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  • 315251 Los(e)
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Lawrences of Bletchingley
Los 1592

Gilt framed oil on board, cottage in a landscape, large framed black and white print, figures raising a maypole and a framed collage picture

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Lawrences of Bletchingley
Los 1595

Set of four small mahogany and gilt framed prints of horse racing scenes together with a large signed F.A. Stewart hunting print

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Lawrences of Bletchingley
Los 1597

Framed woodblock print of daffodils and pussy willow in a vase and another of magnolia and fish

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Lawrences of Bletchingley
Los 1649

19th Century American mahogany ogee cased wall clock, the enamel dial with two train movement above a reverse painted coloured print

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Andrew Smith & Son
Los 82

After Garrick Palmer - `Benito Cerento`, artist proof, woodblock print, pencil signed and dated `72 to margin, 24 x 35 cm

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Andrew Smith & Son
Los 124

Set of four sporting prints after Alken - Meeting at Cover, Breaking Cover, The Death, Full Cry, to/w the Quorn Hunt - Snob in Beat print (5)

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Andrew Smith & Son
Los 146

Nancy Ashley - `Loquivy de-la-Mer`, watercolour, signed, 11 x 14 cm, Alresford Gallery label to reverse; print of fishing boats and bicycle, 18 x 24 cm; and Doris Malcomson - `Alone by the sea`, oil on board, 10 x 14 cm 93)

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Andrew Smith & Son
Los 158

After Kenneth New - `Lymington`, woodblock print, pencil signed and titled to margin, 17 x 21 cm

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Andrew Smith & Son
Los 161

After Morland? - Portrait of Horatio Nelson, engraving, 59 x 38 cm to/w Pears print (2)

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Andrew Smith & Son
Los 200

Antonia Maniere - Portrait of a lady, painted on silk, to/w Bartolozzi print of putti (2)

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Lots Road Auctions
Los 49

ZSI CHIMERA (20th/21st century), `The natural lightness of cycling`, silk screen print, 63cm x 83cm, signed and numbered 3/6, in black frame.

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P.F. Windibank Auctioneers
Los 295

G. Gaymard, Signed Coloured Engraving depicting seated boy, signed in pencil, in gilt frame, 46cm x 36cm: also Pears coloured print "Bubbles" (2)

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P.F. Windibank Auctioneers
Los 296

An Oval Coloured Print three-quarter length portrait of a lady on balcony "Queen of the Hunt", in mahogany frame, 72cm x 54cm

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P.F. Windibank Auctioneers
Los 316

G. D. Armour, Signed Coloured Print depicting racehorse and hunting dog, signed in pencil, in oak frame, 35cm x 39cm and another G. D. Armour signed coloured print depicting huntsman on horse with hounds outside an inn, signed in pencil, in oak frame, 50cm x 36cm (2)

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P.F. Windibank Auctioneers
Los 319

Hal Hurst, signed print "Shipbuilding, Rye", signed in pencil, in gilt frame, 50cm x 60cm

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P.F. Windibank Auctioneers
Los 322

Sturgeon, Signed Coloured Print "Castle Combe" signed in pencil in gilt frame, 53.5cm x 67cm

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Fieldings Auctioneers Ltd.
Los 713

GEORGE BAXTER Print,The wreck of the reliance, an East India man off the French coast near Bolougne 1842, unsigned, labelled on verso, 27 cm x 36 cm, framed

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Fieldings Auctioneers Ltd.
Los 717

A late 19th Century coloured print depicting a girl in an exterior setting reading a book propped up upon a skull, 60 cm x 86 cm.

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Cotswold Auction Company - Cirencester
Los 48

Assorted pictures including 2 framed Edwardian photographs, a framed print (4)

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Keys - Aylsham Salerooms
Los 2

TWO ANTIQUE BLACK AND WHITE LITHOGRAPHS, Portrait of Rendlesham; together with small PRINT ON GLASS in a composite “Union Case” of the same Portrait; plus one further ENGRAVING, assorted sizes (4)

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Keys - Aylsham Salerooms
Los 9

AFTER J REYNOLDS, ENGRAVED BY J McARDELL, ANTIQUE HAND COLOURED BLACK AND WHITE MEZZOTINT (PUBLISHED 1821 BY RICHARD H LAURIE), “The Right Honourable George Lord Anson, Baron of Soberton”, 13” x 11”; together with a Religious Print (2).

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Keys - Aylsham Salerooms
Los 20

AFTER F GRANT, ENGRAVED BY C G LEWIS, 20TH CENTURY COLOURED PRINT, “The Melton Breakfast”, 17” x 27”.

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Keys - Aylsham Salerooms
Los 25

AFTER JOHN LEECH, HAND COLOURED PRINT, “The Old Foxhunter”, 16” x 24”

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Keys - Aylsham Salerooms
Los 51

AFTER ROWLANDSON, 20TH CENTURY HAND COLOURED PRINT, “A French Dentist Shewing a Specimen ……”, 9” x 13”

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Keys - Aylsham Salerooms
Los 113

E SHARLAND, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED ETCHINGS, “York” and “Canterbury”, 11” x 7”; together with one modern COLOURED PRINT (3)

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Keys - Aylsham Salerooms
Los 125

AFTER SIR A J MUNNINGS, BLACK AND WHITE PRINT, Racehorses; together with J R K DUFF, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Shepherd and his Sheep; and C H BASKETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Ufford”; and EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Bartholomew The Great Medieval Gatehouse, assorted sizes (4).

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Keys - Aylsham Salerooms
Los 140

HARRY MORLEY, ARA, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “The Home Guards Window”, 6” x 7 ½”, mounted but unframed.

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Keys - Aylsham Salerooms
Los 149

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Chelsea Old Church”, 3 ½” x 6”, unframed.

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Keys - Aylsham Salerooms
Los 149A

DAME LAURA KNIGHT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Bare Back Riding”, 10” x 5”.

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Keys - Aylsham Salerooms
Los 150

DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Albi”, 9” x 14”, mounted but unframed.

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Keys - Aylsham Salerooms
Los 153

PAUL DRURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), Head of a Young Woman, 6” x 4 ½”, mounted but unframed.

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Keys - Aylsham Salerooms
Los 155

C W TAYLOR, ARE, SIGNED IN PENCIL TO MARGIN, LINE ENGRAVING AND ETCHING (FOR THE PRINT COLLECTORS CLUB), “Before Burford”, 8” x 6”, mounted but unframed.

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Keys - Aylsham Salerooms
Los 161

LEONARD RUSSELL SQUIRRELL, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Footbridge at Blakeney”, 6 ½” x 10 ½”, mounted but unframed.

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Keys - Aylsham Salerooms
Los 163

STANLEY ANDERSON, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FROM AN EDITION OF 109 FOR THE PRINT COLLECTORS CLUB), “The National Gallery”, 8 ½” x 11”.

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Keys - Aylsham Salerooms
Los 165

F L GRIGGS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Laneham”, 5” x 4 ½”.

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Keys - Aylsham Salerooms
Los 169

BOX: VARIOUS REFERENCE BOOKS RELATING TO THE PRINT COLLECTORS CLUB (19).

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Keys - Aylsham Salerooms
Los 206

WALTER LANGLEY, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Group of Fisherfolk before a Post Office, 18” x 12”.

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Keys - Aylsham Salerooms
Los 237

SIR PETER SCOTT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH PUBLISHER’S BLIND STAMP (PUBLISHED BY ARTHUR ACKERMANN & SON 1943), “Widgeon Crossing Low over the Creak” (see Arthur Ackermann & Son label verso), 14” x 21”; together with a further LIMITED EDITION PRINT BY ROGER McPHAIL (2).

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Keys - Aylsham Salerooms
Los 269

AFTER LAWRENCE STEPHEN LOWRY, LIMITED EDITION (488/850) COLOURED PRINT, “The Auction”, 17” x 21”.

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Keys - Aylsham Salerooms
Los 275

TERRY FROST, LIMITED EDITION (9/25) SCREEN PRINT, Untitled (printed to commemorate the opening of New Curwen Chilford Studio at Cambridge on 14th December 1989), 10” x 5”, unframed.

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Keys - Aylsham Salerooms
Los 277

JOHN BRUNSDON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (2/175) COLOURED ETCHING, Inscribed “Castle Howard Temple of the Four Winds”, 4 ½” x 11”; together with BEVERLEY KIBBEL HORNER, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Inscribed “Helston Estuary”, 5” x 5” (2).

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Keys - Aylsham Salerooms
Los 282

HUGH BRANDON-COX, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Inscribed “Cley Mill”, 8” x 9”.

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Keys - Aylsham Salerooms
Los 285

AFTER JEAN-MICHEL FOLON, COLOURED PRINT, Two Figures in Blue, 5” x 6”

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Keys - Aylsham Salerooms
Los 289

ROBERT BRENNAN, MONOTYPE (CIRCA 1960), Three Figures Abstract, 9” x 8”; together with BRIAN RICE, SIGNED AND DATED ’65 TO IMAGE, COLOURED SCREEN PRINT, Exhibition Catalogue Cover for New Vision Gallery – Nov 1965, 11” x 17” (2).

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Keys - Aylsham Salerooms
Los 290

ROBERT GILLMOR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Smew”, 7” x 8”

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Keys - Aylsham Salerooms
Los 298

AFTER SIR WILLIAM RUSSELL FLINT, LIMITED EDITION (35/850) COLOURED PRINT WITH PUBLISHER’S BLIND STAMP, “Beyond the Walls”, 19 ½” x 14”.

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Keys - Aylsham Salerooms
Los 299

AFTER SIR WILLIAM RUSSELL FLINT, COLOURED PRINT, Madame Dubarry – The Reclining Beauty, 14” x 9”.

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Keys - Aylsham Salerooms
Los 314

PETER GREEN, SIGNED AND DATED 1961, LIMITED EDITION (8/10) SCREEN PRINT, Inscribed to margin “Hill Landscape”, 36” x 25”.

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Keys - Aylsham Salerooms
Los 315

JOHN REAY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (23/50) COLOURED SCREEN-PRINT, “Herring Sheds, Great Yarmouth”, 12” x 17 ½”.

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Keys - Aylsham Salerooms
Los 320

ROBERT TAYLOR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Victory over Dunkirk” – Countersigned by Bob Stanford Tuck, 12” x 18”.

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Keys - Aylsham Salerooms
Los 321

ROBERT TAYLOR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Moral Support” – Countersigned by Peter Townsend, 12” x 20”.

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Keys - Aylsham Salerooms
Los 325

AFTER SIR ALFRED J MUNNINGS, COLOURED PRINT, “The White Slave”, 16” x 23”

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Keys - Aylsham Salerooms
Los 339

ANTIQUE PRINT, “The Fight Between Tom Sayers and John C Heenan”, 13” x 19” (trimmed and laid down).

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Keys - Aylsham Salerooms
Los 344

EDWARD SEAGO, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Horses Galloping on a Beach, 10” x 16”.

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Keys - Aylsham Salerooms
Los 345

LIONEL EDWARDS, INDISTINCTLY SIGNED IN PEN TO MARGIN, COLOURED PRINT, “Larkhill 1953”, 10” x 15”.

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Keys - Aylsham Salerooms
Los 346

LIONEL EDWARDS, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Inscribed “Morning Exercise Newmarket”, 10” x 15”.

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Keys - Aylsham Salerooms
Los 347

LIONEL EDWARDS, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Inscribed with title “R A Dyag Bordon”, 10” x 15”.

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Keys - Aylsham Salerooms
Los 352

ARCHIBALD THORBURN, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT (PUBLISHED BY W F EMBLETON 1919), Goldeneye, 7” x 10”.

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Keys - Aylsham Salerooms
Los 356

AFTER ARCHIBALD THORBURN, LIMITED EDITION (200/850) COLOURED PRINT (PUBLISHED 2000 BY WILLIAM MARLER), Snipe, 12” x 18”

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Keys - Aylsham Salerooms
Los 362

AFTER LEON DANCHIN, COLOURED PRINT, Red Setters, 16” x 19”; plus AFTER R ANSDELL, HAND COLOURED ENGRAVING, Pheasant Shooting, 12” x 22” (2)

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