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315251 Los(e)/Seite
Charles Johnson Payne 'Snaffles' (1884-1967)'The Gunner'photolithograph with hand colouring28.5 x 20.5cm;After Fortunino Matania'Goodbye, Old Man'photolithograph printed in colours45.5 x 30cm (2)Condition report: The Gunner: a few small spots of foxing. Some light brown discolouration to the paper around the smoke upper right. A large water stain and further spots of foxing to the mount. Goodbye Old Man: Cockling to the lower edge of the print. A little damage in top left corner. Some small spots of foxing in places, and colours lightly faded. Light surface dirt. Not seen outside of glazed frame.
Walter Richard Sickert ARA (1860-1942) Hotel Royal Dieppe, etching on paper, framed signed in the print 19 x 13.5cm. Provenance Michael Parkin Fine Art, Harold Barkley (Victoria & Albert Museum) David Coachworth Collection. Literature Robert Emmons, The Life and Opinions of Walter Richard Sickert, Faber & Faber, page 93 for a comparable print illustrated.
Sir Frank Brangwyn RA (1867-1956) Pollard's Storefitters a pair of lithographic posters, depicting a men sawing and planing, printed by The Avenue Press artists monogram in the print, Avenue Press mark to base, 73 x 47.4cm. (2) Literature Clarice Cliff, Art Deco & Design, Woolley and Wallis Auctioneer's, 18th March 2020, lot 544, for a comparable pair of posters.
A Liberty & Co mahogany overmantel inset with Dutch Scene lithographic print, rectangular with overhanging plate shelf, set with lithographic scene of Dutch farm workers in a field, applied Liberty & Co label, 122cm wide, 55cm high. Literature Daryl Bennett Liberty's Furniture 1875-1915 The Birth of Modern Interior Design, ACC, page 179 for similar examples illustrated in the Yule Tide Gifts catalogue, 1901. The wall brackets were also available with prints by Cecil Aldin and John Hassall.
'Abstract' a pair of David Whitehead fabric lengths designed by Jon Catleugh, screen printed cotton in colours on a black ground with hourglass motif, another abstract screen print on rayon for David Whitehead, and ten small sample designs, signed to the selvedge, 162cm long, 126cm wide (main), (13) Provenance Jon & Kate Catleugh. Literature Geoffrey Rayner, Artists' Textiles in Britain 1945-1970, Antique Collector's Club, illustrated page 51 figures 31, 32 and 33. Exhibited Paintings into Textiles, The Institute of Contemporary Arts, October 1953, artwork illustrated where David Whitehead Ltd purchased the design.
Yankel Adler (1895-1949) Untitled, (landscape), 1948 lithograph on paper, mounted, 'Lambeth Garden by William Crozier, a limited edition print, published by Graphic Arts Studios London, a portrait of a woman, and nine Japanese woodblock prints, Adler signed in the print, William Crozier signed and numbered 1/150 in pencil, 36.5 x 20.5cm (image), (12) Catalogue notes This lithograph was produced in an edition of 182.
‡Pablo Picasso, after (1881-1973) Lines and Dots screen print in black on cotton, printed by Bloomcraft, framed unsigned, 41 x 53cm (each panel) Catalogue notes Picasso originally visited the concept of lines and dots in his illustrations for Balzac's 1927 edition of Le Chef-d'Oeuvre Inconnu.
Jules Cheret (1836-1932) Quinquina Dubonnet Aperitif lithographic poster on paper, published by Chaix (Ateliers Cheret), framed signed in the print, 58 x 38cm.image Provenance Clarice Cliff & Art Deco Woolley and Wallis Auctioneers, 21st March 2018, lot 473. Purchased from Sotheby's in the 1980s by repute.
John Nash CBE RA, after (1893-1977) Landscape near Hadleigh a modern glicee limited edition print on paper, published by the Bookroom Art Press, and The Train by Claughton Pellew and Liverpool Street Station by Edward Bawden, two modern glicee limited edition prints numbered in pencil, 52 x 36.5cm. (Nash print), (3)

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315251 Los(e)/Seite