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315264 Los(e)/Seite
Los 17
After Stanhope Forbes - River scene with figures, framed print. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 25
Trevor Grimshaw - Railings and Canal, signed artists proof print. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 68
Framed print after Kyffin Williams of ponies together with a signed book "A Wider Sky" by Kyffin Williams (2). Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 151
Quantity of mixed brass ware, framed oileograph and a print. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 1245
A George III mahogany fretwork panelled screen, housing six 17th century prints including “Seige of Douay” 1667”, “Seige of Tovrnay”, “Defeat of The Spanish Army Near The Bruges Canal 1667”, “The Alliance Between French and The Swiss”, “Ratification of the Peace Between Louis XIV of France and Philippe IV of Spain” and “The Ceremony the Marriage of Louis XIV with Marie Theresa of Austria”. The prints would all appear to be from the same series, two are marked “A Paris Chez Joullain Quay de la Megisserie a la Ville de Rome”. Each print 40 cm x 56 cm. The rear of the screen fabric (see illustration).
Los 757
First World War Royal Flying Corps interest - The 2nd Lieutenant Leslie Reed Blacking archive Leslie Reed Blacking served initially with the London Rifle Brigade and in the summer of 1918, at the age of 19, was sent to serve in the Royal Flying Corps with 207 squadron, where his task was to fly Handley Page 0/400 night bombers on raids behind the German lines. Later he became a heavy bomber pilot with the R.A.F. on the first Allied strategic bombing operations. After the war he went out to Hong Kong in banking; he also came to know Penang, Ipoh and Singapore well. His career was with the Bank of India, in China, Malaya and the United States, where he was manager of the New York branch during the 2nd World War. He maintained his contacts with banking and aviation, attending an annual dinner in the RAF Club and his bank’s annual gathering for former employees. He died at the age of 82. This archive comprises a fascinating collection of personal possessions, medals, ephemera and photographs, including the following: 1. A bar of four medals – Two of the 1st War, George V Efficiency Service Medal (Karachi Corps) and Elizabeth 2nd Royal Air Force Volunteer Reserve Medal, together with the corresponding miniature dress medals. 2. Silver mounted swagger stick 3. Silver mounted Tortoiseshell brooch inlaid with the insignia of the London Rifle Brigade 4. A box of insignia and uniform badges pertaining to the London Rifle Brigade, the Royal Flying Corps, the Royal Air Force and his “Dog Tags”. 5. An Album containing photographs of his early career in the R.F.C. including some of himself, uniformed colleagues and others of aircraft, some of which are shown after crash landing. 6. Several envelopes containing family papers, including Marriage Certificates, Death Certificates, Wills and letters to and from family members and business acquaintances. 7. A copy of a biographical novel written from his thoughts and memories by his friend and author, Humphrey Wynn, entitled, “Darkness Shall Cover Me”. Subtitled, Night Bombing over the Western Front. Together with the original typescript of the book, when provisionally entitled, “Peradventure the Darkness”, which contains a handwritten letter from the author to Monica, Leslie Blacking’s daughter. 8. A print entitled “Last Post”, presented to him during his visit to Ypres, 22nd April 1972, signed by the donor, F. Vandevoorde, O.B.E.
Los 916
A Channel Island interest print depicting the burning of Katherin Cawches and her two daughters, with written text titled `Heretics in Guernsey 1556. * Katherine and her two daughters were tried and found guilty of heresy the punishment for which was "to be burned until they be consumed to ashes" at the stake. While consumed by flames one of Katherin`s daughters gave birth and the infant was saved from the fire and taken to the Bailiff, who upon seeing the child, ordered that the boy be taken back and thrown upon the fire to burn with his Mother, Grandmother, and Auntie.
Los 112
John Luke RUA (1906-1975) Shaw's Bridge Belfast Oil and tempera on linen laid on board, 31.8 x 44.5cm (12½ x 17½") Signed and dated '39, signed again and inscribed "Shaw's Bridge, Belfast" verso Provenance. The Bell family by descent and sold by them at Christies May 1999 Lot 218 where purchased by current owner. Exhibited: "United Artists Exhibition", Royal Academy London, 1940, Cat. No. 352; "Ulster Artists Exhibition: The Work of John Luke", Belfast Museum and Art Gallery, 4-28 September 1946, Cat. No. 30; "Exhibition of Paintings by John Luke", CEMA Gallery, Belfast, November 1948, Cat. No. 19; "John Luke Exhibition", Queen's University Common Room, Belfast, 1960, Cat. No. 15; "John Luke (1906-1975"), Ulster Museum, Belfast, 27 January - 4 March 1978, Cat. No. 39; "Ulster Artists Exhibition The Ava Gallery" April 2010 Cat. No. 20; "Ireland her People and Landscape Exhibition" The Ava Gallery June - September 2012 Cat. No. 28; and "Northern Rhythm: The Art of John Luke (1906-1975)", Ulster Museum, Belfast, 2 November 2012 - 28 April 2013, Cat. No 23 Literature: "The Landscapes of John Luke" by John Hewitt, The Studio, August 1949 (Illustrated); "John Luke (1906 - 1978)" By John Hewitt Belfast 1978 p38. Front cover illustration; "Ulster Artists" 2010, Ava Gallery, illustrated p.21; "Ireland: Her People and Landscape" 2012.by Dr. Rosin Kennedy, p.4, illustrated p.5 and again p.35 "Northern Rhythm: The Art of John Luke" 2012 by Joseph Mc Brinn illustrated p.39 John Luke was born in north Belfast and his first job was working in Belfast's thriving shipbuilding industry. He was a student at the Belfast School of Art but left in 1927 to enrol at the Slade School in London, where he studied under Henry Tonks and shared a studio with his fellow countryman F.E. McWilliam. He returned to Belfast in 1931. "Shaw's Bridge" is probably Luke's last major work before the start of the Second World War and a significant point in the artist's development. This work recalls the earlier composition "The Bridge" from 1936 with its more simplified form and colours. Luke painted at least two versions of the bridge, the earliest in 1936, and he made at least one linocut print (c.1933), an example of which was sold in these rooms in 2008. "Shaw's Bridge" represents a synthesis in the artist's style, culminating in the more recognisable decorative and rhythmical compositions, and it is the work in which he settled on the technique of applying oil glazes over a tempera base. Luke continued to use this unusual technique for the remainder of his meticulously planned and executed easel paintings. "Shaw's Bridge" is probably the last painting that Luke completed with an identifiable topographical subject matter. After 1940 he turned increasingly to mural painting and public commissions.
Los 13
Flint (Sir William Russell) Drawings, 1950, numbered limited edition of 500, signed by the author, folio, t.e.g., quarter cloth, slipcase (slipcase very worn, additional signed print not present); Shakespeare (William), A Midsummer-Night's Dream, 1914, Constable, 12 tipped-in colour plates after W. Heath Robinson, original quarter-style cloth (front free endpaper torn, some wear to spine edges); Andersen (Hans Christian), Fairy Tales by Hans Christian Andersen, 1930, Harrap, 40 colour and b/w plates, after Harry Clarke (some frayed edges), original cloth; with two others (5)
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315264 Los(e)/Seite