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Pictures and Prints. British Modernist School - Terrace House, lithograph, n.d., 29 x 59cm, Gilbert, 20th c - Arbor Low at Sunset, Derbyshire, signed and numbered 10 in pencil screen print, 36 x 45cm, oil on board of winter landscape, indistinctly signed in pencil, three Raymond Lowry pen and ink cartoons, etc., (8).
A Collection of Silver Print Photographs of the Southern Railway/BR(S) Eastleigh Railway Works Hampshire, various examples all circa 1920s-1960s, in various sizes, many official images but some privately taken, diesel and steam, includes images inside the workshops, coaches and locomotives under construction, exterior images of the works, meetings, maintenance equipment including cranes, image of the first Merchant Navy Class Bulleid locomotive 21C1 Channel Packet, probably 1941, with four figures of authority from the works including Foreman and Manager, stock image of a Bulleid SR Leader Class Experimental locomotive boiler on stands, 1948, and others, P-G, (Qty)
Three Märklin Gauge 1 GNR 'teak' Bogie Coaches, comprising two composites (with slightly different finishes, both No. 2875 - one with 'Gamages' stamp to underside) and full brake 2876 with LNER over-print, varying F-VG, all with chipping to roofs, the brake coach with some rust spotting to one side (3)
Märklin and Bassett-Lowke Gauge 1 LMS Coaching Stock, comprising Märklin MR 1st/3rd clerestory-roof non-corridor coach in slightly-faded crimson as No. 2875 with LMS 'over-print', F-G, couplers changed, damage to 2 door handles, litho considerably rubbed on one side, crazing to roof, together with B-L 12-wheeled dining car 13210 with repainted roof, G, couplers and one buffer changed, significant scratching to one side (2)
Dinky Toys/Meccano Ltd - an annotated technical specification print relating to the Dinky Toys 734 P-47 Thunderbolt, showing the whole overview of the model with part sections (Job No.50734), 38cm high, 51cm wide, unframed; another print relating to the Dinky Toys 609 U.S. 105mm Howitzer with gun crew (Job No.50609), 38cm high, 51cm wide (unframed) (2)
Dinky Toys/Meccano Ltd - an annotated technical specification print relating to the Dinky Toys 2214 Ford Capri Rally car, showing the whole overview of the model with part sections (Job No.52214), 38cm high, 51cm wide, unframed; another print relating to the Dinky Toys 2162 Ford Capri (assembly) (Job No.52162), 38cm high, 51cm wide, unframed (2)
Dinky Toys/Meccano Ltd - an annotated technical specification print relating to the Dinky Toys 136 Jaguar XJ12C, showing the whole overvire of the model with part sections (Job No.52136), 38cm high, 51cm wide, unframed; others, Plymouth Fury Police patrol car and Princess 2200HLS saloon, each 38cm high, 51cm wide, each unframed (3)
Signed first print - Deadlift #1-3 + variants with certificates of authenticity. Three original sketches with certificate of authenticity by Rob Noir; Issue 2 first print with certificate, signed; Issue 2 variant cover, signed; Issue 1 variant cover, signed; Issue 1 basic, signed; two Play Dead post-mag, signed with certificate; VIP card-free comic straight to the winner and future comics; customer winning to feature in next issue as a Zombie; Christmas card; all for charity.
A Hornby gauge OO R.2906 DCC Ready Rare Bird train pack, boxed with certificate and print (box lightly creased and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Utagawa Hiroshige (1797-1858) Two Japanese ukiyo-e woodblock prints, ink and colour on paper, nishike-e, from the famous series 'The Fifty Three Stations of Tokaido' and signed, Hiroshige ga; Miya-Juku (Festival of the Alsuta Shrine, Station 41) and Shimada-Juku (The Saruga Bank of the Oi River, Station 23) both images sized 33.5 cm w 21 cm h to/w another 19th century ukiyo-e coloured woodblock bijin print of an 'Ancient Style Beauty' after Kochoen Harumasu, image size 24 cm w x 34 cm h - all unframed and card mounted (3)
A circular yellow metal cased pendant containing portrait study of an infant, with seed pearl surround and hanger, stamped 15, 4cm diam to/w a 9ct yellow gold circular locket, 2.5 cm (2) Hand-painted, but might be overpainted print - hard to tell. Good condition, glass needs to be cleaned, all pearls present,Other locket - signs of wear and use
A pair of Maori carved wood photograph frames containing contemporary New Zealand photographs c.1900-10, carved in relief with rauponga lines and spirals, inset with contemporary albumen photos, depicting figures by Waikimihia (Hinemoa’s bath), Mokoia Island, Rotorua by Edith Preen (1877- ?, she also photographed Anaha Te Rahui, c.1907) and another albumen print entitled ‘Maori Haka, NZ’, frames 32.5 cm x 27 cm***CONDITION REPORT***Provenance- Ken Paul who collected Asian and European antiques from the 1950s to 1980s for hire as props in movies and television, thence by family descent. Believed to have been acquired from the same source as the kumete bowl and cover.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Piero Fornasetti (Italian, 1913-1988) - ‘’Citta Che Si Rispecchia’’ [City that reflects itself] four panel screen lithographic transfer-print on lacquered wood, c.1952, on composition castors, width of each section 50cm height without castors 200cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lord Frederic Leighton, P.R.A. (British, 1830-1896) Study for the Wise and Foolish Angels, Lyndhurst Church, drapery for figure lower rightblack and white chalk on light grey paperRoyal Academy Exhibition label verso25 x 42cm***CONDITION REPORT***Image remains strong but the ground paper has some discolouration from damp together with fox marks and other spotting, oldish card mount and slim gilt frame. Royal Academy Winter 1897 Exhibition label verso wear near illegible inscription, further label from Maas & Co, together with a print of the finished work for which this is a study and a typed label giving further details of the work completed in 1864 ex. Collection Hamilton Aidé close friend of the artist, furthermore it says See Life Letters and Work of Frederic Leighton, Mrs Russell Barrington 1906, vol.2 107-14,.Provenance: Ex collection Hamilton Aide. Exhibited RA, Winter 1897. Purchased from Abbot & HolderPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Robert Doisneau (French, 1912-1994) Un Regard Oblique, 1948gelatin silver print on photo papercopy from an edition of unknown number, signed lower right24 x 29.5 cm***CONDITION REPORT***Good condition, signed in red ink lower right which is slightly faded, plain card mount and ebonised frame with Hamiltons of Mayfair label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Robert Doisneau (French, 1912-1994) Les Frères, 1934gelatin silver print on photo paperprinted later, signed in ink in the margin29.5 x 26.5cm***CONDITION REPORT***Good condition, signed in black ink lower right, plain card mount and ebonised frame with Hamiltons of Mayfair label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Lawrence Isherwood (British, 1917- 1989) Portrait of a gentlemanoil on canvas91 x 61cm and a colour print, The Lancashire Mine, 42 x 61cm***CONDITION REPORT***Painting in good untouched condition, not signed, ornate gilt scroll frame, some sort of title on the back has been painted over, print has slipped in the mount, looks to be in good condition with a fair amount of mould spotting on the glass, plain black frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Victor Pasmore (British, 1908-1998) 'Senza Titulo III, 1989'etching and aquatint on copper plate printed in five colours on Fabriano papersigned in pencil and dated '89, numbered 5/90, comes with a copy of the James Kinmont Fine Art catalogue by Pasmore Prints56 x 95cm***CONDITION REPORT***This print has slipped in its mount so will need re-attaching, but otherwise looks to be in fair to good condition, possibly one or two dirt specks running across the centre, plain white card mount and glazed white painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
PRINT.- LISBOA.- Lisabona magnificentissima Regia sedes Portugalliæ et florentißimum Emporium ad ostia Tagi situm... = Lisabon die prächtigste Königl. Residenz Statt in Portugall u. florisanteste Handels Plaz am Austfluß des Tagi situm...- Aug[usta]. Vindel[icorum]. (Ausgsburgo): Georg Matthäus Seutter, [ca. 1735].- 1 gravura a talhe-doce color.; 505x595 mm (matriz); 522x622 mm (folha)., Engraving and etching, watercoloured by hand, by the German cartographer from Augsburg Georg Matthäus Seutter (1678-1757), with representation of Lisbon in “aerial view” (above) and riverside area (below), previous to the Philippine turret of Commerce Square. In the centre a large cartouche containing an extensive interpretive caption of the image (in German). Very fresh proof, with central crease and short margins, but retaining all the plate mark crease., Dim. - 51 x 60 cm
PRINT.- SEQUEIRA, Domingos António de.- [Sopa de Arroios (Lisboa)].- Lisboa: s.n., 1813.- 1 copperplate;, One of the most famous engravings of Lisbon, open engraving and etching by Gregório Francisco Queirós (1768-1845) after an original by Domingos António de Sequeira (1768-1837), published in Lisbon, on December 17, 1813. Presents the following subscription: Dom. Ant. de Sequeira Ac. Rom. inv. del. et abrio os cont. das fig. — Greg. Franco. de Queiroz esculpio as figuras a Agoa forte e a buril em 1813. Clean, framed proof., Dim. - (gravura) 55 X 83 cm; (moldura) 68,5 x 96,4 cm
PRINT.- PORTUGAL.- Le Royaume de Portugal et des Algarves. Divisé en ses Archevêchés, Evêchés, et Territoires / par le Sr. Sanson...- A Paris: Chez H. Iaillot, 1695.- 1 gravura a talhe-doce; 775x563 mm (matriz); 880x630 mm (folha aparente)., Large map of Portugal (copperplate engraving, hand-coloured), by the French cartographer and historian Nicolas Sanson d’Abeville (1600-1667). It includes a large cartouche with the title and a smaller one with Latin text: Nova Regni Portugalliae et Algarbiae Descriptio Authore N. Sanson. Very fresh proof, with central crease, framed., moisture stains, creases, Dim. - (gravura) 75 x 55; (moldura) 99,5 x 74 cm
PRINT.- JAPÃO.- Iapponiae Noua & accurata descriptio Per R.P. Antonium Francisco Cardim Societatis IESV et Elogia Iapponica.- [Romae: Typis Heredum Corbelleti, 1646].- 1 gravura a talhe-doce; 278x408 mm (matriz), 320x435 mm (folha)., Engraving and etching map, not coloured, published in the work of Fr. cardim, “Fasciculus e Iapponicis floribus” (Rome, 1646). Father Cardim SJ (1596-1659), a Jesuit missionary, born in Viana do Alentejo, joined the Society of Jesus in 1611, having completed his studies in Goa. Cardim, was one of the great travelers in the East, chronicler of the Society of Jesus in China and Japan and attorney general of the province of Japan, ended his days in Macau, at the age of 63 after having lived 15 years between the two empires of the East. The print represents the diocese of Japan, with the implementation of schools, seminaries, hospitals, etc., making up the 36 points identified in the extensive caption; bottom left, a ship on the high seas, representing the arrival of St. Francis Xavier to Japan, on August 15, 1549. Slightly worn copy with some stains, left margin trimmed by the platemark; occasional minor restorations and weakened central fold. It is, however, complete and recoverable. Sommervogel, II, p. 740., Dim. - 31,5 x 43 cm
GRAVURA. ILHA TERCEIRA (Açores).- A Cidade de Angra na ilha de Iesv Xpo da Terceira qve esta em 39 graos.- [Amsterdam: Cornelis Claez, 1595-1596].-- 1 copperplate engraving; 570x800 mm (image); 600x 815 mm. (apparent leaf)., Copperplate print engraving (engraving and etching), from the work “Itinerario”, by Jan Huygen van Linschoten (1563-1611), published in Amsterdam, 1595-96, by the Dutch engraver Johannes von Doetecum (1530-1605) . It includes five cartouches, a compass rose and the coats of arms of Portugal and the Azores, highlighting, in the upper right corner, the dedication to D. Cristóvão de Moura (1538-1613), 1st Count of Castelo Rodrigo and capitão-donatário of the city of Angra. Hand coloured, central crease, slightly trimmed but preserving the matrix crease, fradem proof. Dim. - (gravura) 50 x 85 cm; (moldura) 61 x 96 cm
SAN ROMAN Y RIBADENEYRA, Frei Antonio de, O.S.B.- HISTORIA GENERAL | DE LA YNDIA ORIENTAL | Los Descobrimientos, y Conquistas que han hecho las Armas | de Portugal, enel Brasil, y en Otras partes de Africa, y de la | Asia; y de la Dilatacion del Santo Euangelio por | aquellas grandes Prouincias, desde | sus principios hastª el Año de | 1557...- En Valladolid: por Luis Sanchez, 1603.- [28], 804 (i e. 794), [18] p.; 29 cm.- E., Rare edition from the beginning of the 17th century reporting the discoveries and conquests of the Portuguese from the second quarter of the 15th century to the third of the 16th century, with extensive references to Brazil, but also to Angola, the Persian Gulf, East Africa, India, Malacca, China, Japan and the New World. The author (15th/16th century), a Spanish Benedictine, born in Palencia, also published, on the same date and in the same city of Valladolid, a description of the «Jornada y muerte del Rey D. Sebastian». The copy retains the rare copper plate print architectural portal (signed Juan Bapª Morales, fe), with an image of the author on the pediment, the title and coat of arms of the Constable of Castile, Juan Fernandez de Velasco, to whom the prayer is dedicated. The edition also includes two other engravings inserted in the text, respectively on pages. 225 and 594. Copy slightly cropped and with slight browning; some water stains (tidal) in the last 10 sheets of text and colophon. The printing of the frontispiece is weak, but the copies that preserve it are rare. Entire parchment contemporary binding, with the indication COLEGIO, at the foot of the spine, preserving the original ties and endpapers. Modern protective case. Samodães (2982) gives us an extensive and detailed description, which exactly matches the present copy and also matches the BNP copy. Palau, 293611 (important work). Borba de Moraes, p. 765 (very rare). Auvermann, 201 (excessively rare).
SANTOS, Manuel dos.- Revista bibliografica camiliana e reprodução fac-simile dos frontispicios de todas as obras e edições, cartas autografas, retratos, folhetos, folhas avulsas, etc., etc. do ilustre e inolvidavel romancista Camillo Castello Branco e de outros livros que lhe digam respeito, preços por que teem sido vendidos tanto em leilão como em livreiro / descritos bibliograficamente por Manoel dos Santos, com uma noticia sobre Camillo pelo Dr. Theophilo Braga.- Lisboa: Livraria Manoel dos Santos, 1916-1926.- 19 fascículos em 2 vols.: il.; 25 cm.- E., A complete set of the most accurate and rigorous bibliography of Camilo, especially notable for reproducing the frontispieces of all the novelist's works and editions, in most cases, using papers identical or similar to those of the original editions. Copy nº 112, numbered and signed by the author, of a print run not exceeding 126 copies (1 + 10 + 115). Teófilo Braga's biographical preface occupies pages VII to XXXII of the first volume. Very clean copy, with all the brochure covers, bound at the end: 12 pairs in the first volume, six in the second and one in the third. Prevenience: Fernando Alves Barata Library (with its ex-libris), Silva’s / Pedro de Azevedo auction, November 1990, lot nº 1067. Half-bindings in black morocco, with gold closed panels on the spines.
FIGUEIREDO, Pe. José Anastácio de (1766-1805).- Nova historia da Militar Ordem de Malta, e dos Senhores Grão-Priores della, em Portugal: fundada sobre os documentos, que só pódem supprir, confirmar, ou emendar o pouco, incerto, ou falso, que della se acha impresso; servindo incidentemente a outros muitos Assumptos, com geral utilidade.- Lisboa: na Officina de Simão Thaddeo Ferreira, 1800.- 3 vols.: 1 estampa desdobr.; 29 cm.- E., José Anastácio de Figueiredo (1766-1805), canon of the Collegiate Church of Our Lady of the Oliveira of Guimarães and corresponding member of the Royal Academy of Sciences. Second edition amended and added to "copious additions". The third volume ends, as in most cases, on p. 504 of the index, as explained by Inocêncio (IV, p. 233) "when printing reached this point, the author was forced to give up the task, in which he had committed himself with all his small possessions, and only after a long time did he decide to have the last complementary sheets of the index printed; the print run of these sheets was, however, so limited that it was only enough to complete a small number of copies, leaving almost the entire edition without them". The collation of the three volumes is as follows: 1 - [4], X, [1, 1 br.], 522 p.; II - [4], 396 p.: 1 unfolded engraving; III - 504 p. In volume I, p. 17 to 24 are bound after preliminary page VIII. Volume II includes a fold-out plate with a lapidary inscription. Very clean copy, with carmine edges. Full sheepskin bindings, recent, with ornamental borders on the covers, patina and gold tooling decoration on the spines, according to the taste of the period.

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315251 Los(e)/Seite