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315264 Los(e)/Seite
Los 974
JOHN HOUSTON OBE RSA (1930-2008) SEA EDGE, SUMMER Oil on canvas, signed lower left, 49 x 60cm (19.25 x 23.5") 'Purchased in 1979' inscribed, titled and signed verso Born in Fife, Houston studied at The Edinburgh College of Art, and went on to marry significant female artist, Dame Elizabeth Blackadder. In 2005, Houston was honoured with a major retrospective at the Scottish National Gallery of Modern Art in 2005, showcasing his vibrant, expressive artworks which are some of the most distinctive Scottish works of the Post War period. Numerous key galleries and collections represent Houston?s oils and watercolours, including Glasgow Print Studios. Condition Report:Available upon request
Los 985
TAMARA DE LEMPICKA (POLISH 1898-1980) SELF PORTRAIT Gouttelette print, stamped Chelsea Green Editions and numbered 30/100, 58.5 x 43cm (23 x 17") To be sold with Certificate of Authentication which is numbered and signed by the artist's granddaughter, Victoria De Lempicka Condition Report:Available upon request
Los 253
Louis Vuitton, a limited edition damier azur Tahitienne Speedy Bandouliere 30 handbag, from the Spring/Summer 2017 Tahitienne Collection, designed with a blue and white damier coated canvas exterior, overlaid with an oversized pink monogram print, with rolled tan leather handles, detachable crossbody strap, double top zip fastening and one interior side pocket, measuring 17 by 20 by 30cmCondition- Overall very good condition- No obvious marks or wear to the bag exterior or interior lining- Date code: DU1107 (Oct 2017)- Without maker's dust bag- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Los 315
Russell & Bromley, two pairs of ladies shoes, to include a pair of gold-tone block heel sandals featuring animal print calf hair detailing, together with a pair of pale gold-tone satin, flower embellished mules, size 38 (UK 5), with maker's boxesCondition- In a new, unworn condition- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Los 316
Group of three prints, including two works by Kiyoshi Hasegawa (Japanese, 1891-1980), both depicting nude women, both signed along the lower right. One print by Odilon Redon (French, 1840-1916) titled "Passage d'une Ame;" this etching is not signed.Height ranges from 10 in to 13 in; width ranges from 8 3/4 in to 10 in.
Los 321
Group of modern prints. Includes one Norman Rockwell (American, 1894-1978) print depicting a boy with his dog and a medicine bottle; one Bertrand Dorny (French, b. 1931) abstract print; two Salvador Dali (Spanish, 1904-1989) prints, "Portrait of Picasso," and "The Virgin of Guadalupe"; and a portfolio of four abstract prints by Lebandang (Vietnamese/French, 1921-2015).Prints; height ranges from 24 1/2 in to 30 in; width ranges from 18 1/2 in to 22 in. Portfolio; height: 32 in x width: 22 1/2 in x depth: 1 1/2 in.
Los 337
T.L. Solien (American, b. 1949). Mixed media print on paper titled "The Fall," depicting a surreal scene on a black background. Pencil signed and dated 1984 along the lower center, and numbered 2/43 along the lower right.Sight; height: 31 1/2 in x width: 46 in. Framed; height: 36 in x width: 51 1/4 in.
Los 378
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "An Excursion," depicting three figures in a boat on a misty river. Silver gelatin print. Hand signed to the backing along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 5/8 in x width: 10 1/8 in. Matted; height: 20 in x width: 16 in.
Los 379
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "The Raft," executed 1930, depicting a woman steering a raft through the water with a pole. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 12 3/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Los 380
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Spring Fantasia," executed 1945, depicting a boat floating through mist behind the dramatic silhouette of branches. Silver gelatin print. Signed in ink along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 15 1/2 in x width: 11 3/4 in. Matted; height: 20 7/8 in x width: 16 3/4 in.
Los 381
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a woman carrying water along a rocky bank, with tree branches extending up in the foreground. Silver gelatin print. Hand signed along the mat.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 1/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Los 382
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Apprehension," depicting a group of men gathered around a magazine. Silver gelatin print. Hand signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Sight; Height: 9 1/2 in x width: 11 1/4 in. Matted; Height: 18 in x width: 14 in.
Los 386
Karen Knorr (German/American, b. 1954). Group of two silver gelatin print photographs from the Compostures work, Country Life, 1984. Includes "Pleasure as a Serious Pursuit for the Unemployed," and "The Art of Living at the Cost of Others."(Pleasure) sight; height: 21 in x width: 19 in. Matted; height: 32 in x width: 28 in. (Art of Living) sight; height: 21 in x width: 19 in. Matted; height: 29 in x width: 25 in.
Los 394
Group of four Western lithographs. Includes three prints by Richard Luce (American, 20th/21st c.), "The Outrider," "Warriors of the North Woods," and "Forest Retreat"; all signed along the lower right and numbered along the lower left. With one print by Tucker Smith (American, b. 1940), "The Return of Summer," depicting a herd of bison; pencil signed and numbered 835/1000.Height ranges from 22 in to 28 in; width ranges from 25 1/2 in to 35 1/2 in.
Los 409
Gettysburg Civil War display with breastplate and bullets, with confederate Gardner Bullet from Shields Museum. There is a split breastplate with eagle decoration. There is also an image of the inauguration of Abraham Lincoln and a vintage postcard of the Shields' Gettysburg Park. This wonderful group comes with certificates of authenticity including provenance from the famed Shields Museum.(Relics) height ranges from 3/4 in to 1 1/2 in; width ranges from 1/2 in to 2 3/4 in; depth ranges from 1/8 in to 1/2 in. (Crowd photo) sight; height: 4 3/4 in x width: 6 3/4 in. Matted; height: 9 in x width: 11 3/4 in. (Display box) height: 21 in x width: 15 in x depth: 2 1/2 in. (Photo of breastplate) sight; height: 4 1/2 in x width: 4 1/2 in. Framed; height: 10 in x width: 10 in. (Building print) sight; height: 3 1/2 in x width: 5 1/2 in. Framed; height: 6 1/2 in x width: 8 1/2 in.
Los 438
Group of three NASA first generation photographs and one print of the Apollo missions. One contemporary photograph of the Apollo 12 mission depicting astronaut Alan L. Bean on the surface of the Moon in 1969 with Pete Conrad seen in the reflection of the visor capturing the image; one contemporary photograph of the surface of the Moon from the crew of the Apollo 15 in 1971; one Apollo 17 Earthview taken from two 35mm film photographs and merged into a single print.(Astronaut) sight; height: 6 in x width; 6 1/4 in. Framed; height: 12 3/4 in x width: 12 3/4 in. (Moon) sight; height: 6 in x width: 6 1/4 in. Framed; height: 12 3/4 in x width: 12 3/4 in. (Earth) sight; height: 5 1/2 in x width: 3 1/2 in. Framed; height: 12 3/4 in x width: 10 3/4 in.
Los 439
Group of six NASA photographs including: one Kodak photograph depicting the Apollo 11 plaque on the Moon with a watermark reading "A KODAK PAPER" along the verso; one group of two photographs, framed together, depicting the launch of the Apollo 11 and the lunar orbital plan of the spacecraft; one negative depicting Neil Armstrong as he makes his descent to the Moon's surface as viewed from a television screen and one framed print from that negative; and one group of two silver gelatin prints depicting the same view of Neil Armstrong descending the ladder to the Moon and his first step in the dusty lunar surface.(White frame) sight; height: 4 3/4 in x width: 4 3/4 in. Framed; height: 12 in x width: 12 in. (Wooden frame) sight (each); height: 5 3/4 in x width: 7 1/4 in. Framed; height: 10 3/4 in x width: 20 3/4 in. (Matted photos) unframed (each); height: 10 in x width: 8 in. Matted; height: 12 in x width: 20 in. (Plaque) sight; height: 3 1/2 in x width: 3 1/2 in. Framed; height: 10 in x width: 10 in. (Negative) height: 2 1/2 in x width: 2 1/2 in.
Los 440
Group of two NASA photographic prints of Earth including one satellite print from the Gemini spacecraft depicting the Horn of Africa produced from an original NASA film transparency; and one satellite Earth view.(Earth) sight; height: 7 1/2 in x width: 7 1/2 in. Framed; height: 20 1/2 in x width: 20 1/2 in. (Horn of Africa) sight; height: 5 in x width: 4 1/2 in. Framed; height: 12 in x width: 10 in.
Los 458
Original NASA first generation silver gelatin print with a black serial number S15-90-12187. Captured during the Apollo 15 mission to the moon, the photograph depicts a view taken from the slope of Hadley Delta showing Mount Hadley in the background to the left. Additionally visible is the layering of Mount Hadley, mentioned by Astronauts Scott and Irwin during their EVA conversations during the mission.Sight; height: 7 in x width: 7 in. Framed; height: 14 in x width: 14 in.
Los 252
NO RESERVE Africa.- Moffat (Robert) Missionary Labours and Scenes and Southern Africa, first edition, colour Baxter print frontispieces, engraved vignette title, woodcut plates and illustrations, folding map, occasional heavy spotting, bookplate, previous owner's ink initials to title, contemporary diced calf, slight rubbing to corners and extremities, 1842 § The Life and Travels of Mungo Park, woodcut frontispiece, scattered spotting, bookplate, near contemporary calf, gilt, slight rubbing to corners and extremities, Edinburgh, n.d.; 8vo (2).
Los 254
East Asia.- Laures (Johannes) Kirishitan Bunko, A Manual of Books and Documents on the Early Christian Missions in Japan, first edition, very light spotting, some staining to last few leaves, mostly unopened, original upper printed wrapper bound in (some tape marks), contemporary cloth, tan morocco label to spine, lightly rubbed, lower cover with patch of staining, spine ends bumped, Tokyo, Sophia University, 1940 § Salaman (Malcolm C., editor) Elizabeth Keith, no. 9 in the Masters of the Colour Print series, 8 tipped-in colour plates by Elizabeth Keith with captioned tissue-guards, bookplate of M. Sheldon Ridge, publisher's review slip tipped-in to front free endpaper, some light scattered spotting, mostly to endpapers, original boards, paper labels to upper cover and spine, lightly rubbed and toned, a few chips to spine ends, 1933, 4to (2)⁂ The second depicting mainly Korean scenes, but also some of China and Hong Kong.
Los 224
Hawking (Stephen).- Israelian (Garik) and Brian May (editors), Starmus. 50 Years of Man in Space, with a foreword by Stephen Hawking, signed with right thumb-print of Stephen Hawking, with authentication inscription to front endpaper "This is the right thumb print of Professor Stephen Hawking witness by George Zhao", photographic illustrations, original boards, one very small scuff mark to upper cover, Starmus, 2014; plus a letter of authenticity signed by Stephen Grocutt, and other 5 others, photographic ephemera relating to Hawking, together all items preserved in smart wooden box (320 x 320 x 120mm.) (7)⁂ Stephen Grocutt was a member of Stephen Hawking's private healthcare team from 2015-2017, travelling with him around the world. Also included alongside a letter of authenticity signed by Stephen Grocutt is a photograph of Mr Grocutt together with Professor Hawking in London on the evening of his BBC Radio 4 Reith Lecture on blackholes.
Los 225
Hawking (Stephen).- The Pontifical Academy of Sciences. Plenary Session on Science and Sustainability, programme, signed with right thumb-print of Stephen Hawking on p.10 beside his photograph, with authentication inscription "This is the right thumb-print of Professor Stephen Hawking witness by Steve Grocutt 28-11-2016", 8 ff., slightly creased in places, light finger soiling to title page, 297 x 210mm., Vatican City, 25-29 November 2016; plus a letter of authenticity signed by Stephen Grocutt; plus an Order of Service of Thanksgiving for Professor Steven Hawking, Westminster Abbey, 15 June 2018, in original wrappers; together with 6 others, ephemera relating to the Plenary Session and Hawking, together all items in a smart wooden box (320 x 320 x 120mm.) (9) ⁂ The title of this Plenary Session of the Academy was, Impacts of Scientific Knowledge and Technology on Human Society and its Environment. Professor Stephen Hawking gave a paper entitled, 'The Origin of the Universe' during the Special Session on Friday 25th November. Stephen Grocutt was a member of Stephen Hawking's private healthcare team from 2015-2017, travelling with him around the world. Also included alongside a letter of authenticity signed by Stephen Grocutt is a photograph of Mr Grocutt together with Professor Hawking in London on the evening of his BBC Radio 4 Reith Lecture on blackholes.
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315264 Los(e)/Seite