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Preisdatenbank abonnierenColin Cole 617 Squadron Tirpitz Raid signed 12x8 colour photo of a famous Print. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Channel Dash by Robert Taylor, very rare 33 x 26 inches WW2 print numbered 33/1000. At dawn on 12 February 1942 a German battle fleet rounded the Cherbourg peninsula. Their destination was Germany. Undetected, the battlecruisers Scharnhorst and Gneisenau, together with the cruiser Prinz Eugen and supporting vessels, had escaped from the French port of Brest, and were making an audacious dash - in broad daylight and under the noses of the enemy - to the safety of the Elbe Estuary. But first they must sail through the Straits of Dover, one of the narrowest and most heavily defended straits in the world. Everything depended on surprise - and air cover. Seen in Robert's painting are Messerschmitt Me109s of JG-2 as they fly low escort above the mighty German Warships. In company with a flotilla of escort vessels, the fleet is led by the 'Scharnhorst' followed by the 'Gneisenau' with the ' Prinz Eugen' steaming up behind, as they round the tip of the Cherbourg Peninsula at dawn on the morning of February 12, 1942. Four Knight's Cross holders, two JG-2 Me109 pilots and two German Navy crew who sailed with the Channel Dash fleet have joined the General in signing this historic edition making this one of the most collectable limited edition prints ever published. Given the job of providing that air cover was one of Hitler's youngest Generals, Adolf Galland, and his Messerschmitt Me109's of JG-26. Never, perhaps, has such a significant air-sea operation been portrayed with such style as by Robert Taylor in the now classic Masterwork, The Channel Dash. Originally created as the first in the famous 'Galland Trilogy', it has been personally signed by Adolf Galland and veterans of Operation Cerberus. Each print has been personally signed by the artist in addition to: Generalleutnant ADOLF GALLAND KC WITH OAK LEAVES SWORDS AND DIAMONDS, Major GERHARD SCHOPFEL KC, Korveitenkapitan FRIEDRICH-KARL PAUL, Oberleutnant ADOLF GLUNZ KC WITH OAK LEAVES, Oberleutnant-zur-see GERD-DIETRICH SCHNEIDER . Condition report Rolled so colours excellent, foxing to borders, most of which would matt out. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Mitchells Legacy by R P Reynolds 26 x 18 inch print numbered 847/1000. Signed by the artist and it has been signed by 11 Spitfire pilots who have entertained air show crowds flying the famous fighter. Signatures include Ray Hanna, Andy Sephton, Norman Lees, Paul Day, Daniel Griffith and Alan Walker among others - some have added the serial of their Spitfire too. Superb rendition of the prototype Spitfire No 5054, being flown over the Vickers hangers at Eastleigh 1936. Condition report rolled so colours excellent, couple light fox marks to RH border. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
World War Two print 24x30 titled Per Ardua AD Astra signed in pencil by the Artist John Young picturing RAF Memorial flight flying over Windsor Castle limited edition 316/495. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Andy Warhol (1928-1987)(after)Dollar Signs (Sunday B. Morning) (set of four)The complete set of four screenprints in colours, 2013, each numbered from the edition of 1000 in pencil verso, on Archival Museum Board, published by Sunday B Morning, each with their rubber stamps in blue ink verso, each the full sheet printed to the edges, each 495 x 438mm (19 1/2 x 17 1/4in) (unframed) (4)Each print in this set is accompanied by a certificate of authenticity issued by the publisher.
Andy Warhol (1928-1987)(after)The Scream (Sunday B. Morning) (set of three)The complete set of three screenprints in colours, 2017, each numbered from the edition of 1500 verso, on Archival Museum Board, published by Sunday B Morning, each with their rubber stamps in blue ink verso, each the full sheet printed to the edges, each 890 x 640mm (35 5/8 x 25 5/8in) (unframed) (3)Each print in this set is accompanied by a certificate of authenticity issued by the publisher.
Roy Lichtenstein (1923-1997)Pyramids (Corlett 87)Lithograph printed in colours, 1969, a fine, fresh impression, signed and dated in pencil, the edition was 101, on Arches paper, printed at Atelier Mourlot, published by the artist for the Print Collectors of the Friends of Art, Kansas City, Missouri, with full margins, sheet 419 x 988mm (16 ½ x 38 7/8in) (unframed)
Umbo (1902-1980)Marcel Duchamp meme (from Re-object Mythos)Photograph, 1965-2007, from the edition of 45, printed in 2007 from the original negative as a baryta print with selenium toning, in the original mount as published, printed at Moersch Photochemie, Hurth, published by Edition Schellmann, Munich for Kunsthaus Bregenz, Austria, sheet 405 x 305mm (15 1/2 x 11 5/8in) (unframed)
James Barry (1741-1806)Self-portrait of the artistMezzotint, circa 1756-1810, an excellent heavily inked impression on fibrous wove paper without watermark, platemark 350 x 255 mm (14 x 9 3/4 in), sheet 475 x 330 mm (18 3/4 x 13 in), appears to be the full sheet with deckle edge, even toning and some surface dirt, a few scattered worm holes to sheet (unframed) Literature:Chaloner Smith 20 (Engraver not ascertained: Class III);cf. Pressly 36⁂ An unrecorded proof impression of this scarce print; printing before corrections made to the jacket, the areas surrounding the hair, and most prominently the drapery behind the artist. We have been unable to find a comparative state at auction, or a copy held within an institution.
δ Edward Ardizzone (1900-1979)The WreckLithograph printed in colours, 1951, printed by The Banyard Press for the School Print series, the full sheet, 493 x 760mm (19 1/2 x 30in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Patrick Hughes (b.1939)Untitled (Rainbow Vase)Screenprint in colours, signed and numbered from the edition of 25 in pencil, on wove paper, with margins, image 270 x 185mm (10 5/8 x 7 1/4in) (framed)Saleroom notice: Please note this is an archival pigment print with hand coloured rainbows.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Things RecentThe book, 1991, with one pigment print in colours, with title-page, text, reproductions and justification, this copy stamp numbered from the edition of 1250, printed at the artist's studio, published by Andre Emmerich Gallery, New York, on wove paper, the full sheets, spiral bound as published, overall size 217 x 285mm (8 ½ x 11 ¼in) (vol)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Julian Opie (b.1958)Walking in Melbourne 1Digital print in colours, 2018, from the edition of an unknown size, on wove paper, co-published by the artist's studio and the National Gallery of Victoria, London and Melbourne, on the occasion of the artist's exhibition 'Julian Opie', with full margins, sheet 353 x 353mm (13 7/8 x 13 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ David Bailey (b.1938)Legs and HosepipeGelatin silver print, 1980, signed in pencil, signed again, dated, and numbered from the edition of 200 in pencil verso, further dated and numbered in black ink within the studio stamps verso, on wove paper, sheet 250 x 380mm (9 7/8 x 15in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Martin Creed (b.1968)Work No. 223Digital print, 2000, signed and dated in pencil, with the printed title and numbering from the edition of 100, on wove paper, as included in the Cubitt portfolio, published by Cubitt, London, sheet 250 x 210mm (9 4/5 x 8 2/5in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ Tracey Emin (b.1963)I Promise To Love YouDigital print in colours, 2016, signed in silver ink, from the edition of 500, on glossy wove paper, printed and published by Emin International, London, the full sheet printed to the edges, 700 x 500mm (27 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)FigureGiclee print in colours, 2014, signed and numbered from the edition of 150 in pencil verso, on Hahnemuhle paper, published by Oak Tree Fine Press, Fyfield, with margins, sheet 279 x 216mm (11 x 8 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)The SoulsThe deluxe limited edition book comprising a foil block print in colours bound into the book, 2012, signed and numbered from the edition of 100 in white crayon, published by Other Criteria and Paul Stolper, London, cloth covered hardback book, overall 260 x 162mm (10 1/4 x 6 1/2in) (vol)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)H5-8. SavoyDiasec-mounted giclée print in colours on aluminium panel, 2018, signed and numbered from the edition of 100 on an adhesive label verso, published by the Tate Gallery and Heni, London, the full sheet printed to the edges, 900 x 900mm (35 ¼ x 35 ¼in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)H5-2. Beverly HillsDiasec-mounted giclée print in colours on aluminium panel, 2018, signed and numbered from the edition of 100 an adhesive label verso, published by the Tate Gallery and Heni, London, the full sheet printed to the edges, 900 x 900mm (35 ¼ x 35 ¼in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)Goodness (H6-4)Diasec-mounted giclée print on aluminium composite pane, 2019, signed and numbered from the edition of 50 in pencil on a label affixed to the verso, published by Foundation Beyeler, Basel, 1000 x 1000mm (39 3/8 x 39 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Quinn (b.1964)UntitledPigment print in colours with UV varnish, 2004, signed and numbered in pencil from the edition 100 of verso, on wove paper, published by the Irish Museum of Modern Art, Dublin, the full sheet printed to the edges, sheet 355 x 545mm (14 x 21 ½in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)The Honeymoon is OverGiclée print in colours, 2017, numbered from the edition of 250 in pencil, on archival Canson Mi-Teinte paper, with full margins, sheet, 480 x 330mm (18 7/8 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)I Can Resist Everything Except TemptationGiclée print in colours, 2016, signed and numbered from the edition of 250 in pencil, on wove paper, published by the artists with Save the Children, London, with full margins, sheet 370 x 265mm (14 1/2 x 10 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ The Connor Brothers (b.1968)A Load of Fuss About Fuck All (Green)Giclée print in colours with screenprinted glaze, 2014, signed, dated and numbered from the edition of 50 in pencil, on wove paper, with full margins, sheet 235 x 160mm (9 1/4 x 6 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ The Connor Brothers (b.1968)I Drink Therefore I CanGiclee print in colours, 2019, signed, dated and numbered from the edition of 30 in pencil, on wove paper, published by the artists in support of CALM Charity, London, the full sheet 750 x 500mm (29 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964)In Shadows I Boogie (Blue)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 x 253 x 45mm (13 1/2 x 9 7/8 x 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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