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315251 Los(e)/Seite
Los 611
Framed and glazed limited edition print by Doris Zinkeisen, signed in pencil to mount entitled 'Country Drive'; Fine Arts Society limited edition print dated 1898 of a couple in Gig with a groom; Fine Arts Society limited edition print, signed on the mount J Walter West; Hunting print entitled 'A Check'.
Los 2
ROWLING, (J. K.). Harry Potter and the Prisoner of Azkaban, Uncorrected Proof Copy in green wrappers [one of only 150 to 250 copies printed], 8vo, 316pp., in exceptionally well-preserved & unread condition, some incredibly faint spotting to extreme front edge, a few trivial & miniscule marks, the best condition we've ever seen, near-fine, scarce, London: Bloomsbury, 1999 ❧ An unconfirmed print-run of 250 copies is generally accepted for the proof in green wrappers, and just 50 copies in the first state purple wrappers. The publisher, however, assumes only 150 copies in green wrappers. [Errington, AA4(b)]
![ROWLING, (J. K.). Harry Potter and the Philosopher's Stone, "Uncorrected Proof Copy" [pre-dating the first published edition]](https://cdn.globalauctionplatform.com/eef99b07-33df-46df-9f0d-b2a70104ca78/2a8386bf-8137-4690-9913-b2bf00cb69f9/468x382.jpg)
Los 1
ROWLING, (J. K.). Harry Potter and the Philosopher's Stone, "Uncorrected Proof Copy" [pre-dating the first published edition], softcovers as issued, 224pp., London: Bloomsbury, 1997. Octavo, original white & yellow wrappers with black text, the author given as "J. A Rowling" on title page, "Joanne Rowling" on copyright page, full number line "10 9 8 7 6 5 4 3 2 1", "1 wand" appearing twice on the list of "Other Equipment" on p. 53. Internally very well-preserved, clean & bright (appears unread), usual light toning to page edges, more pronounced on half-title, no inscriptions or obvious marks, one very faint stain at top edge of text-block, tight & square, wrappers in very good order with usual light handling marks, a few heavier (but small) marks on rear cover, wrappers untidily bound (as issued). Overall, an excellent example of this very scarce proof. London: Bloomsbury, 1997 ❧ The first appearance in print of Harry Potter and the Philosopher's Stone. 'An unconfirmed print-run of 200 copies is generally accepted.' [Errington, AA1 (a)]
![[1879 ANGLO-ZULU WAR INTEREST]. BOUSFIELD, (H. N. ). The Power of Gold, from the Bromhead family home, presentation copy from](https://cdn.globalauctionplatform.com/1e4f5ada-b99f-4163-add4-b2a7010596bc/1d51557b-cef5-4b7a-b310-b2bf00bd2ecc/468x382.jpg)
Los 126
[1879 ANGLO-ZULU WAR INTEREST]. BOUSFIELD, (H. N. ). The Power of Gold, from the Bromhead family home, presentation copy from Rev. J. Sikes (to whom the book is dedicated by Bousfield) to Edward Ffrench Bromhead [uncle of Gonville Bromhead VC, i.e. of Rorke's Drift fame], original boards, some wear at edges, Newark: S. and C. Ridge, 1830._ The Graphic vol. 19, collection of copies from January-June 1879, 41.3 x 32cm, with coverage of Anglo-Zulu War, internally generally bright, dirt and marking around boards._ The Illustrated London News vol. 74, collection covering January-June 1879, 41.2 x 30cm, covers Anglo-Zulu War, Afghanistan War, ex Nottingham Reference Library, re-backed, occasional contemp. library stamp, corners bumped/rubbed, large fold-out print with tears._ The Illustrated London News vol. 75, July-December 1879, 41.2 x 30cm, ex Nottingham Reference Library, re-backed, occasional contemp. library stamp, internally generally good, 1 page detached cleanly at staples, corners bumped/rubbed._ Together with a bead necklace said to be from 19th century Zulu Kingdom (5)
Los 4
Zap Comix, no.0, 60C, R. Crumb, v. good, Oct. 1967, Apex Novelty, California._ All New Zap Comix, no.1, R. Crumb, good, Nov. 1967, Apex Novelties, California._ Arcade - The Comics Revue, no.1 Spring 1975, R. Crumb, A. Spiegelman, some creasing bottom corner; no.4 Winter 1975, some rubbing at edge and wear at front, The Print Mint, California._ Rip Off Comix, no.8, G. Shelton, bright covers with price label at front; no.9, bright covers with price label at front, Rip Off Press, San Francisco, 1981._ Yellow Dog, vol.2 no.1, some wear, The Print Mint, 1969._ Sometime Stories, no.1, fair, Hourglass, London, 1977._ Dopin' Dan, vol.1 no.1, 3rd ed., fair, San Francisco, Oct. 1975._ Dr. Atomic, No.1, 1$, good, with general tone to paper; no.2, 75C., good, 1973; no.3, 75C., stain at back cover, 1975; no.4, good, 1976, Last Gasp Eco-Funnies, California._ Comix Book, no.4, tear at bottom of spine fold; no.5, fair, Kitchen Sink Enterprises, 1976._ The Collected Adventures of Fat Freddy's Cat, G. Shelton, good, 1975._ The Fabulous Furry Freak Brothers, G. Shelton, no.1, v. good, 1976; no.2, some pen on front cover, 1976; no.3, rubbed along fold otherwise v. good, 1976; no.4, v. good, 1976; no.5, some marking at front otherwise good, 1977, Hassle Free Press, London; no.6, v. good, Knockabout Comics, 1980._ Cozmic Comics, R. Crumb, no.1, v. good; no.2, v. good; no.4, v. good; no.5, v. good; no.6, light rubbing at edge, H. Bunch Associates, London, 1972-1974 (27)
Los 7
Grave Tales, ltd. ed. 227/1000, some rubbing at spine fold, staples aged, internally bright, Wonderful Publishing Co., Arizona, 1974._ Spaced, no.2, Jim Pinkoski, 1st printing, v. good, bright, Comics and Comix Co., California, 1975._ Snapper, vol.2, v. good, Artists at Large, San Francisco, 1975._ The New Funny Book, no.2, v. good, Larry Fuller, USA, 1977._ Bizarre Sex, no.5, 1st printing, spine fold rubbed but solid, Kitchen Sink Enterprises, Wisconsin, Oct. 1976._ Gamut, First Blockbuster Issue, some marking at covers, Tabloid Press, Canada, 1975._ Squa Tront, no.5, v. good, New York, 1974._ Man From Utopia, Special Blackjack Issue, $1.50, slight marking/rubbing at edge, bright, San Francisco, n.d. 1972?._ Mind Warp An Anthology, 2nd printing, internally bright, some toning and light chipping, And/Or Press, 1976._ Streetcomix 2, print run 500, underground comic from the Arts Lab in Birmingham, some marking around covers, Arts Lab Press, Birmingham UK, Sept. 1976._ Streetquomix - Streetcomix 3, some light spotting at covers, Arts Lab Press, Birmingham UK, May 1977._ Moon Comix, no.1, 1st printing, some marking but bright and well-preserved, Arts Lab Press, Birmingham UK, n.d. 1977._ Bogey, no.1, paper with general tone, covers bright slight marks, UK, 1975._ It's Only Rock & Roll Comix, no.1, general tone internally, UK, n.d. 1975?._ Together with Kidz Stuff, vol.1, issue 1, Tremayndous Productions, Summer 77 - Brain Fantasy, no.1, 1972 - 24 Cartoons by R. Cobb - Surf's Up, Cork City Publications, 1976 - Brain Storm Comix no.3, 1977 (19)
Los 44
PHOTOGRAPHY. A miscellaneous collection comprising: A Victorian carte-de-visite album containing 6 family portraits taken by McIntyre (Tweedmouth), Slingsby (Lincoln), Tapping (London), Andrews (Guildford), and Bateman (Canterbury), the album in quarter morocco with lacquered boards bearing hand-painted roses, all edges gilt, 12.5cm; an albumen print of the Southampton Bargate in an oval Verre Eglomisé frame, 18.5cm x 14.5cm; a bookform carte-de-visite viewer, incomplete, the spine lettered in gilt "Micro-Phore", 13.5cm; an albumen print of an "Irish Jaunting Car", pasted beneath bevelled glass, bearing label verso, "Artistic Opalines" by W. Lawrence of Dublin, 8.5cm x 11cm; a pair of trimmed cartes-de-visite (portraits of sweethearts) in wallet frame, 5cm x 8cm; a pair of cabinet cards (sweethearts) in crudely repaired morocco wallet, 11.5cm x 18cm; "The Countess", freestanding cabinet card holder, 19cm x 15cm, and [Golf Shots by Bobby Jones], a "Flicker" book, lacking covers, 7.5cm. Condition varied. [c. 1870-1900] (7)
Los 42
PHOTOGRAPHY. An enlarged portrait of a husband & wife, probably advertising a photographic studio's service of offering enlargements from cartes-de-visite, 43.5cm x 37.5cm, framed & glazed, [c. 1860-70]. Together with a topographical albumen print of Saltburn-by-the-Sea, 17cm x 23.5cm, in Verre Eglomisé & velvet frame, [c. 1880]; a family group portrait taken by H. M. Whitlock, "Opposite Town Hall, West Bromwich", 20.5cm x 19cm, framed & glazed, [c. 1890], and two similar family groups, 10.5cm x 15cm [c. 1880] and 18.5cm x 36cm [c. 1900], both framed & glazed (5)
Los 343
▲ John Piper CH (1903-1992) 'Exton, Rutland: Monument by Grinling Gibbons 1686' (Levinson 126)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 82 x 59cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA little creasing to the lower right corner with some very light surface dirt to the margins.. A small dirty mark to the upper left margin. A few small dark speckles to the blue printed border, however presents well overall. The print is unnumbered.
Los 406
▲ Peter Doig (b.1959) 'Cyril’s Bay'giclée print in colours with silkscreen varnish, signed and dated '08' in pencil l.r., and numbered '478/500', published by the Tate Gallery, Londonsheet 51 x 39cmCondition ReportFramed: 63 x 50.5cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Los 218
▲ Dame Elisabeth Frink CH RA (1930-1993) 'Horse and Rider'lithograph in colours, 1970, signed 'Frink' in pencil l.r.sheet 59 x 78cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is unnumbered. Light time staininig with a little discolouration/ staining to the edges. Minor handling creases. The print does not sit completely flat at the edges however does not appear to have been rolled. Presents well overall.
Los 224
▲ Tracey Emin RA (b.1963) 'The Kiss Was Beautiful'offset lithograph in colours, 2016, signed 'Tracey Emin' l.r., from an edition of 500sheet 70 x 50cm, unframedCondition ReportMinor abrasions to the extreme top edge. Two small crescent shaped creases to the upper right edge and a further small crease to the centre of the top edge. On close inspection under raking light there are some very light surface scuffs beneath the signature and a light 3cm scratch crosses the letter T. Please see additional condition images. The print has been stored rolled in the original 'Emin International' labelled tube.
Los 130
▲ HM King Charles III (b.1948) 'Tetbury Church From Highgrove House'lithograph in colours, signed and dated 'Charles '98' in pencil l.r., and numbered '44/100', printed at Curwen Chilford Prints on paper made at St Cuthbert's Mill, Somerset, complete with a certificate of authenticity signed by the publisher, and in original box as issuedimage 14.5 x 20cmCondition ReportPROVENANCE: With certificate of authenticity and original box.Framed: 37.5 x 41cmBox: 42.5 x 45.5 x 5.5cmThe print appears to be in good condition and is ready to hang. Not viewed out of glazed frame. Light surface scuffs and scratches to the exterior of the box.
Los 337
▲ Henry Moore OM CH FBA (1898-1986) 'Three Reclining Figures' (CGM 290)lithograph in colours, signed and dated 'Moore/73' in pencil l.r.sheet 57.5 x 47cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is unnumbered. Light handling creases to the margins. The printed area appears to be in good condition.
Los 225
▲ Tracey Emin RA (b.1963) 'Out Cold', 2014polymergravure etching, signed and dated 'Tracy Emin 2014' in pencil l.r., inscribed with title and numbered '32/100', a limited edition print from the Royal Academy Summer Exhibition 2014sheet 37.5 x 43cm, unframedCondition ReportAppears to be in good condition.
Los 214
▲ Elizabeth Blackadder (1931-2021) 'Four Fish'screenprint in colours, 2013, signed 'E. Blackadder' in pencil l.r. and numbered '51/80', published by Glasgow Print Studio, with blind stampsheet 54 x 43.5cmCondition ReportFramed: 59 x 49cmThe print is stuck down in the corners and the sheet had light undulations to the upper and lower edges. Appears to be in otherwise good condition and ready to hang. Not viewed out of glazed frame.
Los 425
Cubitt Print Box a portfolio of prints in various mediums, 2000, each signed and numbered '75/100', with the exception of the print by Elizabeth Wright numbered '175/220%' as per the artist's intention, published by Cubitt, in the original presentation box box 28.5 x 23.5cm The portfolio includes prints by 20 British and international artists who had come to prominence in the 1990s, all of whom had either worked or shown at the Cubitt studios and gallery in King’s Cross, London: Martin Creed, Tacita Dean, Peter Doig, Ceal Floyer, Matthew Higgs, Gareth Jones, Alex Katz, Scott King, Jochen Klein, Hilary Lloyd, Paul McCarthy, Paul Noble, Chris Ofili, Peter Pommerer, James Pyman, Giorgio Sadotti, Jane Simpson, Wolfgang Tillmans, Piotr Uklanski and Elizabeth Wright. 'Snowball' by Elizabeth Wright was created as a varied edition of 120 individual versions, with the perfectly round snowball in each print scaled differently in successive increments from 101/220% to 220/220%. The variations in size reflect the platitude that no two snowflakes are alike. Getting bigger as the edition progresses, the circles created by the artist manifest as a literal 'snowball effect'. Condition ReportAppears to be in good condition.
Los 376
▲ Eric Shanes (1944-2017) 'Olympiad 1: Jump';'Olympiad 3: Lift';'Olympiad 5: Run';'Olympiad 1: Jump'four screenprints in colours, each signed and dated 'Eric Shanes 72' in pencil l.r., inscribed with title and individually numbered from an edition of 75, created for the occasion of the 1972 Olympics in Munich75.5 x 76cm and similar, unframed (4)Condition ReportFaint dirty marks to the margins. Light creasing. There are a few lines where the ink is a little raised, presumed to be a result of the printing process. Minor surface scratches. One of the 'Olympiad: 1 'Jump' prints has brown marks at the top of the left edge and a small rip and creasing to the centre of the right edge. The other Jump print has some cracking to the ink on and around the figure at the top.
Los 82
▲ Edward Bawden RA (1903-1989) 'St James's Palace' (MG 072)linocut in colours, 1966, signed 'Edward Bawden' in pencil l.r., inscribed with title and numbered 'Artist's proof 10/75'image 50.5 x 66cmCondition ReportFramed: 70 x 94cmA little cockling. Very slight time staining. A small blue mark to the upper margin, centre right. The print is crisp and the colours are strong. Not viewed out of glazed frame.
Los 209
▲ Mary Fedden RA (1915-2012) ‘Oppede le Vieux’lithograph in colours, 2006, signed 'Fedden' in pencil l.r., and numbered '34/150', published by Curwen Chilfordimage 27 x 36cmCondition ReportFramed: 49.5 x 59.5cmThe print has slipped slightly in the frame but appears to be in good condition. Not viewed out of perspex glazed frame.
Los 374
▲ David Bailey (b.1938) 'Box of Pin-Ups', 1965thirty-six half-tone prints, with the biographical details of each sitter printed on the reverse of each print, printed by Weidenfeld & Nicolson, London, and contained in the original card box, signed to the reverseeach approximately 37 x 32cmProvenance: Sotheby's, New Bond Street, 'Made in Britain II', 13 September 2017, lot 175;The David and Pam McCleave Collection of Modern British Art.Literature: Martin Harrison, 'David Bailey: Archive One, 1957-1969', Thames & Hudson, London, 1999, ill. pp.157, 169, 175, 177, 179 and 181;David Bailey, 'Bailey's Stardust', National Portrait Gallery, London, 2014, ill. pp.191-197.Condition ReportThe prints appears to be in good condition overall. Light handling creases, only visible in raking light. The box has some discolouration with surface dirt, staining and abrasions to the reverse. The edges and corners of the box are worn with a tear to the upper left corner.
Los 89
Eric Ravilious (1903-1942) Fireworkslithograph in colours, from 'High Street' by J M Richards, printed by the Curwen Press and published by Country Life, London, 1938visible 22 x 14cmCondition ReportFramed: 43 x 30.5cmLight handling creases to the edges. A faint dirty mark (possibly a finger print) to the centre of the lower edge. Not viewed out of the perspex glazed frame. Presents well overall and ready to hang.
Los 341
▲ John Piper CH (1903-1992) 'Ruined Church, Bawsey’ (Levinson 341)screenprint in colours, 1982, signed 'John Piper' in pencil l.r., and numbered '38/100', printed at Kelpra Studio, London, with blind stamp, published by Christie's Contemporary Art, Londonsheet 54.5 x 69.5cmCondition ReportFramed: 60 x 74.5cmA little light rippling to the left margin and the edge of the print. There is slight discolouration to the extreme edges of the sheet. The margins have some timestaining and mottling. The colours are bright. There are some thunderbugs trapped behind the glazing but the printed area does not appear to be affected. Not viewed out of glazed frame.
Los 426
▲ Banksy (b.1974) 'Golf Sale' screenprint, 2003, stamped with 'BANKSY' tag in red ink, numbered '388/750', published by Pictures on Walls, London sheet 34 x 48.5cm This lot is accompanied by a Certificate of Authenticity issued by the Pest Control Office. Condition ReportPROVENANCE: With certificate of authenticity. Framed: 54 x 67cm Presents well overall. A little faint surface dirt to the lower edge. On close inspection under raking light there are some light superficial surface scratches to the black ink, however in our opinion this does not detract from enjoyment of the work. The print has been mounted with tape applied to the reverse of the top edge.
Los 417
▲ The Connor Brothers (1968) 'I Tried to Drown My Sorrows But The Bastards Learned How to Swim'giclée print in colours, artist's proof, signed and dated '19' in pencil l.r., and inscribed 'AP'image 119.5 x 65cmCondition ReportFramed: 126 x 82cmA little light rippling to the margins, however presents well overall and ready to hang. Not viewed out of glazed frame.
Los 79
▲ Edward Bawden RA (1903-1989) 'Évora';'Lisboa'two lithographs in colours after linocuts created for 'Bawden in Portugal', published in 'Motif: A Journal of the Visual Arts; No. 9: Summer 1962', printed at the Shenval Press, visible 29.5 x 40.5cm and 29.5 x 33.5cm (2)Condition ReportFramed: 44 x 61cmThe prints have centrefolds as issued. The print of Lisbon has slight time staining with a faint brown mark to the left edge, lower centre. There is a print of on the reverse which shows through the paper slightly. Overall both prints present well. Not viewed out of perpex glazed frames.
Los 349
▲ John Piper CH (1903-1992) 'Courthouse, Long Crendon, Buckinghamshire' (Levinson 285)lithograph in colours, 1978, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 57 x 77cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe printed area appears to be in good condition. Light handling creases to the margins with a little light surface dirt. There is a light line/ indentation running along the lower edge,1cm in from the edge of the sheet. There is a yellow mark to the lower margin, centre right (pisbbilbly printing ink?). The print is unnumbered.
Los 179
Mark Tobey (American-Swiss 1890-1976) 'Mandarin Flowers'lithograph in colours, 1973, signed and dated 'Tobey 73' in pencil l.r. and numbered '43/95'sheet 77.5 x 102.5cm, unframedCondition ReportA few faint dirty marks and smudges to the margins with a little surface dirt. There is a 2cm pencil line to the centre of the upper margin, with a faint thumb print to the upper right corner. The printed area appears to be in good condition.
Los 357
▲ David Hockney OM CH RA (b.1937) 'Pool Made With Paper and Blue Ink' for the book 'Paper Pools' (MCA Tokyo 234)lithograph in colours, 1980, signed and dated 'Hockney 80' in pencil l.r., and numbered '681/1000', published by Tyler Graphics Ltd., Mount Kisco, New York, with blind stamp sheet 27 x 24cmWhen thinking about David Hockney, the subject of the swimming pool is one that comes to mind. It has become one of the defining motifs of his artistic career and an iconic image of modern art. The theme recurs frequently in his paintings, drawings, photographs and prints.Hockney’s fascination with pools began in 1964 when he flew over Los Angeles and was captivated by the vivid expanse of blue pools dotting the Californian landscape - an image starkly different from the scenery of Britain he had left behind. To Hockney, the swimming pool was a representation of pleasure and leisure in the 1960s, and a joyous image to reproduce. Additionally, it provided a creative opportunity to explore the play of light and reflections on water, shaped by ripples, curves and shadows cast by gentle breezes or the movement of swimmers.This motif repeatedly surfaced in his work over the years, including the present lithograph titled 'Pool Made With Paper and Blue Ink for a Book'. This piece was created for the special edition book 'Paper Pools' by David Hockney, edited by Nikos Stangos and published in 1980 by Thames & Hudson. The book delves into Hockney’s 'Paper Pool' series, comprising twenty-nine paper pulp artworks that he created in 1978 while staying with his friend, the printmaker Ken Tyler. Inspired by this new medium, Hockney used Tyler’s swimming pool as the subject for this lithograph. He meticulously studied the pool at various times of the day and night, observing and recording the interplay of light and colour, through drawings and photographs.Though smaller in scale compared to Hockney’s large oil paintings, this lithograph is equally vibrant and demonstrates meticulous precision in its execution. The image was initially hand-drawn by the artist and then printed in six colours from three lithographic limestones and three aluminium plates. This lot is pencil signed and numbered '681' from a limited edition of 1,000 prints with an additional 122 proofs. Condition ReportFramed: 58 x 49.5cmPresents well overall. In our opinion the colours are bright. Slight time staining to the margins. There is some acid discolouration to the extreme edges. There is a little rubbing/ abrasion to the water in the lower centre and along the left edge, please see additional condition images. The print has been stuck down in the corners and it is not possible to see the reverse of the sheet. The print sits flat without any obvious cockling or creasing.
Los 340
▲ John Piper CH (1903-1992) 'Death in Venice VIII' (Levinson 232)screenprint in colours, signed 'John Piper' in crayon l.r. and numbered '48/70'sheet 78 x 68cmCondition ReportFramed: 97 x 86cmSheet: 78 x 68.5cm.Presents well overall. The sheet has been stuck down with small squares of tape around the edges verso. There ia a small crescent shaped crease mark/ very fine crack to the centre of the right edge, please see additional condition images. In our opinion the print is crisp and the colours are bright.
Los 437
▲ David Yarrow (b.1956) 'The Cave', 2019large archival pigment print, signed and dated 'David Yarrow April 2019' and numbered '8/12' in the marginimage 141 x 188cmDavid Yarrow is a celebrated fine art photographer known for his captivating black-and-white images of wildlife and landscapes, and powerful storytelling. At just twenty years old, he gained global recognition as a sports photographer, capturing the iconic moment of Diego Maradona lifting the World Cup in 1986. Although he then pursued a career in finance, Yarrow eventually returned to his true calling - photography - which has led him to some of the most remote and awe-inspiring corners of the world.His work is characterised by its dramatic flair, and shots are often achieved through remote-controlled cameras to achieve close, intimate perspectives of wildlife. Beyond his artistic achievements, Yarrow is a committed conservationist, with proceeds from his work often raising money for environmental and philanthropic causes.Condition ReportFramed: 181 x 228cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Los 215
▲ Elizabeth Blackadder (1931-2021) 'Seafood Medley'screenprint in colours, 2012, signed 'Elizabeth Blackadder' in pencil l.r. and numbered '36/80', published by Glasgow Print Studio, with blind stampsheet 75 x 86.5cmCondition ReportFramed: 84 x 94cmFloat mounted. Cockling. Appears to be in otherwise good condition. Not viewed out of glazed frame.
Los 213
▲ Elizabeth Blackadder (1931-2021) 'Langoustine'etching in colours, 2012, signed 'Elizabeth Blackadder' in pencil l.r., and numbered '49/50', published by Glasgow Print Studio, with blind stampsheet 56 x 52cmCondition ReportFramed: 63 x 59cmVery slight rippling where stuck down in the corners. Appears to be in otherwise good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Los 356
▲ David Hockney OM CH RA (b.1937) 'Portrait of Felix Man', 1969lithograph on japon, signed 'David Hockney' in pencil l.r.sheet 76.5cm x 53.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is not numbered. Scattered spots of foxing. Light creases visible to the reverse. A diagonal crease mark to the lower right corner. Please see additional condition images. Deckled edges. Unframed.
Los 420
▲ The Connor Brothers (b.1968) 'You'll Call, Won't You?', from 'True Love Stories'giclée print in colours, 2013, signed 'Connor Brothers' in pencil l.r. and numbered '54/95'sheet 72 x 49cmCondition ReportFramed: 84.5 x 61cmSlight undulations to the sheet however presents well overall and appears to be in otherwise good condition. Not viewed out of glazed frame.
Los 238
▲ Laurence Stephen Lowry RA (1887-1976) 'Market Scene in a Northern Town', 1939lithograph in colours, 1973, signed 'L. S. Lowry' in pencil l.r., an edition of 750, published by Patrick Seale, courtesy of Salford Museum and Art Galleryimage 45.5 x 60.5cmCondition ReportFramed: 71 x 84cmA little discolouration to the margins caused by the mount. The print has a slightly yellow/ green hue overall, please refer to illustration. Not viewed out of glazed frame.
Los 219
† PHIL GREENWOOD; a signed limited edition print, 'Copice', signed and dated 81 lower right and numbered 120/250 lower left, 32 x 32.5cm, and a further signed limited edition print, 'Shade', signed and dated 81 lower right and numbered 120/250 lower left, 32 x 32cm, both framed and glazed (2).
Los 259
A collection of eleven assorted pictures and prints, including a signed print, 'Paper Wraps Stone Sharpens Scissors Cuts Paper', indistinctly signed lower right, 96 x 66cm, framed and glazed, also a further signed limited edition print, 'Kora, Garden, 2004', signed lower right and numbered 4/25, 48 x 33cm, framed and glazed, and various further pictures (12).
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315251 Los(e)/Seite