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315264 Los(e)/Seite
Los 38
A Sunderland pink lustre jug early 19th century, possibly Scott & Son, Southwick, printed with a black and hand-coloured view of the Iron Bridge over the river Wear, two masted ship and `Glide on my Bark...` verse, against a squiggle ground with black and white floral print to the interior and exterior of the rim and handle, 7.25in. (18.5cm.) high, small hairline to rim.
Los 91
Terry Frost (1915-2003), Five in the Afternoon II (k.121), etching printed in colours, 1990, signed and dated in pencil, numbered 29/30, published by Austin Desmond Contemporary Books, London, printed by Hugh Stoneman at the Print Centre, London, on Somerset wove paper, with full margins, 550 x 370mm (21.75 x 141/2in)
Los 655
Mario Giacomelli (1925-2000), Figura, 1956-60, Gelatin silver print, signed in ink and title stamped in red ink verso, 390 x 285mm (153/8 x 111/4in), Literature: Enzo, Giacomelli. La forma dentro. Fotografie 1952-1955, p. 51; Enrica, ed., Mario Giacomelli. La collezione della Citta di Lonato, p. 39; Alistair Crawford, Mario Giacomelli, pl.14, p.414
Los 663
Royal Air Force photographer, Lancaster bomber over Hamburg, 30/31 January 1943, gelatin silver print, printed February 1943, printed caption headed “British Official Photograph No. C.3371.WB” pasted to verso, 204 x 254mm (10 x 8in), Sometimes attributed to Flt Lt David Shannon of the Royal Australia Air Force, pilot of the photographing aircraft, another Lancaster of 106 Squadron. Literature: Beaumont Newhall, Airborne Camera, The world from the air and outer space, 1969, illustrated pp 58-59.
Los 900
* Gillray (James). Fashionable Contrasts; - or - The Duchess’s little shoe yeilding to the Magnitude of the Duke’s Foot, pub. H. Humphry Jan. 24th 1792 [but later edition by H. Bohn, 1847], uncoloured etching, 255 x 355mm. A ‘supressed’ print which was aimed at the sycophancy of the press who had waxed lyrical about the daintiness of the feet of Charlotte Duchess of York. The more unkind might well have retorted that there was little else to commend the Duchess other than her feet. The print simply shows two pairs of feet and ankles quite clearly in the ‘missionary’ position, with the Duke’s feet enlarged and the Duchess’s feet drawn very small. Simple yet devastating in puncturing the pomposity which surrounded the engagement of the Prince of Wales. (1)
Los 952
* Americas, Asia, etc. A varied collection of approx. 160 albumen and gelatin silver print photos, mostly late 19th and early 20th c., including views of New York, Montreal, Ottowa, Aden, Ceylon, India, a small number of West Indian photographs including one of Barbados, various sizes including some smaller format photos mounted as multiples to a folio leaf, plus four large format albumen prints (approx. 60 x 50 cm) of Niagara Falls, c. 1900. (a folder)
Los 959
* Canada - Baldwin family. A photograph album relating to the family and descendants of William Augustus Baldwin of Spadina and Mashquoteh, Toronto, Ontario, c. 1890-1900, a total of ninety-seven (mostly mounted), albumen prints of house exteriors and interiors, family and friends, river scenes, etc., mostly approx. 11.5 x 15.5 cm and smaller, uncaptioned, some spotting throughout, contemp. half morocco, some wear and spine def., 4to, together with three framed groups of related albumen print portraits, including Mrs Willcoks, Mrs W. Warren Baldwin, Mrs Sullivan, Peter Russell, Mr. Jackson, Robert Baldwin, Admiral Baldwin, Mrs Augustus Baldwin and Hon. Robert Baldwin, a total of thirteen portraits, only Hon. Robert Baldwin taken from life, each 27 x 66 cm, plus two old related typed histories of the Baldwin family, plus some modern and correspondence of related interest. The album would seem to largely relate to the home and family of Henry St. George Baldwin. He was the fourth son of William Augustus Baldwin (1808-1883), who in turn was the fourth son of William Warren Baldwin and the brother of Hon. Robert Baldwin (1804-1858), all descending from Robert Baldwin (1741-1816), who emigrated from Cork in Ireland to Upper Canada in 1778. The Baldwin family network is vast and their influence in the development and history of 19th century Toronto is extensive. The interiors of the house shown in the photo album are believed to be what is now Spadina Museum [Grand Reopening 17th October 2010]. Provenance: By family descent. . (4)
Los 960
* Cartes de visite, a group of approx. 115 albumen print cartes de visite and cabinet cards, c. 1860s and later, including many of actresses, royalty, etc., together with a Victorian magnifying viewer, stained black wood with magnifying glass, support, hand painted floral decoration. (approx. 115)
Los 961
* Cartes de visite. A collection of approx. 130 cartes de visite contained in three unrelated albums, 1860s and later, one album comprising approx. fifty albumen print portraits of Cardiganshire people, c. 1877, heavily soiled, hinges broken, one album containing approx. forty cartes de visite and cabinet cards including well known men and mostly women of the day, including General Tom Thumb & Mrs. Thumb, William Cody (cabinet card), Queen Victoria, the Prince of Wales, Lilly Langtry, Ellen Terry, Queen of Spain, an unidentified portrait of a lady by Frank Meadow Sutcliffe, the third album containing approx. forty portraits of a family and relatives from Wales and the Midlands, some in traditional Welsh costume, all contemp. morocco, worn, 4to/8vo, plus a group of approx. thirty photographic stereocards and approx. sixty loose photographs and postcards, plus a group of approx. forty-five b & w photos of processes in the textile industry (Yorkshire?), c. 1930/1940s, each approx. 20 x 25cm. (a carton)
Los 962
* Cartes de visite. A group of approx. 120 albumen print cartes de visite, c. 1860s and later, including topographical views (one a shop front of Pembroke Hotel Stores), architecture, children, royalty, plus unidentified men and women of the day, together with a group of approx. twenty cabinet cards including Tennyson, royalty, etc.. (approx. 140)
Los 975
* Europe. A large collection of over 200 albumen print and gelatin silver print photos, late 19th and mostly earlier 20th c., an assortment of views, architecture, etc., across Britain and Europe, various sizes including a few large format, mostly mounted, but including two albumen prints of Lapland interest and eight mounted albumen prints of St. Petersburg, each 21 x 27cm. (a large folder)
Los 981
* Horses, Hunting & Sport. An assorted collection of approx. 75 photographs, late 19th and 20th c., including approx. forty mostly albumen print photos of horses, carriages and hunting related scenes, plus approx. thirty mostly silver prints of sporting interest, including athletics, tennis, etc., plus some group portraits with sporting interest, the majority mounted to old card leaves, various sizes. (a folder)
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315264 Los(e)/Seite