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315264 Los(e)/Seite
Los 360
A collection of National Hunt horse racing memorabilia, etc., all relating to the jockey and latterly film stunt rider and trainer Tom Reeves to include a photograph of a farewell dinner to Steve Donoghue inscribed from his brother jockeys Piccadilly Hotel, 20th October 1937, present in the photograph are Tommy Weston, J Herbert, W Sibbert, Charlie Smirke, Steve Donoghue, Bernard Carslake, Michael Beary, Harry Wragg Joe Childs, Fred Fox and Gordon Richards, a photograph dedicated to Norma and Tom Reeves and dated 1988 from Harry Wragg, a black and white photograph, a print, a racecourse goer's map and guide and a Benson Hedges book of racing colours.
Los 459
including a sealed box of 100 Ilford XP2, a sealed box of 25 Ilford FP4+, a sealed box of 10 Kodak Vericolor Print Film, a sealed box of 10 Fujifilm Velvia, a sealed box of Kodak Color Film, a sealed box of 25 Ilford HP5+, also with open boxes of 50 Ilford Technical Ortho (still quite heavy), a box of 50 Ilford HP5+ (still quite heavy), a box of 100 Kodak Graphic Arts Film (fairly light), and a box of Kodak Tri-X Pan (very light), (10) all film is assumed to be expired,
Los 1
A GROUP OF FOUR CARVED PANELS MOST LIKELY EARLY 19TH CENTURY, POSSIBLY EARLIER carved oak, depicting fruiting vines, flowering thistles, daisies and a coat of arms, 29.8cm x 26.7cm; daisies 30cm x 25.5cm; thistles 30.2cm x 26.7cm; vines 30.2cm x 26.7cmFootnote: Note: During the early nineteenth century in Scotland the Romantics of the period, fuelled by the literary works of Sir Walter Scott, expressed a desire to revive aspects of early medieval life and philosophy in an attempt to escape from urban growth and industrialisation. Striking in design and boldly carved, it is likely that these panels are a product of this Revival period, and they undoubtedly share a resemblance to surviving examples of sixteenth century Scottish carvings. Early Scottish oak panelling was often used to front large doors, decorate interior schemes or certain pieces of furniture such as chests, seating or cupboards. Eighteenth century cabinet makers would have certainly looked to a number of historically important examples for inspiration, reproduced in various books, print and exhibitions. A closer look at the present lot reveals three distinct motifs feature prominently: stylised grape clusters sprouting from young vine plants; a series of Scottish thistles in bloom; and an array of more delicate flowering roses or daisies. The use of the rose, thistle and other flowering vine plants is evident in other important examples of early Scottish woodwork, such as The Montrose Panels, currently on display in the National Museums of Scotland, and the St Andrews Cupboard, from the University’s own collection. The St Andrews Cupboard is particularly interesting as it is thought that the featured motifs in these panels are part of an iconographic scheme used to symbolise the marriage of King James IV and Margaret Tudor. The carved thistles in that context are therefore of Royal as well as National significance, representing King James IV and the Scottish Crown. Meanwhile, the delicate scattering of roses and daisies are recognised as emblems of the House of Tudor, thus a reference to Margaret Tudor. In the present lot, the armorial does not appear to have been officially registered and therefore it is difficult to determine whether they link to a particular Scottish family. Nevertheless, the stylistic affinity shared with early medieval oak panelling is clear and they offer a fitting tribute to past traditions in Scottish art and furniture design.
Los 299A
A UNIQUELY PRESENTED JACOBITE BANKNOTE PRINT AFTER SIR ROBERT STRANGE, PRINTED BY EDINBURGH PRINT MAKERS 2021 ON BEHALF OF WEST HIGHLAND MUSEUM, FRAME BY PETER DAVIS CABINET MAKER FORT WILLIAMThe print taken from the original 1746 copper plate engraved by Robert Strange, showing four banknotes one penny, two pence, three pence and six pence denominations, with four others left blank, the central motif of intertwined initials CP within a rococo cartouche with thistle emanating and surmounted by crowned Prince of Wales Feathers, with trophy of arms behind, raised on an architectural plinth. Contained in a handmade beach wood frame, numbered 1 of 22 and signedTaken from an original relic of the 45‘, this contemporary print continues the Jacobite tradition of fundraising for their Cause, yet this time all proceeds raised will help fund the cause of the West Highland Museum in Fort William. This print is the first of twenty-two in total, produced by the Edinburgh Print Makers in 2021 to mark the 100th Anniversary of the Museum itself, in an effort to raise funds for an exciting re-development and conservation plan; Lyon & Turnbull are delighted to help with the sale of this remarkable piece.
Los 136
Sherree Valentine Daines (b.1959) 'Champagne in the shadows' limited edition canvas print, numbered 86/195, signed lower left, 64.5cm x 59cmProvenance: With DeMontford Fine Art certificate of authenticity on the reverse of the frame. Condition report: Overall ok with some display wear, marks and scuffs to the frame. Otherwise ok. Please note we have not removed this piece from the frame to examine.
Los 137
Sherree Valentine Daines (b.1959) 'Walking in the shallows' limited edition canvas print, numbered 7/20, signed lower right, 31.5cm x 26cmCondition report: Overall ok with some display wear, marks and scuffs to the frame. Otherwise ok. Please note we have not removed this piece from the frame to examine.
Los 138
Sherree Valentine Daines (b.1959) 'Ascot Race Day II' limited edition canvas print, numbered 81/95, signed lower left, 32cm x 42cmCondition report: Overall ok with some display wear, marks and scuffs to the frame. Otherwise ok. Please note we have not removed this piece from the frame to examine.
Los 155
Carole Estoiffe (20th Century)'Spring flowers' monoprint, signed in pencil, lower right, unframed, 65cm x 50cm, 'Roses and delphiniums' monoprint, signed in pencil lower right, unframed, 65cm x 50cm (2)Condition report: Some foxing and staining, minor creases to edges and corners. Small tear to the bottom left edge of the second print, would easily be covered by the mount when framed. Slight damp odour.
Los 159
Tessa Beaver (1932-2018)'Cardinal' woodblock print, numbered 6/50, signed in pencil lower right, 51.5cm x 51cm, 'Blackbirds' woodblock print, numbered 37/50, signed in pencil lower right, 59cm x 49cm, both unframed (2)Condition report: Overall minor wear and creases to edges and corners. Some minimal foxing throughout. Slight damp odour.
Los 257
Sasha Harding (b.1949)'Dog walk in the park, print, unframed, 26cm x 27cm, 'Picnic on the hill' print, unframed, 26cm x 27cm, 'Christmas delivery' print, unframed, 23cm x 22cm, 'Hen on the move' print, unframed, 32cm x 54cm, all artists proof and signed in pencil lower right (4)Condition report: All overall ok, with minimal wear to edges and corners as expected.
Los 273
Byron Birdsall (1937-2016)'Hawaii night' print, limited edition of 500, signed in pencil under the mount, 31cm x 32cm and another by the same artist 'Fireweed' print, numbered 127/500, signed in pencil lower left, 26cm x 40.5cm (2)Condition report: Overall ok with minimal display wear as expected. Please note we have not removed these from the frames to examine. The hawaii night print does not have the glass.
Los 311
Cozette de Charmoy (b.1939)'Balloons' screenprint, numbered 55/85, signed and dated 1983 in pencil lower right, 79cm x 63cm, 'In praise of good food' print, signed in pencil lower right, 36cm x 23.5cm and an 'Untitled' print, signed and dated 1976 in pencil lower right, 69.5cm x 49cm (3)Condition report: Overall ok with minimal display wear to the frames. Minimal foxing to the balloons screenprint. Please note we have not removed these pieces from their frames to examine.
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315264 Los(e)/Seite