A print of General Sir Henry Fane, G. C. B. Commander in Chief in India, painted by Jagger, engraved by R. M. Hodgetts, London 1835, Published for Colnaghi & Co of Cockspur Street, by F. Graves (late Molteno & Graves), removed from Pall Mall to 23, Cockspur Street, birds eye maple frame, 23 by 18cm.
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David Roberts: four contemporary prints of Egytian theme, glazed and in gilt coloured frames to include Luxor, Statues of Memnon at Thebes, Abu Simbel and Karnac, each measuring 34 by 50cm together with another print of Queen Nefertiti with hieroglyphs to the border, measuring 49 by 38cm. (5)
A late Victorian walnut cased symphonion table top musical box, the lid with rectangular stencilled panel depicting birds and butterfly amongst blossoming foliage, opening to reveal the workings under a glass panel, a verre-eglomise framed black and white print of young children playing music and singing in a garden setting, the case with fluted and reeded corner columns on a plinth base, 30 x 58 cm, together with thirteen discs (ILLUSTRATED)
A pair of giltwood oval frames in the Victorian taste with reeded slip, flanked by pierced foliate scroll and fluting carved decorated frame, each containing a black and white print, one of a young girl holding two pigeons, the other of a mother and child, 33 cm x 25 cm, contained within a brown velvet and mahogany rectangular frame (ILLUSTRATED)
1995 England Rugby Grand Slam signed coloured print: titled “England Grand Slam Champions 1995” limited to 326/600 and signed in pencil by all 20 players to the legend below to incl Martin Johnson, Will Carling, Jeremy Guscott, Jason Leonard, Rob Andrew, Rory Underwood, et al – reproduced from the original oil painting by Michael Grimsdale - mf&g overall 27” x 33”
AFTER MOLLY BRETT "Teddy bears beside an open fire, in a wooded landscape", coloured print, AFTER JOHN HARROLD "Rupert Bear-Happy Anniversary", coloured print, six further Teddy Bear prints, AFTER MARGARET TARRANT "Musical and dancing rabbits in a landscape", coloured print, and six handkerchiefs with prints AFTER MABEL LUCIE ATTWELL framed as well
A mid Victorian gold and glass hinged locket, circa 1860, the domed glass covers in a hinged gold mount, the outside of the mount engraved `Fanny Sebastopol`, with a plain ring bale, 3.7cm diameter. Interestingly, Frances Isabella Duberly (1829 -1903), known as Fanny Duberly was married to Captain Henry Duberly, the paymaster of the 8th Royal Irish Hussars. She travelled with her husband in the Crimea from 1854 onwards during his tour of duty there. Frances Duberly was the only woman close to the front line, and witnessed the Battle of Balaclava at first hand. Frances Duberly recounted and published her memoirs from the Crimean War in her journal `Journal Kept During the Russian War`. Although she was rebuffed by the Establishment, Francis Duberly was popular with the troops on the frontline, as well as with the public at large. Her published journal sold well, as did a print of a photograph by Roger Fenton. Frances recalled the photograph in a letter to her sister Selina in 1885: `I send you a photograph of Bobs. In his picture he has only 3 legs - which is a libel on the old ruffian, for he has four, but he was taken unbeknown, and we were none of us prepared. I was obliged to be taken on his back, to hide the mange spots about the saddle with my habit skirt. There have been an incredible number of copies struck off and sold, as I hear, at least every man I meet seems to have one, and Fenton would not charge us anything for it, I being the only lady.`

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