** δ Martin Creed (b.1968)Work No. 223Digital print, 2000, signed and dated in pencil, with the printed title and numbering from the edition of 100, on wove paper, as included in the Cubitt portfolio, published by Cubitt, London, sheet 250 x 210mm (9 4/5 x 8 2/5in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
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δ Tracey Emin (b.1963)I Promise To Love YouDigital print in colours, 2016, signed in silver ink, from the edition of 500, on glossy wove paper, printed and published by Emin International, London, the full sheet printed to the edges, 700 x 500mm (27 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)FigureGiclee print in colours, 2014, signed and numbered from the edition of 150 in pencil verso, on Hahnemuhle paper, published by Oak Tree Fine Press, Fyfield, with margins, sheet 279 x 216mm (11 x 8 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)The SoulsThe deluxe limited edition book comprising a foil block print in colours bound into the book, 2012, signed and numbered from the edition of 100 in white crayon, published by Other Criteria and Paul Stolper, London, cloth covered hardback book, overall 260 x 162mm (10 1/4 x 6 1/2in) (vol)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)H5-8. SavoyDiasec-mounted giclée print in colours on aluminium panel, 2018, signed and numbered from the edition of 100 on an adhesive label verso, published by the Tate Gallery and Heni, London, the full sheet printed to the edges, 900 x 900mm (35 ¼ x 35 ¼in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)H5-2. Beverly HillsDiasec-mounted giclée print in colours on aluminium panel, 2018, signed and numbered from the edition of 100 an adhesive label verso, published by the Tate Gallery and Heni, London, the full sheet printed to the edges, 900 x 900mm (35 ¼ x 35 ¼in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)Goodness (H6-4)Diasec-mounted giclée print on aluminium composite pane, 2019, signed and numbered from the edition of 50 in pencil on a label affixed to the verso, published by Foundation Beyeler, Basel, 1000 x 1000mm (39 3/8 x 39 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Quinn (b.1964)UntitledPigment print in colours with UV varnish, 2004, signed and numbered in pencil from the edition 100 of verso, on wove paper, published by the Irish Museum of Modern Art, Dublin, the full sheet printed to the edges, sheet 355 x 545mm (14 x 21 ½in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)The Honeymoon is OverGiclée print in colours, 2017, numbered from the edition of 250 in pencil, on archival Canson Mi-Teinte paper, with full margins, sheet, 480 x 330mm (18 7/8 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)I Can Resist Everything Except TemptationGiclée print in colours, 2016, signed and numbered from the edition of 250 in pencil, on wove paper, published by the artists with Save the Children, London, with full margins, sheet 370 x 265mm (14 1/2 x 10 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)A Load of Fuss About Fuck All (Green)Giclée print in colours with screenprinted glaze, 2014, signed, dated and numbered from the edition of 50 in pencil, on wove paper, with full margins, sheet 235 x 160mm (9 1/4 x 6 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ The Connor Brothers (b.1968)I Drink Therefore I CanGiclee print in colours, 2019, signed, dated and numbered from the edition of 30 in pencil, on wove paper, published by the artists in support of CALM Charity, London, the full sheet 750 x 500mm (29 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964)In Shadows I Boogie (Blue)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 x 253 x 45mm (13 1/2 x 9 7/8 x 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Jamie Reid (b.1947)God Save the Queen-Never Trust A Punk Giclee print in colours, 2007, signed, titled and numbered from the edition of 100 in pencil, on wove paper, sheet 610 x 780mm (24 x 30 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
JURGEN VOLLMER FROM HAMBURG TO HOLLYWOOD BEATLES GENESIS BOOK. Signed and limited edition No.1182 of this book and photographic print set that covers Jurgen's early work with The Beatles in Hamburg during 1960 through to his later days in Hollywood. Includes an 8"x6" print of The Beatles signed by Jurgen. In very good condition.
DEZO HOFFMAN GLASS NEGATIVES. Two original glass plate photo negatives, depicting images taken by Dezo Hoffman of The Beatles circa 1964. One image depicts the group seated and includes an original photo print of the image. Both plates also come with original tracing cutouts used in production of the final images. Both to measure approx 8 x 10". Both issued with original paper bags with handwritten notes.
DEZO HOFFMAN GLASS NEGATIVES. Two original glass photo negatives, one depicting an image of The Beatles in a theatre circa 1963 (with original photo print), one of the group slightly later holding 'Pan Am' bags, both to measure 8 x 10", both taken by Dezo Hoffman. Both issued in original paper bags with handwritten notes.
DEZO HOFFMAN GLASS NEGATIVES. Two original glass photo negatives, depicting images taken by Dezo Hoffman of The Beatles circa 1964. One (8x10") depicts the group with facsimile signatures positioned on the glass negative beneath the heads, includes original photo print of the finished image. The second measures 5 x 7" and depicts the heads. Both are issued with original paper bags with handwritten notes.
THE BEATLES - BOX SETS AND LET IT BE NAKED. Ace bundle of 2 x LP box set released with the long out of print Let It Be.... Naked. Titles are The Beatles Anthology (set containing all three volumes, PCSP 727/8/9, all Ex+ or 'NM', also with Free As A Bird cassette, paper weight and inserts, housed in outer green box numbered 656), Let It Be... Naked (7243 5 95438 0 2 with 7", 'recordings' on 7", 'recording is' on LP sleeve - all in top Ex+ or 'NM' condition) and From Liverpool - The Beatles Box (8 x LP set, all complete and in Ex+ or 'NM' condition).
Terry De Havilland silver snakeskin and black suede platform shoes with open toe and ankle strap, size 39 (some wear), a pair of red and cream platform soled mules labelled 'Charmon of London', a pair of Ivory Midas Shoes of London wedges, Enzo of Roma Roman-style sandles, snakeskin print, the toe and ankle straps sanke design and another pair of Terry De Havilland stilleto heels with perspex open- toes and gold leather ankle straps (5)
Horrockses Fashions yellow sundress with full skirt, fitted, short sleeves and scoop neck, an ACTIII crimplene skirt suit and matching blouse, a Simpsons of Piccadilly nylon jersey shirt dress with short sleeves, psychedelic print in browns, tans and greens, a cotton red and white striped sun top, an Interfashion silk sleeveless taupe dress, a John Wee orange cotton sundress, a Susie G purple nylon dress, a Miss Selfridge cotton dress with full skirt, button front with tie belt and one other dress (9)
Pat Farrell chiffon party dress, peplum, faux-jet buttons to the back with matching frilled shawl and tie belt, a chiffon Domino-D pale green dress with caped bodice, a 1970's Liberty-style patterned blouse, a Genesis chiffon halterneck evening dress with cape from the bodice and a Fine Feathers Liberty print cotton dress with smocking to the bodice and button detail to the shoulders and cuffs, with belt
Mary Fedden (1915-2012), 'The Tabac Jar', signed and numbered 534/550 and various other modern limited edition prints and posters comprising: Dale Devereux Barker (b. 1962), two screenprints 'Another Day in Paradise', signed, dated '92 and numbered 8/12 and 'Still Life II', signed, dated '92 and numbered 12/20 (both framed but needing attention); John Carter RA (b. 1942), 'Thirds I & II', a set of two abstract screenprints created for the Daedalus Print Club, signed, dated '19 and numbered 12/50 (unframed), another screenprint by Carol Robertson, 'Maya', signed, dated '14 and numbered 12/50 (unframed) and three unframed posters, Marlborough Fine Art Fernando Botero exhibition 1983, John Piper, 'Death in Venice VII' and another (9)

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