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Jean Georges Wille, German/French 1715-1808- "Musicians Ambulants", 1764, after Christian Wilhelm Ernst Dietrich; engraving, 50.8x36.7cm: together with another engraving by and after a similar artist depicting musicians in an interior scene, 50.8x36.7cm: C N Smith, British mid 19th century- "The Cambridgeshire Stakes, 1853, The Finish", after Samuel Alken, publ. Nov 24th 1853 by John Moore; hand coloured aquatint, 42.5x57.5cm: Jane Toler, British late 20th/early 21st century- Reclining nude; pencil, signed and dated `92, 24x40cm: Neill Bidwell, British mid/late 20th century- City scene; pastel, signed, inscribed to the reverse of the frame, 34.5x39cm: After James Matthews, British late 19th/early 20th century- "A Summers Day"; reproduction print in colours, 24.5x37cm, (6)
D Taylor, British late 20th/early 21st century- "Tailor Made"; mixed technique screenprint in colours, signed, titled and numbered 80/120 in pencil, 77.5x56cm: Neil Bassant, British mid/late 20th century- "The Road Through Cuxton"; mixed technique etching with aquatint, signed, titled, dated `65 and numbered 8/10 in pencil, 50x60cm: together with another print by the same artist titled "Chatham: Night", signed, titled, dated `65 and numbered 1/10 in pencil, 45x57cm: together with a quantity of prints and reproductions by and after various contemporary hands including two Oriental prints, a number of unframed original works and reproduction prints in colour by and after Paul Mann, British 1907-1994, (a lot), (may be subject to Droit de Suite)
George Baxter, British 1804-1868- Figures by a river in a tropical forest, publ Nov 25 1856; Baxter print in colours, 36x27cm: together with six further various Baxter and Le Blond prints to include, "Verona Evening Scene", "The Wedding Day", "The Departure", "The Daughter of the Regiment" and two others, various sizes, (7)
After Sir William Russell Flint RA, Scottish 1880-1969- "Campo san Trovaso", publ 1968 Frost & Reed; reproduction print in colours, signed in pencil, 57.5x71.5cm: together with one other reproduction print in colours after the same hand titled "The Awkward Encounter", publ by W J Stacey, signed in pencil, 44x57cm., (2)
David Humphreys, British b.1937- "Pembrokeshire landscape"; screenprint in colours, signed, titled and inscribed `artist`s proof` in pencil on the mount, 33x51cm: together with another print by the same artist entitled, "Dorset Cottage"; lithograph printed in colours, signed, titled and numbered 27/79 in pencil, 48x63cm, (2), (may be subject to Droit de Suite)
British School, late 20th century- "Northern Spring"; mixed technique print with embossing, signed, titled, numbered 47/100 and dated 1976 in pencil, 71x54cm: together with two other similar prints entitled "Dawn" and "Clouds over Hills" by the same artist: Wilkinson, British late 20th/early 21st century- "Fellside in Winter Sunlight of January"; etching with aquatint printed in colours, diptych on two sheets, signed on one sheet, titled and numbered 45/80 in pencil on the other sheet, ea. 40x48cm: together with another diptych by the same artist titled "Sunlight and rain across Nab scar/Rydal, winter morning", ea. 39.5x50cm, (5 in 7 frames)
After Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- "Salford, Peel Park"; colour reproduction print, signed in pencil, bears Fine Trade Guild blind stamp, 41x77.5cm: After Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- "Level Crossing"; colour reproduction print, signed in pencil, 49x58cm: together with two colour reproduction prints after Helen Bradley, both signed in pencil, 29x38.5 and 34.5x39cm., (4)
* Bisson Freres, an albumen print of a saddled donkey, early 20th century. Mounted on card, stamped in black ink on the card `BISSON FRERES PHOTOG`, also bearing blind stamp `A. Morel Boiteur Paris`. 15x20.5cm Also another albumen print mounted on card, of the front of the Louvre c.1890, signed on the image bottom left Bisson - Freres, 33x43cm. (2) VAT charged on hammer price.
An Indian miniature picture of a courting couple, depicted nude and seated on rug with canopy in the background, framed and glazed, 31cm high x 21.5cm wide; together with a framed and glazed photographic print of figures in a boat on water and a photographic print of Gothic religious figures in an architectural context, (3).
A Japanese woodblock print, 19th century, depicting a coastal scene, bearing the names Suzuki Harunobo and Hiroshige to the reverse, framed and glazed, 48.5cm high x 36cm; together with a framed and glazed picture of a Buddha, to the verso a label with further information, 42cm high x 37cm wide, (2).
Militaria: a quantity of WWII period uniforms relating to a Captain in the Royal Marines and a lieutenant in the Parachute Regiment, together with a print of 'The Yomp', by Andrew Wing, from an original donated to the Royal Marines Museum, Eastney. Provenance: The Estate of David Powell MBE.

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