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Five maritime pictures comprising R Pearce acrylic on board sailing ship (30 x 45cm), P Shipsides maritime watercolour sailing ship being towed by a steam tug, signed lower left (28 x 38cm), M Spooner watercolour Cromwell's Castle Tresco, Isles of Scilly (27 x 37cm) John Gibb signed print and a watercolour of T.T.S Lord Nelson by Dyke
Simon Fisher signed print of the Titanic, entitled 'By Dawn's Early Light', limited edition number 343 of 850, signed 'S.W.Fisher' lower right, signed 'Millvina Dean' and numbered lower left. Together with certificate of authenticity. Framed and glazed. 63cm x 58cm. Millvina Dean was the youngest survivor of the sinking of the Titanic.
Signed limited contemporary print, of an owl perched beneath a starry night sky. Indistinctly signed 'Jorg…' and numbered 1 of 50 to border. Framed and glazed. 13cm x 15cm. Together with another limited edition print by the same artist, of a bird. Numbered 3 of 50 and signed in pencil. (2)
Eight various prints and artworks to include a pair of Victorian Shakespeare-related prints, 'Mr Phelps as Coriolanus' number 70, 'Mr Marston as Prince Henry' number 49, both London published by J Redington, 73 Hoxton Street, both in bird's-eye maple-effect frames, both glazed, a print of a gentleman trapped in a tree with comic verse to the bottom, a print 'Australia News from Home', an advertising print for the film 'Cover Girl' starring Rita Hayworth and Gene Kelly, 11 x 20cm, a hunting print initialled EE & RC, unattributed; in the Oriental style, a pair of birds in cherry blossom tree, 17 x 25cm and a vintage machine embroidery on satin of a young woman gleaning in the fields with church in the background, in an ornamental gilded frame, all framed and glazed (8).
MARGARET HALL; an oil 'Liverpool Customs House and Albert Dock 1841', a coastal scene of fishing village and harbour by the same hand, both framed, unattributed; a watercolour of a 19th century harbour with church and buildings in the background, sailing ships in the foreground, framed and glazed and Esterel Beauchamp; a signed print 'The Axe and Compass' (5).
UNATTRIBUTED; a pair of oils, idyllic country scenes, 28 x 43cm, Henry G Walker; a pair of original etchings 'Lynmouth Beach' and 'Babbacombe Beach', a large decorative print of two 19th century ladies at leisure and Neil Wharton; a signed limited edition print, 'Liverpool Waterfront', no.64/500, all framed and glazed (7).
AFTER DAVID SHEPHERD; a print 'The Battle of Sidi Rezegh - 21st November 1941', inscribed 'Presented to SI (Northern Man) Taylor 'J' Sidi Rezegh Battery RHA' verso, with dedications from his troop and persons from the barracks, 34 x 63cm. CONDITION REPORT From the collection of Melvin 'Tankman' Cordwell.
Various cased and uncased cameras to include a Zeiss Ikon, a Toshiba flash, a Super-Takumar 1.2/55 lens, various flash bulbs, a cine camera, a boxed Aramec print dryer/glazer with glazing sheet, various Kodak photomechanical boxed films, a quantity of mainly domestic black and white photographs and a quantity of Patterson film developing equipment (5).
Frank Gottsmann (geb. 1956 in Klein Machnow) "Ausblick" Grafik - Farbsiebdruck auf dünnem Karton, Blatt 49,5 cm x 60 cm, rechts unten handsigniert und datiert 89, links unten Nr. 7/12, mittig unten bezeichnet Frank Gottsmann (born 1956 in Klein Machnow) "Ausblick" graphic - color screen print on thin cardboard, sheet 49.5 cm x 60 cm, handsigned and dated 89 at the lower right, number 7/12 at the lower left, inscribed at the lower center
Konvolut Grafik verschiedene Künstler 5 Grafiken 1) Ellen FUHR (1958-2017), Lithografie, Blattmaß 54 cm x 79 cm, rechts unten handsigniert und datiert 89, Nr. 8/30, mittig mit Widmung, 2) Ellen FUHR (1958-2017), Radierung, Plattenmaß 64,5 cm x 49 cm,rechts unten handsigniert und datiert 83, links unten bezeichnet (Fensterausblicke), Nr. 8/10, 3)Johannes HEISIG (1953), Lithografie, Blattmaß 53 cm x 70 cm, rechts unten handsigniert und datiert 89, links unten bezeichnet (zur französischen Revolution), 4) Anke FEUCHTENBERGER (1963), Siebdruck, Blattmaß 61 cm x 42,5 cm, rechts unten handsigniert, Nr. 21/83 5) Klaus KILLISCH (1959), Siebdruck, 30 cm x 60 cm, rechts unten handsigniert und datiert 2013, mittig bezeichnet (Sphinx), Nr. 9/21 A bundle of graphics various artists 5 graphics 1) Ellen FUHR (1958-2017), lithography, sheet size 54 cm x 79 cm, handsigned and dated at the lower right 89, number 8/30, at the center with dedication, 2) Ellen FUHR (1958-2017), etching, plate size 64.5 cm x 49 cm, handsigned and dated at the lower right 83, inscribed at the lower left (Fensterausblicke), number 8/10, 3) Johannes HEISIG (1953), lithography, sheet size 53 cm x 70 cm, handsigned and dated at the lower right 89, inscribed at the lower left (zur französischen Revolution), 4) Anke FEUCHTENBERGER (1963), screen print, sheet size 61 cm x 42.5 cm, handsigned at the lower right, number 21/83 5) Klaus KILLISCH (1959), screen print, 30 cm x 60 cm, handsigned and dated 2013 at the lower right, inscribed at the center (Sphinx), number 9/21
Horst ZICKELBEIN (1926) "Mappenwerk zu Ovid- Liebeselegien" 8. Druck der Kabinettpresse Berlin 1967. mit 7 original Lithografien 50,5 cm x 37,5 cm Horst ZICKELBEIN (1926) "Mappenwerk zu Ovid - Liebeselegien" 8. print of the Kabinettpresse Berlin 1967. with 7 original lithographies 50.5 cm x 37.5 cm
Ulrich KNISPEL (1911-1978) "Mädchen mit Feder" (1947) Grafik - Holzschnitt, Sichtmaß: 63,5 cm x 50,5 cm, das Blatt minimal wellig, unten rechts handsigniert, datiert 47, links unten bezeichnet, vermutlich unikater Druck Ulrich KNISPEL (1911-1978) "Mädchen mit Feder" (1947) graphic - woodcut, visible dimensions: 63.5 cm x 50.5 cm, the sheet is slightly wavy, handsigned at the lower right, dated 47, inscribed at the lower left, probably unique print
Antoni TAPIES (1923-2012) "Silenzi" Grafik - Farbsiebdruck auf Bütten, 56,7 cm x 76 cm, Nr. 31/100, rechts unten handsigniert, verso bezeichnet und datiert 70 Antoni TAPIES (1923-2012) "Silenzi" graphic - color screen print on laid paper, 56.7 cm x 76 cm, number 31/100, handsigned at the lower right, inscribed and dated 70 on the backside
Giovanni Antonio CANAL (1697-1768) "La Piera del Bando V " Grafik - Radierung (Reichsdruck), Plattenmaß 15,5 cm x 21,5 cm,Blattmaß 27 cm x 36,5 cm, links unten signiert, mittig unten bezeichnet, mit Trockenstempel - Reichsdruck Giovanni Antonio CANAL (1697-1768) "La Piera del Bando V" graphic - etching (imperial print), plate size 15.5 cm x 21.5 cm, sheet size 27 cm x 36.5 cm, signed at the lower left, inscribed at the lower center, with dry stamp - imperial print
Friedensreich Hundertwasser und Ernst Fuchs und Arnulf RainerPintorarium, Gründungsmanifest, 1959Wasserfarbe auf Offsetdruck; gerahmt, 42 x 117 cm (Rahmen-Ausschn.) Friedensreich Hundertwasser und Ernst Fuchs und Arnulf Rainer, „"Pintorarium, Gründungsmanifest"“1959watercolour on offset print; framed42 x 117 cm (cut-out)
Andy WarholMercedes-Benz W 125, 2008Original Farbserigrafie (Siebdruck/24-26 Farben) auf Feinpapier (Maschinenbütten); ungerahmt, 85,4 x 68,8 cm Andy Warhol*„Mercedes-Benz W 125“edition year 2008original coloured serigraph (screen print-24-26 colours) on fine paper; unframed85.4 x 68.8 cm
Alfred HrdlickaDie Nachtwache, 1968Ätzung, Kaltnadel, Stichel, Roulette, Polierstahl, Mezzotinto, Mezzotinto geschabt und Schmirgelpapier auf Kupfer; Farbdruck von einer Platte, 63 x 90 cm (Blattmaß); 49,5 x 59 cm (Darstellung) Alfred Hrdlicka*„The Night Watch“1968etching, dry point, burin, roulette, polishing steel, mezzotint, mezzotint scraped and emery paper on copper; coloured print63 x 90 cm (sheet); 49.5 x 59 cm (depiction)

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