KAWASE HASUI (1883-1957)Showa era (1926-1989), one circa 1930A yotsugiriban tate-e wood-block print and one yoko-e postcard: a print depicting a lady sheltering beneath an umbrella walking across a bridge in the snow enclosed within a paper lantern, signed with the artist's seal Hasui inside the image, with a square Watanabe seal on the margin, 19.3cm x 12.3cm (7 5/8in x 4 7/8in); a postcard titled Kan'i Hokenkyoku (Postal Life Insurance Office [ex Akabane Post Office]), commissioned to commemorate the new government building in 1930, with a seal Hasui; 9cm x 14cm (3 9/16in x 5½in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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KAWASE HASUI (1883-1957)Dated Showa era (1926-1989), 1927, 1940, 1950 and 1957, but all printed in the Heisei era (1989-2019), late 20th/early 21st centuryComprising three oban tate-e and one oban yoko-e print, the first of Tazawako Kansanomiyagu (Kansanomiya Shrine at Lake Tazawa), dated on the lower left Showa ninen saku (Work of Showa 2 [1927]), 26cm x 39cm (10¼in x 15 3/8in); the second of Tagonura no yu (Dusk at Tagonura Beach), dated on the lower left Showa jugonen saku (Work of Showa 15 [1940]), 39.1cm x 27cm (15½in x 10 5/8in); the third of Daigo Denpoin, Kyoto (Daigo Denpo Temple, Kyoto), dated on the lower left Showa nijugonen saku (Work of Showa 25 [1950]), 39.5cm x 26.5cm (15½in x 10 3/8in); the fourth of Hiraizumi Konjikido (Hall of the Golden Hue, Hiraizumi), dated Showa sanjuninen saku (Work of Showa 32 [1957]), 40cm x 27.2cm (15¾in x 10¾in); each sheet published by Watanabe Shozaburo, with the long rectangular Heisei era Watanabe seal, the second and fourth also with a round Watanabe seal; all signed Hasui with Kawase seal. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Dated Showa era (1926-1989), 1930, 1950 and 1951, but all printed in the Heisei era (1989-2019), late 20th/early 21st centuryComprising three oban tate-e and one oban yoko-e print, the first of Omori kaigan (Omori Coast), dated on the lower left Showa gonen saku (Work of Showa 5 [1930]), 26cm x 39cm (10¼in x 15 3/8in); the second of Kyomizudera no bosetsu (Evening Snowfall at Kiyomizu Temple), dated on the lower left Showa nijugonen saku (Work of Showa 25 [1950]), 39.2cm x 26.3cm (15½in x 10 3/8in); the third of Ginkakuji no yuki (Snow at the Silver Pavilion), dated on the lower left Showa nijurokunen saku (Work of Showa 26 [1951]), 40cm x 27cm (15¾in x 10 3/8in); the fourth of Shigure no ato Kyoto Nanzenji (After Autumn Rain at Nanzen Temple, Kyoto), dated Showa nijurokunen saku (Work of Showa 26 [1951]), 39cm x 26cm (15 3/8in x 10¼in); each sheet published by Watanabe Shozaburo, with the long rectangular Heisei era Watanabe seal, the first, second and fourth also with a round Watanabe seal; all signed Hasui with Kawase seal. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Dated Showa era (1926-1989), 1931, 1932, 1933 and 1951, but all printed in the Heisei era (1989-2019), late 20th/early 21st centuryComprising three oban tate-e and one oban yoko-e print, the first of Shinagawa (Shinagawa), dated on the lower right Showa rokunen sangatsu saku (Work of March Showa 6 [1931]), 39cm x 26cm (15 5/16in x 10¼in); the second of Yuki no Mukojima (Mukojima in Snow), dated on the lower left Showa rokunen junigatsu saku (Work of December Showa 6 [1931]), 39cm x 26.2cm (15 5/16in x 10 5/8in); the third of Kyoto, Kiyomizudera (Kiyomizu Temple, Kyoto), dated along the bottom Showa hachinen junichi gatsu saku (Work of November Showa 8 [1933]), 39cm x 26.2cm (15 5/16in x 10 5/8in); the fourth of Hoodoin no bosetsu (Dusk at Phoenix Hall), dated along the left margin Showa nijurokunen saku (Work of Showa 26 [1951]), 26.5cm x 39.3cm (10 3/8in x 15½n); each sheet published by Watanabe Shozaburo, with the long rectangular Heisei era Watanabe seal, the second and third also with a round Watanabe seal; all signed Hasui with Kawase seal. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
UEMURA SHOEN (1875-1949), KITANO TSUNETOMI (1880-1947), AFTER TOSHUSAI SHARAKU (FL. CIRCA 1794-1795), AND OTHERSTaisho (1912-1926) and/or Showa (1926-1989) era, early 20th century; Meiji (1868-1912), Taisho (1912-1926), or Showa (1926-1989) era, early 20th century 17 oban tate-e shin-hanga prints, illustrating the works of the famous playwright Chikamatsu Monzaemon (1653-1725), by leading Taisho-era artists as follows: (1) Semimaru in Semimaru by Suga Tatehiko (1878-1963); (2) The heroine Matsukaze in Matsukaze murasame sokutai kagami by Nakazawa Hiromitsu (1874–1964); (3) Lady Hagi probably in Kanhasshu tsunagi-uma by Ogawa Usen (1868-1938); (4) The sailor Kezori Kuemon in Hakata kojoro nami makura by Noda Kyuho (1879-1971); (5) The heroine Ochiyo in Sunju yoi koshin by Kitani Chigusa (1895-1947); (6) A swordsman by Yamaguchi Sohei (1882-1961); (7) A female ghost by Uemura Shoen (1875-1949); (8) The deity Fudo and the priest Mongaku by Tomita Keisen (1879-1936); (9) The heroine Osan in Daikyoji mukashi-goyomi by Okada Saburosuke (1869-1939); (10) The heroine Yugiri in Yugiri Awa no Naruto by Shima Seien (1892-1970); (11) The heroine Umekawa in Meido no hikyaku by Kitano Tsunetomi (1880-1947); (12) A bunraku puppet in the role of Kongomaru Terutada in Shibaraku by Nishimura Goun (1877-1938); (13) The spirit of wine in Shuten Doji by Tamamura Hokuto (1893-1951); (14) The heroine Koman in Tanba Yosaku by Yamamura Kouka (1885-1942); (15) The heroine Koharu in Shinju ten no amijima by Kikuchi Keigetsu (1879-1955); (16) Princess Kinshojo in Kokusenya Kassen by Nishiyama Suisho (1879-1958); (17) The heroine Toragozen in Soga by Ishikawa Toraji (1875-1964); variously signed, originally published between 1922 and 1926 as a series of 18 prints and supplement to a set of 16 volumes of Monzaemon's work titled Dai Chikamatsu Zenshu (The Complete Works of Chikamatsu), some with an engraver and printer's names, this set probably containing both original and later editions; last a reproduction woodblock print depicting the actor Segawa Tomisaburo II as Yadorigi, the wife of Ogishi Kurando from the play Hanayama Bunroku Soga (The Iris Soga of the Bunroku Era); inscribed Toshusai Sharaku ga. The smallest: 29cm x 44cm (11 7/16in x 17 5/16in); the largest: 47.5cm x 29.8cm (18¾in x 11¾in); Sharaku: 38cm x 25.5cm (14 15/16in x 10in). (18).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KASAMATSU SHIRO (1898–1991) AND YOSHIDA TOSHI (1911-1995)Showa era (1926-1989), late 20th centuryOne oban and one chuban fukei-ga print: the first an oban tate-e of Kasumu yube, Shinobazu ikehata (Hazy Evening on the Shore of Shinobazu Pond), published by Watanabe Shozaburo, with a round Watanabe seal, signed Kasamatsu Shiro with seal Shiro, originally published in 1932 but reprinted later, 39.2cm x 36cm (15 7/16in x 14 1/8in); the second a chuban tate-e of Hakone Shinsenkyo, Sangetsuan (Sangetsu-an, Hakone Museum), dated 1954, probably reprinted later, signed Toshi Yoshida in Roman script on the margin and Toshi with seal Yoshida in Chinese characters within the image, 27.5cm x 20cm (10 13/16in x 7 7/8in). (2).For further information on this lot please visit Bonhams.com
YOSHIDA HIROSHI (1876-1950)Showa era (1926-1989), dated 1931An oban yoko-e woodblock print, titled along the left margin Benaresu no Gatto (Ghat in Beneres), dated Showa rokunen saku (Work of Showa 6 [1931]), with jizuri seal, signed at the bottom right corner Yoshida with Hiroshi seal; framed and glazed. Overall: 45.6cm x 58cm (17 7/8in x 22 11/16in); image: 26.1cm x 39cm (10¼in x 15 3/8in).For further information on this lot please visit Bonhams.com
UEMURA ENSHU (BORN 1955)A Gold-Lacquer Three-Case Inro with Matching Manju Netsuke Showa (1926-1989) or Heisei (1989-2019) era, late 20th/early 21st centuryThe inro lacquered in gold and polychrome togidashi maki-e with a bust portrait of the famous courtesan Wakaume of the Tamaya, after a woodblock print design by Kitagawa Utamaro (1753-1806), one of her kamuro (child attendants) shown peering from behind the courtesan's back on the reverse, the interior of rich nashiji, the base of the inro signed in gold lacquer Enshu; the manju netsuke similarly lacquered with same green brocade design as on courtesan's kimono on one side and cherry blossoms on the other, unsigned; with a pale blue and green mottled glass ojime. The inro: 7.7cm (3in) high; the manju netsuke: 3.3cm (1¼in) diam.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
UEMURA ENSHU (BORN 1955)A Lacquer Three-Case Inro with Matching Manju Netsuke Showa (1926-1989) or Heisei (1989-2019) era, late 20th/early 21st centuryThe inro embellished in silver and polychrome togidashi maki-e with Yamauba and Kintoki after a woodblock print design by Kitagawa Utamaro (1753-1806), the former suckling his mother's breast on one side and a basket filled with shells on the reverse, inscribed on one side Utamaro, the interior of rich nashiji, the base of the inro signed in gold lacquer Enshu; the manju netsuke similarly lacquered with the head and shoulders of Yamauba, adjusting a comb in her coiffure, signed in gold lacquer Enshu; with a pale blue glass ojime. The inro: 7.6cm (3in) high; the manju netsuke: 3.3cm (1¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
JAPANESE 19TH CENTURY DIPTYCH WOODBLOCK PRINT ? SHIGENOBU. Two posing actors with Mount Fuji in the background. Osaka School, c. 1860. Dimensions: 37cm (14.5 inches) x 25.5cm (10 inches). Provenance: From the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Sir Roy Yorke Calne (British, b.1930), sun in a landscape, signed and dated 'Roy Calne 89' (lower right), watercolour on paper, provenance: given to the present owner directly from the artist, 30 x 39cm (49.5 x 57cm framed); together with four other sea and landscapes, two photographs of boats, a reproduction Chinese print, and after Margaret Tarrant, all things bright and beautiful45 x 56cm. nine in the lot (9)
After Charles Murray (1842 - 1923) A Busy Dockyard, etching; a coloured map of Wales and the friontispiece for The Marchants Mapp of Commerce, 1638, together with Edwin Hayes RHA RI ROI (1819-1904) Yarmouth Pier, signed and dated 1883, pencil, 7 x 12.5cm; three 18th/19th century coloured prints of Orford, an early 19th century print of the monastery at Dunwich and a print of Angel Lane, Ipswich
A. Claud Wright (20th Century), The Bridge of Sighs, St Johns College, Cambridge, titled (lower left); signed 'A. Claud Wright (lower right), watercolour on paper, 34 x 48cm (59 x 72cm framed); together with, two prints of Cambridge, Kings College Chapel from the Backs and Kitchen Bridge, St Johns College, coloured print on paper, 30 x 43cm pl. (43.5 x 56.5cm framed); a coloured print of 'Cricket at Lord's in 1822', 35 x 40cm pl. (43.5 x 51cm framed); a contemporary print of a street scene, Black Stocking, indistinctly inscribed (lower right), numbered '86/195' (lower left)
A Collection of Framed Pictures to include a French folk art style acrylic painting, depicting a stylised racecourse, together with a watercolour of a cottage marked F G Fraser, an etching depicting a cottage dated 1923 signed Wm. B Robins, and a Percy Lancaster engraving depicting an antique dealer, and a Rosalyn S Evans Limited Edition print No.2/50.
3 framed & glazed pictures of farmyard animals. Comprising: a signed watercolour of a Maltese Goat by local artist Alan Barlow, a limited edition & numbered print by Laura Boyd entitled "The Pigging Order" (68/500) and a Ltd Edition print of a cockerel by Caroline Hawkey. Largest frame size approx. 42.5cm x 38cm.
Feininger, Andreas: (1906 Paris - 199 New York). Schwarz-weiß-Fotopostkarte seiner Aufnahme The Broooklyn Bridge and Downtown Manhattan, New York 1949. Offset-Print. 1988. Für das Life-Magazine. 10,5 x 14,7 cm. Copyright Time Warner. Mit Namenszug handschriftlich sign. â•”Dabei: Elliott Erwittâ•— Schwarz-weiß-Fotopostkarte. New Mexico 1962. Offset-Print. Ende 20. Jhdt. 15,2 x 10,7 cm. Copyright Elliott Erwitt/Magnum Photos u. Fotofolio. Mit Namenszug auf Vorder- u. Rückseite handschriftl. sign. D
Mc Bride, Will.: (1931 St. Louis - Berlin 2015). It began to rain...., Ziellos wandern. Schwarz-weiß Photopostkarte der Aufnahme von 1962. Offset-Print. Ende 20. Jhdt. 10,5 x 14,8 cm. Argus Fotokunst u. Art Vision Berlin. Handsigniert. â•”Dabei: Pierre Boucherâ•— Surimpression, Pampelonne 1935. Schwarz-Weiß Photopostkarte. Offset-Print. 1989. Copyright Editions du Desastre, Paris. 15 x 10,5 cm. Rückseitig handsign. D
Hemingway,E.: Der alte Mann und das Meer. Mit 6 ganzseitigen Illustrationen und â•”1 Extrasuiteâ•— mit 6 sign. Original-Kaltnadelradierungen von Salvador Dali. (Stuttgart), Manus Presse, 1974. Folio. 60 S., [2] Bll. Lose Bogen in illustrierter Original-Leinwand-Mappe im Original-Pappschuber (Ecke schwach bestossen) und illustrierte Original-Leinwand-Mappe. Michler/L. 736 - 741a - Field 74-4. - Eines von 350 Exemplaren der Vorzugsausgabe mit der Suite der Original-Kaltnadelradierungen auf Papier von Arches (GA 1000) . - Mit einer zusätzlichen Folge der Illustrationen, gedruckt auf farbigem Grund. - 1 Graphik stärker gebräunt und etwas angestaubt. Ansonsten sehr gutes Exemplar. - One of 350 copies of the special edition with the suite of the original cold-needle etchings on paper by Arches (GA 1000) . - With an additional suite of the illustrations printed on a coloured coloured ground. - 1 print more browned and a little dusty. Otherwise very good copy.
(Hoyle,E.).: Back-Gammon. Rules and directions for playing the game of Back-Gammon, illustrated with calculations, critical cases, and games. London, printed for J. Harris 1801. 12°. Mit gest. Front. 32 S. Brosch. d. Zt. mit aufgez. Deckeltitel. (Gebrauchsspuren). Basiert auf dem ersten offiziellen Rule Book von Edmund Hoyle (1743), in dieser Form erstmals 1798 bei Symonds. - "It was not until 1743 that Edmund Hoyle published the first official rules for backgammon. A Short Treatise on the Game of Backgammon was first published in London, in 1743, and was reprinted again and again throughout the eighteenth-century. Another rule book for the game, Back-Gammon. Rules and Directions for Playing the Game of Back-Gammon, appeared in London in 1798. According to the title page, it was printed for H.D. Symonds. It must be noted that Symonds was not an author, but a London bookseller who published and sold hundreds of books from the end of the eighteenth century into the first decades of the nineteenth. Scholars have determined that this second backgammon rule book was lifted almost completely from Hoyle. The rules for the game were not changed but there was some re-wording of the rest of the text. Another bookseller, J. Harris, reprinted Symonds' version of Hoyle verbatim in 1817, though the original Hoyle rule book was also still in print" (Regency Redingote, Backgammon in England during the Regency).
Full title: Hiroshige I, Utagawa (Japan, 1797-1858): 'Toto yukimi hakkei' - 'Eight snow scenes in the eastern capital', publ. in 1928 by Shotaro SatoDescription:Dim.: 44,5 x 32,5 cm (the folder)Dim.: ca. 39,5 x 26,5 cm (each sheet)Dim.: ca. 34,2 x 24,5 cm (each print)Ê in 1928, Mr. Shotaro Sato, a considerable publisher from Kyoto, gave the announcement that he published a hitherto unknown series of eight prints by Hiroshige I, from the artist's original drawings in the possession of Mr. Emile Javal, a judge in the Civil Court of the Seine, Paris, France. These drawings were executed in the period between the last two years of Tempo to the end of Koka (1842-1847), which may be called Hiroshige's golden age, when his art reached its fullest maturity. How it happened that they were not then engraved and published, but were carried away to Europe, is an unexplained mystery. As they bear impressions of the seal of the Nanushi (ward head-man) Mr. Fukatsu Ihei, who acted as an official censor of publications in the fourth and eleventh month of the years from 1840 to 1847, it is evident that their publication was intended and had been approved.Ê A comprehensive study is available here.Other sets are in the Van Vleck Collection at the Elvehjem Museum of Art, the Albuquerque Museum and the library of the Fogg Museum, Boston.The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
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