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Lyon & Turnbull
Los 61

[Hong Kong] Sixty Diamond Jubilee Pictures of Hongkong Hong Kong: R. C. Hurley, 1897. Oblong 8vo, original cloth-backed boards, 60 albumen-print photographs (including 2 folding panoramas), mounted rectos and versos of linen-hinged stiff card leaves with printed borders and captions, introductory text printed on front pastedown, list of contents to rear pastedown, binding slightly rubbed and marked, front inner hinge very slightly tender, spotting to front free endpaper, both panoramas (nos. 1 and 4) additionally creased where clumsily folded, second panorama rumpled and partially splitNote: Note: Library Hub traces one copy only in British and Irish institutional libraries, at the University of Edinburgh.

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Lyon & Turnbull
Los 72A

Godwin-Austin, Henry Haversham Description of a Mystic Play, as performed in Ladak, Zaskar, etc. [In: Journal of the Asiatic Society of Bengal ... Part I. No. II - 1865]. Calcutta: Baptist Mission Press, 1865. 8vo, modern half leather, 51-113 pp. (Godwin-Austin's piece comprising pp. 71-79), 10 arch-topped albumen print photographs depicting native performers in costume, mounted on 5 sheets, publisher's announcement slip tipped in at front, original wrappers bound in (with a few closed tears), browning, variable fading to photographsNote: Note: Contains very early photographs of the region. The other pieces in this number include: E. Thomas, 'Ancient Indian Weights'; M. A. Sherring and C. Horne, 'Some Account of Ancient Remains at Saidpur and Bhitari'; 'H. A. Jaeschke, 'Notes on the Pronunciation of the Tibetan Language'; and H. B. Impey, 'Notes on the Gujrat State of Patna'.

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Lyon & Turnbull
Los 75

India Collection of works on Indian archaeology, architecture and similar North-West Provinces and Oudh Public Works Department. Annual Progress Report of the Archaeological Survey Circle, North-Western Provinces and Oudh, for the Year ending 30th June, 1893 [cover-title]. Roorkee: Thomason College Press, 1893. Folio, original cloth-backed printed boards, 47 pp., folding lithographic plan of Fatehpur Sikri, 6 large albumen print photographs (24 x 17cm, mounted), 3 folding lithographic plates of antique frescoes, front inner hinge cracked;Delhi Public Work Department. Completion Reports in Durbar Works, P. W. D., Delhi, 1911 [cover-title]. Delhi: I. M. H. Press, [1912]. Folio, original cloth-backed printed boards, 36 parts in one volume, separately paginated and evidently first issued as separate works, continuous pagination ink-stamped to foot of each page, inscribed on the front free endpaper 'With compliments S D'A. Crookshank, Major R.E., Supet. Darbar Works, Delhi, 16 4/1912', occasional editorial annotations, text-block near loose in binding, closed tear in pp. 163-4;Burgess, James. Archaeological Survey of Western India, Vol. I. Report on the Elura Cave Temples and the Brahmanical and Jaina Caves in Western India. London: Trübner & Co., 1883. First edition, 4to, contemporary half morocco, recornered, 51 plates including autotypes from photographs, toning, occasional spotting, probable library inscription effaced from title-page, ink-stamp to margin of p. 49;Burrard, S. G., and H. H. Hayden. A Sketch of the Geography and Geology of the Himalaya Mountains and Tibet. Calcutta: Superintendent Government Printing, India, 1907-8. 4 parts in 1 volume, 4to, recent cloth, 2 photogravure plates, lithographic chart as frontispiece, 50 further charts numbered 1-49 (with two plates numbered 6), large folding geological map, withdrawn from University of Bristol library with associated plates and stamps to front endpapers, verso of title-page and a few plates, intermittent damp-staining to lower fore corners;Rose, Archibald, and J. Coggin Brown. Lisu (Yawyin) Tribes of the Burma-China Frontier [caption-title]. [Calcutta: Asiatic Society of Bengal, 1910. Possible offprint, 4to, modern half leather, 249-276 [1] pp., 9 phototype plates;and 1 other (Anderson, Anatomical and Zoological Researches: comprising an Account of the Zoological Results of the Two Expeditions to Western Yunnan in 1868 and 1875, plate volume only, 1878, lacking several plates)

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Lyon & Turnbull
Los 76

India Collection of works on various subjects Ainslie, Whitelaw. Materia Indica; or, Some Account of those Articles which are employed by the Hindoos, and other Eastern Nations, in their Medicine, Arts, and Agriculture. London: Longman, Rees, Orme, Brown, and Green, 1826. First edition, 2 volumes, 8vo, later cloth, Tamil, Arabic and Devanagari types, frequent references in text to Avicenna's Canon of Medicine, volume 1 with half-title, ff. E2-7 loose;Keynes, John Maynard. Indian Currency and Finance. London: Macmillan and Co., Limited, 1913. First edition, 8vo, recent library cloth, half-title, folding table, Bristol University labels and ink-stamps (including withdrawal markings) to endpapers, verso of title-page and elsewhere, pencilled underlining;Mason, Kenneth. Routes in the Western-Himalaya, Kashmir, etc. ... Volume I. Punch, Kashmir and Ladakh. Dehra Dun: printed at the office of the Trigonometrical Survey of India, 1922. First edition, 8vo, original printed boards, rebacked and endpapers renewed, 2 folding lithographic maps and 12 + 4 pp. additions in end-pocket, 3 tipped-in addenda slips, covers marked, contents toned;Brasyer, Jeremiah. The Memoirs of Jeremiah Brasyer; who, commencing his Service as a Private Soldier, rose to the Rank of Colonel, and Companion of the Most Honourable Order of the Bath. London: Gowars, Limited, [1892]. 8vo, original red cloth, 70 pp., 2 halftone photographic plates, endpapers renewed, covers rubbed;Cavanagh, Sir Orfeur. Reminiscences of an Indian Official. London: W. H. Allen & Co., 1884. First edition, 8vo, modern half leather, 46 pp. advertisements to rear, browning, closed tear in pp. 105-6, worming towards rear;and 14 others (these not collated), including: Hugh Gough, Old Memories, 1897 (first edition, original cloth, endpapers renewed); Algernon Durand, The Making of a Frontier, 1899 (first edition, 8vo, original cloth, endpapers renewed); The War in India. Despatches of the Right Honourable Lt.-Gen. Visct. Hardinge ... and Other Documents; concerning the Engagements of Moodkee, Ferozeshah, Aliwal, and Sobraon, 1846 (second edition 8vo, modern half leather, 6 plans of 8, plan facing p. 82 torn, folding table); J. Ruggles, Recollections of a Lucknow Veteran, 1906; William Edwards, Reminiscences of a Bengal Civilian, 1866 (ex-library); concertina album of 19th-century hand-coloured albumen print photographs of Japan including geishasNote: Note: Library Hub traces three copies of Brasyer's work in UK libraries, each of a different edition: Bombay, 1892; London, 1892; and an edition with no place, dated 1886. For the present edition (London, 1892) the British Library record cites three plates.

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Lyon & Turnbull
Los 83

Urdu lithographic printing Tarikh-i Rajastan [History of Rajasthan] Lucknow: Nawal Kishore Press, 1905. 2 volumes, folio, contemporary half morocco, rebacked, marbled sides, text in Urdu, lithographed throughout, [2] 9 1-776 781-784 777-780 785-864, [2] 20 936 [12] pp., title-pages printed in red and green, floral borders to chapter headings, 45 lithographic plates (13 folding), bindings worn, contents toned, tears to a few plates (mostly small or closed), a few folding plates with sections detached but present, plates in volume 1 browned, volume 2 title-page repaired at head, pp. 221-224 damp-stained and repaired at foot, pp. 393-6 repaired, small marginal repair to final leafNote: Note: Imposing and richly illustrated Urdu edition of James Tod's Annals and Antiquities of Rajast'han, originally published in English in 1829-32. The plates include views and portraits of local rulers. The Nawal Kishore Press, founded at Lucknow in 1858 by Hindu entrepreneur Nawal Kishore (1836-1895), 'grew into the largest Indian-owned printing and publishing firm in South Asia. Supported by colonial patronage, the firm published an estimated 5,000 titles in Arabic, Persian, Urdu, Sanskrit and Hindi during Nawal Kishore's lifetime, while it also served as an intellectual hub for scholars, poets and literati. As one observer noted: "No other press in India was fortunate to have such a large number of huffaz, scholars, historians, writers and poets as were gathered simultaneously at this press"' (Ulrike Stark, 'Calligraphic Masterpiece, Mass-Produced Scripture: Early Qur'an Printing in Colonial India', in Reese, ed., Manuscript and Print in the Islamic Tradition, 2002, p. 158).

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Lyon & Turnbull
Los 85

Urdu lithographic printing Group of literary works all lithographed throughout, with text in Urdu:1) Kitab Mahabharat manzum bi'l-tasawir [The Mahabharata, in verse, illustrated]. [Lucknow?]: Munshi Nawal Kishore, c.1880. Tall 8vo (25.8 x 15.5cm), contemporary red patterned boards, red calico backstrip, [2] 302 pp. (first leaf possibly a retained original wrapper), text in four columns, illustrated throughout in the style of Indian miniature painting, paper browned and somewhat brittle, occasional small tape-repairs to lower margins, last few leaves (from pp. 293/4) with central longitudinal crease and light paper disruption to gutter;2) Ramayan nazm Urdu [The Ramayana, in Urdu]. Kanpur: Munshi Nawal Kishore, c.1880. 2 volumes in 1, tall 8vo (27 x 18cm), original wrappers (present for each volume), 1-2 1-6 1-158 3-4, 1-2 1-114 3-4 pp. (i.e. wrappers counted in pagination), text in four columns, illustrated throughout in the style of Indian miniature painting, decorative title-pages and section-titles, ownership inscription 'Chundoo Lall, Delhi 18/11/[18]86' to front wrapper, browning, front and rear wrapper damp-stained along edges, damp-related loss to lower fore corner of first 6 leaves;3) Ghiyas al-Lughat. [Lucknow]: Munshi Nawal Kishore, c.1875. 2 volumes in 1, large 4to recent boards, 4, 258, 260 pp., 2 decorative floral title-pages, similar head- and tailpieces, some 10 illustrations in the text including a depiction of the Zodiac (volume 2 p. 188), large folding map of Asia (bound in upside-down), staining to pp. 100-108, marginal damp-staining to final few leaves; 4) Divan-i Ghalib, Urdu. Kanpur: Munshi Nawal Kishore, c.1880. Tall 8vo (25.5 x 16cm), original wrappers, 104 pp., stitching perished, leaves loose in quires, contemporary Indian bookseller's ink-stamp to front wrapper;5) Divan-i Zafar, c.1880. Tall 8vo, 72 pp., decorative title-page, lacking wrappers if issued, stitching perished and leaves loose in quires, possibly lacking text at end;and one other (Nuskhat 'Aql va-Shu'ur, 1863)Note: Note: The Nawal Kishore Press, founded at Lucknow in 1858 by Hindu entrepreneur Nawal Kishore (1836-1895), 'grew into the largest Indian-owned printing and publishing firm in South Asia. Supported by colonial patronage, the firm published an estimated 5,000 titles in Arabic, Persian, Urdu, Sanskrit and Hindi during Nawal Kishore's lifetime, while it also served as an intellectual hub for scholars, poets and literati. As one observer noted: "No other press in India was fortunate to have such a large number of huffaz, scholars, historians, writers and poets as were gathered simultaneously at this press"' (Ulrike Stark, 'Calligraphic Masterpiece, Mass-Produced Scripture: Early Qur'an Printing in Colonial India', in Reese, ed., Manuscript and Print in the Islamic Tradition, 2002, p. 158). Compiled in India in the 1820s by Ghiyas al-Din Muhammad Rampuri, the Ghiyas al-Lughat is considered 'one of the [most] authoritative dictionaries of the Persian language' (Encyclopaedia Iranica). It was probably first printed in Lucknow in 1847-8, and shaped the Persian lexicographical tradition during the 19th and 20th centuries.

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Lyon & Turnbull
Los 87

Urdu lithographic printing Two veterinary treatises Tibb aspan [Treatment of horses]. Lahore: Nawal Kishore Steam Press, 1912. Large 8vo, original pictorial wrappers, 296 pp., browning, wrappers with marginal chips, damp-stains and tissue-repairs;Tibb shutaran [Treatment of camels]. Lahore: Rifah-i 'Am Steam Press, 1906. Large 8vo, contemporary wrappers, 4 160 [4] pp., pictorial title-page, browning, front wrapper repaired, a few pencil markings to contentsNote: Note:The author of both works is named on the title-pages as one Khansahib Sayyid Sirdar Shah Gilani. No other copies traced; the work on camels is stated second edition on the title-page. The Rifah-i 'Am press in Lahore was established by Mumtaz Ali (1865-1915), an Islamic scholar remembered as a pioneering advocate of women's rights. The Nawal Kishore Press, founded at Lucknow in 1858 by Hindu entrepreneur Nawal Kishore (1836-1895), 'grew into the largest Indian-owned printing and publishing firm in South Asia. Supported by colonial patronage, the firm published an estimated 5,000 titles in Arabic, Persian, Urdu, Sanskrit and Hindi during Nawal Kishore's lifetime, while it also served as an intellectual hub for scholars, poets and literati. As one observer noted: "No other press in India was fortunate to have such a large number of huffaz, scholars, historians, writers and poets as were gathered simultaneously at this press"' (Ulrike Stark, 'Calligraphic Masterpiece, Mass-Produced Scripture: Early Qur'an Printing in Colonial India', in Reese, ed., Manuscript and Print in the Islamic Tradition, 2002, p. 158).

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Golding Young & Mawer
Los 420

After Marie Whitby. Village School, print, signed and titled, 57cm x 52.5cm.

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Golding Young & Mawer
Los 422

After John Young. Inspiration, limited edition print of 500, For the Official Douglas Bader Association 60th Anniversary, signed by the artist and various RAF personnel, with booklet, 51cm x 68cm.

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Bosleys & Marlows Military Auctioneers
Los 253

Devonshire Regiment Silk Embroidery Fire Screensilk embroidery, crossed regimental standards with central regimental badge and scroll.  Well presented in a period mahogany fire screen.  Together with a R Simkin print of the 64 & 98 Foot North Staffordshire Reg.  Framed and glazed.  2 items.

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Warren & Wignall
Los 162

Laurence Stephen Lowry (1887-1976), "The Beach", limited edition colour print, 50.5cm x 26cm, signed in pencil, framed and glazed 77cm x 54cm. Condition- good overall, no ripples or warping, some very slight yellowing to the paper, no marks/ stains, colours are good etc.

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Warren & Wignall
Los 163

Blek Le Rat (French b1951), 'Beggar', screen print, limited edition no. 125/150, signed and numbered in pencil, sheet 48.5cm x 64.5cm, glazed and framed 70cm x 86cm.

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Warren & Wignall
Los 164

Antony Micallef (b1975), "God I Want To Be Bad", screen print, limited edition no. 267/1000, Pictures on Walls blindstamp, signed and numbered in pencil, sheet73cm x 103cm, framed and glazed 86.5cm x 117cm.

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Warren & Wignall
Los 167

Robert Del Naja '3D Massive Attack' (b1965), "No Surrender", screen print, limited edition no. 16/25, signed, titled and numbered in pencil, Pictures on Walls blindstamp, sheet 67cm x 46cm, framed and glazed 88.5cm x 62cm,

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Warren & Wignall
Los 168

Robert Del Naja '3D Massive Attack' (b1965), "Renewable Fuel", screen print, limited edition no. 17/50, signed, titled and numbered in pencil, Pictures on Walls blindstamp, sheet 67cm x 46cm, framed and glazed 88.5cm x 62cm,

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Warren & Wignall
Los 171

Salvador Dali (1904-1989), "The Pharmacist of Ampurdan Seeking Absolutely Nothing", colour print, image 18cm x 10cm, signed in pen, certificate verso, glazed and framed 52cm x 50cm.

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Bishop & Miller Auctioneers Ltd
Los 1

After John Nash, RA (British, 1893-1977)'The Cornfield'coloured print, Baynard Press for School Prints Ltd46 x 52cm (18'' x 20.5'')

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Bishop & Miller Auctioneers Ltd
Los 22

Fanch Ledan (Born 1949) Park Scene in Winter signed and numbered 11/200 (lower margin), coloured print 46 x 62cm (18'' x 24.5'')

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Bishop & Miller Auctioneers Ltd
Los 44

Lincoln Townley (Born 1972) 'City Boy in Soho' limited edition print in colours, signed by the artist (2015) 60 x 60cm unframed with COA 'Artist’s Resale Rights (ARR) may apply to this lot'

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Bishop & Miller Auctioneers Ltd
Los 45

Endless (Contemporary), 'Chapel Pink edition 1', limited edition print hand embellished by Jealous Print Studios, signed and 28/250, 59 x 84cm, unframed with COA

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Bishop & Miller Auctioneers Ltd
Los 53

John Waterhouse (British, Born 1967) 'The Best of Times' signed and numbered 79/195 (lower left), limited edition print on board, with certificate 40 x 45cm (16" x 18")

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Bishop & Miller Auctioneers Ltd
Los 54

John Waterhouse (British, Born 1967) 'A Time to Take it Easy' signed and numbered 186/195 (lower right), limited edition print on board, with certificate 30 x 83cm (12" x 33")

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Bishop & Miller Auctioneers Ltd
Los 55

John Waterhouse (British, Born 1967) 'The Best of Times' signed and numbered 76/195 (lower left), limited edition print on board, with certificate 40 x 45cm (16" x 18")

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Bishop & Miller Auctioneers Ltd
Los 56

John Swannell (British, Born 1946)'Dome Series No. 2, 1991'signed and numbered 1/10 (to mount), limited edition print on paper40 x 56cm (16" x 22")

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Bishop & Miller Auctioneers Ltd
Los 57

Stephen Ford (British, Contemporary) 'Look to the Future' signed and numbered 81/95 (to image), limited edition print to wood, with certificate 50 x 63cm (20" x 25")

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Bishop & Miller Auctioneers Ltd
Los 58

Stephen Ford (British, Contemporary) 'Keep the Faith' signed and numbered 53/95 (to image), limited edition print on wood 50 x 63.5cm (20"x 25")

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Bishop & Miller Auctioneers Ltd
Los 65

Darryn Eggleton (South African, Born 1981) 'The Wild Side II' signed and numbered 32/195 (lower right),limited edition print on canvas 35 x 50cm (14" x 20") 

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Bishop & Miller Auctioneers Ltd
Los 73

Doug Hyde (British, Born 1972) 'Super Cutie' signed and numbered 328/395 (lower margin), limited edition print on paper, with certificate 30 x 30cm (12" x 12")

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Auctioneum - Bath & East Bristol Auctions
Los 1062

Sir Gerald Kelly (b.1879) - The Burmese Princess Saw Hon Nyun - A vintage 20th Century print on board depicting the icon lady seated upon the floor. Set within a Mid Century frame.

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Auctioneum - Bath & East Bristol Auctions
Los 576

Bernard Buffet (French b.1928-1999) - La Tour St. Nicolas, La Rochelle - A retro mid Century print in colours depicting a harbour scene. Signed in plate. Framed and glazed. Measures approx; 80cm x 101cm.

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Auctioneum - Bath & East Bristol Auctions
Los 884

After Théodore Géricault  (1791-1824) - The Charging Chasseur - Military Interest - A 20th century oleograph lacquered print on board to depict a French cavalry infantry soldier on horseback with sabre raised on battlefield. Framed. Measures 42cm x 36cm. 

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Queens Road Auctions
Los 508

ANTIQUE COLOURED JAPANESE WOODBLOCK PRINT OF FIGURES BY THE SEA, UNFRAMED, 6" X 8”

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Queens Road Auctions
Los 523

A MODERN COLOUR SCREEN PRINT, SIGNED INDISTINCTLY [BOND?] IN PENCIL WITH THE REMAINS OF AN EXHIBITION LABEL TO THE REVERSE, 20" X 16”

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Queens Road Auctions
Los 533

COLOURED JAPANESE WOOD BLOCK PRINT OF FIGURES CROSSING A BRIDGE, EXTENSIVE LABEL DETAILS TO REVERSE, 14" X 20”

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Queens Road Auctions
Los 551

PORTRAIT OF A FOUR MASTED SAILING SHIP WITH OTHERS BEYOND, COLOUR PRINT 24” X 34"

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Queens Road Auctions
Los 554

LOUIS WAIN, A HAND COLOURED PRINT “LEARNING TO SKATE” CATS ON A FROZEN LAKE, 12" X 16”

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Queens Road Auctions
Los 558

DECORATIVE COLOUR PRINT OF A BUTTERFLY TREE, 18" X 18”

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Burstow & Hewett
Los 501

A pair of large chrome plated 2-handled tea urns, H49cm, and another, and a circular framed print (4)

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Burstow & Hewett
Los 646

2 Vintage London Choice poster boards, print is fixed to an aluminium backing in a wooden frame, 1 poster board shows cinema listings in 1958, 2nd shows a London Theatre Guide in 1957, both boards measure 45cm x 90cm

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Queens Road Auctions
Los 560

EDWARDIAN PORTRAIT COLOUR PRINT OF A CHILD WITH A RED HAT SITTING IN GRASS, 20 X 18”

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Queens Road Auctions
Los 594

PAINTING - LAKE SCENE, WASTEWATER, LAKE DISTRICT BY D GOULD 1915 (1871-1952) 44"H X 50"W FRAMED, PRINT AQUATINT IN ORIGINAL COLOURS - MALMSBURY ABBEY TITLE IN SCRIPT BY JMW TURNER C.1815 FRAMED,

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Halls Fine Art Timed
Los 1

Keith Broomfield - an Armstrong Whitworth F.K.8 of No 8 Squadron RFC, with pilot Capt F.M.F West V.C and Lf J Haslam as an observer, R.A.F Museum print, signed by both crew members, framed,overall dimensions 58cm x 40cmNotes: On 10 August 1918, the third day of the Battle of Amiens, the Allies hoped to advance to a line running north from Roye, on the Amiens-Soissons road, through Chaulnes and Bray to Dernancourt, just south of Albert. However, German resistance was stiffening, and none of these goals was to be achieved until the German army withdrew at the end of the month. On 10 August 1918, Captain F M F West, in an Armstrong F8 with his observer Lieutenant John Haslam, was on a reconnaissance patrol north-east of Roye when he spotted German troops massing for a counter-attack. He was then set upon by German planes but, despite the fact that his left leg had been almost severed by bullets, managed to make it back to base to make his report. The injured leg was subsequently amputated.Victoria Cross Citation: "Captain West, while engaging hostile troops at a low altitude far over the enemy lines, was attacked by seven aircraft. Early in the engagement one of his legs was partially severed by an explosive bullet, and fell powerless into the controls, rendering the machine for the time unmanageable. Lifting his disabled leg, he regained control of the machine, and, although wounded in the other leg, he, with surpassing bravery and devotion to duty, manoeuvred his machine so skilfully that his observer was enabled to get several good bursts into the enemy machines, which drove them away. Captain West, then, with rare courage and determination, desperately wounded as he was, brought his machine over our lines and landed safely. Exhausted by his exertions, he fainted, but on regaining consciousness insisted on writing his report. (gazetted on 26th July, 1918.)"

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Halls Fine Art Timed
Los 11

After Robert Taylor (b.1951) 'Flight of Eagles' byprint, depicting General Adolf Galland loading the JG26 Fighter Wing Me 109's on an early morning patrol over the Pas De Calais, 1941, signed by both Adolf Galland and Robert Taylor, published by the Military Gallery Bath in 1985 as a limited edition of 500, framed, overall dimensions 65.5 x 52cm

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Halls Fine Art Timed
Los 119

The Great Escape. 'The Entrance' by Bennett Ley Kenyona limited edition coloured print depicting the opening of tunnel 'Harry', hidden beneath the stove in Hut 104, one officer helping another into the 30- foot vertical shaft, as a 'stooge' keeps an eye out for patrolling German guards, numbered 42/76, signed by Flt Lt Alan Bryett, Sqn Ldr Dick Churchill, Flt Lt Dick Starkey and others, conservation matted to include a prisoners brass uniform button found in the area of Hut 104, print print 38cm x 35cm, overall dimensions 45 x 46cmunframed, overall dimensions

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Halls Fine Art Timed
Los 13

After Robert Taylor (b.1951)Memorial flight, coloured print, signed by Leonard Cheshire, Johnnie Johnson and Peter Townsend, overall dimensions 66 x 52cm including margins(unframed, rolled)Condition overall is good. There is one small curved scratch visible to the right hand portion of the sky and a tiny amount of dog earing to the corner edges only.

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Halls Fine Art Timed
Los 15

Aviation. Five unframed signed, limited edition printscomprising 'Early Morning' after Iain Wyllie depicting Hajo Herrmann's JU-88 south of Mount Etna in Spring of 1941, signed by Hajo Hermann; 'Lest We Forget' after Timothy O'Brien, signed by the artist; 'Trouble Brewing' after Keith Aspinall, signed by Bob Hollands DFM and Peter B. Osborne DFC, each approximately 37 x 23cm (print) and 42 x 29.5cm (overall); together with 'Over the Fence - Vickers' Wellington after John Rayson, signed by Barnes Wallis Jr, Dr Mary Stopes-Roe (Daughter of Sir Barnes Wallis) and the artist John Rayston, 30 x 23 (print) and 43 x 37cm (overall); 'Night of the Hunter' after Gerald Coulson, signed by Lady Violet Aitkin, Viscount Rothermere and the artist, print 69 x 54, overall dimensions 76 x 61cmand two unsigned prints, comprising 'Tribute to the Few' after Keith Hill and a De Havilland Mosquito T3 (the latter framed), overall dimensions 62cm x 41.5cm(7)

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Halls Fine Art Timed
Los 2

Keith Broomfield - DeHavilland Mosquito F.B. VI (Rolls-Royce Merlin 25 Engines) of No. 487 Squadron, Royal New Zealand Air Force, Europe, 1939-45a print signed by John "Cat's Eyes" Cunningham CBE, DSO & Two Bars, DFC & Bar, AE; Air Vice Marshal Donald Clifford Tyndall Bennett, CB, CBE, DSO; Wing Commander Roy Rolston, DSO*, DFC, AFC, DFM and Air Marshal Sir Peter Guy Wykeham, KCB, DSO & Bar, OBE, DFC & Bar, AFC, framed, overall dimensions 57.5cm, 40cm

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Halls Fine Art Timed
Los 216

Leni Riefenstahl (1902-2003)German film director who made Nazi propaganda films, including Triumph of the Will and Olympia. Group of five signed, second-generation modern print photographs, each depicting the director in different poses, one wearing an aviator's cap and goggles, 10.5 x 14.5cm(5) In the 1930s, she directed the Nazi propaganda films Triumph des Willens ("Triumph of the Will") and Olympia, resulting in worldwide attention and acclaim. The films are widely considered two of the most influential and technically innovative propaganda films ever made. Her involvement in Triumph des Willens, however, significantly damaged her career and reputation after World War II. Adolf Hitler collaborated closely with Riefenstahl during the production of at least three crucial Nazi films, and they formed a friendly relationship. After the war, Riefenstahl was arrested and found to be a Nazi "fellow traveller" but was not charged with war crimes. Throughout her later life, she denied having known about the Holocaust and was criticized as the "voice of the 'how could we have known?' defence." Riefenstahl's postwar work included an autobiography and two photography books on the Nuba people.

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Halls Fine Art Timed
Los 24

John Young, Guild of Aviation Artists (1930-2015) 'Beauty and Power'watercolour and gouache, appears to be a preparatory watercolour for a print published in 1986 for the Royal Air Force Museum on the Fiftieth Anniversary of the First Flight of the Vickers Supermarine Spitfire, signed by the artist Air Vice Marshal Smith, titled and signed in the mount, watercolour 41cm x 24.5cm, overall dimensions 60.5 x 45.5cm, unframed.Notes: William John Young was an aviation artist who, as a small boy, was inspired by seeing Sir Alan Cobham’s Flying Circus. He went on to paint a huge range of aircraft from many periods, many of which he had flown, and his pictures were noted for technical accuracy combined with period and location atmosphere. He attended High Wycombe School of Art, 1946–8, then after two years in the Royal Air Force, became a painter, illustrating books and working for manufacturers and air forces. Young went freelance in the early 1960s. He showed with the first exhibition of the Society of Aviation Artists; was chairman of the Kronfeld Aviation Art Society; was a founder-member of the Guild of Aviation Artists, and gained its Gold Medal in 1983 and its chairmanship in 1987. Forty-five of Young's original paintings are displayed in the R.A.F. Museum in Hendon.

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Halls Fine Art Timed
Los 31

A good Royal Navy photograph album, circa 1883-95, compiled by Lieutenant Henry Bradshaw. Containing 148 albumen print photographs, including several large 9 x 6" and some others 10 1/2 x 8 1/5, captioned throughout. Photographs include a wide range of good topographical and other related photographs, including during his early service with the newly formed Training Squadron (1885). Locations include the new and old Lighthouses at Eddystone in Plymouth (showing Smeaton's Tower before its move), Dartmouth, Plymouth, Gibraltar, Malta, Alexandria, Suez Canel, Funchal, Madeira, Bermuda, Antigua, Barbados, Stockholm, Havana and Costa Rica. Royal Navy Vessels photographed include HMS Dreadnought, HMS Tenedos and HMS Tartar. Elsewhere, the album has a photograph of the crew of the Tenedos at Point of Beach, Harbour Grace, Newfoundland, Canada; taken when the ship was anchored at the request of the governor following the Harbour Grace Affray; together with scenes such as the interior of Admiralty House in Valetta (Malta) in 1892, “Camel fighting at Smyrna”, the Upper Deck and the "Landing Party" of HMS Active in 1888, "One of the trenches - Tel El Kebir" and crew pictures including the Stokers, Quartermaster and Signalmen from HMS Dreadnought. The album concludes with a portrait of Henry Bradshaw taken at R. Ellis Studio in Malta, with the inscription 'from HBB' and dated '92 (1892). (album spine board detached) Notes: Henry Buller Bradshaw was born on 11th December 1867 and died in April 1921. He first appears as a Naval Cadet, aged 13, onboard the training ship HMS Britannia. Sold together with a photocopy of his Royal Navy service record confirming service on several of the featured ships during this time period.Many pages creased or slightly wavy, possibly from damp. Photographs are generally good, but a couple are very faded and with some folds or creases. The original board from the spine of the album is missing.

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Halls Fine Art Timed
Los 51

Second Boer War.A rare military map of Ladysmith, inscribed in pencil 'O.C of Gordon' to the reverse, showing Table Hill 6000 yards south of Caesars Camp, printed with some over-written and further handwritten annotations in black ink, e.g. 'Mounted Infantry Hill' and 'Devonshire Hill Post', overall dimensions 84 x 60.5cm, two sheets pasted together, scale of 2 inches to the mile. Sold together with a small scrap album of humorous illustrations, ditties and poems; 'The Ladysmith Bombshell' depicting Slim Piet (Piet Joubert), with various humorous and topical stories or comments, including one that reads ' £10 Reward to the first Boer who enters Ladysmith in any capacity other than Bearer of a white flag or as prisoner of war'; two copies of the Ladysmith Lyre dated 27th and 30th November 1899, with some additional illustrative supplements; a comical watercolour sketch of the forces surrounding those holed up in Ladysmith; a copy of De Zoottansberg Watcher dated 11th April 1901, with an inscription below that reads 'The Zoottansberg Watcher was published by the Boers in Pietersburg up to the occupation of the place by the British - the night of the occupation the Boer printers and compositors were made to print off the above copy of the paper, and the printing press was then destroyed with the gun cotton'. (newspaper copy inscribed to 'Major Macready, 2nd Gordon Highlanders')Provenance: Major Cecil Frederick Nevil Macready, 2nd Gordon Highlanders. Later, Sir General Macready, 1st Baronet, GCMG, KCB, PC. The 2nd Gordon Highlanders were involved in the Siege of Ladysmith.Scrap album in poor condition, rear board missing, pages detached. Edges of pages frayed and torn. Map appears to have areas of candlewax or some other residue spots.

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Setdart Subastas S.L
Los 146

Spanish school, late 16th - early 17th century."Saint John. Based on an engraving by HENDRICK GOLTZIUS (Bracht, 1558 - Haarlem, 1617).Oil on canvas.Needs restoration.Size: 106 x 81,5 cm; 128 x 103,5 cm (frame).Saint John the Apostle has been represented here from the engraving of Hendrick Goltzius included in the series "Christ, the twelve apostles and Saint Paul" (also known as "The short Creed", because each print was accompanied by a verse of the Creed). The half-length figure emerges from a dark background. The figure has been sculpted with intense tenebrist lighting, and can be inscribed in the Mannerist tradition, which draws freely from Renaissance sources. As in Goltzius, the anatomical focus is on the expressiveness of the hands.Hendrick Goltzius was a Dutch draughtsman, engraver and painter. Considered the best Netherlandish engraver of Nordic Mannerism, he is renowned for his sophisticated technique and the "exuberance" of his compositions. Goltzius formed his style in the tastes of Mannerism, of which Haarlem was a stronghold until later. This was influenced by the painter and theorist Karel van Mander, who had moved to Haarlem from Vienna, bringing with him designs by Bartholomeus Spranger, the leading Mannerist painter outside Italy. In Rome Goltzius carefully studied the art of Michelangelo, Raphael Sanzio and lesser-known masters such as Polidoro da Caravaggio. Goltzius engraved six planetary Gods that Polidoro had painted in a palace in the Quirinal. His style evolved towards a more restrained classicism, presenting the figures in larger clothes and with more relaxed expressions. He was a meticulous yet productive printmaker. Among his early series is a series on Christ and the Apostles (1589), called The Creed. Around 1594 he created a series of six large plates on the life of the Virgin, for which he went back almost a century to imitate six different masters, including Dürer, Parmigianino, Titian and Lucas van Leyden. These engravings were so admired that they were nicknamed "Meisterstiche" (masterly engravings).

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Setdart Subastas S.L
Los 147

Spanish school, late 16th century - pps.s.XVII."Saint Philip". Based on an engraving by HENDRICK GOLTZIUS (Bracht, 1558 - Haarlem, 1617).Oil on canvas.Needs restoration.Size: 107 x 85 cm; 129,5 x 102 cm (frame).This painting, of tenebrist lights and mannerist workmanship, follows the model of Hendrick Goltzius in the gestural dramaturgy and the saint's features, as well as in the amplitude of the cape and its deep drapery. Specifically, Saint Philip the Apostle is depicted here based on Goltzius's engraving from the series "Christ, the Twelve Apostles and Saint Paul" (also known as "The Short Creed", because each print was accompanied by a verse from the Creed). The body has been chiselled by means of intense contrasts of light. Goltzius gave special prominence to the hands, furrowed with veins, as well as to the musculature, making tendons visible. A melting pot of influences converged in his painting: Michelangelo, Raphael? but also classical statuary, which the Dutch engraver had studied in depth in the Vatican collection.Hendrick Goltzius was a Dutch draughtsman, engraver and painter. Considered the best Netherlandish engraver of Nordic Mannerism, he is renowned for his sophisticated technique and the "exuberance" of his compositions. Goltzius formed his style in the tastes of Mannerism, of which Haarlem was a stronghold until later. This was influenced by the painter and theorist Karel van Mander, who had moved to Haarlem from Vienna, bringing with him designs by Bartholomeus Spranger, the leading Mannerist painter outside Italy. In Rome Goltzius carefully studied the art of Michelangelo, Raphael Sanzio and lesser-known masters such as Polidoro da Caravaggio. Goltzius engraved six planetary Gods that Polidoro had painted in a palace in the Quirinal. His style evolved towards a more restrained classicism, presenting the figures in larger clothes and with more relaxed expressions. He was a meticulous yet productive printmaker. Among his early series is a series on Christ and the Apostles (1589), called The Creed. Around 1594 he created a series of six large plates on the life of the Virgin, for which he went back almost a century to imitate six different masters, including Dürer, Parmigianino, Titian and Lucas van Leyden. These engravings were so admired that they were nicknamed "Meisterstiche" (masterly engravings).

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