea. stamped in blue to the reverse, ea. 85x75cm, (5) (unframed) Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of five prints and individual certificates of authenticity for each print

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315251 Los(e)/Seite