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315264 Los(e)/Seite
Los 690
India - Scene Upon the Eastern Road from Rangoon looking towards the South 1825 Print and View of the Great Pagoda and Adjacent Scenery taken on the Eastern road from Rangoon 1825 Print by Kingsbury & Co, drawn by J. Moore & engraved by G. Hunt. Hand coloured aquatints from Liuet. Joseph Moore's Eighteen Views Taken at & Near Rangoon, 1825. The British were at war with Burma 1824-1826. Rangoon was captured on May 11, 1824 & a Peace Treaty was signed in 1826. Both framed measures 58x50cm approx. (2)
Los 691
India - Torre Futtapoor, a Fort in Bundelcund 1799 Print - aquatint with etching, coloured, published by Thomas Anburey Jan 1st 1799, from Hindoostan Scenery consisting of Twelve Select Views in India by Francis Jukes and Thomas Anburey. Depicts a hill fort in Madhya Pradesh with temple below. Framed measures 71x57cm approx. (cracked glass to frame)
![India - The Burial Place of a Peer Zada, Anopther 1803 Print - by Colonel Ward. [F.S] Pinxt hand coloured aquatint from Twent](https://cdn.globalauctionplatform.com/b9362f8d-8f20-4731-a048-a96800f6be30/1db1907f-c382-42c9-bd7a-c7d1105c12db/468x382.jpg)
Los 693
India - The Burial Place of a Peer Zada, Anopther 1803 Print - by Colonel Ward. [F.S] Pinxt hand coloured aquatint from Twenty-four Views in Hindoostan, published Jan 1st 1803 by Edw. Orme, paper watermarked E & P 1801. Colonel Ward, a skilled amateur artist and member of the Madras Army, originally drew the sketches that Orme reworked for Views of Hindoostan. Framed measures 66x55cm approx.
Los 696
India - The Bridge at Juonpore, Bengal 1804 Print - hand coloured aquatint by T. Daniel & F.S. Ward, published July 21st 1804 by Edw. Orme, paper watermarked J, Whatman, depicting the 16th Century ridge crossing the Gomti River at Jaunpar. In 1803 Francis Blagdon said the following about this bridge 'The sound principles upon which it was built are evident from its having withstood, for such a length of time, the force of the stream, which in the rainy season is very considerable. The inundations have frequently been known to rise even above the bridge, insomuch that in the year 1774, a whole bridge of British Forces passed over it in boats', framed 61x51cm approx.
Los 700
India - Approach of the Monsoon, Bombay Harbour 1826 Print - by William Westall A.R.A., uncoloured aquatint, engraved by T. Fielding, published R. Ackermann, London 1826. From Robert Melville Grindlay's Scenery, Costumes and Architecture Chiefly on the Western side of India, with mount measures 47x41cm approx.
Los 736
Prince Victor Duleep Singh Print - An extremely rare litho-print of the eldest son of Maharajah Duleep Singh, with the title 'Prince Duleep - a cadet at Sandhurst who is a candidate for the blues'. The litho ridicules Prince Victor Duleep with a speech mark 'I should like to go in the Blue as they don't often go on active service. Besides my father is very likely to get up a rebellion in India and it would be rather awkward to have to fight against him.' Maharaja Duleep Singh in 1887 rebelled against the British Government and attempted to head to India and create a rebellion with the help of the French, the Irish and the Russians. The litho-print is ridiculing of his actions using his son who was had come in the bottom of the list at Sandhurst. Measures 28cms x 22cms.
Los 534
NAPOLEONIC PRINTS: 11 mounted, glazed and framed prints: Allied army crossing the Rhine to invade France, 1813; Portrait of Napoleon, in full uniform; Bataille de Wagram, Paris, Agustoni et cie.1830 (Certified in print); Grand entry of the Allied into Paris, 31 March, 1813 (Bowyer); Pursuit of the French through Leipsic, 19 Oct. 1813, (Bowyer); Landing of British troops in Egypt, 1801, 1815; Lucien Bonaparte; 1815 (old Portrait); Burning of Moscow, 1812; Bataille de Bassano, 1796; Charleroi, 1815; Bataille D'Abensberg, 1809. The first eight are hand-coloured. (11)
Los 216
Two Liverpool delftware tiles c.1757-61, printed in black by John Sadler, one with a Tithe Pig scene of a young couple offering an infant to a corpulent clergyman, signed 'J Sadler Liverp.', the other after Lancret's Winter, a gentleman in a fur-lined hat tying the ice skate of a young lady seated on a tree stump, signed 'J Sadler', 12.8cm. (2) The Tithe Pig print is from an engraving by J S Müller after Boitard. The other print is adapted from de Larmessin's engraving after Lancret. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B6-1 and B3-12. The former with a paper label for the Harriet Carlton Goldweitz Collection.
Los 247
A creamware bowl late 18th/early 19th century, printed in Liverpool, the well with a three-masted ship at sail, with additional colouring, the exterior in black with an eight line inscription between prints of Neptune and Venus flanking figures dancing to a fiddle, some restoration, 20cm dia. The print of the dancers is similar to a Sadler & Green print seen on Liverpool delftware tiles of c.1760.
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315264 Los(e)/Seite