315251 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenTrevor Grimshaw (British 1947-2001) "Ribblehead Viaduct" Signed and numbered 62/500 in pencil in the margin, limited edition lithograph.36 x 50.5cm (framed 50.5 x 65.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Harold Riley (British 1934-2023) "The Pony and Cart" Signed, titled and dated '89 in pencil in the margin, numbered 1/10, limited edition hand-embellished colour print.26.5 x 37.5cm (framed 39.5 x 50.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Janis Goodman (British 20th/21st century) "Hot Spring" Signed, titled and numbered 23/50 in pencil in the margin, titled on gallery label verso, etching.23 x 27.5cm (framed 39 x 43cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
L.S. Lowry R.A. (British 1887-1976) "County Court, Salford" and "By St. Philip's Church, Salford" Both signed and numbered 25/75 in pencil in the margins, limited edition prints (2).each 27.5 x 37cm (framed 59.5 x 111cm)Qty: 2The prints are in very good, original condition. There is some very light time staining and yellowing around the edges of each print near the mount board and one or two very minor spots of foxing in the margins. The prints are framed together and glazed. There are some spots of foxing across the mount board. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-2023) "St. Mary's, Swinton" Signed, titled and dated '87 in pencil in the margin, numbered 4/P (Artist's Proof), limited edition colour print.32 x 22cm (framed 45 x 34.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Trevor Grimshaw (British 1947-2001) "Reflected Fence" Signed and annotated in pencil in the margins, working proof, published by Christie's Contemporary Art, silkscreen on BFK Rives paper.60.5 x 48.5cm (framed 64 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor creases and surface marks across the sheet. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Trevor Grimshaw (British 1947-2001) "Monoliths" Signed and marked A.P. (Artist's Proof) in pencil in the margin, published by Christie's Contemporary Art, with their blind stamp, silkscreen on BFK Rives paper.46.5 x 35.5cm (framed 65.5 x 53cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is a faint mark to the paper in the upper left-hand margin. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-2023) "Nelson Mandela" Signed in pencil by both the artist and Nelson Mandela, dated 10.12.05, colour print.57.5 x 40cm (framed 74 x 55.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
L.S. Lowry R.A. (British 1887-1976) "St. Luke's Church, Old Street, London, E.C." Signed and numbered 806/850 in pencil in the margin, published in 1973 by G.R. Mellor, with publisher's blind stamp, limited edition colour print.63 x 47cm (framed 83 x 67.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-2023) "The Bridge, Ancoats" Signed, titled and dated '61 in pencil in the margin, numbered 1/5, limited edition colour print.29 x 18cm (framed 43.5 x 32cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Trevor Grimshaw (British 1947-2001) "Aqueduct" Signed and numbered 41/50 in pencil in the margin, published at Alan Cox's Sky Editions workshop in London, limited edition lithograph in colours.29.5 x 40cm (framed 42.5 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some tiny dark spots and one or two other minor surface marks and creases in the margins. The print is framed and glazed.
Harold Riley (British 1934-2023) "Orange Street, Salford" Signed, titled and dated '78 in pencil in the margin, artist's proof, limited edition print.24 x 28cm (framed 45 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours are slightly faded across the print and there is some very light time staining and yellowing around the edges of the paper near the mount board. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-2023) "The Knocker-Up - Hanky Park, Salford" Signed, titled and dated '61, marked A/P (Artist's Proof), colour print.41 x 29cm (framed 70.5 x 58.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The original frame has some minor knocks and losses.
Harold Riley (British 1934-2023) "The Family" Signed, titled and dated '83 in pencil in the margin, numbered 1/5, limited edition colour print.23.5 x 16cm (framed 36.5 x 29cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Wilf Roberts (British 1941-2016) "Peniel II" Signed, titled and dated 2003 in pencil in the margin, numbered 20/20, limited edition colour print.29.5 x 29.5cm (framed 53 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Trevor Grimshaw (British 1947-2001) "Stonehenge" Signed and numbered 44/50 in pencil in the margin, published at Alan Cox's Sky Editions workshop in London, limited edition lithograph in colours.30 x 40cm (framed 42.5 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing and other tiny dark spots and surface marks in the margins. The print is framed and glazed. The frame has some minor scuffs and knocks.
L.S. Lowry R.A. (British 1887-1976) "The Beach, Deal" Signed in pencil in the margin, with the Fine Art Trade Guild blind stamp, published in 1973 by Venture Prints Ltd, limited edition colour print.30 x 53cm (framed 51.5 x 74.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-2023) Rural lane with figures Signed and dated '87 in pencil in the margin, numbered 1/, limited edition colour print.32 x 31cm (framed 45 x 44cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
L.S. Lowry R.A. (British 1887-1976) "St. Luke's Church, Old Street, London, E.C." Signed and numbered 94/850 in pencil in the margin, published in 1973 by G.R. Mellor, with publisher's blind stamp, limited edition colour print.64 x 47cm (framed 84.5 x 67.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with strong colours. There is some light time staining and yellowing in the margins around the edges of the paper near the mount board as highlighted by a lighter strip along the top of the sheet where the print has dropped slightly below the mount. The print is ornately framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
L.S. Lowry R.A. (British 1887-1976) "The Harbour" Signed in pencil in the margin, with Fine Art Trade Guild blind stamp, published in 1972 by Venture Prints Limited of Bristol, limited edition colour print.44 x 58cm (framed 65 x 78.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Cricket Interest: William Gilbert Grace, (1848-1915) - Handwritten ink letter, 17.5cm x 11cm, framed and glazed, inscribed as follows:'15 Victoria Square Clifton June 2 1896My dear HareI am sorry to say I shall be in town on the 17th so shall be unable to accept your kind invitationBelieve meYours very trulyW. G. Grace'Together with a photographic print 'Gentlemen v. Players 1889 - Gentlemen, 1889. Played at the "Oval" July 4, 5 and 6. Players won by 9 wickets.' featuring W. G. Grace, 27.5cm x 32.5cm including margins, and a reproduction Vanity Fair caricature of W. G. Grace, (3)A Clifton & Hotwells Improvement Society 'blue plaque' at 15 Victoria Square, Clifton, records 'Dr. W. G. Grace Cricketer Lived Here 1894-6'.
Irish and Great War Interest - Fortunino Matania (1881-1963) - Oil on canvas - The Last General Absolution of the Munsters at Rue du Bois, signed in red lower left, 52.5cm x 75.5cm, framed Fortunino Matania, (1881-1963) was born in Naples and was a well-known artist and illustrator in Italy, before moving to London in 1902. He worked for the illustrated weekly newspaper 'The Sphere', and became famous for depicting the sinking of The Titanic in 1912. He was an official war artist in the first World War and his graphic illustrations of trench warfare were highly renowned.A description of the gestation of the original 1915 painting by Matania in the Irish times can be found here: https://www.irishtimes.com/news/politics/mystery-surrounds-location-of-haunting-image-of-irish-soldiers-in-first-world-war-1.1886612 On the 8 May 1915 the 2nd Battalion, Royal Munster Fusiliers were making their way up the Rue du Bois to the front lines to take part in the Battle of Aubers Ridge that was to take place the following morning. Before reaching the front line the unit chaplain, Fr. Francis Gleeson, administered General Absolution to the Munsters. The men then sang the hymns 'Te Deum' and 'Hail Glorious St Patrick'. A biography of Father Gleeson (depicted on horseback with arm raised in absolution) can be found here: https://en.wikipedia.org/wiki/Francis_Gleeson_(priest)Fortunino Matania was not present at the scene, but based his painting on a written account by Lieut. Col Rickard’s widow, Jessie, who is believed to have commissioned the painting in memory of her husband. His painting first appeared as a print in the Sphere magazine, and it is said that copies were displayed in many houses throughout Munster. It is believed that the original work may have been destroyed in the Second World War.In 1919, Alfred Robinson of Backwell House, commissioned Matania to paint the present copy of his original, in order to celebrate the return from the War of his son Esmond, who had served in the Royal Field Artillery and won an MC and Bar before his 21st birthday. The painting was left by Esmond Robinson to his nephew, Charles Clarke, and on his death it became the property of his wife, the current owner. Literature: See Gosling, Lucinda, ‘Goodbye Old Man: Matania's Vision of the First World War’, The History Press, 2014.
William Gauci, After Elizabeth Ann Tackle (nee Hamlyn), (Bandon, nr. Cork, Ireland 1808 - Holt, nr. Bradford on Avon, Wiltshire 1877) - Mid 19th century hand-coloured lithographic print - 'Bradford, Wilts', a view From Westwood Hill, Publ. F. Dangerfield, plate impression size 41cm x 57cm, in washlined card mount and gilt frame under glass See Bradford on Avon Museum website entry: https://www.bradfordonavonmuseum.co.uk/archives/4419where stated [excluding our annotations]: "The Bradford [on Avon] artist Elizabeth Ann Hamlyn was born in Bandon, near Cork in Ireland, the daughter of an army officer who was serving there. Her father moved the family to Holt in 1817 and he became the minister of the Independent Chapel. She married the Rev James Tackle in 1832, living in the manse attached to the Countess of Huntingdon’s Chapel in Huntingdon Street in Bearfield, Bradford on Avon. Ten years later they moved to 41 Frome Road, near the canal bridge, where they opened a school, where Elizabeth taught drawing. They and the school next moved in 1859 to Avon Villa, a bigger house in Trowbridge Road where there was also room for a flower nursery.Mrs Tackle drew and painted scenes around Bradford and the Avon valley, capturing the period in the 1840s and 1850s when transport was being revolutionised by the building of the railways.Only three original paintings are known - two at The Hall and one in Bradford on Avon Museum, all commissioned by Stephen Moulton. Several other of her views were reproduced as lithographs, some of which she may have done herself after learning the technique.The best-known view by Mrs Tackle is of Bradford from the hill on the way to Westwood [our subject]. It shows the canal and Barton Farm in the foreground, with one of the fast fly-boats that shuttled between Bradford and Bath hauled by two horses. Beyond, the railway station and its goods shed had been built in 1848, but the rails and bridge over the river didn’t arrive until 1857. The Museum’s copy once belonged to Bradford Urban District Council."
After John Speed (1552-1629) and Jodocus Hondius (Flemish, 1563-1612) Engraved county map of 'Dorsetshyre with the Shyre town Dorchester described as also the Armes of such noble families as have bene honored with the Titles thereof since the Normans Conquest to this present Anno 1662', from Speed's 'Theatre of the Empire of Great Britaine', 1676 edition, 41.5cm x 55cm, and a print of 'West Lullworth [Lulworth] Cove belonging to T. Weld Esq'r', taken from Hutchins' 'History of Dorset', (2)
Attributed to Albin Roberts Burt, (1783-1842) - Two early 19th century oval portrait miniatures on ivory, depicting a gentleman and lady, both facing to sinister, he wearing white stock under brown jacket, she with tied curly hair and bead necklace with white lace bodice and red shawl, unsigned, both 6.5cm x 5cm, in similar ebonised frames (2)Offered on APHA ivory permit 1CXCH7BD Albin Roberts Burt trained initially as an engraver under Robert Threw and Benjamin Smith, before undertaking a signed 1802 portrait on silk of Lord Nelson (sold Charles Miller Ltd, 8th November 2016, lot 71). A mirror-image print of Lord Nelson was also used by Flight, Barr & Barr for a commemorative jug in 1805 (sold Woolley & Wallis, Salisbury. 8th September 2021 lot 219.
Dinky Group of 1950's Issue British Cars. (1) 152 Austin Devon Saloon - two-tone cerise & green, beige hubs; (2) 153/40E Standard Vanguard Saloon - fawn body & ridged hubs, large baseplate print; (3) 140B/156 Rover 75 Saloon - maroon body & ridged hubs, roof interior without model description cast, large baseplate print; (4) 156 Rover 75 Saloon - two-tone green, mid green ridged hubs - Fair to Good playworn in Poor to Fair but incomplete boxes. (4)
Hornby O Gauge Group of Lineside Accessories. (1) No.1 Porter's Trolley Barrow & Luggage Cases - Good to Excellent in Good Plus red Crocodile Skin effect box with 03/38 Print Date; (2) No.3 Platform Accessories - Good Plus to Excellent re-strung onto backing card, in Fair damp damaged box; (3) Post War Factory Trade Box for 6 x Station Hoardings now containing 3 examples - Excellent Plus to Near Mint in Fair to Good box. (3)
Hornby O Gauge Pre-War Group of 3 x Lineside Figure Sets - (1) "Hornby Series Modelled Miniatures" No.1 Large Station Staff (missing backing card & contains incorrect later issue small Guard); (2) "Meccano Dinky Toys" No.3 Large Railway Passengers complete with original backing card; (3) "Dinky Toys" No.4 Small Engineering Staff & Hotel Staff (Wartime box print date: 06/40) - condition varies from Poor to Good in Poor & Incomplete to Fair boxes. (3)
Dinky Toys Hornby O Gauge 2 x Pre-War Lineside Figure Sets - (1) No.4 Engineering Staff containing correct Small Figures, box print date: 01/39; (2) No.1 Station Staff containing INCORRECT EARLIER PERIOD LARGE FIGURES, box without print date - Fair to Good playworn, in Fair boxes both of which have REPRODUCTION paper backing cards. (2)
Dinky Toys Hornby O Gauge Pre-War small Lineside Figure Set No.3 Railway Passengers - condition varies from Fair to Excellent in Fair to box with light green lid & turquoise blue base, complete with original printed backing card. Lid has 06/39 Print Date & "Made in England For Sale in United States by Meccano Company of America Inc 200 5th Avenue New York" label.
Dinky Toys Hornby O Gauge Pre-War small Lineside Figure Set No.5 Train & Hotel Staff - Good Plus to Excellent in Good dark green box with complete with original printed backing card. Lid without print date, but does have VERY RARE "LA CASA MEJOR SURTIDA EN ARTICULOS MECCANO - JUGUETERIA BURLANDO HERMANAS, BUENOS AIRES" original Argentina Retailer's Shop Label.
Dinky No.151 Royal Tank Corps Medium Tank Set containing (1) 151a Medium Tank which has some mild fatigue to both rollers, which although hardly noticeable has clearly enlarged the rollers somewhat, resulting in the tracks being impossible to turn, body & turret have no visible fatigue; (2) 151b 6-Wheel Covered Army Wagon complete with driver - fatigue to all component parts but still complete, damp damage to paintwork; (3) 151c Cooker Trailer - heavily fatigued with damp damage to paintwork, but still complete with wire stand; (4) 151d Water Tank Trailer - heavily fatigued with incomplete towing bracket & baseplate loose - Poor to Fair in Fair to Good box with 03/40 print date, complete with original inner card packing tray & RARE original inner card packing piece (see photos for details).
Dinky group of Pre-War Military models. (1) No.162 18-Pounder Field Gun Unit - Light Dragon Tractor has mild fatigue to rollers, which although not noticeable have expanded just enough to prevent the tracks moving, Ammunition Limber fatigued & missing rear tow hook, Field Gun has fatigue to both hubs otherwise free from visible fatigue - Fair to Good Plus in Fair faded & stained box complete with original inner card packing tray & 08/40 print date; (2) No.160 Royal Artillery Personnel - Poor to Fair (2 figures fatigued) in Good box with 05/40 print date; (3) 150 Royal Tank Corps Personnel - set includes an additional Driver - N.C.O. figure missing both hands & some other figures are fatigued - Poor to Fair in Fair box base only (missing lid). (3)
Dinky Pre-War Petrol Pumps & Road Signs. Including No.49 Petrol Pumps & Oil Bin and 3 x No.47 set of British Road Signs - generally Fair to Good many with damp damage, apart from a couple of signs which are only Poor, in Fair to Good yellow boxes complete with inner card packing trays. Interestingly all 3 boxes for the Road Signs are different print variations. (4)
Dinky Pre-War No.49 Set of Petrol Pumps & Oil Bin - Pumps are Good to Good Plus (all have perished white rubber hoses which are still present & contained within clear plastic bag), the Shell Pump has some mild fatigue but all other Pumps have no visible fatigue; Oil Bin is only Fair with some mild fatigue & paint loss, in Fair to Good box without print date, complete with original inner card packing tray.
Dinky WARTIME ISSUE No.49 Set of Petrol Pumps & Oil Bin - Pumps are Good to Excellent (all are missing rubber hoses, the Wayne & Theo Pumps also have some fatigue); Oil Bin is only Poor with severe fatigue resulting in a section of 1 side blowing out & now missing, in Good faded Box with 09/40 print date.
Group of Meccano Products Catalogues. (1) 1939/1940 printed for "Shepperson Bros. Sutton-in-Ashfield" without print date - covers are Fair, contents pages are Good Plus to Near Mint; (2) September 1952 UK Catalogue with prices - staple rusty otherwise Excellent; (3) 1955/56 printed for "E.Hill & Sons (Reading) Ltd" with 06/55 print date - covers are detached & Good, contents pages Excellent to Near Mint. (3)
ATTRIBUTED TO KUNISADA Woodblock print of a Samurai, oban, 36cm x 23.5cm; together with another woodblock print attributed to Kunisada, chuban, 19.5cm x 25.5cm; and a print of a geisha, by an unknown hand, 39.5cm x 22cm, (3). Condition Report : First faded and browned; second muted. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Loading...
