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Contemporary SchoolPortrait of Sir Edwin Landseer LutyensIncorporating an architectural model for a 'chattri' roof, after the caricature bust made at Lutyens' Indian office in New DelhiDigital print on board 170.5 x 140cm (67 1/8 x 55 1/8in).Together with a similar example depicting Samuel Pepys, and a painted panel version of Sir Edwin Lutyens with a caricature of Sir Terence Conran (3)Footnotes:The relationship between Sir Terence Conran, Sir Edwin Lutyens and Samuel Pepys may not be obvious at first glance, however they all converge (across the centuries) at 85 Fleet Street. The birthplace of Pepys in 1633, the building was re-designed by Lutyens 300 years later for the Press Association and later served as Reuters head office for decades. In 2009, the building was taken over by Sir Terence and his restaurant group and named 'Lutyens' in homage of the architect, with an additional entertaining and events space named after Pepys.For an image of the Lutyens caricature bust see the Royal Institute of British Architects ref no. RIBA3080-37. This was originally provided to Sir Terence by RIBA after the purchase of the building, from which he commissioned artwork inspired by the original.The Samuel Pepys work is most likely based on the portrait by John Hayls at the National Portrait Gallery, ref no. NPG 211.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
* Caricatures. A collection of eight caricatures, 18th & 19th century, etched and engraved social and political caricatures including Williams (Charles). An Irish Leap, or, A Pat reply to a Plain Question..., Thomas Tegg, June 1807, etched caricature with bright contemporary hand colouring, 240 x 340 mm, backed with slightly later paper, together with Irish Binding for a Caricature Magazine, Thomas Tegg, April 15th 1812, etched caricature with bright contemporary hand colouring, slight dust soiling to the margins, 230 x 335 mm, mounted, with Cruikshank (Isaac). A Lilliputian Auction, T. Tegg, circa 1804, etched caricature with bright contemporary hand colouring, slight soiling to the margins, 240 x 340 mm, plus Pettit (J.). A Private Rehearsal of Jane Shore. William Holland, February 1st. 1790, hand-coloured mixed method caricature, slight marginal fraying, staining and spotting, 315 x 445 mm, and Lane (Theodore). Honi Soit Qui Mal Y Pense, G. Humphrey, 1821, uncoloured engraved caricature of a crowd inspecting the most recent caricatures of Queen Caroline outside Humphrey's print shop, laid on linen, toned, water stained and frayed with slight loss, 295 x 425 mm, with Gillray (James). A Peep at Christies; - or - Tally-Ho & his Nimeney-Pimmeney taking the Morning Lounge, H. Humphrey, 1796, etched caricature with contemporary hand colouring, trimmed to neat line, laid on to later card, toned and dust soiled, 350 x 250 mm, with another two caricatures similar (one framed and glazed)QTY: (8)
* De Schlagintweit (Hermann, Adolphe & Robert). Four Topographical views of Tibet and Asia. The Salt lake Tso Mitbál in Pangkóng Tibet, The Salt lake Tso Gam in Eastern Ladák Tibet, The Drift Sands in the Interior of the Sindh S?ger Duáb Pànjáb [and] Alluvial High Ground on the Western Border of the Singh S?ger Duáb Pànjáb, originally published in 'The Results of a Scientific Mission to India and High Asia', F. A . Brockhaus Leipzig, Trübner & Co. London, lithographed by W. Loeillot, Berlin dated 1856 &1857, [published 1866], four lithographs with contemporary hand-colouring, each image tipped onto contemporary card with printed title and description below each print (as published), slight spotting, two prints 320 x 395 mm and two 310 x 470 mm (sheet size)QTY: (4)NOTE:In 1854, on the recommendation of Alexander von Humboldt, the East India Company commissioned the three brothers, Hermann, Adolf, and Robert Schlagintweit to conduct a scientific expedition in the Himalayas especially related to the Earth's magnetic field. Between 1854-1857 they travelled, sometimes in company, sometimes separately, in the Deccan throughout the Himalayas, investigating beyond the frontiers of the company's territory into the region of the Karakorum and Kunlun mountains. Hermann and Robert were the first Europeans to cross the Kunlun, and in honour of this achievement, the former had the title or surname of Sakunlunski bestowed upon him (in 1864). Robert returned to Europe early in 1857; Hermann, after a visit to Nepal, joined him on his homeward journey; but Adolf, who remained to prosecute his explorations in Central Asia, was put to death by the Amir of Kashgar. Hermann and Robert published a four-volume work with an atlas in 1866, which is regarded as one of the finest examples of the lithographic printing of topographical views from the 19th century.
* Gillray (James). Three caricatures, The King of Brobdingnag and Gulliver..., The Pigs Possesssed..., [and] Pacific Overture - or - a Flight from St Clouds over the Water to Charley..., published by John Miller & W. Blackwood, Edinburgh [1824 - 27], three etched caricatures with contemporary hand-colouring, old folds, each print backed with archival tissue, each approximately 315 x 395 mm, good condition, together with Doyle (John. pseud HB). A collection of 27 political caricatures, T. McLean circa 1835, 27 hand-coloured lithographic caricatures, each approximately 280 x 385 mmQTY: (30)
* Hogarth (William, 1697-1764). Hudibras, the full set of 12 plates, circa 1735, twelve uncoloured engraved & etched plates, the second state, published by P. Overton, near St. Dunstans Church in Fleet Street, each print laid on later card, slight staining, some restoration to the image and margins of plate 8, some restoration to the image on plate 9, some restoration to the upper right margin of plate 10, smaller plates 260 x 350 mm, larger plates 265 x 505 mm, uniformly mounted, together with Cruikshank (George). Monstrosities of 1825, Thos. McLean, August 1st 1835 [but slightly later], hand-coloured etching, 255 x 395 mm, mountedQTY: (13)NOTE:Paulson, 73 - 84, state 2. The second state of this work is identifiable by the retention of P. Overton as the publisher but the removal of J. Cooper on the publication line. A few plates show the 'ghosting' where Cooper's name has been removed.
* Vues d'Optique. Six of the Seven Wonders of the World (lacking the Statue of Zeus), circa 1780, six engravings with contemporary hand colouring, titled above the image in French, titles repeated in Latin, French, Italian and German below the image, but lower titles excised and placed on the verso of the prints, each laid on near-contemporary card, each approximately 290 x 415 mm, together with Vue du Pont Notre Dame a Paris, circa 1780, an engraved Vue d'Optique prospect with contemporary hand colouring, 290 x 415 mm, with Veue du Chateau Royal de sans Soucy par Derriere, circa 1780, an engraved Vue d'Optique prospect with contemporary hand colouring, titled above the image in French, title repeated in Latin, French, Italian and German below the image, but lower title excised and placed on the verso of the print, laid on near-contemporary card, 290 x 415 mmQTY: (8)
Martin (Sarah). The New Experienced English-Housekeeper, for the use and ease of Ladies, Housekeepers, Cooks, &c. Written purely from her own practice by Mrs. Sarah Martin, Many Years Housekeeper to the Late Freeman Bower Esq. of Bawtry. Being an Entire New Collection of Original Receipts which have Never Appeared in Print, in Every Branch of Cookery, Confectionary, &c., 1st edition, Doncaster: printed for the Authoress by D. Boys, and Sold by Mess. F. & C. Rivington, St. Paul's Church Yard, London, 1795, half-title, list of subscribers, lightly spotted and dust-soiled, some gatherings loose, original pale blue boards, untrimmed, lacking backstrip, boards detached, worn, 8voQTY: (1)NOTE:Axford, p. 293; Bitting, p. 312; Cagle 860; ESTC 81837; Maclean, p. 95 (reference to a frontispiece is an error); Oxford, p. 123.A rare provincial imprint, which names 224 individual subscribers, most of them women and resident in Yorkshire, Northumberland, Lincolnshire or Cheshire, altogether accounting for 254 copies. The recipes are divided into nine chapters, and in the preface Mrs Martin refers without apology to the fact that her book was sold at a higher price than was customary. A second edition of 1800 in fact appears to have been a reissue; there was another edition in 1803.
Herschel (John & Darwin, Charles). A Manual of Scientific Enquiry, 1st edition, 1st issue, London: John Murray, 1849, half-title (few short closed tears to fore-margin, one repaired), double-page engraved folding map mounted on verso of title page (title & map with old indistinct library blind stamp), large engraved folding map contained in pocket at rear of volume (folds strengthened to verso), inserted leaf unnumbered at p.98, woodcut illustrations, final leaf of appendix torn to lower outer corner with some text loss and repaired, toning and some browning to margins, upper outer blank corner F12 torn away, few leaves chipped to margins, modern green cloth, morocco title label to spine, 8vo in 12sQTY: (1)NOTE:Freeman 325; Norman 1057.The first editon, first issue with pages 171-190 uncancelled. Charles Darwin contributed Section VI on 'Geology' (pp. 156-195). Other contributors included Richard Owen and William Hooker. This book, edited by Sir John Herschel, went through six editions, remaining in print until 1906. The first edition is found in three forms. In some copies there is a serious transposition of about two pages in the text of Darwin's article, although no matter is missing. This starts on page 178 at lines 2-4 which read 'Most bold coasts/are fronted by sharp promontories and even isolated/found by removing earth and birds' dung'. The transposition ends on page 180 where lines 2-3 read 'the now deeply submerged portions of the cliff have been/pinnacles:'. This transposition, of course, causes a third disjointed sentence at the point where the correct text begins again, on page 190 where lines 4-5 read 'these may be sometimes/simply worn away by the currents'. It would look as if the compositor had one sheet of the manuscript out of order. The correct text reads 'Most bold coasts/are fronted by sharp promontories and even isolated/pinnacles'; 'the now deeply submerged portions of the cliff have been/simply worn away by the currents' and 'these may be sometimes/found by removing earth and birds' dung'. (Freeman).
* Print Racks. A pair of four-legged modern Print or Map Stands, two stained wooden racks, each with a removable dividing bar at the base, height 840 mm, length 750 mm width ( at widest point) 485 mm, together with:Book Display Rack, A book rack with adjustable back support, early 20th century, stained book rack, height 125 mm, width 940 mm, depth 250 mmQTY: (3)
Jefferies (Richard). Red Deer, London: Longmans, Green, and Co., 1884, some light spotting throughout, top edge gilt, contemporary tan half morocco bound by Zaehnsdorf, spine very lightly faded, 8vo, together with:De Freval (J. B.), The History of the Heavens, considered according to the notions of the Poets and Philosophers,..., 2 volumes, 3rd edition, London: printed for J. Wren, 24 engraved plates, bookplates to the front pastedowns, gutters cracked, some worming in volume 1 from pp.137 to the rear pastedown, some light toning throughout, contemporary uniform gilt decorated full calf, boards lightly marked, 8vo, plusJohnson (Samuel), A Dictionary of the English Language:..., 2 volumes, volume 1 11th edition, London: print for F. C. and J. Rivington et al, 1816, volume 2 8th edition, Dublin: printed for R. Marchbank, 1798, engraved portrait frontispiece to volume 1, some light spotting & offsetting, modern endpapers, modern uniform gilt decorated half calf, large 4to, and other mostly 18th & 19th-century literature & reference, mostly leather bindings, some contemporary cloth, overall condition is generally good/very good, 8vo/4toApproximately 50 volumesQTY: (3 shelves)
Rudder (Samuel). The History and Antiquities of Gloucester: including the civil and military affairs of that ancient city;..., Cirencester: printed by S. Rudder, 1781, engraved folding frontispiece, bookplate to the front pastedown, front & rear gutters cracked, some minor toning, additional print stuck down to the rear endpaper, later calf spine retaining contemporary full calf boards, slightly rubbed, 8vo, together with:Counsel (G. W.), The History and Description of the City of Gloucester, from the earliest period to teh present time;..., Gloucester: printed by J. Bulgin, 1829, period inscription to the rear endpaper, front & rear gutters cracked, some light toning & spotting, contemporary green cloth, boards & spine slightly faded & rubbed to head & foot, 8vo, plusSpence (H. D. M.), Dreamland in History , the story of the Norman Dukes, London: Wm. Isbister, 1891, some tape repairs to pp.136-145, Cloister Life in the days of Coeur de Lion, 1892, both with monochrome illustrations by Herbert Railton, bookplates & previous owner inscriptions to the front endpapers, some light spotting & toning, top edges gilt, both in original gilt decorated cloth, boards & spines lightly rubbed to head & foot, large 8vo, and other 19th-century & modern Gloucestershire reference & related, mostly original cloth, some in dust jackets, G/VG, plus a collection of 23 framed & glazed Gloucester related prints, including 'Gloster City Thom: Brown Esq Alderman', a plan of Gloucester by Johannes Kip, circa 1720, contemporary hand-colouringQTY: (3 shelves & a carton)
Chapbook. Captain Ross's Voyage to the North Pole, [London:] James Paul, & Co, Printers, 2 & 3 Monmouth Court, Seven Dials, [cover-title], circa 1840, [8]pp., woodcuts throughout, second imprint at end: 'Printed and Sold by J. Catnach, 2 and 3, Monmouth-Court', original pictorial wrappers, stitching broken and corners slightly curled, some minor marks, slim 8voQTY: (1)NOTE:A delightful and very rare chapbook describing Sir James Clark Ross's Second Arctic voyage of 1829 to 1833. No other copies located.James Catnach (1792-1841) was a popular print publisher, specialising in broadsides and ballads. After he retired in 1838 his sister Anne Ryle ran the business with James Paul until the 1850s.The text reproduces a letter addressed by Captain Ross to the Secretary to the Lords Commissioners of the Admiralty, Baffin's Bay, September 1833. This letter had been published in various journals since 1833 but the 11 woodcuts (eight in the text and three on the outer wrappers) all appear to be original. (The woodcut on the upper wrapper is repeated on p. [4].) Most of the woodcuts are captioned: Iceberg, with a view of the Vessel being towed through the Ice; Shooting a Musk Ox at Melville Island; View of the Situation in which the Vessel was placed for nine months in the Winter Harbour; Perilous situation of the vessel; Placing Flag and Board as a Record at Cape Florence; Remarkable appearance of the Sun, Iceberg, Bear, Sea Unicorn [narwhal], &c.; One of our Company pursued by Bear.
* Wheeler (Thomas). An exportation deck, No. 62, 1810, 52 cards, comprising 4 suits of 13, each with pip cards 1-10 and 3 single-ended court cards, some toning (mostly light), plain versos, 93 x 64 mm, contained in a later tan sheep-covered box lettered 'Patience' on lid (worn) QTY: (1)NOTE:Decks by Thomas Wheeler are scarce on the market, and packs with export aces particularly so. This deck was obviously not much used, if at all, and is in particularly nice condition. Thomas printed the first known English double-ended pack of cards. He was known to have produced cards between 1799 and 1821 after which time his son William is thought to have taken over the family business. At around the same time another member of the Wheeler family, one Henry Wheeler, registered an ace of spades and started to print cards. However, in January 1836 Henry was convicted of having in his possession 450 impressions of a forged die resembling and purporting to be the die of the ace of spades used by His Majesty's commissioners of stamps and taxes. This was his second offence, having been caught with an imitation ace of spades after a raid on his premises in 1830, and at the age of 37 he was transported to Australia on a convict ship. (Michael Cooper, 'The Wheelers: A Family of Card Makers and Card Forgers?', The Playing-card, Volume 31, No. 1, July-August 2002)
Mckee (David). Elmer, 1st edition, London: Denis Dobson, 1968, colour illustrations throughout by the author, including rear endpapers, original red boards, dust jacket, spine slightly toned with small tear and nicks at ends, small chips at folds, 4to QTY: (1)NOTE:A good copy of a rare children's classic, with its theme of inclusivity as relevant today as it was when first published in 1968. It soon went out of print, and not until 1989 when it was republished did it go on to achieve international success.
Salvator Rosa, Italian 1615-1673- Men talking; etching, with artist's monogram within the plate, 14.8 x 19.4 cm.: After Dante Gabriel Rossetti, British 1828-1882- Study of a woman with flowers; lithograph, 33.5 x 24.5 cm.: John Cousen, British 1804-1880- Evening in the meadows, after Thomas Sidney Cooper; engraving, 18.5 x 25.3 cm.: British School, mid/late 19th century- Design for a stained glass window; pen and black ink, watercolour, and bodycolour on paper, inscribed 'Lavers Westlake / London' to the reverse of the card, 25.7 x 15.3 cm.: Italian School, 17th century- Allegorical figure; woodcut, 15.7 x 12.1 cm. (5) (part unframed) Rosa: Framed, mounted, and glazed. Unexamined out of frame. General scuffs and marks to the frame. Marks of surface dirt and possible very light foxing to the sheet. Rossetti: Browning and foxing to the sheet. Evening in the meadows: The print has been cut down and stuck onto card. Spots of foxing throughout the sheet. General dirty marks to the sheet. Stained glass window: The sheet is stuck down on card. Discolouration, foxing, and general dirty marks to the sheet. Allegorical figure: The sheet is stuck onto card at the upper corners. Discolouration to the sheet, alongside spots of foxing and possible light creasing. Otherwise in fair condition overall.
Dugald Sutherland McColl, Scottish 1859-1948- Two quayside scenes; pencil and watercolour on pencil, two, one 24.7 x 16.2 cm, the other 19.5 x 14.5 cm: Vincent Henry Lines, British 1909-1968- Lyham Rd., Clapham Park; pen on card, signed and dated 'V.H. Lines '28' (lower right), 25.4 x 20.9 cm: Adrian Hill, British 1895-1977- Flowers in a vase; charcoal on paper, signed 'Adrian Hill' (lower edge), 34.8 x 24.5 cm: together with a collection of further drawings and watercolours by different hands, including Kate Olver, Vincent Henry Lines, Ethel M. Baumer, and Ernest W. Kirby, and a print by William Russell Flint, signed and inscribed in pencil, tondo, dia. 7.7 cm (12) (unframed/part mounted) (ARR) General creases, tears, and rips to the sheets. Dirty marks and spots of foxing to some of the sheets. Otherwise in fair to good condition overall.
British School, mid/late 19th century- The Firework Display; watercolour and bodycolour heightened with white on paper stuck down on card, inscribed 'Primrose Hill on the night of peace rejoiceings [sic.] after Crimean War. The Firework Display' on the card beneath, 16 x 24 cm. Note: This work recalls the engraving in the Illustrated London News depicting the peace celebrations after the conclusion of the Crimean War in 1856, and may be after this print. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Very slight cockling to the sheet. Slight creasing to the edges and corners of the sheet. General marks and surface dirt. Otherwise in good condition overall.
Thomas & William Daniell, British, 18th-19th centuries, Mausoleum of Nawaub Assoph Khan, Rajemahel, Reproduction print, held in a modern black painted wood and glazed frame, 49cm x 65cmProvenance: Private Collection of J.P. Losty (1945-2021), formerly curator of Indian Visual Materials at the British LibraryPlease refer to department for condition report
After David Roberts, British 1796-1864-Church of the Holy Sepulchre (Jerusalem): InteriorColoured lithograph by Louis Haghe, 63 x 75.5 cmUnexamined out of frame. Securely in a frame with mount and glaze. Mild undulation to the sides of the lithograph. One crease to the lower centre of the mount. One crease to the lower centre of the print. Possible light foxing/surface dirt to the print. General surface dirt to the outside of the glaze. Otherwise, in good condition overall.
A quantity of miscellaneous items, to include: a large brass candlestick with knopped stem on spreading circular base, 43cm high; Chinese style bronze vase, 19cm high; a gilt metal heart pendant on chain; two glass decanters, one stopper missing, 11cm excluding stopper; an English pewter bowl with scalloped rim, stamped marks to base, 17.5cm diameter; a French leather bottle cover, stamped in gilt HENRI SIMON Coiffeur Parfumeur HOTEL LOTTI 9 R. Castiglione PARIS, 21.5cm high; a quantity of empty boxes to include a Patek Philippe box, a Breguet box, an Asprey cardboard box; a framed enamel plaque of nude lady laying on a chaise longue, plaque 9.5cm x 7.5cm; a chain link necklace; small quantity of costume jewellery including a large beaded necklace; a French domed top papier mache jewellery box; The Royal Game of Nine Holes, 21.5cm diameter; a framed print of a lady with a tattooed belly; and others (lot)Please refer to department for condition report
Three Victorian blue and white transfer print meat plates, to include: a hexagonal example decorated with an English classical landscape to the well, with foliate decorated border to the rim, 50.5cm long; and two oval Chinoiserie examples decorated with a Chinese landscape to the well, with geometric motifs to the rim, and one bearing a blue printed maker's mark, 49cm and 50cm long (3)One plate has been broken and re-assembled with large cracks and losses visible from the repair work. The other two have minor wear to rims and crazing, consistent with age.
A Royal Doulton character jug of Lord Nelson, a replica of the original made by Doulton and Watts, Lambeth, early 20th century, 20cm high; together with a Royal Doulton tobacco jar commemorating Lord Nelson, with vignettes of Victory, tamper to interior, 13.5cm high; and a modern reproduction print of Lord Nelson, in verre eglomise frame, 25.5 x 20.5cm (3)The character jug in overall good condition with only minor pitting. The tobacco jar is heavily restored with large repaired cracks running through the body. The print is in overall good condition, the verre eglomise intact, the frame with signs of wear from age including small losses to the corners and sides and tear to the paper backing on the verso. The frame bears an old framing label from Arthur Whitcombe of Cheltenham.
After Sir Sidney Nolan OM, AC, CBE, RA (Australian 1917-1992) Deserted Township, Dawn Reproduction print, no.35/2000 863 x 668cm (sheet) Unframed Together with After Sam Fullbrook (Australian 1922-2004); Emu and Aeroplane; Reproduction print, no1635/2500; 86 x 685cm (sheet); Unframed; and After Kevin Charles 'Pro' Hart MBE (Australian 1928-2006); Captain Cook Bi-Centenary 1770-1970; Reproduction Print, no987; 506 x 756cm (sheet); Unframed (3)

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315251 Los(e)/Seite