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Modern watercolour " K & A canal at Duraghfield " title verso unsigned 35 x 45 framed and glazed and Stephen Oliver ltd ed. Colour print. "Dinas" signed on mount no 45/50. 35 x 27 framed and glazed. After Greenwood artists proof colour print "Dawn Mist" 29 x 29 framed and glazed . And another ltd ed print Ready for the Barn 44/200 signed by the artist.24 x 18 Framed and glazed.
After GD Giles, (1831-1887) black and white prints, a pair, "The Cheshire 1904", signed and titled on mount by the artist in pencil, published privately by the artist, 37 x 51cm framed and glazed, & After Michael Lyne, Limited Edition colour print, "The Muddy Gateway", signed in pencil on mount, no 84 of 399
Large black and white print after SE Waller, dated 1879, signed and dedicated in pencil on mount, " I am delighted to find a copy of this picture passing into the possession of a descendent of the owner of Burford Prior, S E Waller"; and a black and white engraving APOLLO, framed and glazed, and a print of Venice. All with wear, and needing a clean ; and a Peter Scott print. a/f; and an unframed oil
John Lennon interest. Imagine LP ( PAS 10004 ), with poster and postcard. Borrowed Time 7" single (2). Three first edition books written by John Lennon, John Lennon In His Own Write. A Spaniard In The Works. Sky Writing By Word Of Mouth. John Lennon framed print , framed Newspaper cover and T-shirt.
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual very light toning to page edges; a couple of very tiny nicks to extreme page edges; one small patch of discolouration to fore-edge; one tiny fragment of material attached to p.101; occasional light creases to page corners; gift & owner inscription on front free endpaper, 'To Katie, on our holiday in Clachtoll 1998. Love from Mum & Dad' (see provenance below); binding tight and solid with very faint shelf-lean; boards bold and vibrant; some very faint lifting to the laminate in places; light wear to headcaps/corners; creasing to lower board; a couple of light bumps to edges. The author's debut novel and first in the Harry Potter series. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries - this being one of the more desirable 200Provenance: The vendor has kindly provided the following account of the book's history:'The Philosopher's Stone was purchased when our three children were quite young. We used to go on holiday to a campsite in Clachtoll in the North West Highlands of Scotland and bedtime reading was meant to be exciting after what may have been a typical summer's dreich day. This book was bought in the local Achins bookshop, the most remote bookshop in mainland Scotland, on a wet and windy day from the sale bin for 50p which perhaps reflected the slow initial uptake. However, they looked forward to the new book every year and Harry Potter became a source of amazement and fascination each holiday on the campsite in Clachtoll. The girls are now aged 27, 29 and 30 and are, thankfully, still regular visitors to the west coast and Highlands. Hopefully one day they will introduce their children to Harry Potter on those stormy west-coast days.'
Rowling, J. K. Harry Potter and the Chamber of Secrets, first edition, first issue, London: Bloomsbury, 1998, hardback, publisher's pictorial boards complete with dust-jacket, print line reads '10 9 8 7 6 5 4 3 2 1'. Signed by the author in bold blue ink on front free endpaper, 'To Adele (again!) with best wishes, J K Rowling'. Contents very good, clean, bright; binding tight and square; covers clean and vibrant; dust-jacket well-preserved with slight fading to spine. An excellent copy. The second novel in the Harry Potter seriesProvenance: Please refer to the second issue Philosopher's Stone in this Harry Potter Auction [Lot 9], which was signed during the same event (Edinburgh Book Festival, 1998)
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents generally good, clean, bright with usual light toning to page edges; some pale spotting to opening and closing leaves; some light creases and a neat owner inscription on half title; top of title page trimmed to remove an owner inscription (small loop of ink still present); remnants of a piece of tape on inner rear cover; binding quite tight and square with some light creasing to corners of covers and along spine; remnants of sticker on upper cover; light bumping/wear to corners/headcaps; slight splitting to one joint at base of spine
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good and clean; usual light toning to page edges; a few pages with light fold-lines at corners; loss to lower corner of p.17 (not affecting text); a short tear to lower edge of p.46 (through text); light handling marks to lower corner of p.13; several tiny purple ink spots at top of text-block, just coming into extreme edge of closing pages/endpapers; binding well-preserved, tight, solid; publisher's original laminate entirely present; some faint marks/scratches to laminate in places; light wear to corners/edges; light shelf-lean and very slight discolouration to spine; blank Hampshire County Council School Library Service label on front free endpaper, and Hampshire County Library stamp to copyright page. The author's debut novel and first in the Harry Potter series. Very scarce. One of only 500 copies, 300 of which were sent to libraries and schools
Rowling, J. K. Harry Potter and the Chamber of Secrets, first edition, first issue, London: Bloomsbury, 1998, hardback, publisher's pictorial boards complete with dust-jacket, print line reads '10 9 8 7 6 5 4 3 2 1'. Signed by the author in black ink on dedication page, 'To Jill, who very spookily gave me a beautiful card with something from Book Four on it! With many thanks, J K Rowling'. The book includes a loosely-inserted sealed envelope relating to the inscription (see provenance below), 'sealed 22.2.99'. Contents very good, clean, bright; very slight knock to extreme edges of a few pages with one incredibly faint red mark to fore-edge; one very short tear to extreme edge of p.125; a few very faint creases to opening leaves; binding with very slight shelf-lean; covers clean and vibrant; two pronounced bumps/splits to edge of upper board; dust-jacket clean and bright with some very faint bumps and marks. The second novel in the Harry Potter series Provenance: Vendor's mother was a teacher who had been enjoying reading Harry Potter and the Philosopher's Stone with her class at Dunblane Primary School. In February 1999, Rowling visited the school, signed books and answered questions. The vendor has kindly provided the following statement: 'My mum had arranged with a couple of other members of staff to take JK Rowling for lunch at the café in the High Street in Dunblane and asked them if they minded if I could come along too. I was 11 years old at the time, and a huge Harry Potter fan. The other staff were quite happy, and my mum was able to pick me up from my school a couple of miles away and we all arrived at the café. JK Rowling sat beside me and the two of us had a good chat. She was really lovely. I had brought a card which I had made for JK Rowling, and also my copy of Chamber of Secrets which I was hoping that JK Rowling would sign. Amazingly, she said that I had drawn a creature from Book 4 on the front of the card! She asked me not to tell anyone because it was a secret. Book 4 was not due to be released for more than a year as I remember. I never told anyone what the creature was, although now I can reveal that it was a mermaid shaped liked a ‘J’ for Joanne. JK Rowling then signed my book with that amazing inscription. That night, I wrote the name of the creature on a piece of paper (and maybe other things – I can’t remember now) and, without letting anyone see it, placed it in an envelope. My mum and I signed and sealed the envelope just for fun and and I used it thereafter as a bookmark. I never imagined that the book would ever be worth anything and I lent it to a couple of friends after finishing it. Now I want to move house and have decided to sell my precious book. I would be happy to write about my lunch with JKR for the buyer and answer any questions s/he may have. I hope it gives them as much pleasure and excitement as it has given me.'
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents with pale dampstaining and spotting; cockling to pages and covers; gift inscription with cartoon on half title; some fading and creasing along spine, covers otherwise bold and vibrant; bumping and light creasing around corners/headcaps, light wear to extremities
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual toning to page edges; binding solid with shelf-lean, light bumps/wear to corners and some splitting to joints near top and bottom; lacking laminate on upper board and top section of spine; slight fading to spine. The author's debut novel and first in the Harry Potter series. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries - this being one of the more desirable 200
Rowling, J. K. Harry Potter and the Philosopher's Stone, first issue, London: Ted Smart, The Book People Ltd., 1998, hardback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'. Contents very good, clean, bright; tiny chip to fore-edge; binding tight and solid, appears unread; boards bold and vibrant; very faint bumping to corners and edges of joints, one tiny knock to edge of upper board; dust-jacket with fading to spine, very light bumps/creases along extremities, corners slightly bumped with very faint wear
Rowling, J. K. Harry Potter and the Chamber of Secrets, first edition, first issue, London: Bloomsbury, 1998, hardback, publisher's pictorial boards complete with dust-jacket, print line reads '10 9 8 7 6 5 4 3 2 1'. Contents good, clean, bright; a small ink mark at top edge of text-block; binding good and solid, vibrant, slight shelf-lean, light wear at extreme corners; dust-jacket bumped and worn along edges. The second novel in the Harry Potter series
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents generally good, clean, bright with light fold-lines to page corners and the occasional short nick; front free endpaper and half title loosened along lower half but remaining strongly attached; p.74 loosening slightly at the top; red scribble on p.114; final leaf of text loosened along gutter at bottom; binding bold and vibrant, lacking laminate, wear/loss to headcaps/corners/edges, the spine reinforced with clear tape; slight loss to bottom of front pastedown, evidence of a removed label on ffep with barcode sticker for 'NESLS' (vendor purchased the book from a local library in Aberdeenshire and believes this to be North East Scotland Library Service), reference number in ballpoint pen on copyright page. The author's debut novel and first in the Harry Potter series. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents generally good and bright with usual light toning to page edges; pale spots and marks to first few leaves and final few leaves; occasional fold-lines to page corners; page corners lightly bumped and worn; pale spots to edges of text-block; a very short tear with slight loss at extreme edge of p.86; evidence of restoration to wrappers and laminate, which is most apparent at the corners and along the lower edge of front cover (purchased by vendor without history of restoration); light wear to extremities, light splitting to joints at bottom of spine. Together with three novelty items: a "platform 9 3/4 ticket", a sealed "acceptance letter", and a "Marauder's Map"
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents with prominent dampstain centrally through top and bottom; very pale spotting; light fold-lines to page corners; lacking half title; library stamp on title with faint, erased pencil inscriptions; verso of final leaf with small ink inscription and ink on corner; covers and spine with creasing and marks; some wear around edges/headcaps; slight loss to laminate; old library tape around lower section of spine
Rowling, J. K. Harry Potter and the Chamber of Secrets, first edition, first issue, London: Bloomsbury, 1998, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'. Very well-preserved, clean, bright (appears unread); slight discolouration to spine, some very faint little knocks/creases to extreme edges/corners; a few marks to edges of text-block
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents generally good, clean, bright with usual light toning to page edges; a few light spots to opening and closing leaves and inner rear cover; small nick to edge of half title, short tear to edge of final leaf; school prize label on inside cover, printed ownership label on half title; corners of text-block lightly bumped; a few pencil marks to edges of text-block; covers bold and vibrant, slight discolouration to spine; light handling creases to upper and lower covers and along spine, more pronounced at corners/edges; laminate lifting at side of upper cover; faint shelf-lean
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual very faint toning to page edges; binding tight and solid, faint creases to covers but generally appears unread; a couple of very faint marks to inner covers; two tiny nicks at extreme edge of half title; faint creasing to extreme corners of closing few leaves; covers bold and vibrant, only very slight discolouration to spine; light wear to extremities, the corners lightly bumped with very slight loss, very light splitting to joints at bottom of spine; laminate lifting slightly along edges with slight loss at bottom of spine
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual very light toning to page edges; a few nicks to extreme edges of several pages; a couple of light scuffs to fore-edge; an incredibly pale dampstain to the corner of a couple of pages; a few very light creases to page corners; slight chipping/loss to extreme lower edge of opening few leaves; Ravenstone County Primary School stamp on front free endpaper (school closed 1 January 2003); binding tight and solid with very faint shelf-lean; boards bold and vibrant; faint lifting to laminate in a couple of places with very slight loss; a couple of creases to lower board; a couple of light impressions/marks to upper board; light bumping and wear to corners/headcaps. The author's debut novel and first in the Harry Potter series. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries
The Rolling Stones: A Set Of Autographs,1964,a piece of lined paper signed by Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts in blue ballpoint, inscribed best wishes by Keith, with a Gold Leaf cigarette packet inscribed in unknown hand Brian Jones Cig Packet and colour machine-print photo of Brian holding a similar packet, autograph sheet 6 1/4in x 8 1/4in (16cm x 21cm)Footnotes:Provenance:According to information from the vendor, these autographs were obtained on the 12th July 1964 when the Stones appeared at the Queens Hall, Leeds.For further information on this lot please visit Bonhams.com
Richard Hamilton (British, 1922-2011): Swinging London '67,1967-1968,a limited edition print, numbered 319/1000, a collage of news clippings relating to The Rolling Stones, Mick Jagger, and Robert Fraser's arrest and court case, 19 3/4in x 27 3/4in (50.2cm x 70.5cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Iain MacMillan (British, 1938-2006): Pete Townshend of The Who,1960s,a vintage black and white photographic print of Pete Townshend in a studio, accompanied by two contact sheets showing Pete Townshend in various poses, some close-ups, print 12in x 15in (30.5cm x 38cm), (3)Footnotes:Provenance:Property from the Iain Macmillan Collection.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Who / Peter Blake (British, b.1932): Face Dances,1981,no.54 of 300, lithographic print depicting the front cover of the new Who album 'Face Dances', signed by Pete Townshend, Roger Daltrey, John Entwistle, and Kenny Jones of The Who in black inks, as well as various artists who worked on the artwork with Peter Blake including; Peter Blake, Colin Self, Patrick Caulfield, Patrick Procktor, Joe Tilson, David Inshaw, Allen Jones, Howard Hodgkin, and Clive Barker, framed and glazed, the print 11in x 11in (28cm x 28cm), overall 15 1/4in x 11 5/8in (38.7cm x 31.5cm)Footnotes:The Who commissioned Peter Blake to design a cover for their ninth studio album. Rather than create a single piece of art, Blake gathered fifteen other artists to work with him in producing portraits of each member of the group.Provenance:Property of Jim Callaghan who was the security for The Who's tours from 1975-1983. This print was gifted to him at the launch party of the album. The signatures were subsequently obtained at this event.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Who: A Limited Edition souvenir print for The Who's Silver Anniversary,1989,edition no.110 of 150, artwork by Gary Grimshaw, framed, accompanied by a certificate, overall 23in x 33 1/2in (58cm x 85cm)Footnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com
Dennis Morris (British, b.1960): The Sex Pistols on Tour,1977,no.3 of 40, a large black and white Cibachrome print, limited edition, from the S.P.O.T.s tour, framed and glazed, accompanied by a certificate, print 31.9in x 36.9in (81cm x 119cm)Footnotes:Provenance:From the private collection of Harvey GoldsmithThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eric Clapton and Jeff Beck: A Limited Edition Silkscreen Print by Ron Donovan,2010,the edition made for the Together and Apart tour for the UK and Americas throughout February 2010, signed in black ink by Eric Clapton and the artist, edition no.363 of 1050, mounted and framed, accompanied by a certificate, overall 25in x 33in (63.5cm x 84cm)Footnotes:Provenance: From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com
BRIAN DUFFY (BRITISH, 1933-2010): DAVID BOWIE ALADDIN SANE (EYES SHUT),1973, printed later,no.35 of 75, archival pigment print, signed and numbered in ink by the photographer, blindstamped in the margin by the Duffy archive; also signed and dated by Chris Duffy, Archive Administrator on the verso, accompanied by a certificate of authenticity, 21in x 21 1/2in (53.5cm x 54.5cm)Footnotes:Taken by Duffy during the second of 'Five Sessions with David Bowie' – Duffy's most famous photograph dates from 1973 and is the iconic and revolutionary cover of David Bowie's album Aladdin Sane. A shot that became the defining look of Bowie's long career, and has been referred to as the 'Mona Lisa of pop.'- The Duffy Archive.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Vivienne Westwood & Malcolm McLaren: A 'Naked Footballer' T-shirt,circa late 1976,in white jersey with image of US footballer Maurice Spencer to the front printed in blue, pink and greenFootnotes:Provenance:See footnote to Lot 192This design was the second created by Malcolm McLaren in the summer of 1974, as the shop at 430 King's Road transformed from 'Let It Rock', to 'Sex'. With this image, Malcolm intended to tackle the issue of racist fears in society. In an interview with Paul Gorman in 2008, he said: 'A big, bruising handsome naked black footballer would, I thought, if hung in the window, terrify the locals! That is exactly what I wanted to do. This thought provoked me to do just that: print one on a t-shirt.' To Malcolm's satisfaction, there were indeed complaints about the image and persuaded him that the choice of the shop's new name was appropriate. 'Sex is the one thing that scares the English,' he said. 'They are all afraid of that word.'The source of the image was a photograph of Maurice Spencer taken in 1969 and which appeared in a magazine, Beefcake, a copy of which Malcolm bought in New York in late 1973. This T-shirt is a rare version, appearing to be a one-off variant on the original, as printed in 1976/77 by Alex McDowell whilst a student at the Central School of Art and Design. By the time this was printed, the shop had stopped selling this design since it had changed to 'Seditionaries'. McDowell became a part of the Sex Pistols coterie after booking their second gig in November 1975 and becoming Malcolm's T-shirt printer. This design was a particular favourite of Sid Vicious.Bonhams is grateful to fashion consultant Paul Gorman for his assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
Paul Spencer (British): Blur 'British Image 1', Chelsea,1987, printed later,unknown edition, C-type photographic print, framed in Perspex format, 31in x 39 1/2in (79cm x 100cm)Footnotes:Paul Spencer has photographed countless idols of music and silver screen over the past 30 years. His portfolio features many iconic images including Blur's acclaimed first press shoot; 'British Image No.1', as well as The Sex Pistols, Elvis Costello, Morrissey, Siouxsie and the Banshees, and Radiohead, among others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Danny Clinch (American, B.1964): Sting,2001, printed later,no.10 of 250, archival photographic print, depicting Sting in Philadelphia at the Eastern State Penitentiary, signed and dated 2009 in black ink by the photographer, framed and glazed, 20in x 24in (51cm x 61cm)For further information on this lot please visit Bonhams.com
Lawrence Watson (British, 1963): Ian Brown of The Stone Roses,1990s, printed laterno.2 of 25, archival photographic print, signed and numbered by the photographer in black ink, framed and glazed, 15 3/4in x 15 3/4in (40cm x 40cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Kevin Westenberg (American, 1957): Jarvis Cocker, Paris Olympia,1996, printed later,no.6 of 25, archival photographic print, signed and numbered by the photographer in black ink, framed and glazed, 20in x 24in (51cm x 61cm)Footnotes:Jarvis Cocker, frontman of British band Pulp had this image taken for the NME Cover Shoot July, 1996.For further information on this lot please visit Bonhams.com

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315264 Los(e)/Seite