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"Dambusters" colour print after Robert Taylor of the attack on the Mohne Dam in Germany by 617 squadron, 16th May 1943, signed by eight veterans who flew on the raid and others including pilots; Arthur Harris. Harrold Martin, Mick Martin, Ken Brown, Joe McCarthy, David Shannon and Bill Townsend, Leonard Cheshire, Leonard Trent, R. Learoyd, Bill Reid, Norman Jackson, pu. by the Military Gallery 1980, 32cm x 47cm Condition Report Click here for further images, condition, auction times & delivery costs
'The Dambusters', Mickey Martin & Guy Gibson attacking The Moehne Dam, May 1943, colour print after Roger Liversay, signed by two members of the 'Dambusters' Wartime Sqd. 40cm x 62cm. The original painting was presented to 617 and now hangs in their Museum at Marham. Condition Report Click here for further images, condition, auction times & delivery costs
'First Combat' from The Battle of Britain Aces Collection, Don Kingaby flying a 266 Sqn. Spitfire severely damages a Ju88 over Spithead on 12 August 1940, ltd.ed. print 698/990 signed Robert Taylor and Don Kingaby, 36cm x 47.5cm Condition Report Click here for further images, condition, auction times & delivery costs
WW2 Cyril Peters signed 12 x 8 colour photo print of painting A Friday in Winter Halifax Friday 13th, He joined the Royal Air Force at Cambridge in 1940 and trained as a pilot in Canada and the United States, On his return to Great Britain he served as an instructor before flying operations as a pilot with 77 Squadron. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Muhammad Ali "The Greatest" 10x10 montage print signed by Joe Frasier, George Foreman and Ken Norton . Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
PJL Targets - Malik - Massoz printed - A set of four 20th century Belgian / Flemish police firing range shooting target posters, each poster featuring an armed man with hand gun in a variety of poses . Posters designed by Malik and printed by Massoz. Print to bottom ' For Law Enforcement Only '
PJL Targets - Malik - Massoz printed - A set of four 20th century Belgian / Flemish police firing range shooting target posters, each poster featuring an armed man with hand gun in a variety of poses . Posters designed by Malik and printed by Massoz. Print to bottom ' For Law Enforcement Only '.
PJL Targets - Malik - Massoz printed - A set of four 20th century Belgian / Flemish police firing range shooting target posters, each poster featuring an armed man with hand gun in a variety of poses . Posters designed by Malik and printed by Massoz. Print to bottom ' For Law Enforcement Only '
Blue Peter - BBC - A rare unique late 1970's studio prop for the BBC television series Blue Peter. The wooden cut-out with applied photographic print of John Noakes and the Border Collie dog ' Shep ' The wooden board with block mount to verso. Measures 135cm x 105cm. Rare piece of television history.
PJL Targets - Malik - Massoz printed - A set of four 20th century Belgian / Flemish police firing range shooting target posters, each poster featuring an armed man with hand gun in a variety of poses . Posters designed by Malik and printed by Massoz. Print to bottom ' For Law Enforcement Only '
Bartolozzi after A Kauffman prints to include "Achillies lamenting the death of Patroclus", Telemachus and Penelope, "Beauty directed by Prudence rejects the solicitations of Folly" (after Delatte), together with a further work after Jost Ammon, two modern prints after F Boucher, a further print after Baroband "L'oieau de paradis rouge", mo.6, two further italianette style prints and a further print of Queen Charlotte (qty)
Georgina Bown SSA (British, B.1965) "Sub-Base 2", mono print, signed to lower right, titled lower left, 1/1 in pencil, artist label stating one off monoprint, label on verso, 60cm x 86cm (Framed 70cm x 96cm). Exhibited: The Royal Society of British Artists, Mall Galleries, London, 2019, ‘Mono-print Masterclass', Bankside Gallery, London, 2018. One-off mono-print of a monstrous submarine from the depths to the land.
CRESTED CHINA - LONDON & MIDDLESEX Twenty-two pieces of Goss china, with crests for Acton (1); Camberwell (1); Chelsea (1); Finsbury (1); Fulham (1); Hornsey (1); Islington (1); Lewisham (1); Shoreditch (1); St. Pancras (1); City of Westminster (1); Willesden (1); Woolwich (1); St. Paul's Cathedral (1); Westminster Abbey (2); Cardinal Wolsey, Built Hampton Court (1); transfer print of The Gardens, Wembley, B.E.E., 1924 (1); Brentford (1); Ealing / Middlesex / H.M. Queen Victoria (1); and Middlesex (2).
AUTOMOBILIA - ROBERT TOMLIN (BRITISH, CONTEMPORARY) 'The 200 Club' [Michael Rutter at the 2004 Nortwest 200 road race], colour print, limited edition 12/201, signed by the artist in pencil lower right, 41cm x 53cm; together with another motorcycle racing print, after a different hand, both framed and glazed, (2).
δ Joseph Beuys (1921-1986)Tram Stop 1976/2007Digital photographic print triptych, 2007, from the original negatives, numbered from the edition of 45 in pencil verso, mounted on board, as included in 'Re-Object, Mythos', printed at Blow up, Munich, published by Edition Schellmann for Kunsthaus Bregenz, Bregenz, sheet 610 x 810mm (24 x 32in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Gerhard Merz (b.1947)Untitled (2007)Digital pigment print in colours, 2007, signed and numbered from the edition of 45 in pencil verso, on transparent foil, in the original folder with text, as included in 'Re-Object, Mythos', printed by Recom, Stuttgart, published by Edition Schellmann for Kunsthaus Bregenz, Bregenz, the full sheet, 810 x 610mm (32 x 24in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Charming Baker (b.1964)Love Is Never Thinking It Might End Before We DoGiclee print in colours with screenprinted varnish, 2011, signed and numbered from the edition of 250 in pencil, on Somerset wove paper, printed and published by Jealous Gallery, London, with full margins, sheet 540 x 550mm (21 1/4 x 21 3/5in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)I Can Resist Everything Except TemptationGiclee print in colours, 2016, signed and numbered from the edition of 250 in pencil, on wove paper, published by the artists with Save the Children, London, with full margins, sheet 370 x 265mm (14 1/2 x 10 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Brice Marden (b.1938)Square (Lewison 38.2)Screenprint in transparent black and black, 1983, signed, titled, dated and numbered from the edition of 32 in pencil, on Japanese handmade Mino Kozo Kizuki paper, printed by Hiroshe Kawanishi at Simca Print Artists, the full sheet, sheet 970 x 737mm (38 1/4 x 29in) (unframed)
δ Julian Opie (b.1958)Walking in Melbourne 1Digital print in colours, 2018, from the edition of an unknown size, on wove paper, co-published by the artist's studio and the National Gallery of Victoria, London and Melbourne, on the occasion of the artist's exhibition 'Julian Opie', with full margins, sheet 353 x 353mm (13 7/8 x 13 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Gilbert and George (b.1943 & 1942)Tag DayGiclee print in colours, 2010, signed and inscribed 'AP' in black ink, an artist's proof aside from the edition of 35, on gloss Epson photographic paper, published by Oak Tree Fine Press, Fyfield, with margins, sheet 370 x 500mm (14 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
University Press Oxford after Edmund Hort New "Firenze" monochrome print in collotype 22.5 x 55cm. Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection included in this auction.
THOMAS DANIELL (1749-1840) 'The Western Entrance of Shere Shah's Fort, Delhi' aquatint, 46cm x 60cm Plate 13 from the first set of Thomas Daniell's 'Oriental Scenery'. The Old Fort or Purana Qila was built by the Afghan ruler Sher Shah after he ascended to the throne in Delhi in 1540. It was raised on the site of the remains of the legendary city of Indraprastha, home of the Pandava heros of the Mahahbharata epic. The western gate along the big ramparts is two-storeyed and is constructed of red and yellow sandstone and white marble and surmounted by small chhatris or kiosks. The remains of a moat which connected with the Jumna river on one side of the Fort are visible in the print.
JULIA MARGARET CAMERON (1815-1879) A RARE AND REMARKABLE SET OF FOUR PHOTOGRAPHS presumably once forming pages from an photograph album, the four large format pages each featuring a single photograph, forming an intact four page booklet, each with a pencil number to the upper corner, the photographs listed below as following the page layout: 'Connor of the Royal Artillery' (Gunner Patrick Connors) with pencil inscription below reading "Winner of the prizes at the Royal Artillery Games, Freshwater" albumen print, 264mm x 206mm 'Julia Jackson looking left downwards', albumen print, 213mm x 166mm 'Mary Hillier and two children', albumen print, 255mm x 198mm 'Julia Jackson profile right', 238mm x 187mm (arched top) Single page dimensions 354mm x 264mm (spread 354mm x 528mm) with string binding still presentProvenance: Frances Byng Stamper and Caroline Byng Lucas, The Ladies of Miller's Caroline Byng Lucas (1886-1967) studied painting and sculpture in London, Paris and Rome during the 1920s and first exhibited works at the Galerie des Jeunes Peintres in Paris in 1928. In the 1930s she studied sculpture under John Skeaping and had solo exhibitions of her paintings at the Lefevre Gallery in 1934 and of her sculptures at the Leicester Galleries in 1939. In 1941, with her older sister Frances Byng Stamper (1882-1968), Byng Lucas established the Millers Gallery in a converted outbuilding at her home in Lewes. The Gallery acted as an arts centre with a programme of exhibitions, concerts and lectures. Although focussed on local artists they also hosted works by Vanessa Bell, Duncan Grant, Robert Colquhoun and Robert MacBryde. Kenneth Clarke was a visitor and E. M. Forster gave readings. The Gallery hosted over 40 exhibitions, which included showing works by Matisse, Cezanne and Pissarro. During the war, John Maynard Keynes, who was establishing the Council for the Encouragement of Music and the Arts at the time, was closely involved with the Gallery. In 1945 the sisters established the Millers Press with the aim of promoting colour lithography. Among the works published were a set of six lithographs by Byng Lucas of Lewes and Brighton. In 1948, in conjunction with the Redfern Gallery, Byng Lucas set up the Society of London Painter-Printers to support artists in producing colour prints. The sisters disbanded the press and gallery in the mid-1950s due to their increasing fraility and died within a few months of each other in 1967. In 1989 the Towner held an exhibition of the work of Byng Lucas and her sister. Both the British Museum and the Victoria and Albert Museum in London hold examples of her prints. Julia Jackson, a niece of Julia Margaret Cameron, who features twice in this group of photographs, was the mother of Virginia Woolf and Vanessa Bell. It is known that both Woolf and Bell owned albums of photographs by Cameron, and given the close links between the Ladies of Miller's and the Bloomsbury Group, it is possible that the pages offered here came from such an album.

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