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315264 Los(e)/Seite
Los 267
Charles Johnson Payne 1884-1967 British The Finest View in Europe, coloured print No 94/500, framed, 24 x 51cm The Worst View in Europe, coloured print, framed, 24 x 11cm. A sight to take home and dream about, 9 x 16cm, framed and a large engraving of horses after Landseer, 60 x 97cm (losses)
Los 506
Thomas Ruff, geb. 1958 Zell a. H./ SchwarzwaldNUDE ADC 03, 1999C-Print.110 x 125 cm.Rückseitig signiert, nummeriert und datiert „Ed 1/5“. Verso Aufkleber der Galerie Mai 36, Zürich, mit Angaben zum Künstler, Signatur und Betitelung.Unter Plexiglas in Holzrahmen.(1420518) (1) (18)Thomas Ruff,born 1958 Zell a. H./ Black Forest NUDE ADC 03, 1999C-print.110 x 125 cm.Signed, numbered, and dated, ltd. edition 1/5 on the reverse. Label inscribed “Mai 36 Galerie, Zürich” with information regarding the artist, title, and signature on the reverse. In wooden frame under acrylic glass.
Los 747
Micha Klein, geb. 1964 Harderwijk, NiederlandeMODEL NXM 2000 „DARLING“, 1996, DORNBRACHT VERSIONFotografie, C-Print. Plexiglas.150 x 124 cm.Verso signiert, Ed 1/2 sowie Betitelung und Datierung „1996“.Der Künstler erforscht die medienbasierte Kultur unserer Zeit mithilfe moderner Computertechnologie.(14205113) (1) (18))
Los 487
Andy Warhol, 1928 Pittsburgh – 1987 New York, nachMARILYN (CASTELLI MAILER), 1981Offsetlithografie auf leichtem Karton.30,5 x 30,5 cm.Rechts, seitlich signiert, links unten im Druck bezeichnet „ANDY WARHOL“, rechts unten bezeichnet „Castelli Graphics“.Freigestellt in Passepartout, hinter Glas in vergoldetem Rahmen.(1420513) (1) (18)Andy Warhol, 1928 Pittsburgh - 1987 New York, afterMARILYN (CASTELLI MAILER), 1981Offset lithograph on thin card. 30.5 x 30.5 cm.Signed sideways on the right, inscribed “ANDY WARHOL“ on print lower right and inscribed “Castelli Graphics“.
Los 707
Blaufuchs-MantelKonfektionsgröße: M.Bodenlanger Blaufuchs Mantel von Schauspielerin Ruth Maria Kubitschek. Er wurde für die Schauspielerin angefertigt. Bis auf einen kleinen Riss am rechten Ärmel ist er in einem guten Zustand. Der Mantel ist galliert und mit einem Leopard-Print Futter vernäht. (14203035) (10))
Los 61
A duo of paperback books exploring the techniques and history of printmaking. Titles include: Print-Making, A Complete Guide to Materials and Processes, by Beth Grabowski & Bill Fick. Published by Laurence King in 2009. ISBN: 9781856696005; Printmaking: History and Process by Donald Saff. Published by Wadsworth in 1978. ISBN: 0030856639. Largest book measures: 8.75''L x 1''W x 11.5''H. Issued: 20th century - 21st centuryDimensions: See DescriptionCondition: Very good condition.
Los 20
A print portrait of Swoon's father, Milton Curry Jr., intricately cut out and applied to a piece of wood. Caledonia Curry, known as Swoon, is a pioneering contemporary artist and filmmaker celebrated for her intricate paper cutouts and wheatpaste prints that explore themes of social justice, trauma, and community engagement. Emerging in the early 2000s alongside artists like JR and Banksy, she became one of the first female street artists to gain international recognition. Known for her detailed portraits, Swoon has wheatpasted her work in cities worldwide, including New York, London, and Tokyo, pushing the boundaries of street art. Artist's signature in graphite on the back. Artist: Caledonia Curry (Swoon) (American, b. 1977)Issued: c. 2010Dimensions: 4.5"L x 1"W x 23"HCondition: Age related wear.
Los 103
An original silkscreen print on paper by Miami-based artist Lynne Golob Gelfman, known for her groundbreaking experimentation with abstract painting techniques. Handwritten text on verso: Link, 2002, for Haitian Relief Project/Fund. Artist signature and date on lower right of verso: Lynne Gelfman 02. Handwritten text on back of lower edge of frame: Lynne Golob Gelfman. Housed in a white wooden frame with a white mat. Sight size: 12"L x 9"H. Frame dimensions: 15.75"L x 0.75"W x 12.75"H. Artwork can be unframed and rolled for shipment. Artist: Lynne Golob Gelfman (American, 1944-2020)Issued: 2002Dimensions: See DescriptionCondition: Age related wear.
Los 14
This ten piece collection includes his silkscreen color prints book titled Consider Everything in Bad Shape, editioned and signed, number 125 of 200; his artwork for the compilation album Technicolor Hell; and a signed and dated print titled No Relaxation, No Days Off. Mark Price is a member of the Philadelphia artist collective Space 1026, won the Xeric Grant in 2006, and has exhibited his work in various galleries across the U.S. and internationally, with representation by Glowlab in New York City. Largest item: 8.5"L x 8"H. Issued: c. 2006Dimensions: See DescriptionCondition: Age related wear.
Los 126
Classical music and opera memorabilia: programmes, playbills and pictures. 90 opera programmes and festival guide books, including from Bayreuth, Met, Covent Garden, Munich, Saltzburg, Berlin and Vienna mostly from 1930s._ Quantity of playbills and posters including for Strauss’s New York debut, Lohengrin 1879, die Walkure 1917, and die Meistersinger._ Also prints including Joseph Joachim Vanity Fair print and engraving of ‘The Mozart Family c.1770._ Condition varied, mostly fine with occasional toning/wear, w/a/f, (qty)
Los 230
William P. Gottlieb (American photographer, 1917-2006). Portrait of Duke Ellington, Paramount Theater, New York, 1946, gelatin silver print, signed by the photographer l.r., 49.5cm x 40cm, mounted on board, some surface scuffs and edge-wear "Fifth in the series of staff lensman Bill Gottlieb's intimate dressing room shots of musical celebrities is Duke Ellington, with the mirror reflecting his always present piano, his conservative ties, his 20 suits, his 15 shirts, his suede shoes and his smiling self." ["Through the looking glass," Down Beat, v. 13, no. 20 (Sept. 23, 1946), p. 16.] Recorded in the Library of Congress [LOC Control No. 2023867643] ❧ Gottlieb's photographs are among the best known and most widely reproduced images of the Golden Age of American jazz in the 1930s/40s
Los 227
Thomas Rowlandson (English, 1756-1827). A Print Sale, etching on laid/chain-lined paper depicting auctioneer Hassel Hutchins presiding over a saleroom filled with print connoisseurs, uncoloured (as per the example in British Museum), well-preserved, clean & bright, miniscule area of wear at title, hinge-mounted (not pasted), 18.5cm x 17.5cm, signed & dated in the plate, 1788. Together with Hunting Scene, similar condition, 14cm x 24cm, signed & dated in the plate, 1787, each mount bearing labels for The Folio Society - Collectors' Corner (2)
Los 114
NEWTON, Sir Harry Kottingham. Your Books, My Son, ltd ed. of 101 copies, original cloth with gilt lettering, original card slipcase, bookplate ‘Wendy Stewart Koe’ with gift inscription addressed to her, internally clean and solid, untrimmed fore and bottom, gilt top edge, staining at bottom of spine and slipcase, some spotting at endpapers, Oxford: University Press, 1934._GOSSE, Edmund. Gossip in a Library, London: Heinemann, 1891._MOORE, Henry. Catalogue of Graphic Work 1931-1971, bright internally, some fading at spine, rubbing at foot of slipcase, Geneva: Gerald Cramer, 1973._CHRISTIAN, R. F. Tolstoy’s Letters, 2 vol., unclipped d.j., London: The Athlone Press, 1978. (2) _FROUDE, J. A. Thomas Carlyle: A History of his Life in London, 2 vol., London: Longmans, 1884. (2) _FRY, Roger. Vision and Design, purportedly from the library of John Lehmann, London: Chatto & Windus, 1925._BINYON, Helen. Eric Ravilious – Memoir of an Artist, Lutterworth Press, 1983._RAVILIOUS, Eric. High Street, modern V&A re-print (10)
Los 87
John Henry Campbell (1757-1839)A View of the Dargle, Tinnehinch and Powerscourt, County WicklowSigned and dated 1825Oil on canvas, 71.5 x 93cm (28¼ x 36½") This unusually large and ambitious work by John Henry Campbell shows the famed landscape of Tinnehinch in County Wicklow which had been admired by Arthur Young in 1776: ‘Returning to Tinnyhinch I went to Inniskerry [sic], and gained by this detour, in my return to go to the Dargle, a beautiful view which I should otherwise have lost. The road runs on the edge of a declivity from whence there is a most pleasing prospect of the river’s course through the vale and past the wood of Power’s Court, which here appear in large masses of dark shade, and the whole bounded by mountains’. Campbell shows both Tinnehinch and, in this distance, Richard Castle’s great house of Powerscourt with its flanking towers crowned by their copper domes. The Wicklow hills in the distance are framed between two repoussoir clumps of trees, while travellers, goats and cattle add variety to the foreground. Tinnehinch had long been appreciated for its scenic qualities. It was painted by Jonathan Fisher (Fota, County Cork) and twice by Thomas Roberts (private collection and Crawford Art Gallery, Cork). However after funds were voted by the Irish parliament to Henry Grattan to acquire an estate in the river valley, national and political resonances quickly adhered to the site, and this was particularly marked after the Act of Union dashed Grattan’s hopes for an independent Irish parliament. When Campbell’s daughter Cecilia Margaret exhibited a view of Tinnehinch at the Royal Hibernian Academy it was described as ‘looking towards Mr Grattan’s house’. A related watercolour by Campbell dated 1801 shows a similar disposition between the two houses and is inscribed by the artist ‘‘Tenehinch [sic] & Powerscourt from the Dargle’. Born in Herefordshire in 1757, Campbell moved to Dublin at an early age where his father, Richard, worked, and ultimately formed a partnership with the leading printing firm Graisbery’s. In 1802 Graisberry & Campbell was appointed printer to the Dublin Society, printing its county surveys, a suggestive counterpart to John Henry’s visual mapping of Ireland, and particularly Wicklow’s topography. Campbell studied at the Dublin Society Schools and initially seems to have been a versatile practitioner working as a scene painter, caricaturist as well as painting portraits. Soon however, he settled down to paint the Irish landscape in oil and more frequently watercolour. Early works include a drawing in the National Gallery of Ireland which is dated 1793 while in 1800 he exhibited a drawing, Moonlight, at William Allen’s Map and Print Warehouse, at 32 Dame Street Dublin. The following year, from an address of 13 Trinity Street, he showed two landscapes drawings at the Society of Artists in Ireland at Parliament House. He continued to exhibit in Dublin, at the Society of Artists and at the inaugural show of the Royal Hibernian Academy in 1826. Campbell painted scenes all over Ireland including Killarney and Wicklow but also Lough Erne and Dunluce Castle, County Antrim. Having connections with Dublin printers since childhood, it does not surprise that he also worked for publishers. His drawing of the new Sarah Bridge, at Islandbridge, featured in J Ferrar’s Views of Ancient and Modern Dublin (1797). Strickland writes ‘Campbell’s works are pleasing and well painted, and as an artist, he ranks high among contemporary Irish painters’.
Los 514
BUKOWSKI, Charles (1920-94). "Old". The original file copy of the poem in the form of a computer print-out, 47 lines on 2 sheets of A4, SIGNED "Charles Bukowski, 12-29-91"; with another similar. Please see the full description below.BUKOWSKI, Charles (1920-94). "Old". The original file copy of the poem in the form of a computer print-out, 47 lines in 5 stanzas, printed on the rectos only of 2 sheets of A4, SIGNED "Charles Bukowski, 12-29-91", with minor annotations in the poet's hand (for instance, "Cont[inue]. same stanza" at the foot of the first sheet). Included with the poem is a formal letter with the printed heading "The Abandoned Planet Bookstore ... San Francisco", dated March 4, 2002, guaranteeing the poem's authenticity and stating: "Sold to [name of purchaser, redacted in our illustration]. The manuscript/file copy of Charles Bukowski's poem, 'old'. This poem Bukowski, [sic] signed, dated and mailed in for publication. The date, hand writing and signature are ORIGINAL and in Charles Bukowski's OWN HAND. This was the copy sent by him for consideration for publication. I will guarantee its authenticity." The letter is signed by the bookstore's proprietor, Scott Harrison. The poem was apparently unpublished, at least in its present form. With Charles Bukowski's poem "the condition book", the original file copy of the poem in the form of a computer print-out, 22 lines, in one stanza, printed on the recto only of one sheet of A4, SIGNED "Charles Bukowski, 11-10-92", with another formal letter of authentication from "The Abandoned Planet Bookstore" which states, "... This is computer printed but this was the copy that Bukowski sent in for publication. This was the normal manner in which Bukowski submitted his work at the time ... To my knowledge, this was the only copy of this poem signed and dated by Charles Bukowski", dated January 20, 2004, and signed by Scott Harrison. "The condition book" was first published in issue 132 of the Wormwood Review (1993). (5)
Los 523
BUKOWSKI, Charles (1920-94). You Get So Alone At Times That It Just Makes Sense, Santa Rosa, Black Sparrow Press, 1986, 8vo, boards. FIRST EDITION. NUMBER 66 OF 126 COPIES SIGNED WITH A SELF-PORTRAIT BY THE AUTHOR AND AN ORIGINAL COLOURED PRINT, SIGNED.BUKOWSKI, Charles (1920-94). You Get So Alone At Times That It Just Makes Sense. Santa Rosa: Black Sparrow Press, 1986. Large 8vo (228 x 155mm). Title printed in colours, monochrome photographed portrait of the author by Michael Montfort at the end. Original cloth-backed coloured decorated paper boards by Earle Grey, dark blue endpapers, original acetate wrapper (some very light spotting and staining to boards, edges spotted). Provenance: from the Collection of David Kotthoff. FIRST EDITION. NUMBER 66 OF 126 COPIES SIGNED AND WITH A SMALL SELF-PORTRAIT BY THE AUTHOR AND AN ORIGINAL COLOURED PRINT SIGNED "BUK". Krumhansl 100e.
Los 4242
McBride, Will -- Mike und die Anderen schmeißen sich mit Wasser, Schule Schloß Salem. 1963. Gelatin silver print, printed 1990. 54 x 36 cm (61 x 51 cm). Signed, titled and dated by the photographer in pencil, editioned "1/12" and collector's stamp on the verso.Buckled, a few light minimal handling dents in white margin, otherwise in very good condition.Lit.: Kurt von Hammerstein/Björn Koll/Jan Künemund (eds.). Will McBride. Salem Suite. Berlin 2014, ill. unpaginated.
Los 4063
North Africa -- Photographers: Lehnert & Landrock (active 1904-1930), Neurdein Frères (active 1864-1919), Léon & Lévy (active 1864-1917), Phot Leroux (active 1900s-1920s). Views of North Africa. 1890-1910s. 48 gelatin silver prints and 1 collotype print mounted to album pages. Each between 18 x 24 and 22 x 28 cm (30 x 35,5 cm). Most signed, titled and numbered in negative in lower margin, bound in green cardboard-backed album with cloth spine. This album features notable North African landmarks, including the Al-Zaytuna Mosque in Tunis, the Roman Aqueducts of Zaghouan, and the St. Louis Cathedral in Carthage, along with the Mosque of the Sabres and the Mosque of Sidi Sahbi in Kairouan. Other significant landmarks include the Roman ruins of Djemila, the Arch of Trajan in Timgad, views of the Algiers waterfront, and the Notre Dame d’Afrique basilica. – Some strong fading and signs of oxidation visible alongside edges of some prints, otherwise all in good to very good condition.
Los 4258
Reutter, Otto -- Photographer: Reichard Lindner. The German cabaret singer and comedian Otto Reutter. Circa 1910. Vintage gelatin silver print. 19 x 12,5 cm. Signed, dated (1919) and dedicated by the sitter in ink in lower portion on recto, flush-mounted to cabinet card (slight traces of use) with photographer's embossed name below image, dedicated by Reutter in ink on mount verso. This early portrait of Otto Reutter was gifted to his colleague the singer Paul Britton as the dedication on the recto and verso indicate. – Some surface scratches/scuff marks, otherwise in good condition.
Los 4296
Wolff, Dr. Paul -- Rome. 1940s. Vintage ferrotyped gelatin silver print on doubleweight paper. 23,7 x 17,2 cm. Photographer's Frankfurt am Main stamp, annotated in pencil and subject and agency label on the verso.The German photographer Dr. Paul Wolff is best known for his pioneering work in portraiture and modern photographic techniques. His innovative approach to lighting and composition continues to influence the medium's evolution and secures his enduring legacy in the history of photography. – Corners bumped with some chipping to emulsion, some light surface scuff marks, otherwise in very good condition.
Los 4278
Shulman, Julius -- Case Study House #20, Altadena, California. 1958. Chromogenic print, printed later. 40,5 x 51 cm (50,8 x 61 cm). Signed and dated "Julius Shulman 1958" by the photographer in felt-tip pen on verso. Julius Shulman was a key figure in architectural photography, known for capturing the beauty and functionality of mid-century modern design with precise composition and natural light. His work was instrumental in popularizing the modernist movement, particularly in Southern California. This photograph exemplifies his style, featuring a sleek, functional kitchen that embodies the clean lines and optimistic design ideals of post-war America. – Lower left corner bumped, some handling creases and scratches on surface of print in lower right, otherwise in good condition.
Los 4236
Maywald, Willy -- Pablo Picasso. 1947. Gelatin silver print, printed 1989. 31 x 29 cm. Estate stamp and "Griffelkunst" edition stamp, annotated by another hand in pencil, signed by Jutta Niemann in ink on verso. Corners slightly bumped, small creases in lower right corner, otherwise in good condition. Lit.: Willy Maywald. Die Splitter des Spiegels. Eine illustrierte Autobiographie. Munich 1985, ill. 57.
Los 4114
Davidson, Bruce -- Girl Holding Kitten, London. 1960. Gelatin silver print, printed later. 32,5 x 22 cm (35,4 x 27,7 cm). Signed by the photographer and annotated in another hand in pencil on the verso.This 1960 photograph by Bruce Davidson is part of his "England/Scotland" series, produced during a Magnum commission. It exemplifies Davidson's profound humanist approach, capturing intimate moments of everyday life with striking emotional resonance. The series is particularly noted for its sensitive portrayal of British youth and urban environments, offering a vivid reflection of post-war societal changes and the shifting landscape of 1960s Britain. – A few light dents in white margins, otherwise a fine tonal print in excellent condition.
Los 4142
Fischer, Arno -- Müritz-DDR. 1956. Gelatin silver print, printed 1990s. 27,5 x 42,2 cm (36,5 x 48,5 cm). Titled, signed and dated by the photographer in pencil on the verso.A few light handling dents, traces of previous mounting on verso, otherwise in very good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 65.
Los 4288
Struth, Thomas -- Paradies series. 2004. 5 digital color prints and 1 black and white digital print. Each circa 30,7 x 39 cm and 39 x 30,7 cm (33,4 x 48 cm and 48 x 33,4 cm). Each with "Griffelkunst" edition text printed on the verso. Each mounted in upper edge to archival board, with original card portfolio, inner flap signed by the photographer in pencil and with text page.Thomas Struth’s Paradies series, created between 2000 and 2002, explores the relationship between humans and nature through large-scale photographs of botanical gardens, parks, and tropical settings. By capturing the lush beauty of these environments and the interactions of people within them, Struth invites viewers to reflect on the balance between humanity and nature, as well as the idealized notions of paradise in contemporary society. The titles in this portfolio include Juquehy, São Francisco de Xavier, Yakushima, Daintree, Xi Shuang Banna and Yosemite National Park. – One print with a few small color irregularities, otherwise in excellent condition.Lit.: Thomas Struth. New Pictures from Paradise. Dresden 2002.
Los 4190
Horst, Horst P. -- Male Nude, Back Study, New York. 1952. Gelatin silver print on Agfa paper, printed later. 36,5 x 47,5 cm (40,4 x 50,4 cm). Signed by the photographer in pencil in lower margin; photographer's copyright stamp and annotated in pencil and red crayon by another hand on the verso, matted.This strikingly abstract, modern nude exemplifies Horst P. Horst's masterful orchestration of light and shadow. The stark contrasts of black and white emphasize the sculptural quality of the model, whose solid form mirrors the compact mass of the stone on which he lies. This rare image is one of Horst's more minimalistic and abstract works, highlighting his ability to distill the human figure into a harmonious interplay of shape and texture. – Light handling dent in upper left and mid right, a few small retouched spots, otherwise a fine, tonal print in near excellent condition.Lit.: Boris von Brauchitsch (ed.). Enthüllungen. Berlin 2019, ill. p. 138.
Los 4287
Steinert, Otto -- Die Bäume vor meinem Fenster II. 1956. Gelatin silver print on ivory paper. 14,3 x 17,7 cm (18 x 22 cm). Signed below image in brown ink (slightly faded), with the photographer's copyright stamp on the verso. Otto Steinert was a German photographer and key figure in the Subjektive Fotografie movement, known for using experimental techniques to express emotional and abstract ideas rather than objective reality. His work, characterized by high contrast, multiple exposures, and unconventional angles, explores themes of light, shadow, and form, often blurring the boundary between photography and modern art. Steinert’s influence reshaped post-war European photography, encouraging a more personal, subjective vision that celebrated artistic experimentation. – Corners slightly bumped, some traces of previous mounting on verso, otherwise in near excellent condition.
![[*] Schenker, Karl -- Leni Riefenstahl. 1923. Vintage gelatin silver print. 30 x 23,7 cm. Karl Schenker gained recognition fo](https://cdn.globalauctionplatform.com/8497d961-b713-4fcd-874c-b22200d95e7d/3da743d7-ec5b-4ab7-9ea2-b22200dff2a3/468x382.jpg)
Los 4270
[*] Schenker, Karl -- Leni Riefenstahl. 1923. Vintage gelatin silver print. 30 x 23,7 cm. Karl Schenker gained recognition for his refined portraits of early 20th-century European cultural figures. Among his subjects was Leni Riefenstahl, whom he photographed in the 1920s, prior to her involvement in Nazi propaganda. Schenker’s portraits of Riefenstahl highlight his talent for capturing glamour, contributing to her early cinematic image while predating the complexities of her later career. – Corners slightly bumped, some handling creases and finger prints, otherwise in very good condition.
Los 4111
Chaldej, Jewgeni -- Nürnberg. 1946. Gelatin silver print, printed 1990s. 24 x 30 cm. Signed, titled and dated by the photographer in pencil on the verso.Some buckling, some handling creases, otherwise in good condition.Lit.: Volland, Ernst, and Heinz Krimmer, eds. Von Moskau nach Berlin: Bilder des russischen Fotografen Jewgeni Chaldej. Berlin: Nicolai Verlag, 1999. Illustrated p. 108-109.
Los 4055
Mey & Widmayer -- Siegestor, Munich. 1860. Albumen print mounted to board (some handling creases). 20,5 x 15 cm (39 x 30 cm). Photographer's studio stamp embossed in lower margin of mount; titled in lower margin, annotated by another hand in pencil on recto; typewritten description on label attached to verso. Mey & Widmayer, established in Munich in 1838, initially focused on publishing and lithography before transitioning to photography in the course of the 1850s. The studio became renowned for its meticulous documentation of Munich's architectural and cultural heritage. In addition to their photographic output, Mey & Widmayer produced detailed maps and prints, significantly contributing to Munich's cultural landscape during the 19th century. – Some scuff marks and slight fading along edges of print, otherwise in very good condition.
Los 4076
Siam -- Photographer: Robert Lenz (1864-1929). Views and types of Siam. 1893-1907. 34 albumen and collodion paper prints mounted to gilt-edged album pages (some foxing and signs of previous mounting). Each between 15,5 x 21 cm and 21,5 x 29 cm (25,5 x 33,5 cm). Most numbered in negative, annotated in pencil above image on mount. Robert Lenz, one of the most prolific photographers based in Southeast Asia during the late 19th and early 20th centuries, opened his Bangkok studio in 1893, quickly gaining renown and securing the coveted role of court photographer for the Siamese royal family. His photographs, distributed as cabinet cards and postcards at the time, vividly documented the region’s architecture, culture, and people, including portraits of Thai royalty, nobility, and everyday citizens, as well as architectural and topographical views. This collection of photographs features landmarks such as Wat Phra Si Sanphet, Wat Saket, Wat Phra Kaew, Wat Pho, and Tham Khao Luang cave, alongside scenes of rural life, the royal elephant hunt, and King Rama V in a ceremonial palanquin during a procession. – Some fading, foxing and light surface irregularities, small tear in top right corner of one print, otherwise in good to very good condition. Lit.: Joachim K. Bautze. Unseen Siam: Early Photography 1860-1910. Bangkok: River Books, 2016. ill., p. 309, pl. 44; p. 313, pl. 59; p. 314, pl. 61; p. 322, pl. 88; p. 324, pl. 94.
Los 4029
Daziaro, Joseph -- Views of Moscow. 1880s. 6 albumen prints (1 finely hand-colored) mounted to board. Each ca. 27,5 x 20,8 cm (30 x 23,2 cm). Each titled in ink below image, some annotated by another hand in pencil below image on mount. J. Daziaro, founded by Giuseppe Daziaro in 1827, became a leading publisher and photographic studio in 19th-century Russia, renowned for its high-quality lithographs and photographs of Russian cityscapes, portraits, and cultural scenes. After Giuseppe’s death, the business was carried on by his son Joseph and later by his grandson Alexander, until it closed in 1918. The legacy of J. Daziaro endures through its significant contributions to Russian art and photography, with works held in prestigious collections such as the Getty Museum and the New York Public Library, and even referenced by literary figures such as Leo Tolstoy. – Some scuff marks and signs of fading along edges of print, otherwise in good condition.
Los 4227
List, Herbert -- Young man on the beach. 1950s. Vintage gelatin silver print. 22,3 x 27,5 cm. Photographer's stamp and annotated in pencil/red crayon with layout notes on the verso.The German photographer Herbert List made important contributions to 20th-century photography. His seamless blend of classicism and modernism resulted in visually arresting images that at times evoke a sense of surrealism. List had a unique ability to capture moments of stillness and poetic elegance in his work. – Edges slightly curled, corners slightly bumped, some handling dents/creases, stronger crease in lower left corner, some retouching in hip area, otherwise in good condition.
Los 4040
Grindelwald Glacier -- Photographer: Charnaux frères (attributed to). Grotte de Grindelwald. 1860s. Gold-toned albumen print. 18,7 x 16 cm. Mounted to card, annotated in ink below the image on the mount.The Grindelwald Glacier was one of the most breathtaking glacier formations in Switzerland, featuring towering ice structures and unusual shapes. By 1855, it had descended to the valley floor. In 1863, the Bernese company Schegg & Böhlen received a concession for commercial ice mining. The harvested ice blocks were transported to Interlaken and exported to Paris for use as a coolant. – Minimal fading in lower edge, a few light surface scuff marks, otherwise in very good condition with strong tones.
Los 4293
Trülzsch, Holger and Vera Lehndorff -- Geöffnete Haustüre, Paros.1977. Dye transfer print, printed 1979. 21 x 27 cm (57,5 x 48,5 cm). Signed, titled, dated and numbered "49/75" in pencil as well as artists' copyright stamp on verso. The German photographer and painter Holger Trülzsch collaborated with the internationally celebrated supermodel Vera "Veruschka" Lehndorff to produce a diverse and compelling body of work during the 1970s and 80s. The highlighted pieces are drawn from their collaborative body-art project titled "Trans:figurations." These images prominently feature the colors of oxidation, such as rust, soot, and chalk, which are beautifully rendered in the dye transfer prints. – Slight buckling in upper portion, light pen mark and surface soiling in lower margin, otherwise in very good conditon.Lit.: Lehndorff & Trülzsch, Veruschka, Trans-figurations, Bullfinch Press, 1988.Oxydationen. Vera Lehndorff & Holger Trülzsch. Museum für Kunst und Gewerbe Hamburg 1979.
Los 4299
Zichy, Count Theodore -- Untitled (Legs with Jewelry). ca. 1948. Gelatin silver print. 30,5 x 25,6 cm. Count Theodor Zichy, a Hungarian aristocrat, became a distinguished figure in mid-20th-century photography, particularly in fashion and portraiture. Starting his career in the 1930s, Zichy quickly gained acclaim for his distinct style that blended elements of glamour and sensuality. His fascination with photographing women’s legs, often adorned with luxurious stockings or jewelry, became a hallmark of his work, emphasizing the aesthetic allure and subtle eroticism that defined his approach to fashion photography. – Corners bumped, some handling creases and light surface irregularities, otherwise in good condition.
Los 4179
Gorman, Greg -- Male nudes. 1990s. 2 vintage gelatin silver prints. 17,6 x 12,2 cm and 24,3 x 19,7 cm (25,3 x 20,5 cm). First print monogrammed by the photographer in pencil on the verso; second print copyrighted by the photographer in pencil on the verso.Fine tonal prints in excellent condition.
Los 4141
Fischer, Arno -- Ostberlin, Besuch von N.S. Chruschtschow (Leninallee). 1957. Gelatin silver print on doubleweight paper, printed 1980s. 23,6 x 34,2 cm. Signed, annotated and dated (1958) by the photographer in pencil as well as photographer's stamp on the verso.Arno Fischer's documentary-style photographs of both East and West Berlin offer a timeless glimpse into the challenges and resilience of the city's inhabitants during this period. They represent valuable historical records as well as works of art. – Light crease in upper left corner, corners bumped, retouched spot and small dent in upper left, otherwise a strong print in very good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 52.
Los 4117
Doisneau, Robert -- Photomontage of various interiors taken by Robert Doisneau, superimposed onto a building wall. 1950s. Vintage gelatin silver print. 30 x 21 cm. 3 photographer's/agency stamps and numbers in ink on the verso.Robert Doisneau frequently utilized photomontage in his work, and the image presented here offers a captivating "view" of the interior of a large apartment building in Paris. By combining photographs of various individuals in their apartments, Doisneau crafted this imaginative representation of communal living, blending multiple scenes into a singular, cohesive vision of life within the building. – Some light indentation lines/ pressure marks from paper clips, especially in upper area, otherwise in good condition.
Los 4295
Weber, Bruce -- Rio de Janeiro. 1986. 2 gelatin silver prints mounted to mat. Each approximately 43 x 36 cm (49.7 x 42 cm). Each print signed, dated, titled, and numbered in pencil on verso; titled, dated, numbered, and annotated in pencil on mat.Bruce Weber's photographic practice is characterized by vivid and sensuous imagery, blending elements of fashion, portraiture, and documentary styles. His distinctive use of black and white photography captures subjects with an intimate, nostalgic, and often homoerotic aesthetic that has become iconic in both commercial and fine art photography. Frequently exploring themes of youth and natural beauty, Weber has made significant contributions to major fashion campaigns and publications. – Some discoloration, some silver mirroring along edges of one print, otherwise in good condition.
Los 4226
Lissitzky, El -- The Constructor. 1924/printed 1985. Gelatin silver print from the original glass plate negative on Agfa paper. 20,2 x 22,2 cm (40,5 x 30,8 cm). With "griffelkunst" edition stamp and photographer's signature stamp on the verso as well as annotated by another hand in pencil on verso.Small crease in lower left corner, some buckling and small surface irregularities, otherwise in very good condition.
Los 4198
Jazz -- Photographer unknown. Sam Wooding and his Chocolate Kiddies Orchestra, performing at the Ufa-Palast in Berlin. 1928. Vintage sepia-toned gelatin silver print. 16,5 x 22,2 cm. "Ufa" photo stamp and annotated in pencil on the verso.In 1925, American jazz musician Sam Wooding brought his famous Chocolate Kiddies Orchestra to Berlin for the first time. They were the first large, all-Black jazz band to perform in many major European cities, achieving lasting success with their "Hot Jazz" style. Their Berlin debut took place on May 25, 1925, at the Admirals-Palast. During their 1925 and 1926 tours, the band recorded with VOX and Grammophon. On their fourth visit in 1930, they performed live at Berliner Rundfunk radio in a program titled "Music from America," offering a wide spectrum of music that demonstrated the origins of Black jazz.This image captures the band on their third visit to Berlin, performing at the Ufa-Palast theater in 1928. Their show, Die Schwarze Revue (The Black Revue), was part of the Ufa stage production, with a stage set designed by Rudi Feld, which likely influenced the design of the Nazi-era exhibit catalog for Entartete Musik (Degenerate Music) in the 1930s. This rare image is an important document of jazz history. – A few indentation spots, and light scratch in lower left, otherwise in near excellent condition.Lit.: Horst H. Lange. Jazz in Deutschland. Die Deutsche Jazz-Chronik bis 1960. Hildesheim 1996, ill. p.271 (image from the same series).
Los 4285
Sitou, Tijani-Àdìgún -- Yoruba women. 1984. Gelatin silver print on baryta paper. 41 x 40,5 cm. Photographer's copyright stamp in red ink and annotated by another hand in pencil on verso.Tijani Àdìgún Sìtou was a distinguished West African photographer whose work, though less internationally known, ranks him among mid-20th century figures like Seydou Keïta and Malick Sidibé. Sìtou documented the cultural richness and social dynamics of his Yoruba heritage, capturing portraits that reflect dignity, pride, and familial bonds. Gaining wider recognition in the 1990s, his work provides a nuanced, authentic perspective that enriches the visual history of West African culture and complements the broader narrative of African photography. – In excellent condition.
Los 4020
Charnay, Claude-Joseph Désiré -- Andrian Mandrousso, Governor of Tamatave Province, Madagascar. 1863. Gold-toned albumen print from a wet collodion negative. 17,2 x 11,8 cm. Mounted to board (foxing), annotated in pencil below the image on the mount.Claude-Joseph Désiré Charnay traveled to Madagascar in 1863 as part of a French scientific expedition to document the island’s native inhabitants and architecture. His photographs and writings were subsequently featured in the journal Le Tour du Monde. – Some discoloration in upper portion, some surface scuff marks, otherwise a strong print.Lit.: Le Tour du Monde, vol. 2, 1864, ill. p. 215.Provenance: Robert Lebeck Collection
Los 4234
Man Ray -- Erotique voilée.1933. Gelatin silver print on Agfa paper, printed 1991. 24,4 x 17,5 cm (30,3 x 22,5 cm). With "Griffelkunst" and "ADAGP Man Ray Trust" copyright stamps on the verso.Lower left corner bumped, otherwise in excellent condition. Lit.: Man Ray. Photographs. London 1982, ill. pp. 69,17 and 114.
Los 4143
Fischer, Arno -- West-Berlin, Kurfürstendamm. 1958. Gelatin silver print on doubleweight paper, printed 1980s. 23,2 x 34,2 cm. Signed and dated by the photographer in pencil and photographer's stamp on the verso.A few minimal dents, otherwise a strong print in very good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 36.
![[*] Russia -- Photographers: Vasily Gerasimovich Fedorov (1857-1924) and Alexander Mendelevich (dates unknown). Views of Kaza](https://cdn.globalauctionplatform.com/8497d961-b713-4fcd-874c-b22200d95e7d/9c4061cf-6482-4b52-b298-b22200de6ab2/468x382.jpg)
Los 4074
[*] Russia -- Photographers: Vasily Gerasimovich Fedorov (1857-1924) and Alexander Mendelevich (dates unknown). Views of Kazan. 1890s. 16 albumen prints mounted to board (slightly soiled, some foxing). Each between 17 x 23 cm and 21,5 x 27,5 cm (23,5 x 31 cm and 24,5 x 34 cm). Most annotated in pencil on verso, 2 with the embossed photographer's signature stamp in lower margin of print, 1 with the publisher's copyright stamp on verso. This collection of photographs features several significant landmarks in Kazan, Russia, such as the Annunciation Cathedral, Peter and Paul Cathedral, Kazan University, the Agricultural Palace, and the Church of the Exaltation of the Holy Cross. Also included are images of Liberty Square, the Kazan Kremlin, and a prominent view of the Alexander II Monument, which commemorates the Russian emperor’s reforms. – Some scuff marks, some light fading, otherwise all in good to very good condition.
Los 4281
Siegel, Arthur -- Untitled (photogram). 1949. Vintage unique gelatin silver print. 25,3 x 20,3 cm. Mounted in mat.Light dent in right mid-section near edge, small surface rubbed spot in upper left, otherwise in very good condition.Provenance: Bruce Silverstein Gallery, New York.Christie's. Light, Volume and Form: Photographs from the Shalom Shpilman Collection, May 24-June 2, 2016, lot 71.
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